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	<title>Oscar Predictions &#8211; Baltimore Magazine</title>
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		<title>Why This Year’s Oscar Race is So Hard to Predict</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/oscar-academy-award-winner-predictions-2025/</link>
		
		<dc:creator><![CDATA[Max Weiss]]></dc:creator>
		<pubDate>Thu, 27 Feb 2025 21:27:17 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Oscar Predictions]]></category>
		<category><![CDATA[Oscars]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=168172</guid>

					<description><![CDATA[Kieran Culkin is going to win the Oscar for Best Supporting Actor for A Real Pain. I wanted to get that out of the way right off the bat because there’s so much uncertainty surrounding this year’s Academy Awards. Zoe Saldana is also almost definitely going to win Best Supporting Actress for her role in &#8230; <a href="https://www.baltimoremagazine.com/section/artsentertainment/oscar-academy-award-winner-predictions-2025/">Continued</a>]]></description>
										<content:encoded><![CDATA[<p>Kieran Culkin is going to win the Oscar for Best Supporting Actor for <em>A Real Pain</em>.</p>
<p>I wanted to get that out of the way right off the bat because there’s so much uncertainty surrounding this year’s Academy Awards. Zoe Saldana is also almost definitely going to win Best Supporting Actress for her role in <em>Emilia Pérez</em>, unless her win is derailed by the controversy surrounding the film (more on that in a sec). And I’m feeling relatively comfortable picking Demi Moore as our Best Actress winner for <em>The Substance</em>.</p>
<p>But Best Picture? Best Actor? Best Director? A lot of these big categories are thrillingly up in the air. (You might even say their outcome is <em>A Complete Unknown</em>&#8230;*ducks.*)</p>
<p>It’s been a long time since we’ve had an “awards season” (one of the most cursed phrases known to man) so unpredictable. Just when you think you know which way the wind is blowing—Adrien Brody as Best Actor for his stellar work in <em>The Brutalist</em>, say—along comes a change in direction, like Timothée Chalamet getting an eleventh hour Screen Actors Guild nod for <em>A Complete Unknown</em>.</p>
<p>On top of that, there have been the aforementioned controversies. Some were clearly drummed up by competing studios (the disclosure that <em>The Brutalist</em> employed AI to zhuzz up Adrien Brody’s Hungarian accent), while others happened more organically: A journalist unearthed offensive tweets by <em>Emilia Pérez</em>’s Karla Sofía Gascón, the first trans woman ever to be nominated for Best Actress. Even before that, the film was controversial, with an increasingly loud online backlash for what many saw as its broad caricature of Mexican culture. (Not for nothing, the film’s director, Jacques Audiard, is French, and there are no Mexican actors in the main roles.)</p>
<p>Before those controversies emerged, <em>Emilia Pérez</em> was a veritable lock for Best International Film (its 13 nominations were most in this year’s field and made it the most nominated non-English film in Oscar history). Now it leaves the door open for an upset.</p>
<p>So, yeah, lots to chew on here. I’m going to do my best here with my predictions, but don’t put any money on my guesses. Except for Kieran. With him, go all in.</p>
<hr />
<p><strong>BEST PICTURE</strong><br />
<strong>Who will win:</strong> <em><a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-anora/" target="_blank" rel="noopener">Anora</a><br />
