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	<title>Jimmy Kimmel &#8211; Baltimore Magazine</title>
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		<title>Sure Thing! My Final Oscar Predictions</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/oscar-predictions-2024/</link>
		
		<dc:creator><![CDATA[Max Weiss]]></dc:creator>
		<pubDate>Wed, 06 Mar 2024 19:19:32 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Jimmy Kimmel]]></category>
		<category><![CDATA[Oppenheimer]]></category>
		<category><![CDATA[Oscar Predictions]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=154531</guid>

					<description><![CDATA[Let me start this by saying I think it’s going to be a good Oscar ceremony. Jimmy Kimmel is hosting and he always does a solid job—it’s like, you can relax, a professional is in charge. The show is bringing back groups of past winners to announce the acting categories, always a nice touch and &#8230; <a href="https://www.baltimoremagazine.com/section/artsentertainment/oscar-predictions-2024/">Continued</a>]]></description>
										<content:encoded><![CDATA[<p>Let me start this by saying I think it’s going to be a good Oscar ceremony. Jimmy Kimmel is hosting and he always does a solid job—it’s like, you can relax, a professional is in charge. The show is bringing back groups of past winners to announce the acting categories, always a nice touch and a way to maximize the star power. And, best of all, Ryan Freaking Gosling will be singing “I’m Just Ken,” which is probably going to add a million viewers on its own.</p>
<p>On the other hand, it has felt a bit like a slow march to the inevitable this season, hasn’t it? There are locks every year, but thanks to the juggernaut that is Christopher Nolan’s <em>Oppenheimer</em> (an excellent and largely <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-oppenheimer/" target="_blank" rel="noopener">deserving film</a>!), there are more than usual this year. I’d love to tell you to expect the unexpected, or prepare for upsets galore, or gird your loins, or whatever—but I can’t lie to you like that. Most of these categories are in the bag.</p>
<p>With that said, here are my (not that) bold predictions for the major categories.</p>
<p><strong>BEST PICTURE</strong><br />
<em>American Fiction</em><br />
<em>Anatomy of a Fall</em><br />
<em>Barbie</em><br />
<em>The Holdovers</em><br />
<em>Killers of the Flower Moon</em><br />
<em>Maestro</em><br />
<em>Oppenheimer</em><br />
<em>Past Lives</em><br />
<em>Poor Things</em><br />
<em>The Zone of Interest</em></p>
<p><strong>Who will win:</strong> <em>Oppenheimer</em><br />
<strong>How sure am I?</strong> I’d bet the farm, if I had one.<br />
<strong>Who could win:</strong> No other film might win. Don’t blame the messenger.</p>
<p><strong>BEST DIRECTOR</strong><br />
Jonathan Glazer, <em>The Zone of Interest</em><br />
Yorgos Lanthimos, <em>Poor Things</em><br />
Christopher Nolan, <em>Oppenheimer</em><br />
Martin Scorsese, <em>Killers of the Flower Moon</em><br />
Justine Triet, <em>Anatomy of a Fall</em></p>
<p><strong>Who will win:</strong> Christopher Nolan<br />
<strong>How sure am I?</strong> What’s surer than sure?<br />
<strong>Who could win:</strong> Just for giggles, I’ll give Lanthimos a two-percent chance.</p>
<p><strong>BEST ACTOR</strong><br />
Bradley Cooper, <em>Maestro</em><br />
Colman Domingo, <em>Rustin</em><br />
Paul Giamatti, <em>The Holdovers</em><br />
Cillian Murphy, <em>Oppenheimer</em><br />
Jeffrey Wright, <em>American Fiction</em></p>
<p><strong>Who will win:</strong> Cillian Murphy<br />
<strong>How sure am I?</strong> I’d go all in, but maybe leave a bit of emergency cash in a lock box.<br />
<strong>Who could win:</strong> Paul Giamatti has a chance, in the <em>Dumb and Dumber,</em> “So you’re saying there’s a chance?” sense of the phrase. But a chance all the same.</p>
<p><strong>BEST ACTRESS</strong><br />
Annette Bening, <em>Nyad</em><br />
Lily Gladstone, <em>Killers of the Flower Moon</em><br />
Sandra Huller, <em>Anatomy of a Fall</em><br />
Carey Mulligan, <em>Maestro</em><br />
Emma Stone, <em>Poor Things</em></p>
<p><strong>Who will win:</strong> Lily Gladstone<br />
<strong>How sure am I?</strong> Pretty, <em>pretty </em>sure.<br />
<strong>Who could win:</strong> Emma Stone could clearly take this. It’s been neck and neck between these two great actresses all awards season, but Gladstone definitely has the mo’.</p>
<p><strong>BEST SUPPORTING ACTOR</strong><br />
Sterling K. Brown, <em>American Fiction</em><br />
Robert De Niro, <em>Killers of the Flower Moon</em><br />
Robert Downey Jr., <em>Oppenheimer</em><br />
Ryan Gosling, <em>Barbie</em><br />
Mark Ruffalo, <em>Poor Things</em></p>
<p><strong>Who will win:</strong> Robert Downey Jr.<br />
<strong>How sure am I?</strong> Like, Michael Phelps at the Beijing Olympics sure.<br />
<strong>Who could win:</strong> People are beginning to recognize how <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-poor-things/" target="_blank" rel="noopener">great Mark Ruffalo was</a> in <em>Poor Things</em>. But&#8230;naaa.</p>
<p><strong>BEST SUPPORTING ACTRESS</strong><br />
Emily Blunt, <em>Oppenheimer</em><br />
Danielle Brooks, <em>The Color Purple</em><br />
America Ferrera, <em>Barbie</em><br />
Jodie Foster, <em>Nyad</em><br />
Da’Vine Joy Randolph, <em>The Holdovers</em></p>
<p><strong>Who will win:</strong> Da’Vine Joy Randolph&#8221;<br />
<strong>How sure am I? </strong>If I had a second farm, I’d bet that one, too.<br />
<strong>Who could win:</strong> Honestly, no one. But for the sake of argument, Emily Blunt.</p>
<p>Okay, that’s the end of the categories I’m totally sure of. I’ll throw in a few more predictions that I’m relatively confident in below:</p>
<p><strong>BEST ADAPTED SCREENPLAY:</strong> <em>American Fiction</em></p>
<p><strong>BEST ORIGINAL SCREENPLAY:</strong> <em>Anatomy of a Fall</em></p>
<p><strong>BEST CINEMATOGRAPHY:</strong> <em>Oppenheimer</em></p>
<p><strong>BEST SONG:</strong> “What Was I Made For?”, <em>Barbie</em></p>
<p><strong>BEST ANIMATED FEATURE:</strong> <em>Spider Man: Across the Spider-Verse</em></p>
<p><strong>BEST DOCUMENTARY FEATURE:</strong> <em>20 Days in Mariupol</em></p>
<p><strong>BEST INTERNATIONAL FILM:</strong> <em>The Zone of Interest</em></p>
<p><strong>BEST LIVE ACTION SHORT:</strong> <em>The Wonderful Story of Henry Sugar</em></p>

