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	<title>Domino Sugar &#8211; Baltimore Magazine</title>
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	<title>Domino Sugar &#8211; Baltimore Magazine</title>
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	<item>
		<title>The Sugar House</title>
		<link>https://www.baltimoremagazine.com/section/businessdevelopment/baltimore-domino-sugar-refinery-celebrates-100-years-on-the-harbor/</link>
		
		<dc:creator><![CDATA[Aaron Hope]]></dc:creator>
		<pubDate>Sat, 02 Apr 2022 19:00:37 +0000</pubDate>
				<category><![CDATA[Business & Development]]></category>
		<category><![CDATA[Food & Drink]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[100 Years]]></category>
		<category><![CDATA[Domino Sugar]]></category>
		<category><![CDATA[Domino Sugars]]></category>
		<category><![CDATA[factory]]></category>
		<category><![CDATA[Locust Point]]></category>
		<category><![CDATA[sugar]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=118270</guid>

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<img decoding="async" alt="Sugar House: beloved for its iconic sign, Baltimore's Domino Sugar refinery celebrates 100 years on the harbor." src="https://www.baltimoremagazine.com/wp-content/uploads/2022/03/DominoSugar_hero.jpg"/>


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<p style="font-size:2rem; padding-top:1rem; margin-bottom:0;">By Suzanne Loudermilk</p>
<p style="font-size:1.5rem; padding-top:1rem;">Photography by Christopher Myers</p>

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<h5 class="captionVideo thin">
<span style="color:#f72c29;">&#x2726;</span> <i><b>OPENING IMAGES</b></i>: Filling 10-pound bags of sugar, c. 1950s; a molasses storage tank; sugar bags being filled in modern day; Coricka White, Domino's first female
refinery manager; the refinery, c. 1930s; the newly refurbished Domino Sugars
sign as it stands today.
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<h3 class="text-center">By Suzanne Loudermilk</h3> 
<h5 class="text-center">Photography by Christopher Myers</h5>

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<h5 class="captionVideo thin">
<span style="color:#f72c29;">&#x2726;</span> <i><b>OPENING IMAGES</b></i>
<br/>
Filling 10-pound bags of sugar, c. 1950s; a molasses storage tank; sugar bags being filled in modern day; Coricka White, Domino's first female refinery manager; the refinery, c. 1930s; the newly refurbished Domino Sugars sign as it stands today.
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<h6 class="thin uppers text-center" style="color:#23afbc; text-decoration: underline; padding-top:1rem;">April 2022</h6>
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often before the sun creeps above the horizon, crime
novelist Laura Lippman strides along Baltimore’s
quiet waterfront on her two to three mile walk.
</p>

<p>
Her route varies, but there’s one constant—
the reddish-orange glow of the “Domino Sugars”
sign. “It’s capable of this optical illusion, which
seems to follow one around the harbor,” she says.
“You can see it from so many vantage points. It’s
kind of surprising that way.”
</p>
<p>
When Lippman learned the 70-year-old neon-bulbed
landmark would be taken down early last
year for a spiffier, more sustainable LED-powered
version, she decided to document the old beacon
as it was being dismantled, capturing it from different
angles on her iPhone and posting it on <a href="https://twitter.com/LauraMLippman">Twitter</a> while most of her followers were still asleep.
</p>
<p>
“It just became this fixture on my daily walk,” she says, noting
that she quickly embraced the new one when it was <a href="https://www.baltimoremagazine.com/section/community/domino-sugar-sign-history-first-illuminated-1951/">installed last 
July.</a> “I always saw it as emblematic of what Baltimore thinks it
is—a blue-collar, working-class town. If it was ever true, it hasn’t
been true for a long time.”
</p>
<div class="picWrap4">
<img decoding="async" class="singlePic" src="https://www.baltimoremagazine.com/wp-content/uploads/2022/03/DominoSugar_American-Sugar-Refining-Co.jpg"/>
<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span>  Leaders of the American Sugar Refinery Co. and the B&O Railroad Co.
pay a site visit to the Domino refinery, 1922.</center></h5>
</div>
<p>
Lippman is right. Since the mid-20th century, Baltimore’s
manufacturing scene at the harbor has changed dramatically.
Factories like McCormick & Company, Allied Chemical Corp., and
Procter & Gamble left the harbor. Former mills and warehouses
have been reborn as condominiums and restaurants, a once-thriving
Harborplace replaced weather-worn docks, and gleaming
office towers altered the skyline. But throughout the transition,
Domino Sugar, now the Inner Harbor’s lone manufacturer, remained
exactly where it has been for the past 100 years, poised to
continue its operations for another century.
</p>
<p>
“It came down to demand—the deep-water harbor, access to
trains and later a network of highways, and a skilled workforce that
allowed the plant to get sugar to various places,” says Peter O’Malley,
vice president of corporate relations for Domino’s parent company,
American Sugar Refining Inc. “We’re not going anywhere.”
</p>
<p>
All of those factors allow Domino’s line of 40 products—from
white sugar and confectioners’ sugar to brown sugar and specialty
sweeteners—to be distributed throughout the Mid-Atlantic, into
New England, the Carolinas, and west to Chicago. The Domino
Sugar visionaries knew what they were doing when they decided
to build a plant in Baltimore.
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<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> The raw-sugar shed
holds heaps of the stuff, waiting to be refined.; four-pound bags move down
a conveyor belt.</center></h5>
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<span class="firstCharacter"><img decoding="async" STYLE="MAX-HEIGHT:110PX; width:auto;" src="https://www.baltimoremagazine.com/wp-content/uploads/2022/03/DominoSugar_C.png"/></span>
onstruction of the Baltimore factory began in 1920 on
21 acres along Key Highway East in Locust Point, near
a Baltimore and Ohio Railroad terminal, and along a
quarter mile of the mouth of the Patapsco River, our
harbor. Streetcars on Fort Avenue, a block away, transported
workers to the site, once the home of a pottery factory, a
fertilizer company, and a shipyard. No one called it the Domino
Sugar refinery then. It was simply referred to as the American
Sugar Refining Co. plant, in deference to its original owners.
There was no signature “Domino Sugars” sign either. That
wouldn’t happen until 1951.
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<p>
When it opened in 1922, the Baltimore business community
hailed the modern-day factory with its more than 700 workers:
“It is the biggest thing that has come to Baltimore since the establishment
of the steel plant at Sparrows Point,” Howard Bryant,
president of the Baltimore City Council, told <i>The Baltimore Sun</i>.
</p>
<p>
At the time, Domino Sugar was one of many manufacturing
plants in Baltimore City, including The Stieff Co. silversmiths and
Bromo-Seltzer. But as factories closed or moved to other locations,
the city’s economic drivers changed. Now, Johns Hopkins University
and Hospital are Baltimore’s major employers instead of
companies like Bethlehem Steel, once the city’s largest employer.
</p>

