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	<title>Osteria Pirata &#8211; Baltimore Magazine</title>
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	<title>Osteria Pirata &#8211; Baltimore Magazine</title>
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		<title>Review: Osteria Pirata is a Lively Take on Classic Italian in Fells Point</title>
		<link>https://www.baltimoremagazine.com/section/fooddrink/review-osteria-pirata-ashish-alfred-italian-restaurant-fells-point/</link>
		
		<dc:creator><![CDATA[Mike Unger]]></dc:creator>
		<pubDate>Thu, 28 Mar 2024 18:00:07 +0000</pubDate>
				<category><![CDATA[Food & Drink]]></category>
		<category><![CDATA[Ashish Alfred]]></category>
		<category><![CDATA[Fells Point]]></category>
		<category><![CDATA[Italian restaurant]]></category>
		<category><![CDATA[Osteria Pirata]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=155918</guid>

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			<p>Restaurants evolve and grow. Last fall, when we first visited <a href="https://osteriapirata.com/">Osteria Pirata</a>, Ashish Alfred’s lively take on the too-often stodgily executed classic Italian restaurant concept, it was newly open and still trying to find its footing. While the food was excellent, the service lacked, shall we say, polish. When we returned in January, we found a smattering of new dishes, originals that we loved, and servers and bartenders who knew their stuff.</p>
<p>Alfred, whose original Baltimore restaurant, the exquisite <a href="https://ddgbaltimore.com/">Duck Duck Goose</a>, is around the corner in Fells Point, has worked in Italian restaurants throughout his career, and finds the food approachable. The same can be said for the design of the Osteria Pirata, which means Pirate Tavern in Italian. (The backs of coasters detail why the British dubbed Baltimore a “nest of pirates” during the War of 1812.) Baltimore design firms Cohere and PI.KL Studio created an interior that’s bright and airy. Yellow is a primary color here, and there are fun quirks, like a motorbike that hangs above the stairway to the lower level.</p>
<p>From our first visits, we found the atmosphere welcoming and the food fantastic. The menu has ebbed and flowed since the restaurant’s opening, but its core remains the same: contemporary takes on Italian classics. Starters are particularly strong. You won’t find fried calamari, ubiquitous on many Italian restaurant menus, here. Instead, it’s braised and served with fregola pearl pasta and a jalapeño pesto sauce that provides pop. Chilled shrimp puttanesca, served atop diced tomatoes and cucumbers with a chile aioli sauce, is crisp and refreshing.</p>
<p>But the star is a giant arancini ball that could easily be a meal. During a trip to Italy, Alfred didn’t encounter many of the smaller, golf ball-sized arancini often found in American restaurants. “All I had were standalone, ostrich-egg-sized things,” he said. “It was people’s entire lunch.” The interior of risotto with melted mozzarella melds together perfectly after the ball is fried then finished in the oven.</p>
<p>Mains include stalwarts like chicken and eggplant Parm, and on our last visit, a tasty gnocchi piccata. But we’d steer most people toward the pastas, many of which are made in-house. The best of the bunch was the soul-warming gemelli with pesto and sweet Italian sausage and the 40-layer lasagna. It arrives on its side (all the better to count the layers) in a wonderful tomato sugo. While its edges were crisp, its interior was nice and gooey—yet it held its form.</p>
<p>Even the best of food can’t overcome spotty service, and while everyone we encountered during our first two visits was perfectly nice, the operation was leaky. When we walked through the door, we weren’t greeted for quite some time. Eventually we were seated—at a table that wasn’t set. During a chat with a friendly server, she mentioned that she hadn’t eaten at the restaurant. She didn’t know whether a pasta dish we inquired about was served with red or white sauce. But these issues are easily corrected when a restaurant has potential. Upon our return in January, the service was on its way.</p>
<p>Osteria Pirata has grown up quickly, and we’re fans of what it’s become.</p>

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			<p><strong>OSTERIA PIRATA:</strong> 1640 Thames St., Fells Point, 443-835-4106. <strong>HOURS:</strong> Mon.-Thurs. 4-9:30 p.m.; Fri. 4-10 p.m.; Sat. 10 a.m.-10 p.m.; Sun. 10 a.m.- 9:30 p.m. <strong>PRICES:</strong> Appetizers: $14-24; pastas and entrees: $18-39; desserts: $12.</p>