</em><strong>Who might win:</strong> <em><a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-conclave/" target="_blank" rel="noopener">Conclave</a>, <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-the-brutalist/" target="_blank" rel="noopener">The Brutalist</a><br />
</em><strong>Who should win:</strong> <em>Anora<br />
</em><strong>Final thoughts</strong>: As recently as <a href="https://www.wypr.org/show/midday/2025-02-07/midday-at-the-movies-who-will-win-at-the-oscars-in-2025" target="_blank" rel="noopener">two weeks ago</a>, I was sure <em>The Brutalist</em> was going to win this thing. Then <em>Anora</em> won both the PGA and the DGA, making it a clear frontrunner. But, with the preferential ballot in play—meaning voters rank their choices—a much liked (if not quite loved) consensus pick could still snag the award. When you look at it that way, the universally loved <em>Conclave</em>—or hell, even <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-wicked/" target="_blank" rel="noopener"><em>Wicked</em></a> or <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-a-complete-unknown/" target="_blank" rel="noopener"><em>A Complete Unknown</em></a>—could score an upset win.</p>
<hr />
<p><strong>BEST ACTOR</strong><br />
<strong>Who will win:</strong> Adrien Brody<br />
<strong>Who might win:</strong> Timothée Chalamet<br />
<strong>Who should win:</strong> Adrien Brody<br />
<strong>Final thoughts</strong>: Chalamet was very good in <em>A Complete Unknown</em> and he’s been on an all-out charm offensive since the film’s release, hosting <em>SNL</em> (and serving as the musical guest), showing up to a Timothée Chalamet lookalike contest, wearing some fly (and, let’s face it, some <a href="https://www.reddit.com/r/Fauxmoi/comments/1ikmc44/timoth%C3%A9e_chalamet_at_the_premiere_of_a_complete/" target="_blank" rel="noopener">fugly</a>) fashion, and all-in-all being the happy-go-lucky goofball that he is on his press tour. Will his winning personality, combined with the (nothingburger, in my opinion) AI controversy propel him to a win? I still think Brody’s performance was just too good to deny, so I’m sticking with my pick.</p>
<hr />
<p><strong>BEST ACTRESS</strong><br />
<strong>Who will win:</strong> Demi Moore<br />
<strong>Who might win:</strong> Mikey Madison<br />
<strong>Who should win:</strong> Fernanda Torres from <em>I’m Still Here<br />
</em><strong>Final thoughts</strong>: Moore sealed her fate when she gave a stirring acceptance speech at the Golden Globes. Yes, she’s quite good in <em>The Substance</em> and her winning would be the feel-good moment of the Oscars, but if we’re being honest here, she gives the fifth best performance in this group (which also includes Cynthia Erivo and Gascón).</p>
<hr />
<p><strong>BEST SUPPORTING ACTOR</strong><br />
<strong>Who will win:</strong> Kieran Culkin<br />
<strong>Who might win:</strong> Tom Wambsgans?<br />
<strong>Who should win:</strong> Edward Norton<br />
<strong>Final thoughts</strong>: I wish this race had been a little more contested. Norton is a heartbreaking Pete Seeger in <em>A Complete Unknown</em> and Jeremy Strong is riveting as that snake Roy Cohn in <em>The Apprentice</em>. But I can’t begrudge Culkin his win. <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-a-real-pain/" target="_blank" rel="noopener"><em>A Real Pain</em></a> is a special movie and he is its beating heart.</p>
<hr />
<p><strong>BEST SUPPORTING ACTRESS</strong><br />
<strong>Who will win:</strong> Zoe Saldana<br />
<strong>Who might win:</strong> Ariana Grande<br />
<strong>Who should win:</strong> Zoe Saldana<br />