<p>
“You lose the variety of jobs in the city when you get away
from manufacturing jobs,” says Claire Mullins, director of marketing
at the Baltimore Museum of Industry, which displays
several old-timey Domino Sugar products, plus the 190-pound,
five-foot-tall neon dot that was above the “i” in the <a href="https://www.baltimoremagazine.com/section/community/video-up-close-and-personal-with-the-domino-sugars-sign/">old sign.</a>
“Domino Sugar is really a manufacturing giant in the city. It
stands out for its hard-working, good paying, union jobs.”
</p>
<p>
Workers at the refinery can earn from almost $26 an hour to
an average salary of more than $75,000 a year. In 15 buildings,
now spread across 30 acres, Domino Sugar’s 500-plus employees
hold a range of positions, from clerical to crane operator.
</p>
<div class="picWrap2">
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<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> Unloading raw sugar at the
dock, c. early 1900s.</center></h5>
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<p>
Kim Abell, 62, started working at the company when she
was 17, following in the footsteps of her dad, who oversaw the
plant’s storerooms for almost two decades before retiring. She
began as a summer intern in the billing department three days
after graduating from Parkville High School. Today, the Fallston
resident is a senior administrative assistant in operations. “It’s
like a family,” says the mother of two, who credits her job for
enabling her to put both daughters through college. “They try to
give you that work and homelife balance.”
</p>
<p>
When Abell started at Domino Sugar 45 years ago, there
were no computers. Calculators and telephones were the office
machines of the day. Everything was done manually, she says.
</p>
<p>
But these days, automation rules. The refinery is a beehive of
24/7 activity behind its austere, brick exterior, with three round-the-
clock shifts to keep it all going. The plant’s multiple buildings
are of varying heights and named after the jobs performed in them.
</p>
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<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> Local union
agreement, c. 1941.</center></h5>
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<p>
For example, the temporary raw-sugar shed (the previous
one was destroyed in a three-alarm fire last year, and a new
$25-million shed is being planned) holds the unrefined product, which is delivered by ocean-going ships, carrying payloads
upwards of 90 million pounds, 42 times a year
from ports like Florida, Brazil, Colombia, the Dominican
Republic, and Africa. Once a ship docks, crane operators
transfer the raw sugar—which has been extracted
from sugar cane prior to arriving at the refinery—from
the vessel to the raw-sugar shed, where the towering
mounds of brownish grains look like the giant beach
dunes of North Carolina’s Outer Banks.
</p>
<p>
About 885,000 tons of sugar are refined at the Baltimore
refinery each year, a process that involves washing
and filtering the raw sugar to remove impurities, then
crystalizing and drying it. On a daily basis, more than six
million pounds of white, brown, and liquid sugar are produced
to satisfy the 17 teaspoons of sugar that Americans
consume each day in products like soft drinks, sweetened
snacks, and condiments.
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<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> 2,000-pound
bags of sugar for commercial
food makers; engineer Megan
Alley; a roll of paper sugar bags;
a crane discharges raw sugar
from vessels.</center></h5>
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<p>
Kevin Garnett, known as “Pop Pop” around the
plant, worked at Bethlehem Steel before arriving at
Domino Sugar with a resume rich in operating heavy
equipment and machinery. But he was unaware how
the company’s products were made. “I didn’t know
sugar went through so much process—I just thought
they bagged it up,” he says with an easy laugh. “I had to
learn how everything works.”
</p>
<p>
These days, Garnett, a 62-year-old Baltimore native
who lives in Rosedale, drives a front-end loader
as a raw-sugar operator. Inside the raw-sugar shed, he
scoops up a mound from the sugar pile with his equipment
and places it into a large hopper that holds the
sugar until it falls onto a conveyor belt, which then
transports it to a bucket elevator. From there, the sugar
moves on to another building—the wash house—to begin
the refining process.
</p>
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<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> Collection of vintage sugar tins, c. 1970s; antique wooden create for cane sugar, date unknown; back of a mid-20th-century Domino recipe book.</center></h5>
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<p>
After 19 years at the plant, Garnett now knows a thing
or two about the process and relishes his role as an experienced
driver and a union shop steward. “I try to keep everyone
doing the right thing,” he says, genially. “I’m sort
of like their leader.” Hence the grandfatherly nickname
bestowed upon him. He has also brought his son, Terrell,
into the refinery, where he works in the labor pool, performing
maintenance tasks throughout the plant.
</p>
<p>
The 10-story Domino Building, the main structure
in the complex, contains the packaging machinery and storage facilities—the last stop before
the products go to a warehouse
for distribution. It also supports the
signature 120-by-70-foot sign on its
roof. Unlike the company’s name,
the grid’s letters spell out “Domino
Sugars,” with the plural ‘s’ being a
holdover from old marketing of the
1950s, when the sign was first erected.
</p>
<p>
Charlotte Hardy, who has been a laboratory analyst at the
plant for 52 years, was honored for her lengthy tenure by being
asked to switch on the new sign on Fourth of July last year.
</p>
<p>
“As we got closer to the day, the excitement started to build,”
says Hardy, who analyzes the raw sugar for sucrose content and
impurities from the time it arrives at the wash house to the finished
product. But then she became nervous, especially when she
had to stand on a wooden platform on the Domino Building rooftop,
knowing hundreds of viewers were waiting to see that familiar
glow from the iconic symbol. “What if the lights don’t come on?”
she remembers thinking. “What if I don’t hit it exactly right?”
</p>
<p>
She had some reason to be nervous. When the sign started
coming down, many Baltimoreans worried they were losing a
piece of history. But as most of the city knows, the illumination
went off without a hitch.
</p>
<p>
Hardy, who is 74 and lives in the Towson area, began her career
at the plant after graduating from Southern High School. At
the time, she lived in Locust Point, where many of the Domino
Sugar workers lived (today, 18 employees call the community
home), and a neighbor told her that Domino Sugar was hiring.
She didn’t expect to stay at the company this long but says,
“I enjoy the work, like the people, and the benefits are really
good—I never saw a reason to leave.”
</p>
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<p>
Inside the Domino Building, safety equipment is de rigueur,
from hard hats and orange reflective vests to safety goggles. And
there’s good reason. Like many factories, the refinery hasn’t been
without its tragedies. A worker was killed in a forklift accident in
2009, an equipment operator died after being doused with calcium
hydroxide in 2000, another worker was seriously injured
when his arm was caught in machinery in 2012, and, in 2007,
three employees received minor injuries in an explosion.
</p>
<p>
On any given day, the building is a whir of motion with conveyor
belts constantly moving, forklifts beeping, and sugar—lots
of sugar—being poured mechanically into distinctive bright-yellow-and-
white containers of all sizes, including four-pound plastic tubs
made only at the Baltimore plant to 2,000-pound sacks destined
for commercial bakeries. Small sugar packets churn out upwards of
3,000 a minute and 150,000 four-pound bags are produced each shift.
</p>


