<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Holocaust history &#8211; Baltimore Magazine</title>
	<atom:link href="https://www.baltimoremagazine.com/tag/holocaust-history/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.baltimoremagazine.com</link>
	<description>The Best of Baltimore Since 1907</description>
	<lastBuildDate>Wed, 23 Apr 2025 18:04:05 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	

<image>
	<url>https://www.baltimoremagazine.com/wp-content/uploads/2020/08/cropped-favicon-32x32.png</url>
	<title>Holocaust history &#8211; Baltimore Magazine</title>
	<link>https://www.baltimoremagazine.com</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Filled With Art by Her Father Who Fled Nazi Germany, Eileen Koenigsberg&#8217;s Towson Home is Part Museum</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/towson-daughter-of-holocaust-survivor-painter-peter-scholleck-catalogues-his-work/</link>
		
		<dc:creator><![CDATA[Lauren LaRocca]]></dc:creator>
		<pubDate>Mon, 27 Jan 2025 19:46:29 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Home & Living]]></category>
		<category><![CDATA[Arting Gallery in Baltimore]]></category>
		<category><![CDATA[Eileen Koenigsberg]]></category>
		<category><![CDATA[George Ciscle]]></category>
		<category><![CDATA[Holocaust history]]></category>
		<category><![CDATA[paintings]]></category>
		<category><![CDATA[Peter Scholleck]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=166945</guid>

					<description><![CDATA[]]></description>
										<content:encoded><![CDATA[<div class="wpb-content-wrapper" id="wpb-content-root"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_center wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper  "><img fetchpriority="high" decoding="async" width="1200" height="1800" src="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/JRT6726-fin_CMYK.jpg" class="vc_single_image-img attachment-full" alt="" title="_JRT6726-fin_CMYK" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/JRT6726-fin_CMYK.jpg 1200w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/JRT6726-fin_CMYK-533x800.jpg 533w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/JRT6726-fin_CMYK-768x1152.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/JRT6726-fin_CMYK-1024x1536.jpg 1024w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/JRT6726-fin_CMYK-480x720.jpg 480w" sizes="(max-width: 1200px) 100vw, 1200px" /></div><figcaption class="vc_figure-caption">Eileen Koenigsberg was just 25 when she inherited her father’s paintings, many of which hang on the wall of
her home. In the 50 years that have followed, she has dedicated her life
to caring for his work. —Photography by Joanna Tillman </figcaption>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div class="wpb_text_column wpb_content_element" >
		<div class="wpb_wrapper">
			<p>Eileen Koenigsberg sits on a recliner in her living room in what would otherwise be a typical suburban home in Towson were it not for the gigantic abstract paintings surrounding her, taking up entire walls.</p>
<p>Over the past five decades and through several moves and life changes, Koenigsberg, 75, has lived with these large-scale paintings by her father, the late Peter Scholleck. In every room, his oil paintings, some of which are nearly sculptural in their thickness, hang on walls, making this house part home, part museum. Her Towson house is a showcase that ranges across spectrum of styles—abstract, figurative, still lifes, landscapes, even religious.</p>
<p><span data-olk-copy-source="MessageBody">The paintings have a particular poignancy because Scholleck survived Nazi Germany in 1939, when he was just a teenager. Before he left, he witnessed untold horrors. And for Koenigsberg, it was more about the connection to her father who died at only 45.</span></p>
<p>“When I went through the home, it was like an installation of this artist’s life and work—a site-specific installation,” says George Ciscle, whom Koenigsberg had hired to help organize the body of work. “Of the 157 pieces, all except 20 or 30 of them were in storage. I was just completely overwhelmed by the environment. Back then, her children were still living at home, so even the two girls had [his work] in their bedrooms. And she didn’t [formally] curate herself; these were just works she chose to live with. That was interesting to me, to see that personal relationship to the work she and her children had.”</p>
<p>Ciscle, a well-respected arts educator and curator based in Baltimore, says he gets asked “all the time” to look at family collections of artworks. He never agrees to work with clients until he’s seen the work, and usually, he passes. He says he’s never seen anything quite like Koenigsberg’s collection.</p>
<p>“I was like, wait a minute. This work has never been seen outside the home?” Ciscle recalls. “Here I was invited into this world—and it was a very private experience and very special—and my first impression was this work needs to be seen. It needs to be shared and shown.”</p>

		</div>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_center wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper  "><img decoding="async" width="602" height="602" src="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.2.jpg" class="vc_single_image-img attachment-full" alt="" title="about.2" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.2.jpg 602w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.2-270x270.jpg 270w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.2-480x480.jpg 480w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.2-400x400.jpg 400w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.2-200x200.jpg 200w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.2-300x300.jpg 300w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.2-600x600.jpg 600w" sizes="(max-width: 602px) 100vw, 602px" /></div><figcaption class="vc_figure-caption">Eileen Koenigsberg as a child painting with her father, the late artist Peter Scholleck. —Courtesy of Eileen Koenigsberg </figcaption>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div class="wpb_text_column wpb_content_element" >
		<div class="wpb_wrapper">
			<p><strong>Koenigsberg remembers</strong> a recurring scene of her early childhood vividly. She would jump into the front seat of her dad’s convertible, along with their dog, Tango, and head to the Mar-Sue Gallery art supply store in Pikesville. On the way home they would ride down the streets with huge canvases poking out of the back of the car.</p>
<p><span data-olk-copy-source="MessageBody">At their home in Mount Washington, Koenigsberg would help her father<b> </b>stretch smaller canvases in his basement studio—a space large enough to create his sculptural paintings, which grew in size in the 1960s. </span></p>
<p>If he needed more space, her father would move his work to the carport and paint out there. He’d stay up late into the night making art. From 1946 to 1967, he was painting.</p>
<p><span data-olk-copy-source="MessageBody">“He had this creative restlessness,” Koenigsberg recalls. “He was compelled to paint. Our childhood home was decorated with his work from wall to wall.” Regardless of his various day jobs (including factory manager, tavern owner, and land title examiner), it was his artwork that brought him the most joy. “I think work was secondary. The art was his passion.” But despite that, he rarely showed his art publicly.  </span></p>

