The corner of North Charles and Eager streets just ain’t what it used to be. Sure, rainbow flags still fly outside of Grand Central Club, but it’s on borrowed time. Across the street, where Club Hippo once hosted epic bingo nights, show tunes karaoke, and hip-hop parties, is now the standard bat signal of gentrification—a CVS.

With gay bars closing in Baltimore, it brings up the inevitable questions: Can we explain this? Are these spaces still necessary? And what comes next?

“Years ago, gay bars were safe zones when gays were in fear of being beat up,” says Don Davis, who owned Grand Central for nearly 30 years until new owners took over earlier this year. “Once people started meeting online, we lost a lot of business.”

Beyond matchmaking websites and LGBTQ-friendly dating apps, the movement to legalize same-sex marriage in 2015 also played a part in curtailing gay-bar business. “Our community was able to get married and start a family, and the necessity to go out and meet people just wasn’t there,” says Chris Jennings, who runs events and marketing for the newly reopened Baltimore Eagle. “Plus, you need to move with trends. The way a space feels safe for us now is different from when I was in my 20s.”

Making sure there is a seat for everyone at the table—whether that’s the clientele or the business owners themselves—is an important part of keeping the inclusive scene alive here in Baltimore. “Most of the owners of these businesses were older, white gay men that entered into their golden years,” says Shelese Greene of the Pride Center of Maryland. “We now need investors who are also interested in supporting the black and brown LGBTQ community.”

Another theory for the closings is that bars in general have arguably become more accepting. “It’s taken a lot of years to feel more comfortable,” Davis says. “I’m not saying there’s no more gay-bashing, but certainly people are more decent now than they were.”

Even so, having a place that is 100-percent accepting is a priority for the community. “It’s a different kind of feeling when you go into a space and can vogue down the hallway and not be looked at like you’re crazy,” Greene explains. “It’s about tolerance and safety.”

“We need to make sure our spaces are not only safe, but also progressive,” adds Jennings. “When there are preconceived notions, certain segments don’t feel welcome.”

Long known to many as a strictly leather bar, the Eagle is aiming for more inclusivity in its newest iteration, with a more diverse staff and event offerings. And, for their part, the new owners of Grand Central are taking feedback from the Mt. Vernon neighborhood for what exactly could populate the renovated, mixed-use building.

Plus, throughout the city, places like Points South Latin Kitchen, El Bufalo, and Minnow are providing consistent venues for drag performers. “We are an LGBTQ safe space, and we’re heavily involved in the scene,” says Points South owner Bryson Keens. “Everything seems to be disappearing, and we want to do our part to support it.” Along with drag queen Brooklyn Heights and city council members, Keens is in the very early stages of discussing a new space in Baltimore City that could host drag performances six days a week.

“Whether it was Grindr or gentrification that killed gay bars, it’s our job to explore new options,” Keens says. “And now we have politicians coming to us trying to attract these spaces to their district. If that’s not progress, I don’t know what is.”

With the news of Grand Central closing, not long after we said goodbye to The Hippo across the street, the fate of Baltimore’s gay bars has been in jeopardy. But, this Easter weekend, the LGBTQ community will have something to celebrate as the Baltimore Eagle will reopen under new operators.

After closing last July due to a dispute between the landlord and former tenant, the Baltimore Eagle LLC is owned by Beth Cooper. The Station North building is still owned by Lorraine’s husband, Ian Parrish, and his father, Charles Parrish. Known around town as a leather bar, the new iteration aims to be more inclusive to the community at large.

And what better time to celebrate a resurrection than Easter weekend?

“When the bar closed, some of the former patrons had a full funeral for the bar at the Windup Space,” says photographer Chris Jennings, who is heading up events and marketing for the Eagle. “They put the logo in a casket and everything. When we were coming up with the date to reopen, I was like we have to do it on Easter. We are bringing a bar back that people deemed dead.”

The Eagle has had a long and storied past within the Baltimore LGBTQ community, originally open in 1991 until it closed for the first time in 2012. Charles Parrish says he was one of the first patrons of the Eagle when it debuted, and his mother, Emma, was a well-known burlesque performer who used to sing with Billie Holiday at the Gaiety. Over the years, the bar has hosted many parties and benefits for HIV/AIDS awareness and other charities.

This legacy and lineage are why many people are happy to see it once again open its doors on North Charles Street.

The three-part reopening weekend will start off with a massive drag show on Friday, April 19, featuring Tatianna from RuPaul’s Drag Race and hosted by Baltimore’s own Brooklyn Heights. On Saturday, the bar will host a 4:20-themed party where speakers from local dispensaries will come in to provide information and advocacy related to the medical marijuana industry. On Easter, there will be five DJs from a vast spectrum of the community, including DJ Tezrah, DJ Sidekick, DJ Swank, and one of the Eagle’s bar backs, Brandon Michaels.

“I want people to walk in the door and know this space is for them,” Jennings says. “Everyone should come in this door and feel affirmed in their body. Every type of person you can think of works here. I’m a black, non-binary person. Our owner is a queer, white woman. We want people to take a deep breath and know there’s somewhere for them to go to feel free from judgement.”

After Easter weekend, the Eagle will operate in Station North seven days a week from 4 p.m.-2 a.m. with regular drink specials, performances, and DJ nights. A renovated bar and stage is complemented by new photography, taken by Jennings, that displays a vast spectrum of people in the community. The more inclusive direction for the bar makes reopening during a religious weekend all the more apropos.

“Our spaces are like our churches—it’s where we find community and learn about ourselves,” Jennings says. “Baltimore really needs a progressive space, especially in Station North. This is the place to be kooky and artsy. I think that, as a city, we’re craving it.”