<p>
Amid the often-deafening noise—ear plugs are a must—the
factory also has a familiar odor. At first, you can’t quite name
it, then it hits you: cr&egrave;me br&ucirc;l&eacute;e.
</p>
<p>
Even outside, neighbors can pick up the sweet
scent. “When the ship is in and there’s wind,”
says Sam Cogen, president of the South Baltimore
Neighborhood Association, “you can taste and
smell sugar in the air.”
</p>
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<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> A storage tank holds
molasses used for brown sugar; cranes
wait to unload raw sugar along the
Baltimore harbor. </center></h5>
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<span class="firstCharacter"><img decoding="async" STYLE="MAX-HEIGHT:110PX; width:auto;" src="https://www.baltimoremagazine.com/wp-content/uploads/2022/03/DominoSugar_A.png"/></span>
merican Sugar Refining Inc.—a subsidiary
of ASR Group International
Inc., the world’s largest refiner of sugarcane—owns the Baltimore plant
and has two additional U.S. refineries
producing Domino sugar—its largest in Chalmette,
Louisiana, and another in Yonkers, New
York. In 2001, ASR bought Domino Sugar, which
was then owned by a British company.
</p>
<p>
The Domino name was officially adopted in
1901, with one anecdotal story claiming that it was
chosen because its sugar cubes were reminiscent of
the tiles used in the old-school game of the same
name. The company opened its first plant in 1856
in Brooklyn, New York, producing 98 percent of the
sugar consumed in the United States. It closed in
2004 as manufacturing in the area changed.
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<p>
When Domino Sugar arrived in Baltimore, it wasn’t the
city’s first sugar refinery. At one time, there were six separate
plants throughout the city. In Colonial days, several
small refineries produced sugar for local consumption, but
as new methods were developed by the 1850s, production
increased as boats carrying raw sugar from the West Indies
were able to easily maneuver Baltimore’s deep harbor and
railroads could deliver the refined goods.
</p>
<p>
In 1871, <i>The Baltimore Sun</i> called sugar refining “important
to the general trade of the city,” which was also
known for its canning and fertilizer factories. Still, the
heyday didn’t last long. In 1873, the local industry began
to collapse as the owner of the largest Baltimore sugar
plants declared bankruptcy.
</p>
<p>
Domino Sugar brought about a sweet revival when it
began operations on April 3, 1922. At the time, William F.
Broening was mayor, Model T cars were popular, and the Baltimore harbor was bustling with
wholesale seafood markets and
ships unloading bananas from Central
America, oranges from Florida,
and coffee from Brazil.
</p>
<div class="picWrap2">
<img decoding="async" class="singlePic" src="https://www.baltimoremagazine.com/wp-content/uploads/2022/03/DominoSugar_cubes.jpg"/>
<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> Advertisement from the early
1900s shows how the Domino name was
chosen, because its sugar cubes resemble
the tiles of its namesake old-school game.</center></h5>
</div>
<p>
At its formal opening that
May, the day was fair with temperatures
in the low 50s. More
than 1,000 guests were invited
to the grand opening: “Men prominent in finance and business
... from Chicago, New England states, New York, and
Pennsylvania,” <i>The Sun</i> reported. According to one Maryland
Historical Trust document, it was hailed as “a monument of
state-of-the-art modern industrial design.”
</p>
<p>
In 1922, a five-pound bag of sugar cost 26 cents and was
marketed toward women who used the product at home, with
one inaugural newspaper advertisement announcing, “Our
doors are open—and you will be welcome—especially the Housewives
of Baltimore.” Other early ads also pitched women with slogans
like “Keep your man peppy with lots of sugar energy,” and
“Mother is interested in quality—she selects 100% pure Domino
sugar.” Over the years, the company produced cookbooks, featuring
everything from recipes to dieting and etiquette tips.
</p>