		</div>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper  "><img decoding="async" width="921" height="921" src="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1.jpg" class="vc_single_image-img attachment-full" alt="" title="about.1" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1.jpg 921w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1-800x800.jpg 800w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1-270x270.jpg 270w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1-768x768.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1-480x480.jpg 480w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1-400x400.jpg 400w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1-200x200.jpg 200w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1-300x300.jpg 300w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/about.1-600x600.jpg 600w" sizes="(max-width: 921px) 100vw, 921px" /></div><figcaption class="vc_figure-caption">Late artist Peter Scholleck poses with one of his paintings. —Courtesy of Eileen Koenigsberg </figcaption>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper  "><img loading="lazy" decoding="async" width="2560" height="2107" src="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/1-scaled.jpg" class="vc_single_image-img attachment-full" alt="" title="1" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/1-scaled.jpg 2560w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/1-972x800.jpg 972w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/1-768x632.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/1-1536x1264.jpg 1536w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/1-2048x1686.jpg 2048w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/1-480x395.jpg 480w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /></div><figcaption class="vc_figure-caption">One of 157 of Scholleck's paintings in Koenigsberg's collection. —Courtesy of Xiaoming Liu/Arting Gallery</figcaption>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div class="wpb_text_column wpb_content_element" >
		<div class="wpb_wrapper">
			<p>Scholleck was born in Germany in 1923, just three months after his father died. His mother remarried three years later, and his stepfather, Wilhelm Nussbaum, raised Scholleck as his own son in Munich.</p>
<p>By 1938, Scholleck was attending an Episcopal boarding school when he was suddenly told he could no longer continue his education there because he was Jewish. That same year, he witnessed the violent destruction of Kristallnacht by the Nazi regime, and his stepfather was taken to a concentration camp.</p>
<p>In 1939, shortly after his badly beaten stepfather was released from the camp, his family fled to the U.S. His stepfather died just 20 months after they arrived in America, likely due to injuries sustained in the camp, Koenigsberg says.</p>
<p><span data-olk-copy-source="MessageBody">It’s hard to imagine his childhood did not influence his work, but Scholleck rarely talked about it.</span></p>
<p>“I’ve wondered how that childhood informed all this [artwork],” Koenigsberg says. “He was so grateful to be in this country. In 1943, he enlisted in the Army. He was not confused about where he’d been and where he was. I can’t separate that from the tension in the work.”</p>
<p>Koenigsberg also notes her father was not particularly religious, but he was an intellectual with “an enormous laugh” who would invite friends over on Sunday mornings for “these very cerebral conversations,” she says. Christ’s crucifixion, a <span data-olk-copy-source="MessageBody">simulacrum</span> of “The Last Supper,” rabbis, and priests show up in his paintings, though nothing directly relating to Germany, she added.</p>
<p><span data-olk-copy-source="MessageBody">Scholleck died at 45 with little to no recognition for his work, other than showing a few pieces in regional shows, and his wife followed six years later. So, Koenigsberg, an only child, was just 25 when she inherited the collection, which comprises of both large-scale and small works. In the 50 years that followed, she has cared for the work through six homes, displaying different pieces on the walls with each move.</span></p>
<p>She has managed to find homes that could accommodate storing the work (mostly ones with large, finished basements) and only needed to rent a climate-controlled commercial storage unit once in the past five decades. When she went that route, she visited the unit every two weeks to replace moisture-absorbing material left in buckets to control the humidity.</p>
<p>“I became a bit of a student on how to maintain the art,” she says. “It drives where you live—and how you live.”</p>
<p>Keeping the pieces in her home has meant keeping windows closed year-round to avoid any dust or pollen from entering the house and adding UV-blocking film to each pane. It has meant keeping the temperature and humidity at steady, specific levels. Caretaking the collection has meant hiring professionals to clean or restore pieces as needed. Koenigsberg has also gone so far as to install museum-quality lighting in her home.</p>
<p>While she has enjoyed living with the artwork over the years and has always wanted to honor her father by caring for his work, she also admits the collection has become a true labor of love.</p>
<p><span data-olk-copy-source="MessageBody">“I’ve had this responsibility for this legacy,” Koenigsberg says. But she was reluctant to sell his work that was so personal and meaningful to her. It took her a while to “embrace the idea that I [need to] distribute the work.” Not just because it deserved to be seen by the public but because, “I know what it’s taken to care for it, and I am not going to pass that down to my children.”</span></p>
<p><strong>Around 2001,</strong> Koenigsberg began the slow process of letting go.</p>
<p>At that time, she hired Ciscle, who recommended a professional photographer to shoot each piece and then taught Koenigsberg how to document them by creating a digital archive. Koenigsberg made a spreadsheet that details any and all information she has on each piece—title, history, whether or not it was exhibited, if it had won any awards—and numbered each of them, including some smaller works like a sketch he drew on the back of an envelope.</p>
<p>Together they eventually <a href="https://www.peterscholleckart.com/">created a website</a>, designed by a graphic designer, to highlight the work and ultimately found a gallery in Baltimore where it could be shown publicly. Over those twenty-some years, she and Ciscle also became friends.</p>
<p>“I think of him as my champion,” Koenigsberg says. “There have been a lot of stops and starts with the work—because of life—but it was the friendship that stuck.”</p>
<p>For the first time in September 2024, Koenigsberg showed 12 pieces publicly at<a href="https://artinggallery.net/Artist.asp?ArtistID=49690&amp;Akey=V568YFK8&amp;ajx=1"> Arting Gallery in Baltimore</a>—a vignette of his work, chosen by Ciscle, to give the public a first taste. <a href="https://www.instagram.com/arting.gallery.info/p/C9up1jxxyko/?img_index=1">“The Unknown Paintings of Peter Scholleck”</a> was on view for a month in the space, complete with weekly art talks and salons hosted by Koenigsberg and Ciscle.</p>

