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	<title>Jess Row &#8211; Baltimore Magazine</title>
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	<description>The Best of Baltimore Since 1907</description>
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	<title>Jess Row &#8211; Baltimore Magazine</title>
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		<title>Book Reviews: January 2015</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/book-reviews-january-2015/</link>
		
		<dc:creator><![CDATA[Jess Mayhugh]]></dc:creator>
		<pubDate>Thu, 29 Jan 2015 08:30:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[book reviews]]></category>
		<category><![CDATA[Gene Oishi]]></category>
		<category><![CDATA[Jess Row]]></category>
		<category><![CDATA[Martine Rothblatt]]></category>
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			<p>	<strong>Fox Drum Bebop</strong><br />
	<em>Gene Oishi (Kaya Press)</em></p>
<p>For most Americans, the term &#8220;concentration camp&#8221; conjures images from Germany and Poland during World War II and refers to tragic events that happened far away across the Atlantic. But the term hits home for Gene Oishi, a former <i>Sun</i> foreign correspondent, who grew up in a concentration camp in Arizona. Oishi and his family, like most Japanese-Americans, were &#8220;evacuated&#8221; from their home and incarcerated in a desert camp soon after Pearl Harbor. A fictionalized account of that experience informs practically every page of this novel, as Oishi considers its effect on various family members—especially his protagonist, Hiroshi (or &#8220;Hiro&#8221;)—over four decades. The once tight-knit group splinters as various family members struggle with issues relating to self-determination and national identity. Ultimately, the hero here is Oishi, who memorably portrays and personalizes an aspect of American history that is too often neglected.</p>
<p><a href="http://www.baltimoremagazine.net/2014/12/26/q-a-with-gene-oishi" target="_blank" rel="noopener noreferrer"><em>See our Q&amp;A with author Gene Oishi</em></a>.</p>
<hr>
<p><strong>Virtually Human</strong><br /><em>Martine Rothblatt (St. Martin&#8217;s Press)</em></p>
<p>A recent <i>New York</i> magazine profile referred to Rothblatt as &#8220;the trans-everything CEO.&#8221; The head of United Therapeutics, a Silver Spring-based biotech firm, Rothblatt is the highest-paid female CEO in the country, earning $38 million in 2013. And she used to be a man. Martine was Martin, until undergoing sex-reassignment surgery 20 years ago. This book, her sixth, goes beyond sex and gender to address issues relating to trans-humanism. Rothblatt, like the futurist Ray Kurzweil (who authored this book&#8217;s forward), believes that computers or robots with cyberconsciousness will soon be a reality. She sees &#8220;mindclones&#8221; transcending biology, blurring the line between man/woman and machine, and achieving a sort of virtual immortality. To her, artificial intelligence isn&#8217;t so artificial. Though I&#8217;m inclined to dismiss any book with jacket copy predicting it &#8220;will be the essential companion book to the future of mankind,&#8221; I&#8217;m also inclined to hold on to this one. Just in case. </p>
<hr>
<p><strong>Your Face in Mine</strong><br /><em>Jess Row (Riverhead Books)</em></p>
<p>This debut novel revolves around what sounds like a soon-to-be-real concept of &#8220;racial reassignment surgery,&#8221; as Row explores notions of identity, love, loss, and, by book&#8217;s end, our adaptability to all kinds of circumstances. Row&#8217;s narrator, Kelly Thorndike, runs into Martin, an old high-school friend, on a Baltimore street and is astonished to see that Martin has been transformed from white to African-American. Martin convinces a skeptical Kelly to write his life story, and the job takes him from Baltimore to Bangkok and beyond, both physically and mentally. In the hands of a lesser writer, the concept might prove laughable, but Row crafts a compelling, and utterly believable, narrative that reads like a peculiar case study infused with elements of science fiction. The notion of a transracial society is fraught with all sorts of ethical and moral dilemmas, and Row shies from none of them. To his credit, he&#8217;s written a slyly provocative book about race relations without being dogmatic or overly judgmental.</p>

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