The latest chapter in the saga of the murder of Hae Min Lee and conviction of Adnan Syed for the crime came to a close last night with the finale of HBO’s The Case Against Adnan Syed, which director Amy Berg and her team worked on for three-and-a-half years.

Through interviews, research, and a team of private investigators and experts, Berg has constructed a solid argument for Syed getting a new trial, if not his innocence. Before the final episode, “Time is the Killer,” aired on HBO, the Landmark Theatre in Harbor East hosted a premiere of the finale featuring a panel discussion with Berg, attorney C. Justin Brown, and former Baltimore City prosecutor Ivan Bates, moderated by Marc Steiner.

For those attempting to keep track of the twists and turns of a case that has now stretched across 20 years, here’s some of the key points we learned from the finale and post-show panel. Many, many spoilers ahead.

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The fingerprints

Fingerprints left on Hae Min Lee’s car did not match Syed, or anyone else whose prints are in the system. This means whoever they belong to has never been booked by law enforcement.

The autopsy

Fulton County, Georgia, medical examiner Jan Gorniak examined the autopsy report and other details regarding Lee’s body and posited that she may have been somewhere other than Leakin Park for eight to 12 hours before she was buried. This change in the timeline is based primarily on a phenomenon called “lividity” during which blood settles in the body differently depending on how it is positioned.

Jay Wilds’ testimony

Wilds declined to be interviewed for The Case Against Adnan Syed, but according to Berg, when they spoke he discussed several points that contradict his previous statements (Wilds has contradicted himself many times before), including that the police coached him to say that he first saw Lee’s body in the parking lot of Best Buy and that Syed had asked him to provide 10 pounds of marijuana, which Syed then allegedly used to blackmail Wilds into helping bury Lee’s body.

Hae Min Lee’s car

Turf physiologist Erik Ervin’s testing and analysis of the grassy area where Lee’s car was parked was not conclusive. But Ervin did state that, based on the freshness of detritus on the tires and the turf below it, he believed the car had been there for a week at most. This hypothesis is supported by interviews private investigators hired by Berg conducted with a longtime resident of the area where the car was parked.

What comes next

The series ends with the March 8 ruling in the Maryland Court of Appeals that reinstated Syed’s conviction, meaning that his hopes for a new trial are on hold for the moment. But this is not the end of Syed’s legal fight.

“Other courts have found ineffective assistance of counsel when an attorney fails to contact an alibi witness who was neutral and who provided an alibi for the time of the murder. So it was absolutely stunning to us that Maryland is now the outlier on this issue. We did not see that coming,” said Justin Brown following the March 28 premiere at the Landmark.

When asked where completing the series has left her, Berg also stated her surprise over the ruling. “I mean, we expected to be in a different place tonight, so it’s hard to kind of imagine,” said Berg. “This turn kind of casts a dark light on the story. So, we’re not done obviously.”

The same day the finale premiered in Harbor East, the results of DNA tests mentioned in the film were also released. Several pieces of evidence previously went untested, partially due to concerns from the defense team that Syed’s DNA could be present Lee’s car or on her person because they had remained friends after their breakup. “If anyone has been holding it back, it has been me, because I have been concerned that it could potentially be misinterpreted,” said Brown. “But finally an opportunity arose to do it.” None of the recovered evidence contained DNA matching Syed’s.

Brown said that the team would go as far as the Supreme Court to try to get Syed his new trial and was met with a roar of applause from the packed theater, which included the filmmakers, Syed’s legal team, Rabia Chaudry, Syed’s friends and family, and many of those interviewed for the documentary series. Brown followed with another promise.

“If the Supreme Court doesn’t hear it, then we’ll try to go to federal court, and if the federal court doesn’t hear it, we’ll go back to Baltimore City Circuit Court, and we’ll keep going,” he said. “As long as we have support, as long as we believe in Adnan and we believe in his innocence, there’s no reason we’re going to stop.”

Visual Art

Spring 2019 Design Soiree
For the past 15 years, the Design Soiree has given artists and creatives a change to interact, exchange ideas, and get feedback on their work. Reserve your spot early to experience the latest evening of artistic exchange at Y:ART Gallery. And don’t forget to bring some food and drink to share before you settle in to see presenters share their newest projects. Y:ART Gallery & Fine Gifts, 3402 Gough St. 7-10 p.m., March 20.

