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	<title>bakery &#8211; Baltimore Magazine</title>
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	<title>bakery &#8211; Baltimore Magazine</title>
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	<item>
		<title>This Charles Village Baker Turned Her Home Into a Cottage Business</title>
		<link>https://www.baltimoremagazine.com/section/homegarden/daria-souvorova-busy-beaver-bakery-cottage-business-charles-village/</link>
		
		<dc:creator><![CDATA[Staci Lanham]]></dc:creator>
		<pubDate>Wed, 03 May 2023 15:15:59 +0000</pubDate>
				<category><![CDATA[Home & Living]]></category>
		<category><![CDATA[bakery]]></category>
		<category><![CDATA[Busy Beaver Bakery]]></category>
		<category><![CDATA[Charles Village]]></category>
		<category><![CDATA[cottage business]]></category>
		<category><![CDATA[Daria Souvorova]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=140427</guid>

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			<p class="p1"><span class="s1">Daria Souvorova does</span> <span class="s2">not like to be idle. Prior to the pandemic she would routinely host 25 people for monthly dinners at the home she shares with her husband, Nicolas Charon, their rabbit, Zaetz, and a shy chinchilla named Nimbus. </span></p>
<p class="p1"><span class="s2">The meals were originally organized around cultural themes, with attendees sharing food from their respective backgrounds, though eventually it morphed into Souvorova researching new regions of the world and turning out perfectly executed three- to five-course meals. She called these gatherings <a href="https://cheznousdinners.com/"><i>Chez Nous</i></a>—“at our place”—and even <a href="https://www.etsy.com/shop/ChezNousDinners?ref=search_shop_redirect">self-published a cookbook</a> of the same name detailing menus and planning processes for cooking for a crowd. </span></p>
<p class="p2"><span class="s2">The meals were also a way to keep her agile mind and talented hands busy. So, when the pandemic lockdown began, she was at a loose end.</span></p>
<p class="p2"><span class="s2">“I like filling my time and learning new things,” she explains. “I’ve never been good at just sitting.”</span></p>
<p class="p2"><span class="s2">An art teacher in the Baltimore County Public Schools system, Souvorova, now 35, had three weeks with nothing to do as schools sorted out online classroom teaching methods. </span></p>
<p class="p2"><span class="s2">A sourdough aficionado from well before the pandemic, she decided to use the downtime to fiddle with the hydration of her bread, keeping a beautiful journal of her efforts where she combined her artistic sketches with notes on her recipe tweaks. All this tinkering led to more bread than she and Charon could consume. She put the offer out on neighborhood website Nextdoor that her Charles Village neighbors were welcome to take her imperfect loaves off her porch. </span></p>
<p class="p2"><span class="s2">“People would come and take the bread and then they started asking if I had more bread and I said, ‘Yes, I’ll have more bread tomorrow,’ then I thought it would be fun to make sourdough croissants since I had all this dough lying around, then people wanted more than I had planned to make so I started promising them things,” she says. “If you’re already making the time to make a batch of croissants anyway, it’s not that hard to make a bigger batch.”</span></p>

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			<p class="p1"><span class="s1">She started finding tribute payments on her porch—butter, wine, plants—and nearby Carma’s Cafe gave her a large bag of King Arthur flour at a time when that was a difficult commodity to come by. </span></p>
<p class="p1"><span class="s1">She gave her baking some structure, posting a menu of items she was making on Facebook and Instagram once a week that would be available for pickup on Saturdays. When lockdown relented enough that people could socialize in small groups outdoors, she dragged her couch onto her front porch to meet people picking up her baked goods on Saturday evenings. </span></p>
<p class="p1"><span class="s1">“People from the neighborhood came and I got to meet them, pet their dogs—it replaced the socialization of the dinners.”</span></p>
<p class="p1"><span class="s1">That socialization was vital not only for Souvorova, but for others in the community. </span><span class="s1">Amber Simpson met Souvorova at a party before COVID-19, but, as an ICU nurse, she had to endure a difficult self-isolation during the worst of the pandemic. </span></p>
<p class="p1"><span class="s1">“I was casually stalking her baked goods for a while,” she laughs. Simpson was one of the first people to be vaccinated, at which point she asked Souvorova if she could come, masked, to the Saturday pickup on her way home from work at Union Memorial Hospital. By then, Souvorova was making other little treats, like pizzas from the leftover dough, and Saturday evening pickup had become an informal, outdoor dinner gathering.</span></p>
<p class="p1"><span class="s1">“It was the first time I’d socialized with anyone in close to a year,” says Simpson, struggling to put into words how profound it was to be able to see people, even briefly, after such a long quarantine. And she continues to go to this day, almost every Saturday. “It’s a really wonderful group, almost a family, that’s grown up around those Saturday nights.” </span></p>