<strong>Final thoughts</strong>: It was wonderful to see Saldana, an actress who has sometimes been buried under a sea of green makeup and CGI in films like <em>Guardians of the Galaxy</em> and <em>Avatar</em>, show the full range of her talents here. I think she has accrued enough momentum and good will over the years that her association with the now tainted <em>Emilia Pérez</em> won’t derail her win.</p>
<hr />
<p><strong>BEST DIRECTOR</strong><br />
<strong>Who will win:</strong> Sean Baker<br />
<strong>Who might win:</strong> Brady Corbet<br />
<strong>Who should win:</strong> Sean Baker<br />
<strong>Final thoughts</strong>: I admire how Corbet made a searing American epic with a limited budget in <em>The Brutalist</em>—and I really loved that film—but Baker has been releasing banger after banger since 2015, and <em>Anora</em> is arguably his best film yet. It’s his time.</p>
<hr />
<p><strong>BEST ORIGINAL SCREENPLAY</strong><br />
<strong>Who will win:</strong> <em>A Real Pain<br />
</em><strong>Who might win:</strong> <em>Anora<br />
</em><strong>Who should win:</strong> <em>Anora<br />
</em><strong>Final thoughts</strong>: Most prognosticators are picking <em>Anora</em> here so I’m deviating from the pack. I feel like the Oscars are going to want to reward Jesse Eisenberg, who is beloved.</p>
<hr />
<p><strong>BEST ADAPTED SCREENPLAY</strong><br />
<strong>Who will win:</strong> <em>Conclave<br />
</em><strong>Who might win:</strong> <em>A Complete Unknown<br />
</em><strong>Who should win:</strong> <em>Conclave<br />
</em><strong>Final thoughts</strong>: I haven’t met anyone who doesn’t love <em>Conclave</em> (although a few are a bit iffy on that surprise ending&#8230;I dug it). Feels like its year.</p>
<hr />
<p><strong>A FEW MORE PREDICTIONS:</strong></p>
<p><strong>BEST CINEMATOGRAPHY:</strong> <em>The Brutalist<br />
</em><strong>BEST INTERNATIONAL FILM:</strong> <em>I’m Still Here<br />
</em><strong>BEST EDITING:</strong> <em>Conclave<br />
</em><strong>BEST ANIMATED FEATURE:</strong> <em>The Wild Robot<br />
</em><strong>BEST DOCUMENTARY FEATURE:</strong> <em>Porcelain War</em></p>

<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/oscar-academy-award-winner-predictions-2025/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Sure Thing! My Final Oscar Predictions</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/oscar-predictions-2024/</link>
		
		<dc:creator><![CDATA[Max Weiss]]></dc:creator>
		<pubDate>Wed, 06 Mar 2024 19:19:32 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Christopher Nolan]]></category>
		<category><![CDATA[Jimmy Kimmel]]></category>
		<category><![CDATA[Oppenheimer]]></category>
		<category><![CDATA[Oscar Predictions]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=154531</guid>

					<description><![CDATA[Let me start this by saying I think it’s going to be a good Oscar ceremony. Jimmy Kimmel is hosting and he always does a solid job—it’s like, you can relax, a professional is in charge. The show is bringing back groups of past winners to announce the acting categories, always a nice touch and &#8230; <a href="https://www.baltimoremagazine.com/section/artsentertainment/oscar-predictions-2024/">Continued</a>]]></description>
										<content:encoded><![CDATA[<p>Let me start this by saying I think it’s going to be a good Oscar ceremony. Jimmy Kimmel is hosting and he always does a solid job—it’s like, you can relax, a professional is in charge. The show is bringing back groups of past winners to announce the acting categories, always a nice touch and a way to maximize the star power. And, best of all, Ryan Freaking Gosling will be singing “I’m Just Ken,” which is probably going to add a million viewers on its own.</p>