Logan Visionary Conference 2019: The Art of Parenting
Celebrate AVAM’s themed exhibition Parenting: An Art Without a Manual by soaking up some knowledge from a panel of luminaries including Dr. Daniel J Siegel of the UCLA School of Medicine and the Mindsight Institute, Alison D’Alessandro of the Baltimore Child Abuse Center, and Joe Jones of The Center for Urban Families. This yearly conference is free, but reservations must be made in advance. American Visionary Art Museum, 800 Key Hwy. 1-4 p.m., March 24.

Literature

Blythe Roberson: How to Date Men When You Hate Men
Join Blythe Roberson at Bird in Hand for a discussion of just how weird it is to date men in the modern world. The New Yorker and Onion contributor’s new book features such helpful sections as “Real Interviews With Men About Whether Or Not It Was A Date” and “Definitive Proof That Tom Hanks Is The Villain Of You’ve Got Mail,” so you know it’s sure to be a good time full of great advice. Bird in Hand Charles Village, 11 E. 33rd St. 7-9 p.m. March 9.

Confessionals: Writing the Hard Stuff
Truth hurts, so they say, but this MoonLit event seeks to help writers put their true selves down on paper and learn the importance of doing so. Local poet Ashley Elizabeth will help guide the group through readings, writing, and a discussion on truth-telling, and editing/workshopping will be available if time allows. Greedy Reads, 1744 Aliceanna St. 7-9 p.m., March 27.

Dance

Addict
Seven dancers will each portray a different experience with addiction in this performance in support of Helping Up Mission, a Baltimore nonprofit that provides for those dealing with homelessness, poverty, and addition. Featuring a live accompaniment from Two Rivers Chamber Music, Addict seeks to address the portrayal of addiction in media and how people are affected by society’s lack of understanding. Baltimore Theatre Project, 45 W. Preston St. 8 p.m., March 12-13.

Music

That’s What She Said
Grab your best girlfriends, because this women-powered night featuring some of the best voices in town is not to be missed. Electro-opera duo Outcalls, gloom-pop group $100 Girlfriend, and New Jersey rocking sister act Nalani & Sarina will join forces for one night only at Motor House for a no-boys-allowed evening of comedy and music. Motor House, 120 W. North Ave. 7-10:30 p.m., March 16.

Inaugural Baltimore Old Time Music Festival
A Friday night concert, a day of workshops and intimate performances from headliners, and a Saturday evening square dance will celebrate the Old Time music that made its way from Appalachia and cemented its legacy in Baltimore during the 20th century. This foot-stomping new fest at Creative Alliance will feature acts such as Ken and Brad Kolodner, Molsky’s Mountain Drifters, Corn Potato String Band, and The Local Honeys, who are sure to bring out the best of Old Time with fiddles, banjos, dulcimers, and plenty of dancing. Creative Alliance, 3134 Eastern Ave. Times vary, March 22-23.

Chaunter Dream Dynamics LP Release Party
Get acquainted with Baltimore’s latest cool kids at this release party for Chaunter’s new LP, Dream Dynamics, featuring the dreamy sounds of songwriting duo Brooks Kossover and Jenghis Manning-Pettit. Nerftoss, Infinity Knives + Randi, Frogohmine, and Matmos will get the evening started before Kossover, Pettit, and the rest of Chaunter take the stage to share their creative sound and impeccable style. Metro Gallery, 1700 N. Charles St. 8 p.m., March 29.

Film

The Case Against Adnan Syed
Part one of this four-part documentary series revisiting the murder of Baltimore County teen Hae Min Lee and the conviction of Adnan Syed for the crime premieres March 10 at 9 p.m. on HBO. The series, directed by Academy Award nominee Amy Berg, has been in production since 2015 and includes new evidence discovered by private investigators and interviews with friends, family, and people involved in the case over the past 20 years of uncertainty. Part 1 premieres on HBO 9 p.m. March 10.

Almost exactly 20 years ago, Hae Min Lee’s body was found in Leakin Park on a sunny February day, and the details of how she ended up there still remain unclear. It’s a case that was first made famous by Serial and continues to fuel podcasts, Reddit threads, and groups of armchair sleuths across the world.

Adnan Syed was convicted of first degree murder, robbery, kidnapping, and false imprisonment in 2000 and sentenced to life imprisonment plus 30 years for the crimes. But there are many who say the case was, at best, mishandled and, at worst, a possible wrongful conviction. The case is currently being considered by the Maryland Court of Appeals, but the latest development in The State of Maryland v. Adnan Syed comes not from the courtroom, but from HBO.

