Visual Art

WOKE Exhibition by Alma Roberts
Opens Dec. 8, Baltimore City Hall, 100 Holliday St. Ste 101. By day, Alma Roberts is a healthcare executive but, when she’s not working on serving her community through health initiatives, she’s enriching it through poetry, plays, and, of course, painting. Roberts brings her work to Baltimore City Hall to share pieces that communicate awareness of social, political, and racial injustices, as well as her hope for an equitable future.

James Hennessey: Enduring Concerns
Open Dec. 9, Creative Alliance, 3134 Eastern Ave. Over the 37 years he spent teaching painting at MICA, James Hennessey influenced thousands of artists. Step into the shoes of those many students as Creative Alliance takes a look back at Hennessey’s decades-spanning career in Baltimore and the large paintings that define it. For more insight into the fables and influences that emerge from his canvases, stop by for a free gallery talk on Jan. 6 at 7 p.m.

Performing Art

The Revolutionists
Opens Dec. 6, Everyman Theatre, 315 West Fayette St. A notorious queen, an assassin, a playwright, and a spy walk into a room. What could happen? Take a trip back to the French Revolution with some of the baddest babes in history: Marie Antoinette, Charlotte Corday, Olympe de Gouges, and Marianne Angelle. These French femmes are sure to have you laughing as you learn more about their incredible lives and legacies.

ArtsCentric Presents Sister Act
Opens Dec. 8, Motor House, 120 W. North Ave. Revel in the gospel vibes and hilarious twists of this classic convent caper. ArtsCentric brings the story of diva Deloris Van Cartier (Whoopi played her in the movie, but you knew that), the murder she witnessed, and her new life as Catholicism’s funkiest nun to the Motor House stage. This show is sure to be just heavenly.

Cirque de la Symphonie Holiday Spectacular
Dec. 22-23, Joseph Meyerhoff Symphony Hall, 1212 Cathedral St. Spice up your symphony experience for the holidays with a visit from aerial flyers, acrobats, contortionists, dancers, jugglers, balancers and strongmen. These cirque performers will showcase their talents through choreography set to classical scores performed by the BSO. Come early for festive fare and a visit from St. Nick himself.

Hedwig and the Angry Inch
Dec. 21, Ottobar, 2549 N. Howard St. Join East German glam goddess Hedwig and her backing band, The Angry Inch, as they rock their way through Hedwig’s glitter- and innuendo-filled story of sex, love, music, and discovering exactly who she is. She made it over the great divide, now she’s coming for you.

A Christmas Carol adapted by Ian Gallanar
Opens Dec. 8, Chesapeake Shakespeare Company, 7 S. Calvert St. You’ve seen the original by now, so why not take in a different version of this Charles Dickens classic? Opt for a uniquely regional retelling of the tale of Ebenezer Scrooge and his ghostly visitors with CSC artistic director Ian Gallanar’s adaptation, which swaps out London for Victorian-era Baltimore.

Events

We Are Baltimore Rising
Dec. 12, The 29th Street Community Center, 300 E. 29th St. Come for the screening of director Sonja Sohn’s HBO documentary, Baltimore Rising, following activists, police officers, gang affiliates and community leaders in the wake of the death of Freddie Gray. But stay for the discussion to follow with those still addressing the issues covered in the film. Strong City Baltimore, which is hosting the event, encourages “young community leaders” ages 16-30 to attend. Lunch will also be provided.

Brown Lecture Series: Paul Butler
Dec 13, Enoch Pratt Free Central Library, African American Department, 400 Cathedral St. Listen as author, professor and former federal prosecutor Paul Butler shares insights from his book Chokehold: Policing Black Men. In it, he describes a system that isn’t broken, but is instead made to manufacture fear of black men from politicians, police, and ordinary people. This frank discussion of widespread issues with crime, law enforcement, and the criminal justice system is not to be missed.