		</div>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper  "><img loading="lazy" decoding="async" width="2560" height="1900" src="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/s2-scaled.jpg" class="vc_single_image-img attachment-full" alt="" title="s2" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/s2-scaled.jpg 2560w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/s2-1078x800.jpg 1078w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/s2-768x570.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/s2-1536x1140.jpg 1536w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/s2-2048x1520.jpg 2048w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/s2-480x356.jpg 480w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /></div><figcaption class="vc_figure-caption">Eileen Koenigsberg and curator George Ciscle at an art talk celebrating “The Unknown Paintings of Peter Scholleck” at Arting Gallery in Baltimore. —Courtesy of Xiaoming Liu/Arting Gallery</figcaption>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper  "><img loading="lazy" decoding="async" width="2560" height="1820" src="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/8-scaled.jpg" class="vc_single_image-img attachment-full" alt="" title="8" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/8-scaled.jpg 2560w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/8-1125x800.jpg 1125w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/8-768x546.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/8-1536x1092.jpg 1536w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/8-2048x1456.jpg 2048w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/8-480x341.jpg 480w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /></div>
		</figure>
	</div>
</div></div></div><div class="wpb_column vc_column_container vc_col-sm-6"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper  "><img loading="lazy" decoding="async" width="2560" height="1788" src="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/7-scaled.jpg" class="vc_single_image-img attachment-full" alt="" title="7" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/7-scaled.jpg 2560w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/7-1145x800.jpg 1145w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/7-768x536.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/7-1536x1073.jpg 1536w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/7-2048x1431.jpg 2048w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/7-480x335.jpg 480w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /></div>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper  "><img loading="lazy" decoding="async" width="2560" height="2403" src="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/5-scaled.jpg" class="vc_single_image-img attachment-full" alt="" title="5" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2025/01/5-scaled.jpg 2560w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/5-852x800.jpg 852w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/5-768x721.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/5-1536x1442.jpg 1536w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/5-2048x1923.jpg 2048w, https://www.baltimoremagazine.com/wp-content/uploads/2025/01/5-480x451.jpg 480w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /></div><figcaption class="vc_figure-caption">A selection of the works mounted for September's “The Unknown Paintings of Peter Scholleck” at Arting Gallery in Baltimore. —Courtesy of Xiaoming Liu/Arting Gallery</figcaption>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div class="wpb_text_column wpb_content_element" >
		<div class="wpb_wrapper">
			<p>“We could have rented a space,” Ciscle says, “but I wanted it to be seen as a professional exhibition.” In an unusual move for a commercial gallery, none of the works were for sale.</p>
<p>“My first impression of Peter’s work was..they were hidden treasure,” says Arting Gallery director Xiaoming Liu. He adds that Arting, which has been open for two years, “is truly experimental. We don’t select the artworks by money and fame&#8230;we judge by the artist and his or her works—to some extent, by the sixth sense.”</p>
<div class="aVla3 gXGox">
<div class="BS0OK" aria-expanded="true">
<div>
<div class="fui-FluentProvider fui-FluentProviderrcm ___5n94it0 f19n0e5 f3rmtva fgusgyc fk6fouc fkhj508 figsok6 fytdu2e" dir="ltr">
<div class="wide-content-host">
<div class="SlLx9 WWy1F WWy1F" tabindex="-1" aria-label="Email message">
<div role="document">
<div id="UniqueMessageBody_98" class="XbIp4 jmmB7 GNqVo allowTextSelection OuGoX" tabindex="0" aria-label="Message body">
<div>
<div>
<div lang="en-US">
<div>
<p><span data-olk-copy-source="MessageBody">Also on view at the exhibition was a slideshow showing additional pieces from Scholleck’s large collection.</span></p>
<p><span style="font-size: inherit;">Ciscle says an unexpected result of the show was the interest and enthusiasm among artists, specifically painters, who visited several times and brought their friends. Koenigsberg wanted the work to be seen and appreciated publicly but also viewed the show as a path toward permanent placement for the work, whether it be acquired by collectors or placed in public settings, like community centers, libraries, schools, museums, or hospitals.</span></p>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
</div>
<p>“The process of letting go of these paintings is almost like grief. It’s not linear. It’s slow, and it’s only sometimes by choice,” Koenigsberg says. “But I want them to have a life beyond this.”</p>

		</div>
	</div>
</div></div></div></div>
</div>
<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/towson-daughter-of-holocaust-survivor-painter-peter-scholleck-catalogues-his-work/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Try to Remember</title>
		<link>https://www.baltimoremagazine.com/section/community/baltimore-holocaust-survivors-share-their-stories-atrocity-never-forgotten/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Mon, 20 Jan 2020 08:30:00 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Baltimore]]></category>
		<category><![CDATA[Holocaust]]></category>
		<category><![CDATA[Holocaust history]]></category>
		<category><![CDATA[Holocaust Survivors]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=70619</guid>

					<description><![CDATA[]]></description>
										<content:encoded><![CDATA[<div class="wpb-content-wrapper" id="wpb-content-root"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div class="wpb_raw_code wpb_raw_html wpb_content_element" >
		<div class="wpb_wrapper">
			<!-- HERO BLOCK -->

<div id="hero">
<div class="row" style="padding: 26rem 0rem 26rem 0rem">
<div class="medium-5 push-6 columns">

 
</div>
</div>
</div>





<div class="topByline">
<div class="row">
<div class="medium-8 push-2 columns">
<h6 class="thin uppers text-center"><a href="https://www.baltimoremagazine.com/section/community" target="blank">News & Community</a></h6>

<h4 class="text-center unit">In ever-dwindling numbers, survivors of the Nazi Genocide share their stories so the atrocity is never forgotten. </h4>

<hr/>


<div class="medium-6 columns">

<span class="clan editors"><p style="font-size:1.75rem;">As told to Leah Eskin</p></span>
</div>

<div class="medium-6 columns text-right">
<p>Photography by Mike Morgan
<br/>Lettering by Gemma Román
<br/><a href="https://www.baltimoremagazine.com/issue/january-2020/">January 2020</a></p>
</div>

</div>
</div>
</div>

<!-- HERO BLOCK END -->

<!-- MOBILE HERO BLOCK -->
<div class="article_content">



<div class="topMeta">
<h6 class="thin tealtext uppers text-center">News & Community</h6>
<img decoding="async" class="mobileHero" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/JAN20_Feature_Holocaust_thumb.jpg"/>
<h4 class="deck" style="color:c6c0b6;">
In ever-dwindling numbers, survivors of the Nazi Genocide share their stories so the atrocity is never forgotten. 
</h4>
<p class="byline">As told to Leah Eskin<br/> Photography by Mike Morgan<br/>Lettering by Gemma Román <br/><a href="https://www.baltimoremagazine.com/issue/january-2020/">January 2020</a></p>
</div>



<!-- MOBILE HERO BLOCK END -->

<!-- SOCIALS BLOCK -->

<div class="row">
<div class="medium-8 push-2 columns text-center" style="padding-top:1rem; ">

<center><div style="display:block;" >
<div style="padding-top:15px; padding-bottom:11px;border-bottom:0px solid #d3d3d3;margin-bottom:25px;" class="addthis_inline_share_toolbox_925m">
</div>
</div></center>

</div>
</div>

<!-- SOCIALS BLOCK END -->

<!-- ARTICLE BLOCK -->



<div class="row">
<div class="medium-8 push-2 columns" style="padding-top:1rem;">

<p  class="intro">
<span class="firstcharacter" style="font-family:gabriela, serif;">T</span>he word “Holocaust” draws a blank stare from many a millennial. Some 22 percent of young American adults aren’t familiar with the Nazi genocide of six million European Jews. According to <a href="http://www.claimscon.org/wp-content/uploads/2018/04/Holocaust-Knowledge-Awareness-Study_Executive-Summary-2018.pdf" target="_blank">a 2018 survey</a> conducted by the Conference on Jewish Material Claims Against Germany, two-thirds haven’t heard of Auschwitz, the complex of concentration camps where some 1.1 million perished. 
</p>
<p>
Bad news for us all—especially as anti-Semitism rises worldwide. In 2018, France alone reported a <a href="https://www.nytimes.com/2019/02/12/world/europe/paris-anti-semitic-attacks.html" target="_blank">74 percent increase</a> in violence against Jews. In the past two years, <a href="https://www.nytimes.com/2019/02/12/world/europe/paris-anti-semitic-attacks.html" target="_blank">synagogues in Pittsburgh</a>; outside San Diego; and in Halle, Germany, have suffered deadly attacks. 
</p>
<p>
The best remedy, says the Claims Conference, is education. Fortunately, the Maryland State Department of Education recently announced plans to expand the Holocaust curriculum in both middle and high schools. 
</p>
<div class="QuoteWrap2" style="border-top:10px solid #aaaaae;">
<h4 class="clan quote">“There aren't many of us left, and we won’t be here very long. Try to remember, so you can tell some of it to your children.”</h4>
</div>
<p>
Other groups have long been at it. “We teach it so that never again, ever again, such a catastrophe occurs to any group,” says Jeanette Parmigiani, director of Holocaust programs at the Baltimore Jewish Council. “Primo Levi, who was a Holocaust survivor from Italy, said, ‘It happened, therefore it can happen again.’ And it has happened again. Not the magnitude of the Shoah, but there have been other genocides. We try to educate and inspire students to be upstanders—a person who sees wrong and acts. It’s not just to protect Jewish people, it’s to protect everyone.”  
</p>
<p>
Learning the awful truth is necessary. Learning it straight from a survivor, 75 years after the end of World War II, is rare. “We tell them, ‘Look, we are the last people to tell it to you,’” says Goldie Szachter Kalib, 88, of Pikesville. “‘There aren’t many of us left, and we won’t be here very long. Try to remember, so you can tell some of it to your children.’” 
</p>
<p>
We sat down with three local Holocaust survivors to hear their stories, and had the rare opportunity to record their histories here. </p>