<p>On the other hand, it has felt a bit like a slow march to the inevitable this season, hasn’t it? There are locks every year, but thanks to the juggernaut that is Christopher Nolan’s <em>Oppenheimer</em> (an excellent and largely <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-oppenheimer/" target="_blank" rel="noopener">deserving film</a>!), there are more than usual this year. I’d love to tell you to expect the unexpected, or prepare for upsets galore, or gird your loins, or whatever—but I can’t lie to you like that. Most of these categories are in the bag.</p>
<p>With that said, here are my (not that) bold predictions for the major categories.</p>
<p><strong>BEST PICTURE</strong><br />
<em>American Fiction</em><br />
<em>Anatomy of a Fall</em><br />
<em>Barbie</em><br />
<em>The Holdovers</em><br />
<em>Killers of the Flower Moon</em><br />
<em>Maestro</em><br />
<em>Oppenheimer</em><br />
<em>Past Lives</em><br />
<em>Poor Things</em><br />
<em>The Zone of Interest</em></p>
<p><strong>Who will win:</strong> <em>Oppenheimer</em><br />
<strong>How sure am I?</strong> I’d bet the farm, if I had one.<br />
<strong>Who could win:</strong> No other film might win. Don’t blame the messenger.</p>
<p><strong>BEST DIRECTOR</strong><br />
Jonathan Glazer, <em>The Zone of Interest</em><br />
Yorgos Lanthimos, <em>Poor Things</em><br />
Christopher Nolan, <em>Oppenheimer</em><br />
Martin Scorsese, <em>Killers of the Flower Moon</em><br />
Justine Triet, <em>Anatomy of a Fall</em></p>
<p><strong>Who will win:</strong> Christopher Nolan<br />
<strong>How sure am I?</strong> What’s surer than sure?<br />
<strong>Who could win:</strong> Just for giggles, I’ll give Lanthimos a two-percent chance.</p>
<p><strong>BEST ACTOR</strong><br />
Bradley Cooper, <em>Maestro</em><br />
Colman Domingo, <em>Rustin</em><br />
Paul Giamatti, <em>The Holdovers</em><br />
Cillian Murphy, <em>Oppenheimer</em><br />
Jeffrey Wright, <em>American Fiction</em></p>
<p><strong>Who will win:</strong> Cillian Murphy<br />
<strong>How sure am I?</strong> I’d go all in, but maybe leave a bit of emergency cash in a lock box.<br />
<strong>Who could win:</strong> Paul Giamatti has a chance, in the <em>Dumb and Dumber,</em> “So you’re saying there’s a chance?” sense of the phrase. But a chance all the same.</p>
<p><strong>BEST ACTRESS</strong><br />
Annette Bening, <em>Nyad</em><br />
Lily Gladstone, <em>Killers of the Flower Moon</em><br />
Sandra Huller, <em>Anatomy of a Fall</em><br />
Carey Mulligan, <em>Maestro</em><br />
Emma Stone, <em>Poor Things</em></p>
<p><strong>Who will win:</strong> Lily Gladstone<br />
<strong>How sure am I?</strong> Pretty, <em>pretty </em>sure.<br />
<strong>Who could win:</strong> Emma Stone could clearly take this. It’s been neck and neck between these two great actresses all awards season, but Gladstone definitely has the mo’.</p>
<p><strong>BEST SUPPORTING ACTOR</strong><br />
Sterling K. Brown, <em>American Fiction</em><br />
Robert De Niro, <em>Killers of the Flower Moon</em><br />
Robert Downey Jr., <em>Oppenheimer</em><br />
Ryan Gosling, <em>Barbie</em><br />
Mark Ruffalo, <em>Poor Things</em></p>
<p><strong>Who will win:</strong> Robert Downey Jr.<br />
<strong>How sure am I?</strong> Like, Michael Phelps at the Beijing Olympics sure.<br />
<strong>Who could win:</strong> People are beginning to recognize how <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-poor-things/" target="_blank" rel="noopener">great Mark Ruffalo was</a> in <em>Poor Things</em>. But&#8230;naaa.</p>