<p>
It may have taken almost a hundred years, but today, a
woman leads the Baltimore plant’s operations. Coricka White
started as a process engineer in 2003, working her way to
more senior positions in the company, before becoming Domino
Sugar’s first female refinery manager last year.
</p>
<p>
On a recent day, dressed in the required safety gear from
head to toe, she is purposeful in her movements but quick to
flash a smile as she shares that she’s glad to be in Baltimore,
having grown up in Washington, D.C. She exudes energy as
she checks on ship arrivals, bounds up and down the many
steps between floors of the Domino Building, and visits various
departments, greeting employees by first name along
the way. One of her current responsibilities is overseeing the
building of four new silos, a $26-million project that will add
space for an additional 14 million pounds of sugar.
</p>
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<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> Coricka White stands on a
South Baltimore pier; dark brown sugar travels on a
conveyor belt; a Domino mural on Key Highway created
by local artists Greg Gannon and Frank Perrelli.</center></h5>
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<p>
Her goal is to increase the efficiency of the refinery. “That
will ensure it is here for another 100 years,” says White, 45, a
mother of three who lives in Prince George’s County. She also
wants to help Domino’s employees succeed.
</p>
<div class="picWrap2">
<img decoding="async" class="singlePic" src="https://www.baltimoremagazine.com/wp-content/uploads/2022/03/DominoSugar_vintage.jpg"/>
<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> Collection of vintage sugar tins, c. 1970s; antique wooden create for cane sugar, date unknown; back of a mid-20th-century Domino recipe book.</center></h5>
</div>
<p>
Megan Alley, a process engineer, came to Domino Sugar
five years ago with an undergraduate degree in chemical engineering
from UMBC. White encouraged her to continue her
education. “She really pushed and inspired me to go back for
my master’s degree,” said Alley, 29, who now holds one in operations
management from Loyola University Maryland.
</p>

<p>
Knowing the ins and outs of the process, Alley still finds
herself amazed. “You come off the street, and you don’t know how sugar is made,” she says, noting that one of her favorite
parts of the process is the centrifugal spinning that turns a
yellow grainy mass into white sugar crystals. “It’s...wow!”
</p>
<p>
Her current projects focus on how to make sugar production
better by improving sustainability, using less energy and water,
and reducing the process’s carbon footprint, and she takes pride
in being a part of Domino’s future.
</p>
<p>
“My mom loves to tell people that she has a daughter who works
at Domino Sugar,” says Alley, who grew up in Catonsville. “It’s an
icon for her and for my grandparents, who lived in Fells Point.”
</p>

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<span class="firstCharacter"><img decoding="async" STYLE="MAX-HEIGHT:110PX; width:auto;" src="https://www.baltimoremagazine.com/wp-content/uploads/2022/03/DominoSugar_F.png"/></span>
or many Baltimoreans, the plant’s presence and the
“Domino Sugars” sign will always be a special place for
its stability and visibility in a fast-changing harbor.
Lippman started writing about the harbor landmark
long before she began photographing it, referencing
it in her 2000 novel, <i>The Sugar House</i>.
</p>


<p>
“It was reassuring to go to sleep with that static neon vision
blazing red in her mind’s eye,” mused her main character, Tess
Monaghan. “If she were God, that was where she would make
her heaven. Atop a neon sign overlooking Baltimore, guarding a
mountain of sugar.”
</p>

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<div style="padding:56.25% 0 0 0;position:relative;"><iframe src="https://player.vimeo.com/video/175557883?h=b689987d33&amp;badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen style="position:absolute;top:0;left:0;width:100%;height:100%;" title="Up Close and Personal With the Domino Sugars Sign"></iframe></div><script src="https://player.vimeo.com/api/player.js"></script>



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<h5 class="captionVideo thin"><center><span style="color:#f72c29;">&#x2726;</span> Video of the Old Domino sign c. 2016.</center></h5>
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<p><a href="https://www.baltimoremagazine.com/section/businessdevelopment/baltimore-domino-sugar-refinery-celebrates-100-years-on-the-harbor/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>A Shipment of Domino Sugar Heads to the International Space Station</title>
		<link>https://www.baltimoremagazine.com/section/community/a-shipment-of-domino-sugar-heads-to-the-international-space-station/</link>
		
		<dc:creator><![CDATA[Michelle Evans]]></dc:creator>
		<pubDate>Tue, 12 Dec 2017 15:59:00 +0000</pubDate>
				<category><![CDATA[Education & Family]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Science & Technology]]></category>
		<category><![CDATA[Crystal Growth Experiment]]></category>
		<category><![CDATA[Domino Sugar]]></category>
		<category><![CDATA[DreamUp]]></category>
		<category><![CDATA[Francis Scott Key School]]></category>
		<category><![CDATA[NanoRocks]]></category>
		<category><![CDATA[NASA]]></category>
		<category><![CDATA[STEM]]></category>
		<category><![CDATA[sugar]]></category>
		<category><![CDATA[Xtronaut]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=28229</guid>

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			<p>As Baltimoreans, we all can agree that <a href="https://www.dominosugar.com/" target="_blank" rel="noreferrer noopener">Domino Sugar</a> is out-of-this-world good, and as of today, it literally will be. Three pounds of the sweet, Baltimore-refined crystals, along with three pounds of the California-based <a href="https://www.chsugar.com/home" target="_blank" rel="noreferrer noopener">C&amp;H Sugar</a>, will be heading to the International Space Station (ISS) as part of an experiment conducted by NASA.</p>
<p>The SpaceX Dragon Falcon 9 spacecraft launched from the Kennedy Space Center in Cape Canaveral, Florida at 11:46 a.m. today carrying 4,800 pounds of research—sugar included—crew supplies, and hardware. Once the sugar reaches the ISS, astronauts will use it to grow crystals in zero gravity. This experiment will test the differences between growing sugar on Earth and in space and allows for students to get in on the research.</p>
<p>“We support educational STEM programs at schools around the country,” Brian O’Malley, CEO of Domino Foods, said in a statement. “We were thrilled when we were approached with this inventive program that uses our sugar products in a unique way to inspire young students to engage with and learn about science.”   </p>
<p>The Crystal Growth Experiment, as the project is known, was designed by space-related STEM organizations <a href="http://www.dreamup.org/" target="_blank" rel="noreferrer noopener">DreamUp</a>, <a href="http://nanoracks.com/" target="_blank" rel="noreferrer noopener">NanoRacks</a>, and <a href="http://xtronaut.com/" target="_blank" rel="noreferrer noopener">Xtronaut</a>. It will teach students about the process of nucleation and crystallization in which sugar molecules in a saturated solution bond together and grow into the hard candy treat.</p>
<p>Domino Sugar and C&amp;H Sugar, both part of ASR Group sugar refiners, each donated $25,000 to the Kickstarter campaign to jumpstart the effort. Due to the generous donation, both sugar makers will be the test subjects in the research for both the NASA astronauts and local students.</p>
<p>Down the street from Domino, students at Francis Scott Key Elementary/Middle School will be participating in the experiment by using “Crystals in Space” kits that were developed specifically for this experiment.</p>
<p>“When I told my pre-k students that I got an exciting email from Domino Sugar, their eyes lit up,” says Francis Scott Key teacher Ashley Demski. “[They said] ‘Ms. Demski, I pass Domino on the way to school. I can see the sign from my house!’ We do so many activities that come from kits based out of other parts of the country, so this is going to be especially meaningful for our Baltimore kids.”</p>
<p>She adds that she is anxious to see the results and introduce the kits to other students in the school.</p>
<p>“If my 4-year-olds were that excited, I can only imagine how our older students are going to respond,” she says. “STEM is right in our backyard.”</p>