<p> Try, as Kalib urges, to remember. 
</p>

</hr>

</div>
</div>

<hr/>

<div class="row" style="padding-top:1rem;">
<div class="medium-8 push-2 columns" >

<h3 class="text-center uppers" style="font-family: Gabriela Stencil, serif; letter-spacing: 8px;">Goldie Szachter Kalib</h3>
<h5 class="clan uppers text-center" style="color:#a59693; font-family: mohr, monospace;">Pikesville, 88 years old</h5>

</div>
</div>

<div class="row" style="padding-top:1rem;">
<div class="medium-8 push-2 columns" >

<img decoding="async" class="singlePic" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/JAN20_Feature_Holocaust_kalib.jpg"/>




</div>
</div>

<div class="row">
<div class="medium-8 push-2 columns">
<h5 class="captionVideo thin"><center>Goldie szachter Kalib HOLDS A PHOTOGRAPH of herself at the bergen-belsen displaced persons camp, taken after she was liberated at the age of 14. </center></h5>
</div>
</div>

<div class="row " style="padding-top:2rem; padding-bottom:2rem;">
<div class="medium-6 push-3 columns"  >

<div style="background-color:#f1f3f4; padding:0.5rem;">

<h5 class="text-center" style="margin: 0.5rem;">
“All Jewish children can't come to school tomorrow.”
</h5>



<audio controls class="text-center" style="display:block; margin: 0 auto; width:100%;">
  <source src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Goldie_Going_to_School_Testimonial.mp3" type="audio/mpeg">
  Your browser does not support the audio tag.
</audio>
</div>

</div>
</div>

<div class="row">
<div class="medium-8 push-2 columns" style="padding-top:1rem;">
<p>
<span class="firstcharacter" style="font-family:gabriela, serif;">W</span>e lived in Poland in a very small town called Bodzentyn. I was the youngest of the five, so I was more or less adored by my parents. My father co-owned a flour mill with my grandfather. In the wintertime he would make a sled out of one of the buggies, two horses, and a bell, and he would take out all my cousins. So we had a wonderful time. I was in first grade when the war started, and it didn’t take very long before the teacher announced all Jewish children can’t come to school tomorrow. The first few days, it was exciting. After a week or so, I started to understand. We had a balcony, and I looked down and right there, a German shot a girlfriend that I knew. Just for sport. 
</p>
<div class="QuoteWrap2" style="border-top:10px solid #aaaaae;">
<h4 class="clan quote">“There was gossip that the family was hiding a Jew. So I was hidden in a barn for three weeks.”</h4>
</div>
<p>
 Food was so scarce. I saw people walking around with feet completely swollen, begging for food. My mother would try to cook soup and bake bread and give it out. My father had a friend, a bootmaker for the Germans in a munitions factory. The friend paid one of the Germans, and that German came in a covered truck and took our whole family to this city called Starachowice where this factory was. This friend was able to get ID cards for us as workers in the factory—except me. I was already 10, but I wouldn’t pass as a worker. An uncle of mine knew a lady called Surowjecka. He said she was a very fine human being. He suggested that my father ask her whether she would shelter me. 
</p>
<p>
The day came I had to go with a man. We walked a long way. I did not cry; I pretended to be brave. And he asked me would I like some of the food that he had brought. Of course, my family was kosher, and I knew that all of that is traif. So, I thanked him very much, but I said I was not hungry. Finally, we arrived in the village. I went to sleep, and in the morning, this lady introduced herself and wasted no time. She wanted me to look more like a Polish Christian peasant girl. She started to lengthen my dresses, straighten my hair, and teach me the rituals of the church. I had to pretend to be this ‘Halinka,’ her niece from Krakow. But people recognized me. For example, one time a shoemaker from Bodzentyn. He said, “Even the shoes she’s wearing I made!” There was gossip that the family was hiding a Jew. So I was hidden in a barn for three weeks. Once Germans came and I was hidden in an empty beehive. The family had friends in another village who were rather poor. They were also very anti-Semitic. For three months, Mrs. Surowjecka paid them, with food, to keep me. Somehow, they never caught on that I am Jewish. I don’t think that they had even ever met a Jew. 
</p>
<p>
Mrs. Surowjecka was able to get to my father. She explained that her life is in danger, and my life was in danger. Near my 12th birthday, my father arranged to have me illegally smuggled in to the labor camp with the factory. The laborers there had been spared when the rest of the town was liquidated by the Nazis. But in July 1944, the Germans apparently decided to abandon the camp. We were all transferred to Auschwitz. The train ride—how do I describe that horror? It was in the summer, windows shut. No air. No food. No water. My father and my younger brother did not survive the trip. When we got off it was a Sunday morning. I thought: Is this an insane asylum? There were these chimneys, such tall chimneys, from which you constantly smelled the stench of the burning flesh and you saw the fire. Somehow I was saved by a complex of miracles. I got so sick in Auschwitz. It’s hard to believe, but Auschwitz had a hospital. I was there for days and days. I don’t know if they tried to experiment on me or tried to save me. I was getting shots; from them I got a huge abscess under my arm. But somehow, I survived that. 
</p>
<div class="picWrap" style="padding-bottom:0.5rem;">
<div style="background-color:#f1f3f4; padding:0.5rem;">

<h5 class="text-center" style="margin: 0.5rem;">
“We saw Germans in the city, and they started to torture people.”
</h5>