<p><strong>BEST SUPPORTING ACTRESS</strong><br />
Emily Blunt, <em>Oppenheimer</em><br />
Danielle Brooks, <em>The Color Purple</em><br />
America Ferrera, <em>Barbie</em><br />
Jodie Foster, <em>Nyad</em><br />
Da’Vine Joy Randolph, <em>The Holdovers</em></p>
<p><strong>Who will win:</strong> Da’Vine Joy Randolph&#8221;<br />
<strong>How sure am I? </strong>If I had a second farm, I’d bet that one, too.<br />
<strong>Who could win:</strong> Honestly, no one. But for the sake of argument, Emily Blunt.</p>
<p>Okay, that’s the end of the categories I’m totally sure of. I’ll throw in a few more predictions that I’m relatively confident in below:</p>
<p><strong>BEST ADAPTED SCREENPLAY:</strong> <em>American Fiction</em></p>
<p><strong>BEST ORIGINAL SCREENPLAY:</strong> <em>Anatomy of a Fall</em></p>
<p><strong>BEST CINEMATOGRAPHY:</strong> <em>Oppenheimer</em></p>
<p><strong>BEST SONG:</strong> “What Was I Made For?”, <em>Barbie</em></p>
<p><strong>BEST ANIMATED FEATURE:</strong> <em>Spider Man: Across the Spider-Verse</em></p>
<p><strong>BEST DOCUMENTARY FEATURE:</strong> <em>20 Days in Mariupol</em></p>
<p><strong>BEST INTERNATIONAL FILM:</strong> <em>The Zone of Interest</em></p>
<p><strong>BEST LIVE ACTION SHORT:</strong> <em>The Wonderful Story of Henry Sugar</em></p>

<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/oscar-predictions-2024/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>International Intrigue: My 2020 Oscar Predictions</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/oscar-predictions-2020/</link>
		
		<dc:creator><![CDATA[Max Weiss]]></dc:creator>
		<pubDate>Thu, 06 Feb 2020 12:17:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[1917]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[Brad Pitt]]></category>
		<category><![CDATA[Joaquin Phoenix]]></category>
		<category><![CDATA[Joker]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[Oscar Predictions]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Parasite]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=71393</guid>

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			<p><em>Moonlight</em> ruined everything. I know that seems like an odd thing to say about a heartbreaking gem of a film that bucked the odds to best frontrunner <em>La La Land</em> and win the Best Picture Oscar—but that’s the thing. It gave us hope. It made us believe that the Oscars had turned over a new leaf and were actually willing to vote for beautiful, challenging, original works of art that didn’t necessarily center straight white people.</p>
<p>But, in fact, since <em>Moonlight</em> won two years ago, the Academy has chosen two rather accessible, middlebrow films, both which celebrated diversity in a somewhat pat and paternalistic way. </p>
<p>Two years ago was <em>The Shape of Water</em>. I liked the film well enough—and lord knows Guillermo del Toro is an Oscar-caliber director—but found its odd mixture of whimsy and menace slightly off-putting. What’s more, its message of embracing the “other” was simplistic to say the least. Still, that was a masterpiece compared to last year’s <em>Green Book</em>, one of the most baffling Oscar wins in recent years.</p>
<p>The point is, neither of those films was the best of its year—or even the best film nominated (last year gave us <em>Roma</em> and <em>A Star is Born</em>; the year before gave us the embarrassment of riches that was <em>Phantom Menace</em>, <em>Call Me By Your Name</em>, and <em>Dunkirk</em>).</p>