The new documentary series The Case Against Adnan Syed, set to premiere March 10 and directed by Academy Award nominee Amy Berg, both revisits the sources those following the case have come to know (Rabia Chaudry, Asia McClain, Kristi Vincent) and explores new information and developments in the case, such as cell phone record inaccuracies and unexplored leads. Perhaps its greatest strength is the complete picture it paints of many lives impacted by the case, including the one often lost in discussion of the new developments: Lee herself. Berg has taken great care to bring Hae Min Lee’s voice into the story, using her journal and animation to make Lee feel present in her own story, even though she can no longer speak for herself.

We spoke with Berg about revisiting the case, finding balance in the story, and where she would like Syed’s case to go from here.

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This is a case so many people are invested in and familiar with. Why did you want to add your voice to the conversation?
I was approached by Working Title Films, and they had optioned the rights to Rabia Chaudry’s book. I had listened to the podcast and was really interested in knowing more. It’s an unsatisfying case in a lot of ways, and I wanted to dig in and see what else I could figure out. I also thought there was a great need for a visual depiction of this story, because it was all in audio online. Baltimore is such a unique place and there was really a lot to dig into visually for me.

The series feels different than other true crime documentaries I’ve watched in that the victim, Hae Min Lee, feels very present. Was there an intention to give her more of a voice?
There’s a balance that we need to comprehend, especially in documentary in true crime cases, because there are two sides to the story. There’s a family on both sides that I want to respect. When I started speaking to Hae Min Lee’s friends, and when we spoke to her family’s representative, I realized there was so much more to Hae than what I had known previously. And I was lucky enough to have her journal from the original trial case file. I just wanted to make sure she had a voice, because obviously if there was an injustice in Baltimore, Hae Min Lee would have wanted the truth to come out as well just based on the way her friends described her and who she was.

It would be nice if there was a way to find closure for both sides of this family, of this story. I’m sure that there was a certain status of closure in 2000 for Hae’s family. But I’m sure that the more issues that keep coming up, it probably creates more pain for them. It’s difficult, but if there was a wrongful conviction, it has to come out. The case that was out forth doesn’t fit the evidence that was presented. So there’s a problem to begin with.

One of the ways you do that is through animation of some of her diary entries and experiences. Can you tell me a little about how those scenes came to be?
I had recently seen this film The Diary of a Teenage Girl and I was really moved by the animations in that film. So when I started thinking about how to bring Hae to life, I reached out to the woman who did the animations for that film and found this incredible partner in telling this story. She stayed on the project for three and a half years with me, and we really created a great narrative for Hae together.

You’re dealing with a story that’s 20 years in the making and one that has been analyzed by so many people. How did you begin when crafting your own version?
We began in November 2015, and I started with the case file and the state’s case to convict Adnan Syed, as well as the wealth of resources I was able to establish with both friends of Hae and Adnan. I just started with that and let the story expand from there. We brought in some private investigators to help us when we had a strong comprehension of the case and elaborated from there, but I wanted to keep it true to the people who know it.

How did you go about sourcing the series and gathering some of these new voices?
We started with the case and the people closest to Adnan and Hae, and then we tracked the current day events starting from the [post-conviction relief] hearing to the most recent appeal. And then our investigation led us to people who were new to this case, to people who maybe heard Serial or heard about the case and knew someone later in life. So we did have access to new voices in the film.

Was there a part of your investigation that really surprised you?
I think the true travesty in this three-and-a-half-year journey that I took, and I guess it’s very similar with many other cases where there might be a wrongful conviction, is the absence of the actual prosecutors and detectives that tried the case originally. I don’t understand. Prosecutors are supposed to be seeking justice, and I don’t understand this lack of interest in trying to find the truth. I think it’s really unfortunate. Maybe it’s not that surprising, but I think it’s wrong.

Why do you think people have remained so interested in this case?
The case leaves you with so many questions. It’s not satisfying in that sense. It didn’t feel like the detectives or the case did a thorough deep dive into this murder to see what really happened. And things just don’t line up. And when things don’t line up, you want to understand what really happened.

Is that the goal of The Case Against Adnan Syed, to understand how this all happened?
A beautiful young woman was murdered. She left school and was never seen or heard from again. So understanding and hopefully putting closure to this whole story for many people would be very satisfying. But you know, I’m not sure that will ever happen.

In an ideal world, what happens next in this case?
Well, in an ideal world, Adnan Syed would get a new trial. He’s won a new trial twice now in two courts. But my fear is that that will never happen and the film will become the trial that he didn’t ever receive. So that’s the kind of reality of it. But it would be nice if he could get a new trial so that he could actually get exonerated if the case goes that direction. Because with the evidence that is available to the public, there just isn’t enough evidence to convict somebody today.