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	<title>Richard Caton Woodville &#8211; Baltimore Magazine</title>
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	<title>Richard Caton Woodville &#8211; Baltimore Magazine</title>
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		<title>Portrait of the Artist</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/portrait-of-the-artist/</link>
		
		<dc:creator><![CDATA[Jess Mayhugh]]></dc:creator>
		<pubDate>Fri, 01 Mar 2013 09:00:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[artist]]></category>
		<category><![CDATA[oy Peterson Heyrman]]></category>
		<category><![CDATA[Richard Caton Woodville]]></category>
		<category><![CDATA[The Walters Art Museum]]></category>
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			<p>Sometimes you don&#8217;t have to look very far to find iconic artists. Such<br />
is the case for Richard Caton Woodville, who was born and raised in Mt.<br />
Vernon and created some of the most well-known paintings of the<br />
antebellum era. </p>
<p>An exhibition of his work begins at The Walters Art<br />
Museum on March 10. “This is the most important Baltimore-born artist of<br />
 the 19th century,&#8221; says Joy Peterson Heyrman, exhibition curator and<br />
deputy director of development. “His social commentary and incredible<br />
technique reveal elements of history that we can easily overlook.&#8221; </p>
<p>At<br />
the age of 20, Woodville, pictured in a self-portrait, moved to Germany<br />
where he painted depictions of current events (his famous “War News from<br />
 Mexico&#8221;) and changes in technology (photography and the railroad).<br />
Woodville&#8217;s career was cut short when he died from a morphine overdose<br />
at age 30, but the Walters is planning to exhibit his entire known<br />
collection of 16 paintings and some works that haven&#8217;t been on view. </p>
<p>“It<br />
 will be revealing to people that someone 160 years ago is dealing with<br />
the same issues today,&#8221; Heyrman says. “The idea of rapid technological<br />
change.&#8221;</p>

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