<audio controls class="text-center" style="display:block; margin: 0 auto; width:100%;">
  <source src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Goldie_Torture_and_Girlfriend_Testimonial.mp3" type="audio/mpeg">
  Your browser does not support the audio tag.
</audio>
</div>
</div>
<p>
You’ve probably heard of Doctor Mengele. He picked out some women to go to the gas chambers and got my mother and me. And they put us in a windowless concrete room, dark, maybe 200 women, and Nazis came in to tease us. “Where do you want to be gassed? Here? Or in the gas chambers?” All the women yelled “Here.” So they would throw some white powder, but we all realized, after a few hours, we were alive. It was a hoax. One day a group of Germans came in and said: “Out.” We all thought, “Now we are going to the gas chambers.” Well, they took us all back to our barracks. We realized that the Russian army was very close, and they simply didn’t have time to do away with us. After that, we were sent on the death march to Bergen-Belsen. There were no crematoria in Bergen-Belsen. But there didn’t have to be, because people were dying. If you still had the strength to walk out of the barracks, say if you wanted to urinate, you had to walk on dead people. Literally. You couldn’t help it. You couldn’t walk out without walking on dead people. 
</p>
<p>
Somehow my mother and my sisters survived that. On April 15, 1945, the British liberated us. My mother died three or four weeks after it ended. But I had grandfathers, cousins, aunts, and uncles—no one survived. Very often I am called to schools. I think: “Tell it as well as you can possibly tell it.” That’s all we can do. 
</p>

</div>
</div>

<div class="row" style="padding-top:1rem;">
<div class="medium-8 push-2 columns" >

<h3 class="text-center uppers" style="font-family: Gabriela Stencil, serif; letter-spacing: 8px;">FRED EMIL KATZ</h3>
<h5 class="clan uppers text-center" style="color:#a59693; font-family: mohr, monospace;">TOWSON, 92 years old</h5>

</div>
</div>

<div class="row" style="padding-top:1rem;">
<div class="medium-8 push-2 columns" >

<img decoding="async" class="singlePic" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/JAN20_Feature_Holocaust_katz.jpg"/>




</div>
</div>

<div class="row">
<div class="medium-8 push-2 columns">
<h5 class="captionVideo thin"><center>Fred Emil Katz HOLDS A PHOTOGRAPH of himself from 1939, before he left his home in Oberlauringen, Germany.</center></h5>
</div>
</div>

<div class="row " style="padding-top:2rem; padding-bottom:2rem;">
<div class="medium-6 push-3 columns"  >

<div style="background-color:#f1f3f4; padding:0.5rem;">

<h5 class="text-center" style="margin: 0.5rem;">
“Going to and from school became a daily nightmare.”
</h5>



<audio controls class="text-center" style="display:block; margin: 0 auto; width:100%;">
  <source src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Fred_Singing_Testimonial_Final.mp3" type="audio/mpeg">
  Your browser does not support the audio tag.
</audio>
</div>

</div>
</div>

<div class="row">
<div class="medium-8 push-2 columns" style="padding-top:1rem;">

<p>
<span class="firstcharacter" style="font-family:gabriela, serif;">I</span> was born November 10, 1927. My 11th birthday was Kristallnacht—“the night of broken glass,” a violent, concerted attack on Germany’s Jews. We lived in a small village called Oberlauringen, in Northern Bavaria, roughly 90 miles east of Frankfurt. It’s a village of about 350 people, there were about 30 Jewish people living there. It was an Orthodox Jewish family. I very much remember standing next to my father in the synagogue. I knew every Jewish person in the village, I knew where they sat in the synagogue, I could tell you how they said their prayers. The first report from my first-grade teacher, my first year of school, it was one sentence: “Fred is fearful.” This was the first year of Hitler. 
</p>
<p>
On November 9, 1938, all of the Jewish men in the village and the older children, including my brother, were taken away. My mother and I spent the night in the attic of the neighboring house. We heard people breaking into the house underneath us and our house, we heard everything being smashed up and yelling: “Where are the Jews?” We didn’t know whether we would make it through the night, my mother and me. The following morning, the noise stopped, and we went down, climbing over rubble that was our home. 
</p>
<p>
After some weeks, the men came back. My brother and my father. And somehow the man next door was a little longer in coming back. When he did come back, I could not recognize him. His face was all beaten. We were so glad that they were alive. But they were awfully silent. They wouldn’t talk about what happened. They wouldn’t talk. 
</p>
<p>
After Kristallnacht, it was crystal clear the Jews would not survive. My parents tried desperately to get out. We had relatives in America—in Dayton, Ohio. In 1937, these people had been able to sponsor my older sister, Trudy. As new immigrants, they didn’t have the funds to sponsor the rest of us. 
</p>
<div class="QuoteWrap" style="border-top:10px solid #aaaaae;">
<h4 class="clan quote">“My form of survivor’s guilt is I can’t do the usual thing; I must do unusual things. Only then do I deserve to be around.”</h4>
</div>
<p>
My father was a butcher. He was a luftmensch—a man whose feet are firmly planted in the clouds. Many years later, a cousin of mine said that he made the best sausages and he read Shakespeare—a guy who had at best an elementary education. But he was not an accessible, verbal person. My mother was the opposite—very warm, outgoing, engaging, caring. I’m sure she gave me life twice. Once the usual way and the other when she arranged for me getting on the Kindertransport. 
</p>
<p>
A group, which included Quaker, Jewish, and Christian members, had petitioned the British government to allow Jewish children to come to England. So 10,000 Jewish children were allowed to come. People ask me, was it difficult to leave your parents, and I say, “No.” It never occurred to me. I had only one thought in my head: “I must get away.”  
</p>
<p>
My father didn’t have the money to come along to Frankfurt to the train station. That was one of the things that happened—we became poverty stricken. The killing of meat the kosher way became outlawed. That was my father’s livelihood. We had to go on welfare, Jewish welfare, because of that. Before that, we were ordinary burghers. My mother put me on the train and she stood outside, weeping. And I said to myself, “Why is she crying?”
</p>
<p>
The train went through Germany to Holland. We were then put on a ship across the channel to England. We were brought to London, then sent to a kind of a camp on the coast. Individual families came and picked themselves a child, but I wasn’t picked, so I ended up in a school called Bunce Court School in Kent. Virtually all the children and the faculty were traumatized. It was a congenial group of screwed-up people. 
</p>
<p>
Before the war, you were able to write. After the war started in September 1939, you could send 25-word messages through the Red Cross. My mother was still telling me, “dress warm,” as if she was taking care of me. 
</p>
<p>
For a long time, I didn’t know what had happened. When the war ended, 
I found out that on July 6, 1943, all the Jews from my village and the adjacent places were picked up and shipped off to Sobibór, the extermination camp in Poland. There were no survivors. It was only then that things hit me. They were murdered. 
</p>
<div class="picWrap2" style="padding-bottom:0.5rem;">
<div style="background-color:#f1f3f4; padding:0.5rem;">

<h5 class="text-center" style="margin: 0.5rem;">
“You can't take survival for granted.”
</h5>



<audio controls class="text-center" style="display:block; margin: 0 auto; width:100%;">
  <source src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Fred-Survivors-Guilt-Testimonial.mp3" type="audio/mpeg">
  Your browser does not support the audio tag.
</audio>
</div>
</div>
<p>
When people drum into you, “you don’t deserve to live,” as was drummed into me, one of the most pernicious things is you might believe it. My form of survivor’s guilt is I can’t do the usual thing; I must do unusual things. Only then do I deserve to be around. 
</p>
<p>
What is it about human ordinariness that is at work, so that decent people will do horrendous stuff? That’s what I’m addressing in my book Ordinary People and Extraordinary Evil. The mainstream is into “We must remember, so it won’t happen again.” That’s not good enough. My mission is to do a better job than that. I think I’m on the track to saving our species from destroying ourselves.
</p>