<p>Which brings us to this year. As the Oscar race has come into focus, it seems like two films are duking it out for Best Picture: <em>Parasite</em> and <em>1917.</em></p>
<p>Let me make something clear: <em>I917 </em>is a good film. I gave it a <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-1917" target="_blank" rel="noreferrer noopener">good review</a>. I recommend it to friends. I liked it! But it’s no <em>Parasite</em>, a singular <a href="https://www.baltimoremagazine.com/section/artsentertainment/movie-review-parasite" target="_blank" rel="noreferrer noopener">masterpiece</a> that is one of the most original, smart, and genre-smashing films I’ve ever seen. </p>
<p>In this scenario, <em>1917</em> is the <em>La La Land</em>—the good film that also seems like the safe and predictable choice. <em>Parasite</em> is <em>Moonlight</em> (obviously, an even better comparison would be <em>Roma</em>, another foreign language film that was nominated for Best Picture, but let’s stick with my analogy here).</p>
<p>Were this 2018, the year after <em>Moonlight</em> won, I would’ve confidently chosen <em>Parasite</em>. But the <em>Shape of Water</em> and <em>Green Book</em> have mucked up the works. My head is spinning. I don’t know who to believe!</p>
<p>Anyway, with that confidence-inspiring introduction under my belt, here are my best guesses for this year’s Oscars, including how secure I am with each pick. </p>
<h4>Best Picture </h4>
<p><em>Ford v Ferrari</p>
<p>The Irishman</p>
<p>Jojo Rabbit</p>
<p>Joker</p>
<p>Little Women</p>
<p>Marriage Story <br />1917 <br />Once Upon a Time&#8230;in Hollywood <br />Parasite</em></p>
<p><strong>Who will win:</strong> <em>1917</em><br />
 <strong><br />Who should win:</strong> <em>Parasite, Once Upon a Time…in Hollywood</em>, or <em>The Irishman<br />
 </em><strong><br />How confident am I in my prediction?</strong> I had to make prediction, and a prediction was made. </p>
<h4>Best Director<br />
</h4>
<p>Martin Scorsese,<em> The Irishman</em> <br />Todd Phillips, <em>Joker</em> <br />Sam Mendes, <em>1917</em> <br />Quentin Tarantino, <em>Once Upon a Time&#8230;in Hollywood</em> <br />Bong Joon-ho, <em>Parasite</em></p>
<p><strong>Who will win:</strong> Sam Mendes<br />
 <strong><br />Who should win:</strong> Bong Joon-ho<br />
 <strong><br />How confident am I in my prediction?</strong> Moderately?</p>
<h4>Best Actor<br />
</h4>
<p>Antonio Banderas, <em>Pain and Glory</em> <br />Leonardo DiCaprio, <em>Once Upon a Time&#8230;in Hollywood</em> <br />Adam Driver, <em>Marriage Story</em> <br />Joaquin Phoenix, <em>Joker</em> <br />Jonathan Pryce, <em>The Two Popes</em></p>
<p><strong>Who will win:</strong> Joaquin Phoenix<br />
 <strong><br />Who should win:</strong> Leonardo DiCaprio<br />
 <strong><br />How confident am I in my prediction:</strong> Is there a word greater than “extremely”?</p>
<h4>Best Actress<br />
</h4>
<p>Cynthia Erivo, <em>Harriet</em> <br />Scarlett Johansson, <em>Marriage Story</em> <br />Saoirse Ronan, <em>Little Women</em> <br />Charlize Theron, <em>Bombshell</em> <br />Renée Zellweger, <em>Judy</em></p>
<p><strong>Who will win:</strong> Renée Zellweger <strong><br />Who should win:</strong> Saoirse Ronan<br />
 <strong><br />How confident am I in my prediction?</strong> Does a bear relieve itself in the woods?</p>
<h4>Best Supporting Actor<br />
</h4>
<p>Tom Hanks, <em>A Beautiful Day in the Neighborhood</em> <br />Anthony Hopkins, <em>The Two Popes</em> <br />Al Pacino, <em>The Irishman</em> <br />Joe Pesci, <em>The Irishman</em> <br />Brad Pitt, <em>Once Upon a Time&#8230;in Hollywood</em></p>