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<p><a href="https://www.baltimoremagazine.com/section/community/a-shipment-of-domino-sugar-heads-to-the-international-space-station/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Domino Effect</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/domino-effect-the-iconic-domino-sugars-sign-as-seen-by-area-artists/</link>
		
		<dc:creator><![CDATA[Jess Mayhugh]]></dc:creator>
		<pubDate>Wed, 10 Aug 2016 09:00:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Domino Sugar]]></category>
		<guid isPermaLink="false">http://server2.local/BIT-SPRING/baltimoremagazine.com/html/?post_type=article&#038;p=4648</guid>

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										<content:encoded><![CDATA[<div class="wpb-content-wrapper"><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img fetchpriority="high" decoding="async" width="750" height="500" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/brian-vogt-domino-sugars-oil-painting.jpg" class="vc_single_image-img attachment-full" alt="Brian Vogt Domino Sugars Oil Painting" title="Brian Vogt Domino Sugars Oil Painting" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/brian-vogt-domino-sugars-oil-painting.jpg 750w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/brian-vogt-domino-sugars-oil-painting-480x320.jpg 480w" sizes="(max-width: 750px) 100vw, 750px" /></div><figcaption class="vc_figure-caption">During his years in Baltimore, this once-landlocked Colorado native was inspired by the reflection of the Domino Sugars sign in the Inner Harbor. “At night, the bright brilliant colors from the sign and the atmospheric lights from the old factory building would reflect onto the water’s surface,” he says from Los Angeles, where he now lives. “In the same way as a beautiful sunset.” - BRIAN VOGT / OIL PAINTING</figcaption>
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			<p>You know her, standing there, at the edge of the rippling water, against the smoke and the city lights. She walks you to work in the morning. She guides you home at night. From the distance, she seems small, tangible, pocket-size even. But in reality, all two words, 12 letters, 650 neon tubes, and 8,400 square feet of her is larger than the infield at Camden Yards.</p>
<p>Since 1951, the Domino Sugars sign has been a beacon of Baltimore, an iconic symbol as synonymous with Charm City as the Oriole Bird, the Old Bay can, or the winking Mr. Boh. The skyline perpetually changes—new buildings go up, old buildings come down—but beside the docks, beneath the smokestacks, there she always is: a constant in the sky.</p>
<p>After 65 years, it’s easy to assume she’s always been there, but the factory came first, built by New York City sugar barons in the early 1920s. In the age of Baltimore industry, it sat between the Platt &amp; Co. cannery (now the Baltimore Museum of Industry) and Procter &amp; Gamble (now Under Armour), turning raw cane sugar into fine refined crystals to be shipped across the country. The sign came later, an afterthought, a cherry on top of the cake.</p>
<p>With Baltimore’s industrial heyday now long gone, many look at the factory, with its sooty brick walls and foggy glass windows, as a derelict remnant of the past. But to this day, 1.5 billion pounds of sugar are still made annually on-site, and each night, the fading sign is as alive as ever when she turns on her neon lights.</p>
<p>Like all icons, she is constantly evolving, a canvas on which to blend the meaning of the moment into the context of the past. Even in the small scope of our own lives, she contains so many memories: a breakup, a proposal, a summer run at sunrise, a comforting glow on a cold winter’s night.</p>
<p>Through all those tiny moments, Domino Sugars is yours, and mine, and Baltimore’s. She only gets better with age.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img decoding="async" width="1000" height="669" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/myersdomino1.jpg" class="vc_single_image-img attachment-full" alt="Myersdomino1" title="Myersdomino1" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/myersdomino1.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/myersdomino1-768x514.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">In 2008, Baltimore contributing photographer Christopher Myers decided to wander the South Baltimore streets after a Locust Point photo shoot. “I found myself behind the factory,” he says. “I had never seen the sign from behind before. I was drawn by seeing something so iconic from a completely new perspective.”  
  - CHRISTOPHER MYERS / PHOTOGRAPH</figcaption>
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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
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		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img decoding="async" width="1000" height="786" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-juliet-ames.jpg" class="vc_single_image-img attachment-full" alt="Domino Juliet Ames" title="Domino Juliet Ames" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-juliet-ames.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-juliet-ames-768x604.jpg 768w" sizes="(max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">The Broken Plate Pendant Co. founder Juliet Ames has a vivid memory of seeing this bright sign illuminated while watching the fireworks on Fourth of July. “I love the contrast of the red light on a dark blue sky at dusk and thought it would translate well into stained glass,” she says. “The building itself is made of recycled china, a whimsical vintage pattern called Swiss Chalet to represent its American history and Baltimore’s charming personality.” - JULIET AMES / BROKEN CHINA COLLAGE</figcaption>
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		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1362" height="792" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/charlie-barton-domino-screen-print.jpg" class="vc_single_image-img attachment-full" alt="Charlie Barton Domino Screen Print" title="Charlie Barton Domino Screen Print" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/charlie-barton-domino-screen-print.jpg 1362w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/charlie-barton-domino-screen-print-1200x698.jpg 1200w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/charlie-barton-domino-screen-print-768x447.jpg 768w" sizes="auto, (max-width: 1362px) 100vw, 1362px" /></div><figcaption class="vc_figure-caption">Baltimore screen-print artist Charlie Barton wasn’t inspired by Domino’s glow on a sunny summer night. Instead, it “came to me as I was driving home from work on a cloudy day,” he says. “The building against the gray sky caught my eye and I returned the following morning to take the picture that was used to make the print.” - CHARLIE BARTON / SCREEN PRINT</figcaption>
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		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="459" height="494" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/august-2016-domino-sugar-needle-work2.jpg" class="vc_single_image-img attachment-full" alt="August 2016 Domino Sugar Needle Work2" title="August 2016 Domino Sugar Needle Work2" /></div><figcaption class="vc_figure-caption">MICA grad Danamarie Hosler created her cross-stitch with a play on words from the old adage, “Home Sweet Home.” “It’s a play on sugar and what this sign represents,” she says. “On return trips from being out of town, the Domino Sugars sign on the horizon is the cue for my son to start cheering, ‘We’re home!’” - DANAMARIE HOSLER / CROSS-STITCH</figcaption>
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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1024" height="677" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/kevin-bmoore.jpg" class="vc_single_image-img attachment-full" alt="Kevin Bmoore" title="Kevin Bmoore" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/kevin-bmoore.jpg 1024w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/kevin-bmoore-768x508.jpg 768w" sizes="auto, (max-width: 1024px) 100vw, 1024px" /></div><figcaption class="vc_figure-caption">Local photographer Kevin B. Moore took this portrait from his favorite vantage point, the Baltimore Museum of Industry. “There are some great foreground elements like tugboats and decaying piers and pilings,” he says. “I love the way the golden-hour light hits the letters just before the neon lights come on.” In post-processing, he superimposed a “gritty canvas texture” to the original image. “As a nod to Baltimore’s industrial past,” he says. “We’re still a gritty city at heart, which is one of the reasons I love Baltimore.” - KEVIN B. MOORE / PHOTOGRAPH</figcaption>