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			<p class="p1"><span class="s1">What began as a way to off-load extra baked goods is now a cottage food business, an official designation under the Code of Maryland Regulations that allows a home baker to sell certain items direct to consumers. </span></p>
<p class="p1"><span class="s1">Souvorova posts a menu each week on social media (<a href="https://www.instagram.com/cheznousdinners/?hl=en"><i>@cheznousdinners</i></a>) and at her newly launched website, <a href="http://thebusybeaverbakery.com"><i>thebusybeaverbakery.com</i></a>, and costumers place orders for pickup from her porch—still on Saturday evenings. People asked about baking workshops, so she’s begun hosting those for small groups, converting her dining room into a classroom to teach others how to make her trademark croissants. </span></p>
<p class="p1"><span class="s1">Somehow, she manages to fit it all in with her teaching schedule. Before she leaves for school on Fridays, she preps all her doughs in a small but functional kitchen in her Charles Village rowhouse. The kitchen was already installed when her husband purchased the home, but she quickly went after it with a hammer when she moved in. “It’s one of the only times we came close to a real fight,” she says. </span></p>
<p class="p1"><span class="s1">But her demolition quelled any furor when the successful result was revealed. She installed reclaimed 19th-century barn-wood open shelving, balancing the heavy cantilevered beams on chairs while she affixed them to the wall. She swapped out the existing range for a Kucht model she already owned. Her impressive collection of copper pans hangs near the range, some found at Home Goods, others lugged home from trips to France. When the cottage business really took off, she invested in a small second electric oven by Moffat. </span></p>

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			<p class="p1"><span class="s1">When she returns home from school on Friday afternoons, she starts hand-laminating the dough for her croissants, which takes much of the evening. She starts more dough before bed. On Saturdays she wakes at 6 a.m. and begins baking. It’s an intricate schedule to get all the various loaves and pastries baked at the right time and temperature. </span></p>
<p class="p1">Souvorova stages and photographs her <span class="s1">bakes on her large dining room table. “It feels like a ritual because I decorate them and actively draw on the breads and then I arrange them on the table and take pictures of them before I bag them up,” she explains. “It’s like a performance piece, just only for me.” </span></p>
<p class="p1"><span class="s1">The dining room table has pride of place in the circa-1910 home she’s shared with Charon for seven years. This is where meals have been shared, where pastries are bagged for pickup, and where people gather for workshops. It’s the heart of the home. </span></p>
<p class="p1"><span class="s1">Shafts of light filter down onto its surface from stained glass windows, and the walls here and elsewhere are covered with paintings, a few of her own, but most the work of her George Washington Carver Center for Arts and Technology students. </span></p>
<p class="p1"><span class="s1">A lover of all things beautiful and beautifully crafted, it’s no surprise that Souvorova has expertly displayed unique collectibles from Murano glass and fine china to tribal masks, fossils, and <i>objets d’arte</i> she and Charon pick up on travels or that she finds in flea markets. </span></p>
<p class="p1"><span class="s1">“I spent one summer in Germany going to all the museums and I noticed that they had cabinets of curiosities everywhere, so I went to Ryan’s Relics and bought myself a fleet of cabinets and have been shoving little things in there, which makes me very happy,” she says. “They aren’t necessarily valuable things, but they are cool stuff that someone with incredible skill took time to make.”</span></p>