</div>
</div>

<div class="row" style="padding-top:1rem;">
<div class="medium-8 push-2 columns" >

<h3 class="text-center uppers" style="font-family: Gabriela Stencil, serif; letter-spacing: 8px;">ESTHER KAIDANOW</h3>
<h5 class="clan uppers text-center" style="color:#a59693; font-family: mohr, monospace;">LUTHERVILLE, 84 years old</h5>

</div>
</div>


<div class="row" style="padding-top:1rem;">
<div class="medium-8 push-2 columns" >

<img decoding="async" class="singlePic" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/JAN20_Feature_Holocaust_kaidanow.jpg"/>




</div>
</div>

<div class="row">
<div class="medium-8 push-2 columns">
<h5 class="captionVideo thin"><center>Esther kaidanow HOLDS A PHOTOGRAPH of her family After she was liberated. They had just arrived in Philadelphia after beinG RELEASED FROM A REFUGEE SHELTER. </center></h5>
</div>
</div>

<div class="row " style="padding-top:2rem; padding-bottom:2rem;">
<div class="medium-6 push-3 columns"  >

<div style="background-color:#f1f3f4; padding:0.5rem;">

<h5 class="text-center" style="margin: 0.5rem;">
“They broke into the synagogue on a Friday night and beat up the people attending.”
</h5>



<audio controls class="text-center" style="display:block; margin: 0 auto; width:100%;">
  <source src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Esther_First_Shabbat_Testimonial_Final.mp3" type="audio/mpeg">
  Your browser does not support the audio tag.
</audio>
</div>

</div>
</div>


<div class="row">
<div class="medium-8 push-2 columns" style="padding-top:1rem;">
<p>
Our neighborhood, I want to tell you, we had very few Jews. But we lived well with the neighbors. It’s a small city: Split, like a banana split, in what is now Croatia. We managed to live as we did, until this particular faction, the Ustacši—they were pro-Nazi—broke into the synagogue on a Friday night during services and they burned the holy books, the Torahs, in a bonfire. We came a little late. We saw that they were bayonetting people. We backed away. We went home a roundabout way. We passed by the rabbi’s house, and we saw that his face was slashed up and that many stores, including my uncle’s, were torn apart. 
</p>
<p>
What can you do? This is what happened. 
</p>
<p>
Neighbors, Christian neighbors, came and banged on our door and said, “The Nazis are coming.” Thinking they were only taking the men and they wouldn’t harm women and children, my father and my brother left. We saw the Nazis coming in on those bicycles with the side car. We saw people being hung, out by the promenade that we had. I saw that. It was a brutal thing. 
</p>
<p>
My sister Sara, she practiced jumping out of a back window. She made me do it one time. She was preparing herself. We found out that they are about to collect women and children now. So, my gutsy sister, she was a tomboy type, Sara, she said we have to leave. My mother felt that it was her duty to save her home and her business; her husband had left it in her charge. My sister said, “We’re going to scare mother and tell her that if she doesn’t leave, we are going to go by ourselves.” She was about 12, I might have been 7. We went across a field, and my mother was yelling, “Wait, children, wait.” She was superstitious. She thought that God speaks to children. She said, “If you children think that that’s the thing to do, I’ll go with you.” 
</p>
<div class="QuoteWrap" style="border-top:10px solid #aaaaae;">
<h4 class="clan quote">“We passed by the rabbi’s house, and we saw that his face was slashed up and that many stores, including my uncle’s, were torn apart.”</h4>
</div>
<p>
We wondered where to go. My sister said, “How about the milk maid?” We found our way to this small village, and the milk maid let us stay in a room that was not bigger than a single mattress. We never talked out loud, and we never showed ourselves, and she would bring us something to eat. It was about six months. Then she told us that somebody saw us and that she couldn’t keep us any longer. Her husband suggested: “Why don’t you go to the Partisans?” 
</p>
<p>
Have you ever heard of Partisans? In English it doesn’t sound so good. When you’re partisan you’re biased. But that’s not the word. Partisans were the resistance fighters. 
</p>
<p>
The Yugoslav Partisans allowed refugees to come even if they were not fighters. Once in a while they would get some animals from some farm, and they would cook it on a spit and then we would get a little bit, but most of the time we did have to fend for ourselves, and sometimes for days we didn’t have anything to eat. That was how it went for close to a year. The Partisans discovered that part of Italy was liberated by the British. The British had set up displaced persons camps for those who could get there. They said we had to go over this very bald crest of mountains and be on the beach and they would send rowboats. But the Nazis were all around. Four times, at least, in a terrible struggle, we came down to the beach and there was nobody there, so we had to go back and do it again. For days. One last time we came, and there were a few boats there, so we did manage to get to an island, me and my sister and my mother. We were told to wait and hide. A British boat came for us and we were like reborn. They dragged us up with ropes and one of the British soldiers gave me a candy bar. 
</p>
<div class="picWrap2" style="padding-bottom:0.5rem;">
<div style="background-color:#f1f3f4; padding:0.5rem;">

<h5 class="text-center" style="margin: 0.5rem;">
“We saw people being hung.”
</h5>



<audio controls class="text-center" style="display:block; margin: 0 auto; width:100%;">
  <source src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Esther_Second_Shabbat_Testimonial.mp3" type="audio/mpeg">
  Your browser does not support the audio tag.
</audio>
</div>
</div>
<p>
Already in 1944, President Roosevelt was told that he would look very bad in history if he did not do anything about the situation in Europe. Already most of the Jews had been killed. He decided he would bring 1,000 refugees to United States for safekeeping in Fort Ontario in Oswego, New York. My father and my brother applied, and they were accepted. When they heard we were alive, they asked if we could join them. And I guess America was always for reunification—if they accepted part of the family, they accepted the rest. 
</p>
<p>
The ship was called the Henry Gibbins, an old troop transport ship. Half was wounded soldiers and half was our group—in the end it turned out 982, not the whole 1000. It was a long trip, almost a month because the war was still on. We had to hug the shores, we had to put on those yellow jackets, if we should drown, 
I guess. One time we were attacked. But they didn’t get us. We came to New Jersey—Hoboken. I looked at the skyline of New York. My mouth was wide open with the wonder of it all. Finally, we came in front of the Statue of Liberty. There was a rabbi who made a speech, that we should never consider ourselves lowly. Some people actually bent down and kissed the floor of the ship.
</p>
</div>
</div>


</div>
</div>
		</div>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div class="wpb_raw_code wpb_raw_html wpb_content_element" >
		<div class="wpb_wrapper">
			<style type="text/css">.firstcharacter { 
float: left; font-size: 93px;
line-height: 60px;
padding-top: 4px;
padding-right: 8px; padding-left: 3px;
font-weight:bold;
}