A John Waters Christmas
Dec. 19, Baltimore Soundstage, 124 Market Pl. Nativity plays and Nutcracker performances not your thing? Consider attending this one-man show from longstanding resident of Santa’s naughty list John Waters. The Pope of Trash will share his yearly holiday musings and answers to age-old questions such as, “Is Prancer the only gay reindeer?” and “What would a Gaspar Noé Christmas movie look like?” among other, filthier queries. But leave the kiddies at home for this holiday outing, this show is (obviously) for adults only.

News

Several people and projects with Baltimore ties are up for NAACP Image Awards come January. On November 20, photographer Devin Allen, author Ta-Nehisi Coates, the documentary Step, and HBO docudrama The Immortal Life of Henrietta Lacks all received nominations for the annual awards honoring outstanding people of color in film, television, music, and literature. Winners will be announced Jan. 15.

Maryland natives also have several chances to shine at the Grammys. Country duo Brothers Osborne (Deale) is nominated for Best Country Duo/Group Performance for “It Ain’t My Fault.” Rapper Logic (Gaithersburg) scored a nom for “1-800-273-8255 (feat. Alessia Cara & Khalid)” in the Song of the Year and Best Music Video categories. Father John Misty (Rockville) is looking to score his first Grammy with Pure Comedy after a loss last year. Pure Comedy is nominated for Best Alternative Music Album and Best Recording Package. Columbia’s Brent Faiyaz also as a shot at a Grammy nod for his work on DC rappers Goldlink and Shy Glizzy’s “Crew,” which is up for Best Rap/Sung Performance.

Most notably known as Detective Kima Greggs on HBO’s hit series The Wire, Sonja Sohn couldn’t leave Baltimore behind when the show ended in 2008. Her deep connection to the community led her to begin her nonprofit, reWIRED For Change in 2009 to help at risk youth and families and now she’s poised to debut her documentary Baltimore Rising on HBO on November 20.

The 90-minute documentary follows eight local figures—activists Kwame Rose, Dayvon Love, Adam Jackson, Makayla Gilliam-Price, community leader Genard “Shadow” Barr, Baltimore Police Commissioner Kevin Davis, Lt. Colonel Melvin Russell, and police detective Dawnyell Taylor—in the aftermath of the April 2015 riots following the death of Freddie Gray in police custody.   

Filming for Baltimore Rising began in September 2015 and chronicles everything from the first day of trials for the officers charged in Freddie Gray’s death to the release of the Department of Justice’s scathing report of the Baltimore Police Department a year later.

In April 2015, Sohn was in Los Angeles working on a project when she heard what was happening in Baltimore. She wasted no time getting back to the place that held a special place in her heart to help pick up the pieces in any way she could.

“I was moved just like everybody else in the middle of everything happening,” she said. “Any time I can find myself in a position to be useful, I try to do so.”

She met with a few local activists and began discussing the possibility of creating a documentary that would provide an in-depth look into the work being done in the community. Just four months later, Sohn pitched the idea to HBO, and the rest is history.

“I really wanted to highlight the indomitable spirit and intelligence of the Baltimore grassroots community,” Sohn told Baltimore. “You don’t really see all the work that goes into the change they are trying to make—I wanted to make sure the world could see that.”

Rose is a central figure of the documentary, which we got to preview in an advanced screener, following him from his first arrest through his trials and his relationship with his family. Viewers will also get to know young activist Gilliam-Price, who struggles with what her future should look like. Another memorable scene is Davis addressing a room full of community leaders to combat the recent violence as a result of the riots. (Noticeably absent in the documentary is any mention of former BPD Commissioner Anthony Batts). 

“There’s the artist activist, there’s the policy activist, there’s the protester, and there’s the police all trying to fight for change,” Sohn said. “That’s the story we wanted to tell—a more detailed story about how we got here. The Freddie Gray situation is a part of that, but we all understand that it was a part of something even bigger.”