<p><strong>Who will win:</strong> Brad Pitt<br />
 <strong><br />Who should win:</strong> Joe Pesci<br />
 <strong><br />How confident am I in my prediction?</strong> Bet the house confident</p>
<h4>Best Supporting Actress </h4>
<p>Kathy Bates, <em>Richard Jewell</em> <br />Laura Dern, <em>Marriage Story</em> <br />Scarlett Johansson<em>,</em><em> Jojo Rabbit</em> <br />Florence Pugh, <em>Little Women</em> Margot Robbie, <em>Bombshell</em></p>
<p><strong>Who will win:</strong> Laura Dern<br />
 <strong><br />Who should win:</strong> Scarlett Johannson<br />
 <strong><br />How confident am I in my prediction? </strong>Tattooing it on my arm confident</p>
<h4>Best Adapted Screenplay<br />
</h4>
<p>Steven Zaillian, <em>The Irishman</em></p>
<p>Taika Waititi, <em>Jojo Rabbit</em> <br />Todd Phillips &amp; Scott Silver, <em>Joker</em></p>
<p>Greta Gerwig, <em>Little Women</em></p>
<p>Anthony McCarten, <em>The Two Popes</em></p>
<p><strong>Who will win:</strong> <em>Jojo Rabbit</em></p>
<p><strong>Who should win:</strong> <em>The Irishman</em></p>
<p><strong>How confident am I in my prediction?</strong> Not wildly</p>
<h4>Best Original Screenplay<br />
</h4>
<p>Rian Johnson, <em>Knives Out</em></p>
<p>Noah Baumbach, <em>Marriage Story</em></p>
<p>Sam Mendes &amp; Krysty Wilson-Cairns, <em>1917</em></p>
<p>Quentin Tarantino, <em>Once Upon a Time…In Hollywood</em></p>
<p>Bong Joon Ho, Han Jin Won, <em>Parasite</em></p>
<p><strong>Who will win:</strong> <em>Parasite<br />
 </em><strong><br />Who should win:</strong> <em>Marriage Story</em></p>
<p><strong>How confident am I in my prediction?</strong> My palms are sweaty.</p>
<h4>Best Documentary Feature<br />
</h4>
<p><em>American Factory</em></p>
<p><em>The Cave</em></p>
<p><em>The Edge of Democracy</em></p>
<p><em>For Sama</em></p>
<p><em>Honeyland</em></p>
<p><strong>Who will win:</strong> <em>American Factory</em><br />
 <strong><br />Who should win:</strong> <em>Honeyland</em></p>
<p><strong>How confident am I in my prediction?</strong> I mean, the Obamas produced it.</p>
<h4>International Film<br />
</h4>
<p><em>Corpus Christi</em>, Poland</p>
<p><em>Honeyland</em>, North Macedonia</p>
<p><em>Les Miserables</em>, France</p>
<p><em>Pain and Glory</em>, Spain</p>
<p><em>Parasite</em>, South Korea</p>
<p><strong>Who will win:</strong> <em>Parasite</em></p>
<p><strong>Who should win:</strong> <em>Parasite</em></p>
<p><strong>How confident am I in my prediction?</strong> Brad Pitt confident</p>
<h4>Best Cinematography<br />
</h4>
<p>Rodrigo Prieto, <em>The Irishman</em></p>
<p>Lawrence Sher, <em>Joker</em></p>
<p>Jarin Blaschke, <em>The Lighthouse</em> <em><br /></em><br />
 Roger Deakins, <em>1917</em><br /> Robert Richardson, <em>Once Upon a Time…in Hollywood</em></p>
<p><strong>Who will win:</strong> <em>1917</em></p>
<p><strong>Who should win:</strong> <em>Once Upon a Time…in Hollywood</em></p>
<p><strong>How confident am I in my prediction?</strong> Not Brad Pitt confident, but confident all the same. </p>
<h4>Animated Feature<br />
<em><br /></em></h4>
<p><em>Toy Story 4</em></p>
<p><em>Missing Link</em></p>
<p><em>I Lost My Body</em></p>
<p><em>How to Train Your Dragon: The Hidden World</em></p>
<p><em>Klaus</em></p>
<p><strong>Who will win:</strong> <em>Toy Story 4</em></p>
<p><strong>Who should win:</strong> <em>Toy Story 4</em> <br /><strong>How confident am I in my prediction?</strong> I don’t really see—checks notes—<em>Klaus</em> pulling the upset here. <br /><em><br />The Oscars air this Sunday, February 9 on ABC. Check back to see how I did</em></p>

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