.intro {
font-size:1.5rem;
}

.section{
margin-top:45px;
}


.article_content{
background:#FFF;
margin-bottom:0px;
}

#hero{
background-image:url('https://www.baltimoremagazine.com/wp-content/uploads/2020/11/JAN20_Feature_Holocaust_hero.jpg');
background-size: contain;
background-position:top;
background-repeat: no-repeat;
}

.topByline{
padding-top:20px;
margin-bottom:0px;
color:#000000;
background-color:#ffffff;
}

.topMeta{
padding:10px;
display:none;
margin:0 auto;
background-color:#ffffff;
color:#000000;
}

.deck{
max-width:760px;
display:block;
margin:0 auto;
text-align:center;
}

.title{
text-align:center;
}

.byline{
text-align:center;
}


#viewBig{
width:160px;
float:right;
margin-top:10px;
margin-left:20px;
margin-bottom:10px;
background:#11afbd;
border-radius:2px;
}

.viewBigText{
text-align:center;
text-transform:uppercase;
letter-spacing:1px;
font-weight:900;
font-size:14px;
margin-top:25px;
color:#FEFEFE;
}

.caption_1{
margin-top:10px;
font-size:15px;
color:#222;
}

.close_icon{
background:#333;
padding:1px;
border-radius:50%;
width:25px;
height:25x;
margin-left:10px !important;
}

.rowPic{
width:75%;
height:auto;
}

.captionMain{
margin-top:-45px;
text-align:center;
text-transform:uppercase;
font-size:15px;
line-height:1.2;
position: relative;
padding: 60px 10px 10px 10px;

}


.captionVideo{
margin:0px auto;
text-align:center;
text-transform:uppercase;
font-size:15px;
line-height:1.2;
position: relative;
padding: 15px 10px 10px 10px;
}

.mobilebottom{
background:#FFF;
}

.singlePic{
width:100%;
height:auto;
}

.quote{
padding-top:1rem;
color:#23afbc;
}

.QuoteWrap{
float:left;
width:50%;
margin-top:10px;
margin-right:20px;
}

.QuoteWrap2{
float:right;
width:50%;
margin-top:10px;
margin-left:20px;
}

.picWrap{
float:left;
width:50%;
margin-top:10px;
margin-right:20px;
}

.picWrap2{
float:right;
width:50%;
margin-top:10px;
margin-left:20px;
}

.picWrap3{
float:left;
width:60%;
margin-top:20px;
margin-right:40px;
margin-left:-20%;
}

.picWrap4{
float:right;
width:60%;
margin-top:10px;
margin-left:20px;
margin-right:-20%;
}

.picWrapMod1{
float:left;
width:83%;
margin-top:20px;
margin-right:40px;
margin-left:-25%;
margin-bottom:10px;
}

.picWrapMod2{
float:right;
width:83%;
margin-top:20px;
margin-left:40px;
margin-right:-25%;
margin-bottom:10px;
}

.mobileHero{
width:100%;
height:auto;
display:none;
margin:0 auto;
}


// Small screens
@media only screen { 

#hero{
background-image:url('https://www.baltimoremagazine.com/wp-content/uploads/2020/11/FEB18_Feature_Towering_hero.jpg');
background-size:cover;
background-position:center;
background-attachment:fixed;
min-height:100%;
display:none;
}

.parallax {
  background-attachment: scroll;
}

.artquote {
font-size: 1.3rem;
padding: 1rem 0;
}

.rowPic{
width:100%;
height:auto;
margin-bottom:10px;
}

.mobileHero{
width:100%;
height:auto;
display:block;
margin:0 auto;
}

.picWrap{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrap2{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrap3{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrap4{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrapMod1{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrapMod2{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.topMeta{
padding:10px;
display:block;
margin:0 auto;
}
.topByline{
background:#040303;
padding-top:20px;
margin-bottom:0px;
text-align:center;
color:#EEE;
display:none;
}

.article_content{
background:#FFF;
margin-bottom:0px;
}

} /* Define mobile styles */

@media only screen and (max-width: 40em) { 

.rowPic{
width:100%;
height:auto;
margin-bottom:10px;
}

.intro {
    font-size:1.1rem;    
}

.artquote {
font-size: 1.3rem;
padding: 1rem 0;
}

#hero{
background-image:url('https://www.baltimoremagazine.com/wp-content/uploads/2020/11/FEB18_Feature_Towering_hero.jpg');
background-size:cover;
background-position:center;
background-attachment:fixed;
min-height:100%;
display:none;
}

    .parallax {
        background-attachment: scroll;
    }

.mobileHero{
width:100%;
height:auto;
display:block;
margin:0 auto;
}

.picWrap{
float:none;
width:100%;
margin-top:0px;
margin-right:0px;
margin-bottom:15px;
}

.picWrap2{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrap3{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrap4{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrapMod1{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.picWrapMod2{
float:none;
width:100%;
margin-top:0px;
margin-left:0px;
margin-bottom:15px;
}

.topMeta{
padding:10px;
display:block;
margin:0 auto;
background-color:#ffffff;
color:#000000;
}

.topByline{
background:#040303;
padding-top:20px;
margin-bottom:0px;
text-align:center;
color:#EEE;
display:none;
}

.article_content{
background:#FFF;
margin-bottom:0px;
}

} /* max-width 640px, mobile-only styles, use when QAing mobile issues */

// Medium screens
@media only screen and (min-width: 40.063em) {

#hero{
background-image:url('https://www.baltimoremagazine.com/wp-content/uploads/2020/11/FEB18_Feature_Towering_hero.jpg');
background-size:cover;
background-position:center;
background-attachment:fixed;
min-height:100%;
display:none;
}

.artquote {
font-size: 1.3rem;
padding: 1rem 0;
}

.mobileHero{
width:100%;
height:auto;
display:block;
margin:0 auto;
}

.topMeta{
padding:10px;
display:block;
margin:0 auto;
background-color:#ffffff;
color:#000000;
}

.topByline{
background:#040303;
padding-top:20px;
margin-bottom:0px;
text-align:center;
color:#EEE;
display:none;
}

.article_content{
background:#FFF;
margin-bottom:0px;
}

 } /* min-width 641px, medium screens */

@media only screen and (min-width: 40.063em) and (max-width: 64em) {

.mobileHero{
width:100%;
height:auto;
display:block;
margin:0 auto;
}

#hero{
background-image:url('https://www.baltimoremagazine.com/wp-content/uploads/2020/11/FEB18_Feature_Towering_hero.jpg');
background-size:cover;
background-position:center;
background-attachment:fixed;
min-height:100%;
display:none;
}

.artquote {
font-size: 1.3rem;
padding: 1rem 0;
}

    .parallax {
        background-attachment: scroll;
    }



.topMeta{
padding:10px;
display:block;
margin:0 auto;
background-color:#ffffff;
color:#000000;
}

.topByline{
background:#040303;
padding-top:20px;
margin-bottom:0px;
text-align:center;
color:#EEE;
display:none;
}