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			<p class="p1"><span class="s1">Part of Souvorova’s</span> <span class="s2">love of good food comes from her European roots. Born in Belarus, she immigrated with her family to North Carolina when she was nine and eventually the family moved to Germantown, Maryland. </span></p>
<p class="p1"><span class="s2">Coming to the States speaking no English and thrown by the middle-class norms of the U.S., having come from a Soviet country, Souvorova struggled to make friends. She thought making pastry would win people over. While she says that proved an ineffective way to connect, it did cement her passion for food and feeding people. </span></p>
<p class="p2"><span class="s2">But much of what motivated her to bake was her inability to find the things she wanted to eat. Her husband, a Frenchman, shared that struggle. So, she made the things they wanted: European-style bread loaves, sourdough croissants that have a unique tang and texture, baguettes that are crisp outside and pillow-soft on the interior. </span></p>
<p class="p2"><span class="s2">While her repertoire has expanded, those are still the cornerstones of her baking. She is emphatic about the quality of her ingredients. She orders stone-ground artisan grain flours from Janie’s Mill in Illinois and is particular about her blends. Popular items in regular rotation include her traditional sourdough loaf and the sourdough loaf made with lemon zest, herbes de Provence, and Kalamata olives, as well as double-baked almond and chocolate almond croissants. </span></p>
<p class="p2"><span class="s2">The <i>canelés de Bordeaux</i>, a house specialty, are her husband’s favorite and particularly tricky to make. Souvorova says it took her seven years to get them just right. Even finding the special copper molds they require was both time- and money-intensive, as she had to track them down online in France. </span></p>
<p class="p2"><span class="s2">Each mold is coated with butter and beeswax before being filled with a milky batter that cooks into a cake with a delicate, almost custardy center. When they are on offer, they are incredibly popular, as is another special, Portuguese <i>pasteis de nata</i>, silky custard tarts in puff pastry. Souvorova is an accomplished forager and in spring it’s not uncommon for unique items like ramp buttermilk biscuits to appear.</span></p>
<p class="p2"><span class="s2">Simpson explains that </span>Souvorova <span class="s2">is incredibly welcoming and interested in bringing people together. </span></p>
<p class="p2"><span class="s2">“At the same time, she has very high standards,” she says. “She spends a lot of time perfecting her various crafts&#8230;most people would reach a level of mastery and be like, ‘Okay, I’m good.’ She’s constantly pushing the envelope.”</span></p>

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			<p class="p1"><span class="s1">Souvorova didn’t set out to become a baker. She is trained in fine art and art history, did her graduate degree at the Pennsylvania Academy of Fine Arts, and a yearlong artistic residency. She worked in galleries in New York City and wanted to teach figurative painting. </span></p>
<p class="p1"><span class="s1">“I started applying for jobs and wasn’t able to find any tenured positions in colleges or universities; those are disappearing in the arts,” she explains. Instead, she took a position at the Carver Center magnet school, teaching advanced art courses. <span class="Apple-converted-space">   </span></span></p>
<p class="p1"><span class="s1">Still, her artistic background infuses everything she does, from the exceptional scoring on her sourdough loaves to the exquisite sketchbooks she maintains, recording her own drawings alongside recipes, notes, and menu plans. </span></p>
<p class="p1"><span class="s1">The inability to find—or afford—the things she likes is a motivator for Souvorova that goes beyond pastry. “That’s very much a part of my personality, that I want the thing and I can neither afford it nor find it, so I have to find a way to make,” she says with a laugh. </span></p>
<p class="p1"><span class="s1">She loves, for example, designer clothes and handbags. Her mother sewed their clothing growing up and Souvorova often tailored her own clothes when she struggled to find the plus sizes she needed. </span></p>
<p class="p1"><span class="s1">“When I graduated from high school I went to New York and was working in a gallery, and all the ‘gallery girls’ are beautiful and had nice clothes and nice clothes didn’t fit me,” she says. “I started out altering clothes, taking the extra fabric from the bottom of a dress and adding it to the back or I’d make clothes when I found good fabrics.” </span></p>

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			<p class="p1"><span class="s1">Even after she lost weight for health reasons and moved to Baltimore from upstate New York, she still couldn’t find clothes that fit her shape, not to mention her exacting standards. “I went to the mall and nothing looked buyable,” she says.</span></p>
<p class="p1"><span class="s1">When her husband gifted her a Hermès scarf, she really wanted a silk trench coat to match it. She finally found <a href="https://afabricplace.com/">A Fabric Place</a>, the family-owned designer fabric shop on Falls Road in northern Baltimore City, and has become an enthusiastic customer. </span></p>
<p class="p1"><span class="s1">She devoted herself to studying classic French designers, sometimes using patterns, sometimes making her own designs, or combining bits of both. She has now sewn a complete wardrobe for herself and hangs her creations lovingly in a room she’s converted into her walk-in closet. Similarly, when she wanted but could not afford a fancy handbag, she taught herself leatherworking and hand-saddle-stitched her own designer-inspired bags.</span></p>
<p class="p1"><span class="s1">“Daria is fabulously dressed, with a great eye to fashion,” says Kirsch Jones, a longtime friend and early attendee at the Chez Nous dinner club. “She’s deeply invested in the things she likes to do and extraordinarily talented in so many ways,” he continues, noting that she is extremely well-read and has a beautiful singing voice, no doubt something she owes to her mother, a pianist and opera and vocal coach.</span></p>
<p class="p1"><span class="s1">He reports that her energy is inexhaustible, relating a story from before the pandemic when Souvorova and Charon helped in an effort to plant trees along the streets of their Charles Village neighborhood. “After hours of hard labor that was enough to exhaust any of us, her next words were, ‘What’s next?’</span></p>
<p class="p1"><span class="s1">“Her creative output is constant,” he continues. “Some people are just born to an ongoing creativity and in her case, it’s shown in these beautifully executed but widely varied creations.”</span></p>
<p class="p1"><span class="s1">A perfect showcase for her many talents was her summer 2022 wedding in France to Charon. Simpson, who was in the wedding, says that while most people who plan a destination wedding at a chateau would hire a planner to manage the details, Souvorova made the cake, hand-painted the wedding favors, and yes, even made her own wedding dress. </span></p>
<p class="p1"><span class="s1">“She made the most complicated parts of her own wedding and did it impeccably well,” says Simpson.</span></p>
<p class="p1"><span class="s1">Dedication to craft and an intense work ethic are traits Souvorova can relate to. But she doesn’t aspire to owning her own bakery. Carpal tunnel in both hands would make daily baking too physically demanding and her commitment to using the finest ingredients could make her baked goods, on a large scale, cost prohibitive. Plus, “I have so many interests—leather goods and sewing and painting and metalsmithing and jewelry-making,” she ticks off. </span></p>
<p class="p1"><span class="s1">In other words, the world is big and there’s so much left to figure out.</span></p>