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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="729" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-papercut.jpg" class="vc_single_image-img attachment-full" alt="Domino Papercut" title="Domino Papercut" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-papercut.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-papercut-768x560.jpg 768w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Local artist Annie Howe uses Baltimore as a constant source of inspiration for her legendary papercuts. Be it the Bromo Seltzer Arts Tower or a tiny arabber cart, she meticulously cuts away tiny pieces until these iconic landmarks and design elements are revealed. “I started adding the Domino Sugars sign to my pieces a few years back,” she says. “It always draws a smile from locals and tourists alike.” - ANNIE HOWE / PAPERCUT</figcaption>
		</figure>
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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="903" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-screen.jpg" class="vc_single_image-img attachment-full" alt="Domino Screen" title="Domino Screen" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-screen.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-screen-886x800.jpg 886w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-screen-768x694.jpg 768w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">Ever since she was a child, Baltimore native Anna Pasqualucci has loved the city’s folk art tradition of window-screen painting. “It is as unique to our city as steamed crabs, Natty Boh, and the Domino light shining over the harbor,” she says. “People have commissioned me to paint this beloved landmark on their own house window screens and as outdoor art. You can’t get more Baltimore than that.” - ANNA PASQUALUCCI / SCREEN PAINTING</figcaption>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="750" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/monica-amneus.jpg" class="vc_single_image-img attachment-full" alt="Monica Amneus" title="Monica Amneus" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/monica-amneus.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/monica-amneus-768x576.jpg 768w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">A native of suburban Phoenix, Ariz., Monica Amneus fell in love with Baltimore while attending the Maryland Institute College of Art. “It had this industrial quality to it that was so foreign yet so intoxicating to me,” she says of the city. “I love the old buildings, the ships in the harbor, and the history of the companies like Domino that made Baltimore their home.” - MONICA AMNEUS / ILLUSTRATION</figcaption>
		</figure>
	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="2560" height="1707" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/jct-domino-sugar-081-scaled.jpg" class="vc_single_image-img attachment-full" alt="Jct Domino Sugar 081" title="Jct Domino Sugar 081" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/jct-domino-sugar-081-scaled.jpg 2560w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/jct-domino-sugar-081-1200x800.jpg 1200w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/jct-domino-sugar-081-768x512.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/jct-domino-sugar-081-1536x1024.jpg 1536w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/jct-domino-sugar-081-2048x1365.jpg 2048w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/jct-domino-sugar-081-900x600.jpg 900w" sizes="auto, (max-width: 2560px) 100vw, 2560px" /></div><figcaption class="vc_figure-caption">Baltimore contributing photographer Justin Tsucalas captured this shot at the edge of Living Classrooms. “I noticed the awesome orange glow of the sign reflecting on the water, and while it was just past dusk, there was still some soft ambient light in the sky to bring out the blue tones of the water,” he says. “The sailboat was just one of those lucky extras. I never even noticed the men working on it until today.” - JUSTIN TSUCALAS / PHOTOGRAPH</figcaption>
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	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1000" height="811" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-stationary.jpg" class="vc_single_image-img attachment-full" alt="Domino Stationary" title="Domino Stationary" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-stationary.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-stationary-986x800.jpg 986w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-stationary-768x623.jpg 768w" sizes="auto, (max-width: 1000px) 100vw, 1000px" /></div><figcaption class="vc_figure-caption">The Domino Sugars sign has a special place in Kari Miller’s heart. “On the first date with my now husband, we spent hours at the edge of the water, talking and taking in the Domino Sugars sign,” she says. “I used to joke that I ‘owned’ the sign, since I spent so much time looking over the harbor at it during my first several years in Baltimore.” - KARI MILLER / LETTERPRESS</figcaption>
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	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1500" height="682" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-lauren-preller.jpg" class="vc_single_image-img attachment-full" alt="Domino Lauren Preller" title="Domino Lauren Preller" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-lauren-preller.jpg 1500w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-lauren-preller-1200x546.jpg 1200w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/domino-lauren-preller-768x349.jpg 768w" sizes="auto, (max-width: 1500px) 100vw, 1500px" /></div><figcaption class="vc_figure-caption">Known for her captivating takes on Baltimore icons like Cross Street Market, Cafe Hon, and Roland Park, this local mixed media artist is no newbie to the Domino Sugars sign. “The original photograph came from a client who two pieces of art for her new home,” Preller says. “She had recently gone through a difficult divorce, but the landmark always made her feel like home. It was especially significant because, when she ended her marriage, she went down to the waterfront overlooking Domino and threw both rings into the water. It was a symbolic moment of ending and starting a new life.” - LAUREN PRELLER / SCREEN PRINT</figcaption>
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</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1152" height="922" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/catherine-dolch.jpg" class="vc_single_image-img attachment-full" alt="Catherine Dolch" title="Catherine Dolch" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/catherine-dolch.jpg 1152w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/catherine-dolch-1000x800.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/catherine-dolch-768x615.jpg 768w" sizes="auto, (max-width: 1152px) 100vw, 1152px" /></div><figcaption class="vc_figure-caption">This illustration first started as a wedding gift for Catherine Dolch’s close friends who were married in Federal Hill, “but it evolved into something more a long the lines of street art, so I gave them a difference piece,” she says. “It is a mix of watercolor, pen and ink, and Copic marker, and I chose the darker color scheme to allow purple and black to be a little nod to the football team.” - CATHERINE DOLCH / ILLUSTRATION</figcaption>
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	</div>
</div></div></div></div><div class="vc_row wpb_row vc_row-fluid"><div class="wpb_column vc_column_container vc_col-sm-12"><div class="vc_column-inner"><div class="wpb_wrapper">
	<div  class="wpb_single_image wpb_content_element vc_align_left wpb_content_element">
		