.article_content{
background:#FFF;
margin-bottom:0px;
}

 } /* min-width 641px and max-width 1024px, use when QAing tablet-only issues */

// Large screens
@media only screen and (min-width: 64.063em) { } /* min-width 1025px, large screens */

@media only screen and (min-width: 64.063em) and (max-width: 90em) { } /* min-width 1025px and max-width 1440px, use when QAing large screen-only issues */

// XLarge screens
@media only screen and (min-width: 90.063em) { } /* min-width 1441px, xlarge screens */

@media only screen and (min-width: 90.063em) and (max-width: 120em) { } /* min-width 1441px and max-width 1920px, use when QAing xlarge screen-only issues */

// XXLarge screens
@media only screen and (min-width: 120.063em) { } /* min-width 1921px, xxlarge screens */</style>
		</div>
	</div>
</div></div></div></div>
</div>
<p><a href="https://www.baltimoremagazine.com/section/community/baltimore-holocaust-survivors-share-their-stories-atrocity-never-forgotten/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Soap Myth Examines Holocaust Horrors and History</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/the-soap-myth-examines-holocaust-horrors-and-history/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Tue, 15 Jan 2019 13:09:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[History & Politics]]></category>
		<category><![CDATA[Ed Asner]]></category>
		<category><![CDATA[Gordon Center for Performing Arts]]></category>
		<category><![CDATA[Holocaust history]]></category>
		<category><![CDATA[Jeff Cohen]]></category>
		<category><![CDATA[The Soap Myth]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=25630</guid>

					<description><![CDATA[]]></description>
										<content:encoded><![CDATA[<div class="wpb-content-wrapper" id="wpb-content-root"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div class="wpb_text_column wpb_content_element" >
		<div class="wpb_wrapper">
			<p>Nearly 20 years ago, when Baltimore native Jeff Cohen was running a small, 74-seat storefront theater in New York City, he was approached by an elderly gentleman who handed him a manila envelope after a performance.</p>
<p>“He said, with a little accent, ‘Please take a look at this and maybe there’s something you can do with it,’” Cohen recalls. “I opened up the envelope and there was a magazine called <em>Moment</em>, which bills itself as a progressive Jewish monthly. Inside was an article titled ‘Slippery History,’ which was about this guy who gave it to me and his story about soap.”</p>
<p>Cohen never saw the man again, but the article was the catalyst for <a href="http://www.thesoapmyth.com/" target="_blank" rel="noreferrer noopener"><em>The Soap Myth</em></a><em>—</em>his poignant play that poses the chilling question of whether Nazi soldiers made soap from the corpses of their Jewish victims.</p>
<p>The emotional drama, starring theatrical icon Ed Asner and Emmy nominee Tovah Feldshuh, will begin an upcoming nationwide tour at the <a href="https://www.jcc.org/gordon-center/event/soap-myth" target="_blank" rel="noreferrer noopener">Gordon Center for Performing Arts</a> in Owings Mills on January 20. Though it debuted off-Broadway in 2012, this will be the first time Cohen brings the script, performed as a live reading, to his hometown.</p>
<p>“<em>The Soap Myth</em> took around seven years for me to write,” says Cohen, a Friends School alum who grew up living in Mt. Washington and Druid Hill. “Like many people, I had no idea there was any kind of dispute about whether there was this soap. It was all very new to me.”</p>
<p>The story is centered around Asner’s character, Milton Saltzman, a Holocaust survivor committed to proving that the Nazis did indeed make soap from the bodies of those they murdered. Though Saltzman, like many real-life survivors, cites his own memories and eye-witnesses who testified in The Nuremberg Trials, his experiences are rejected by Holocaust historians who dismiss the “soap myth” due to a lack of concrete evidence.</p>
<p>“I identify very strongly with him as an individual who is out of step with the majority,” Asner says of his character. “I’ve found myself in that position a few times, and it made it very easy for me to say, ‘Well, what do they know?’”</p>
<p>Another layer of the script explores journalistic integrity. The character of Annie Blumberg, a young Jewish reporter, develops a friendship with Saltzman, and struggles to tell his story when confronted with the opposing viewpoints.</p>
<p>“It’s a wonderful play,” Asner adds. “It talks about the overcoming of great odds, standing alone, and finally finding a sympathetic soul who identifies with you.”</p>
<p>Cohen says that the themes remain more timely than ever in today’s political climate. Not only does the journalistic message add to the conversation in the era of “fake news,” but the focus on Holocaust education feels paramount in the wake of the shooting at the <a href="https://www.baltimoremagazine.com/2018/10/29/baltimore-reacts-to-the-deadly-synagogue-shooting-in-pittsburgh" target="_blank" rel="noreferrer noopener">Tree of Life</a> synagogue in Pittsburgh last fall.</p>
<p>“What’s happening in the world is really heartbreaking,” he says. “Not just the rise of antisemitism, but the rise of anti-immigration, and generally that kind of hatred and bigotry. Most of the audiences that we play to are very aware of issues regarding the Holocaust, but every once in a while we play to a non-Jewish organization and it opens their eyes.”</p>
<p>To further educate audiences, the cast has made a habit of engaging in talkbacks after the show. Cohen says that a frequent topic of conversation is the character Brenda Goodsen, an adamant Holocaust denier.</p>
<p>“I’ll never forget, once a feisty elderly woman stood up and said, ‘I’m a survivor and when she started talking, I wanted to throw my cane at her,’” Cohen recalls. “But she said, ‘You have to keep her in the play, because as painful as it is, people need to know. People need to see that evil in front of them and they need to never forget it.’”</p>
<p>Though Asner hasn’t spent much time in Baltimore—he speculates he filmed an episode of <em>Route 66 </em>here in the ’60s—he says he is looking forward to engaging with the Gordon Center audience.</p>
<p>“I respect, and like, Baltimore for the great history,” Asner tells us. “It’s bigger than its name. And I honor the fact that it has a standout Jewish community that has brought much dignity to the Jewish people.”</p>
<p>While it might only be in town for a single performance, Cohen says the beauty of <em>The Soap Myth </em>is that, like all plays, it transcends time.</p>
<p>“Survivors of the Holocaust are rapidly dying off,” he says. “Every time an actor plays the role of Milton Saltzman, whether it’s Ed Asner next month or another actor 150 years from now, Milton Saltzman will be alive. By enacting the role on stage you are creating an immortality for that character. So long as Milton lives, he will not let the world forget about the Holocaust.&#8221;</p>

		</div>
	</div>
</div></div></div></div>
</div>
<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/the-soap-myth-examines-holocaust-horrors-and-history/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>

<!--
Performance optimized by W3 Total Cache. Learn more: https://www.boldgrid.com/w3-total-cache/?utm_source=w3tc&utm_medium=footer_comment&utm_campaign=free_plugin

Object Caching 46/110 objects using Redis
Page Caching using Disk: Enhanced 

Served from: www.baltimoremagazine.com @ 2026-09-25 19:20:15 by W3 Total Cache
-->