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	<title>The Country Devils &#8211; Baltimore Magazine</title>
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	<title>The Country Devils &#8211; Baltimore Magazine</title>
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		<title>New music from Manuel Barrueco, The Country Devils and Small Apartments</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/new-music-from-manuel-barrueco-the-country-devils-and-small-apartments/</link>
		
		<dc:creator><![CDATA[Jess Mayhugh]]></dc:creator>
		<pubDate>Wed, 15 Jan 2014 10:00:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Manuel Barrueco]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[music review]]></category>
		<category><![CDATA[Small Apartments]]></category>
		<category><![CDATA[The Country Devils]]></category>
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			<h4>Medea</h4>
<h6>Manuel Barrueco (Tonar Music)</h6>
<p>	The first half of<br />
 this disc is comprised of solo pieces nodding to 19th- and 20th-century<br />
 Spanish folk music, and Barrueco wrings every bit of dramatic emotion<br />
and gentle nuance from them. The guitarist then performs movements from a<br />
 flamenco-infused orchestral suite with similarly evocative results.<br />
Barrueco, who teaches at Peabody, conveys the tragedy at the heart of<br />
the Euripides play that inspired the music and, buoyed by the Tenerife<br />
Symphony Orchestra, taps its mythic grandeur. It’s a compelling<br />
performance that makes Barrueco’s January appearances with the BSO<br />
especially intriguing. They’ll be performing a guitar concerto written<br />
for Barrueco by composer/Towson professor Jonathan Leshnoff, a piece<br />
that Barrueco says “exploits the guitar to its fullest.” Considering the<br />
 source, that statement warrants attention.</p>
<hr>
<h4><img decoding="async" alt="" style="width: 313px; float: left; margin: 0px 10px 10px 0px;" src="https://www.baltimoremagazine.com/wp-content/uploads/2020/08/country-devils-cd.jpg">The Quick &#038; The Don’t Get Any</h4>
<h6>The Country Devils (RatHawk Records)</h6>
<p>	Six<br />
 songs in, this disc seems in danger of racing past without showcasing<br />
the band’s considerable strengths. The first half gallops along at a<br />
breakneck pace——pausing only for the unfortunate sing-along “Mentally<br />
Ill”——that exudes a generic cowpunk vibe that probably goes over better<br />
in bars than on record. But when the tempo eases on “Death Blues,”<br />
singer Michael Beresh settles into a twangy sweet spot that he and the<br />
band sustain for the rest of the album. The transformation is<br />
considerable as Beresh wrings feeling from each line, shadowed by sparse<br />
 banjo, mandolin, or pedal steel guitar at every turn. And, as the music<br />
 slows to a crawl on “Beatlemania vs. Gun Control” (extra credit for the<br />
 WTF title), the Devils achieve a level of poignancy that’s downright<br />
heavenly. An album of dirges may be in order.</p>
<p>	<em>The Country Devils play The 8&#215;10 on January 25 with Bobby E. Lee &#038; The Sympathizers and Chester River Runoff.</em></p>
<hr>
<h4><img decoding="async" alt="" style="width: 316px; float: left; margin: 0px 10px 10px 0px;" src="https://www.baltimoremagazine.com/wp-content/uploads/2020/08/smallapartmentscover.jpg">Secrets Within</h4>
<h6>Small Apartments (Friends)</h6>
<p>The recent<br />
return of husband-and-wife rockers David Koslowski and Shirlè Hale,<br />
after an extended stint in North Carolina, injects a healthy dose of<br />
kick-ass into the local music scene. After releasing the anthemic<br />
Monumental Life (as Free Electric State) in 2012, they’re back with a<br />
new band featuring Helikopter drummer Greg Dohler and a characteristic<br />
set of sublime, head-nodding tunes. It’s an unabashedly 1990s sound, but<br />
 it never veers into nostalgia. “You Never Dreamed,” “Threads,” and<br />
“White Winter Birch” certainly recall The Pixies, Nirvana, and My Bloody<br />
 Valentine——but they also radiate a restless creativity that’s barely<br />
harnessed by recognizable parameters. That’s what gives Koslowski’s and<br />
Hale’s music its undeniable kick.   </p>
<p><em>Small Apartments and Weekends play the Ottobar on January 25.</em></p>

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