		<figure class="wpb_wrapper vc_figure">
			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1125" height="900" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/gary-godbey-hey-sugar3.jpg" class="vc_single_image-img attachment-full" alt="Gary Godbey Hey Sugar3" title="Gary Godbey Hey Sugar3" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/gary-godbey-hey-sugar3.jpg 1125w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/gary-godbey-hey-sugar3-1000x800.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/gary-godbey-hey-sugar3-768x614.jpg 768w" sizes="auto, (max-width: 1125px) 100vw, 1125px" /></div><figcaption class="vc_figure-caption">As a Kentucky transplant, Gary Godbey has lived in Baltimore for 10 years. “The Domino Sugars sign resonates with the Baltimore community as a symbol of longstanding tradition, having survived the test of time,” he says. “Even in periods of turmoil in the city, the sign has been a reminder of strength and longevity.” To him, it embodies its location below the Mason-Dixon line and the approachable feel of Charm City. “‘Sugar’ was a word I heard often growing up, and Baltimore has more similarities to the south than one might think. There’s an overwhelming sense of community.” - GARY GODBEY, PHOTOGRAPH AND SET TYPE</figcaption>
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<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/domino-effect-the-iconic-domino-sugars-sign-as-seen-by-area-artists/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Video: Up Close and Personal With the Domino Sugars Sign</title>
		<link>https://www.baltimoremagazine.com/section/community/video-up-close-and-personal-with-the-domino-sugars-sign/</link>
		
		<dc:creator><![CDATA[Jess Mayhugh]]></dc:creator>
		<pubDate>Fri, 22 Jul 2016 08:30:00 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Domino Sugar]]></category>
		<category><![CDATA[factory]]></category>
		<category><![CDATA[sign]]></category>
		<category><![CDATA[video]]></category>
		<guid isPermaLink="false">http://server2.local/BIT-SPRING/baltimoremagazine.com/html/?post_type=article&#038;p=4721</guid>

					<description><![CDATA[]]></description>
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			<div class="wpb_video_wrapper"><iframe loading="lazy" title="Up Close and Personal With the Domino Sugars Sign" src="https://player.vimeo.com/video/175557883?dnt=1&amp;app_id=122963" width="500" height="281" frameborder="0" allow="autoplay; fullscreen; picture-in-picture"></iframe></div>
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<p><a href="https://www.baltimoremagazine.com/section/community/video-up-close-and-personal-with-the-domino-sugars-sign/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Then and Now: Industry</title>
		<link>https://www.baltimoremagazine.com/section/businessdevelopment/then-and-now-industry/</link>
		
		<dc:creator><![CDATA[Jess Mayhugh]]></dc:creator>
		<pubDate>Wed, 21 May 2014 08:00:00 +0000</pubDate>
				<category><![CDATA[Business & Development]]></category>
		<category><![CDATA[History & Politics]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Domino Sugar]]></category>
		<category><![CDATA[Industrial Revolution]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[McCormick Spice]]></category>
		<category><![CDATA[Sparrows Point]]></category>
		<category><![CDATA[Then and Now]]></category>
		<category><![CDATA[Tide Point]]></category>
		<category><![CDATA[Under Armour]]></category>
		<guid isPermaLink="false">http://server2.local/BIT-SPRING/baltimoremagazine.com/html/?post_type=article&#038;p=8587</guid>

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			<p>For more than 300 years, the Port of Baltimore has been the center of industry for the city and state. Linking with the first U.S. commercial railroad, the B&amp;O, Baltimore became a major East Coast shipping and manufacturing center. Attracted by shipbuilding and manufacturing jobs, as well as the railroad, Locust Point became the third largest port of entry for European immigrants.</p>
<hr />
<h2>Steel Mills at Sparrows Point, 1937</h2>
<p>Founded by the Pennsylvania Steel Company in 1889, and later bought by Bethlehem Steel, Sparrows Point was the world&#8217;s largest steel mill by the mid-20th century.</p>
<p><strong>Beth Steel</strong><br />Once home to tens of thousands of workers, Sparrows Point&#8217;s  massive “L&#8221; blast furnace was shut down for good in 2012.</p>
<hr />
<h2>Domino Sugar</h2>
<p>The landmark 1951 sign—and its 650 neon tubes—atop the still-operating 92-year-old Domino Sugar plant make it the second-largest field of neon on the East Coast.</p>
<hr />
<h2>McCormick Spice</h2>
<p>Founded in 1889 by 25-year-old Willoughby McCormick, McCormick &amp; Company, now based in Sparks, is the world&#8217;s largest spice maker.</p>
<hr />