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<p><a href="https://www.baltimoremagazine.com/section/homegarden/daria-souvorova-busy-beaver-bakery-cottage-business-charles-village/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<item>
		<title>Petal Pushers</title>
		<link>https://www.baltimoremagazine.com/section/fooddrink/bramble-baking-co-rises-in-hamilton/</link>
		
		<dc:creator><![CDATA[Aaron Hope]]></dc:creator>
		<pubDate>Thu, 20 Jan 2022 15:54:00 +0000</pubDate>
				<category><![CDATA[Food & Drink]]></category>
		<category><![CDATA[Allie Smith]]></category>
		<category><![CDATA[bakery]]></category>
		<category><![CDATA[Bramble Baking Co.]]></category>
		<category><![CDATA[Hamilton]]></category>
		<category><![CDATA[Hamilton-Lauraville]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=116016</guid>

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<h4 class="clan">With its first brick-and-mortar shop, Bramble Baking Co. blooms in Hamilton.</h4>

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<p style="font-size:2rem; padding-top:1rem; margin-bottom:0; color:#fffff;">By Amy Scattergood</p>
<p style="font-size:1.5rem; padding-top:1rem; color:#fffff;">Photography by Julie Hove Andersen</p>

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<h6 class="thin tealtext uppers text-center">Food & Drink</h6>

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<h1 class="title">Petal Pushers</h1>
<h4 class="deck">
With its first brick-and-mortar shop, Bramble Baking Co. blooms in Hamilton.
</h4>

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<h3 class="text-center">By Amy Scattergood</h3> 
<h5 class="text-center">Photography by Julie Hove Andersen</h5>


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<a href="https://www.baltimoremagazine.com/issue/january-2022/" target="blank">
<h6 class="thin uppers text-center" style="color:#23afbc; text-decoration: underline; padding-top:1rem;">January 2022</h6>
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<p>
at Bramble Baking Co. bakery in Hamilton, strewn
like footprints from a happy childhood: gomphrenas
and marigolds, nasturtiums and mums, scented geraniums
and roses. They’re drying upside-down above
the window into the bakery’s open kitchen, in buckets
near the refrigerated case—loaded with the popular biscuit
breakfast sandwiches, one of the few bakery items
not bedecked with flowers—and in vases and bottles
around the cozy dining room. Petals trellis up the sides
of baker-owner Allie Smith’s small-batch cakes—some
the size of hubcaps, some of kitchen timers—and scatter
across the tops of tiny carrot Bundt cakes.
</p>
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<h5 class="captionVideo thin">
<i><b>Opening Spread</b></i><br/>
Bramble staff, <i>from left</i>, Carrie Beha, Emma
Kinney, Jaime Hacker, and Allie Smith.</i>