<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/oscar-predictions-2024/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>For the First Time Since 1989, The Oscars Won’t Have a Host</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/for-the-first-time-since-1989-the-oscars-wont-have-a-host/</link>
		
		<dc:creator><![CDATA[Max Weiss]]></dc:creator>
		<pubDate>Thu, 07 Feb 2019 16:52:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Anne Hathaway]]></category>
		<category><![CDATA[Billy Crystal]]></category>
		<category><![CDATA[Ellen DeGeneres]]></category>
		<category><![CDATA[James Franco]]></category>
		<category><![CDATA[Jimmy Kimmel]]></category>
		<category><![CDATA[Kevin Hart]]></category>
		<category><![CDATA[Oscars]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=25518</guid>

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			<p>In 2011, the Oscars made the head-scratching—if undeniably bold—choice to have actors Anne Hathaway and James Franco co-host the award show. Not <em>quite </em>a match made in heaven. In high school terms, Franco is the bright but underachieving kid getting stoned in the parking lot and Anne Hathaway is the student body president who is <em>also</em> the lead in the school play. If they were dating, you’d say, “Huh, I guess opposites really <em>do</em> attract.” Nonetheless, host together they did and the results were memorably awful. They never found a rhythm, Franco seemed bored, Hathaway began to get a little twitchy. There were even some conspiracy theories that Franco had intentionally tanked the hosting gig as part of some performance art project. (He insists he actually tried to do a good job. #NancyPelosiClap)</p>
<p>So the Academy knew exactly what to do the next year—return to the most reliable, well-received, universally beloved host in recent memory: Billy Crystal. A slam dunk, right? Not so fast. Crystal’s performance felt dated, irrelevant, hopelessly out of touch (he did his Sammy Davis Jr. <em>blackface</em>, for God’s sake.) And suddenly, thanks to social media, we were seeing the public’s less than enthusiastic reaction in real time. </p>
<p>That’s the thing about social media—you can’t hide from it. We look back nostalgically at the hosting gigs of Bob Hope, Johnny Carson, and Crystal and think they were the kind of smooth, urbane raconteurs that they just don’t make anymore. But what if social media, with its pack mentality and uncharitable instincts, was around back then? Something tells me they wouldn’t have been received quite as enthusiastically. (Conversely, I think Dave Letterman’s much maligned, “Oprah/Uma” shtick might’ve turned into a great meme.)</p>
<p>Suffice it to say, Billy Crystal isn&#8217;t the only recent host who didn&#8217;t nail the gig.</p>
<p>Ellen did fine, in an anodyne way, although she started an obnoxious tradition of letting the unwashed masses rub shoulders with the famous stars. (The little people! They’re nothing like us!)</p>
<p>The multi-hyphenate Neil Patrick Harris seemed like he would be a perfect host, but he got off to a rough start and never recovered, getting increasingly desperate as the show went on (remember the lockbox?)</p>
<p>Seth MacFarlane brought his frat-house style of humor to the proceedings, with predictably stupid results. (“I Saw Your Boobs”? Really, Seth?).</p>
<p>Jimmy Kimmel continued in Ellen’s tradition of being just fine! (By Oscar hosting standards, “just fine” is a cause for popping champagne corks.)</p>
<p>At this point, everyone knows what a minefield the Oscar hosting gig is so, understandably, very few celebrities are lining up for the job. </p>
<p>(My suggestion? Go with a rising star, not an established one. A rising star has much more to gain than, say, The Rock, who has little to gain and almost everything to lose.)</p>
<p>When the announcement came that Kevin Hart would be this year’s host, it was already on the late side. And then, Hart’s homophobic tweets were unearthed, the diminutive actor/comedian refused to give a full-throated apology, and we were back to the drawing board.</p>
<p>Yesterday it was finally made official: The Oscars would go on without a host. </p>
<p>And here’s the thing: I’m actually okay with this. No, there won’t be an opening monologue filled with hit-or-miss topical humor and GIF-ready celebrity reaction shots. But there will almost undoubtedly be some sort of filmed sketch or musical extravaganza (or both) to kick things off—and then we’ll go directly to the awards. Honestly, after the opening monologue, the host becomes a bit of an afterthought, anyway. And don’t worry, I promise there will be enough pretty people exchanging painfully awkward scripted banter to go around.</p>

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