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			<h2>Harbor Ships</h2>

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			<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/usscontellation.jpg" alt="usscontellation.jpg" /></p>

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			<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/torsk.jpg" alt="torsk.jpg" /></p>

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			<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/taney.jpg" alt="taney.jpg" /></p>

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			<p><strong>USS Constellation</strong></p>
<p>Sloop-of-War</p>
<p>The first<br />
 Constellation, a frigate designed by naval constructors, was built at<br />
the former Sterrett Shipyard in Baltimore, launching in 1797.</p>

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			<p><strong>USS Torsk</strong></p>
<p>Tench Class submarine</p>
<p>Deployed<br />
 to the Pacific and operating out of Pearl Harbor, the Torsk patrolled<br />
off the coast of Japan in 1945. It arrived in Baltimore to serve as a<br />
museum and memorial in 1972.</p>

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			<p><strong>USCGC Taney</strong></p>
<p>Coast Guard Cutter</p>
<p>For more<br />
than a century, Baltimore&#8217;s Hawkins Point has served as the sole<br />
shipbuilding and major repair facility for the U.S. Coast Guard Yard.</p>

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			<hr />
<h2>Platt &amp; Co. Oyster</h2>

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			<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/PlattCorp001_alw.jpg" alt="PlattCorp001_alw.jpg" /></p>
<p><strong>c. 1970s</strong></p>
<p><em>Photos courtesy of The Baltimore Museum of Industry</em></p>

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			<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/BMI_Picture.jpg" alt="BMI_Picture.jpg" /></p>
<p><strong>c. 2009</strong></p>
<p><em><br /></em></p>

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			<hr />
<h2>Tide Point</h2>
<p>Once a major entry point for immigrants, Tide Point was more recently known as the site of a Procter &amp; Gamble soap factory. It was reinvented again in 2000 and now houses the headquarters of Under Armour.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1200" height="788" src="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/ua-august-2013-1-1.jpg" class="vc_single_image-img attachment-full" alt="UA -August 2013-1 1" title="UA -August 2013-1 1" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2019/06/ua-august-2013-1-1.jpg 1200w, https://www.baltimoremagazine.com/wp-content/uploads/2019/06/ua-august-2013-1-1-768x504.jpg 768w" sizes="auto, (max-width: 1200px) 100vw, 1200px" /></div><figcaption class="vc_figure-caption">Tide Point Under Armour, 2013 - Photo by David Colwell</figcaption>
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<p><em>That was then, this is now<img decoding="async" style="float:right;width:251px;margin:0px 0px 10px 10px;" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/linotype.jpg" alt="linotype.jpg" /></em></p>
<h2>Linotype Machine</h2>
<p>German-born inventor Ottmar Mergenthaler, a watchmaker who moved to Baltimore in the 1870s, was the brains behind the Linotype machine. Sometimes called the second Gutenberg, Mergenthaler devised a machine that could easily and quickly set complete lines of type for use in printing presses, revolutionizing the entire industry.</p>

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<p>	<em>Memories<img decoding="async" style="width:251px;float:right;margin:0px 0px 10px 10px;" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lawrenceknachel.jpg" alt="lawrenceknachel.jpg" /></em></p>
<h2>Lawrence Knachel, 70</h2>
<p>	<strong>Bethlehem Steel worker</strong></p>
<p>	“I started in an apprentice plumbers program in the shipyard out of high school in 1962. Worked there for 21 years. We made everything for the ships right there—we had a mill that made pipes, a mill that made nails, a mill that made steel plates. The camaraderie was really good. We had 27 softball teams then, and the shipping side played the steel side.&#8221;</p>

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<p>	<em>Take Cover<img decoding="async" style="width:251px;float:right;margin:0px 0px 10px 10px;" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/umbrellaillo.jpg" alt="umbrellaillo.jpg" /></em></p>
<h2>Umbrella Capital </h2>
<p>	One of Baltimore&#8217;s nicknames is the &#8220;City of Firsts,&#8221; and almost 200 years ago, the first U.S. umbrella factory opened here. According to a commonly told story, the first umbrella in America arrived in Charm City in 1772 from India—where they were used to block the sun—ultimately setting Baltimore on course to become the umbrella-manufacturing capital of the world in its garment-district heyday. Later known as the Beehler Umbrella Company, the Beehler Umbrella House was established here in 1828 by German immigrant Francis Beehler.</p>

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<p><em>This is now</em></p>
<h2>Industrial Revolution</h2>
<p><strong>2014</strong></p>
<p>By the 1820s, Baltimore was the third-largest and fastest-growing city in the U.S. MICA, founded in 1826, was first named the Maryland Institute for the Promotion of the Mechanic Arts.</p>

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			<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/AmBrew-23.1_DSC0677.jpg" alt="AmBrew-23.1_DSC0677.jpg" /></p>
<p><strong>American Brewery </strong></p>
<p>The American Brewery closed in 1973. Nonprofit Humanim restored it into its headquarters in 2005.</p>
<p><em>Photo by Patrick Ross Photography</em></p>

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<p><strong>Can Company </strong></p>
<p>Founded in 1901, The American Can Company operated tin-can plants in more than a dozen cities, including one here in Canton.</p>
<p><em>Photo by Patrick Ross Photography</em></p>

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			<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/May_2014-Then-Now_-2.jpg" alt="May_2014-Then-Now_-2.jpg" /></p>
<p><strong>E. J. Codd </strong></p>
<p>Starting in the 1850s, E. J. Codd manufactured boilers at its three-building site, now home to offices and restaurants in modern-day Harbor East.</p>
<p><em>Photo by David Colwell</em></p>

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<p><strong>Cork &amp; Seal </strong></p>
<p>The century-old King Cork &amp; Seal building on North Haven Street now serves the Emerging Technology Center, a tech incubator for startup-minded entrepreneurs.</p>
<p><em>Photo by David Colwell</em></p>

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