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<p><a href="https://www.baltimoremagazine.com/section/fooddrink/review-osteria-pirata-ashish-alfred-italian-restaurant-fells-point/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>The Tastemakers: Ashish Alfred</title>
		<link>https://www.baltimoremagazine.com/section/fooddrink/baltimore-tastemakers-ashish-alfred-duck-duck-goose/</link>
		
		<dc:creator><![CDATA[Aaron Hope]]></dc:creator>
		<pubDate>Sun, 09 Oct 2022 16:44:18 +0000</pubDate>
				<category><![CDATA[Food & Drink]]></category>
		<category><![CDATA[Ashish Alfred]]></category>
		<category><![CDATA[Duck Duck Goose]]></category>
		<category><![CDATA[nonalcoholic beverages]]></category>
		<category><![CDATA[Osteria Pirata]]></category>
		<category><![CDATA[The Tastemakers]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=148051</guid>

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<h6 class="thin tealtext uppers text-center">The Tastemakers</h6>
<h1 class="title">The Tastemakers: Ashish Alfred</h1>
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The most influential movers and shakers on Charm City's Hospitality scene.
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Illustrations by JORDAN AMY LEE
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<p>
f there’s one person to thank for almost single-handedly transforming the southwestern
corner of Broadway Square in Fells Point, it is restaurateur Ashish Alfred.
His two restaurants—the French brasserie <a href="https://ddgbaltimore.com/">Duck Duck Goose</a>, which he opened in
2018, and the Italian <a href="https://osteriapirata.com/">Osteria Pirata</a>, which arrived in May—occupy much of the
block between Shakespeare and Thames streets and are connected both physically and creatively.
But that’s nothing compared to the transformation Alfred has done on himself.
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<p>
Alfred started drinking and doing drugs in eighth grade, in part to deal with an alcoholic and
physically abusive father, as well as molestation suffered as a child. In his early 20s, when he went
to the French Culinary Institute, he was still addicted to alcohol and drugs. He was still using when
he cooked at Daniel Boulud’s famed New York City restaurant, Daniel, and when he opened his first
restaurant, in Bethesda, in 2012. Two years later, after stealing from his own restaurant to buy
heroin, he hit bottom and entered rehab—he’s been <a href="https://www.baltimoremagazine.com/section/fooddrink/ashish-alfred-recovered-drug-user-talented-chef-duck-duck-goose/">sober ever since</a>. Although Alfred, unlike some
newly sober chefs, doesn’t proselytize. “I mean, we say progress over perfection, right? And I’ve
learned the lesson over and over and over again.” These days he does come pretty close to perfection
in the kitchen, on his plates of truffle agnolotti, duck and foie gras pithiviers, and scallops with
rice almondine and carrots spiked with curry—a subtle nod to his Indian heritage. 
</p>
<p>
As a result of his
struggles, he’s led the way in the non-alcoholic drink revolution. Long before mocktails became a
trend, Alfred was elevating that section of his restaurants’ drink menus. The chef was also tapped
to prepare an alcohol-free dinner at New York’s James Beard House as part of their Zero Proof series.
And he runs his restaurants—the two in Fells, and another Duck Duck Goose in D.C.—as “dry
houses,” meaning that the staff doesn’t drink together, either on duty or off. Because although the
culinary profession became famous for the kind of highwire drunken flamboyance Anthony Bourdain
chronicled in <i>Kitchen Confidential</i>, much of its appeal also died with
him, a reckoning that also followed a number of high-profile #MeToo revelations
in the food world around the same time. “Good restaurants don’t
operate that way,” says Alfred, “and when people aren’t hungover, it makes
it easier to have a more professional, respectful environment.”
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<p>
Restauranting is a hard job, both physically and mentally demanding,
and Alfred, now 37, still cooks on the line several nights a week. “Or I’m
on the floor running from upstairs to downstairs, bussing, whatever I can
do. It’s an athletic event, I could not be in active addiction and do this
job.” That work, and that work ethic, is apparent in the quality and the
creativity of his food. And he’s just finished writing a memoir to remind
himself—and tell us—what it took for him to get here. “I don’t do anything
by half measures,” says Alfred.
</p>

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