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<p>
But such artistry was not born overnight. In fact,
in October, just a few weeks after Bramble opened as
a tea-proper, brick-and-mortar-and-sugar bake shop,
Smith, 30, closed the doors she’d spent five years
working to open. “We’re learning how to bake even
better for ya! Thanks for your understanding,” read a
yellow construction-paper sign taped to the front door
of the building, home to two previous bakeries (Batch
Bake Shop, Hamilton Bakery), along a busy stretch of
Harford Road.
</p>
<p>
Smith had pressed pause, scheduling a training
and production day on a bright Wednesday to give the
staff—most of whom started in September—time to
reset, hone their already considerable skills, and come together as
a team as they racked up trays of the popular baked goods. Clearly,
the spot has since hit its stride.
</p>
<p>
Bramble’s calling cards come in the form of egg-yolk chocolate-chip
cookies, chocolate tahini babka knots, purple sweet potato
pies with toasty meringue, apple cider scones, chocolate cakes
with cinnamon buttercream and salted caramel, and more—many
festooned with flowers.
</p>
<p>
Inside the 2,100-square-foot bakery—which began life as a
home-based cottage bakery and took hold in Baltimore’s farmers’
markets—one wall houses a burgeoning locavore marketplace.
Cornflower-blue shelves are stacked with containers of spices from
Burlap & Barrel and Diaspora Co., teas from Wight Tea Company,
soaps and jars of raw honey from Hon’s honey, and gorgeous ceramic
plates, made by Emma Kinney, the baker’s flower specialist,
who also works as a florist. (Being able to effectively multitask is a
given at any bakery, as is, for many bakers, a long and interesting
resumé.) Bramble merch comes in the form of pretty mugs with the
bakery’s signature tangle.
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From top: A stack of rye-cocoa cookies; Emma Kinney holds fresh flowers; Bramble Baking Co. owner Allie Smith at work; custom decorated birthday cakes adorned with flowers; marigolds sit in a vase on the table; the bakery in sunlight
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“We’ve put flowers on every cake since we opened the bakery. There was a synergy that made sense.”
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<p>
“I started as a holiday vendor, and so I had to pick a name and
become a thing,” says Smith.
</p>
<p>
She’s talking origin stories: of the bakery and its contents, of the
community she’s assembled to run it, and of the direction they’re
collectively working to travel toward. Because as the physical doors
to Bramble finally opened, Smith has also been redefining the
business model—moving toward a co-op structure—as well as the
kitchen community itself, hiring a diverse staff of people who are
similarly interested in living and working outside of conventional
definitions. The goal? To create terrific baked goods and—simultaneously—a safe and happy working space.
</p>
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<h5 class="captionVideo thin">
Finished cakes
brimming with blooms. </i>
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<p>
“My grandmother has a lot of lovely, comforting recipes that
we still use in our home. But they're very Betty Crocker, like mayo-chocolate
cake,” Smith says. At Bramble, she continues that tradition,
but with elevated recipes that include: voluminous biscuits,
botanically inspired cakes, homespun cookies, and earthy hand
pies—all mostly made entirely by hand—inside a pastry case that
often doubles as a flower garden.
</p>
<p>
“We’ve put flowers on every cake since we opened the bakery,”
says Smith, recalling Bramble’s early days in the farmers' markets,
where utilizing every bit of available produce is as much of a good
habit as it is in traditional kitchens. “There was a synergy that
made sense.”
</p>

<p>
Blond wood tables and mismatched chairs fill the dining room,
still take-out only. Plans for cake-decorating workshops, done before
the pandemic, were also put on hold, though the staff did manage
to hold one on a farm. Inside the production kitchen sits an
old deck oven, defunct since a previous bakery iteration, now the
steampunk-style shelf for a row of wooden bannetons, or proofing
baskets. Next to it are the two stacked Blodgett convection ovens
that bake most everything in the bakery.
</p>
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<h5 class="captionVideo thin">
A bucket of fresh
flowers at the ready.</i>
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<p>
The kind of vegetation you might get on your baked goods depends,
naturally, on the whims of the season, the garden, the baker.
In the fall, when Smith and Kinney favor fruits and vegetables
along with the flowers, the cakes and pastries bear currant tomatoes,
Jupiter grapes, husk cherries, sometimes wild raspberries on
the vine.
</p>
<p>
Most of what’s in Bramble’s pastry-case comes in the form of a
weekly bucket from Hillen Homestead, an urban farm wedged into a
reclaimed site a few miles away from the bakery. The bakers trade a
bucket of Hillen owner-farmer Maya Kosok’s scrap stems for a box of
bakery items, a barter system built of sweet peas, celosia, and sage.
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A whisk of
apple cider Swiss buttercream; Smith decorating a
frosted mini cake; a tray of just-baked buttermilk
biscuits for the breakfast sandwiches; an array
of baking pans; the oatmeal cream pies.
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<h5 class="gabriela-stencil-black uppers">
“It was fun to be in art museums parallel to baking. It’s a great place to soak up inspiration.”
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<p>
In winter, Bramble concentrates on sturdier blooms, pressed
petals, and preserved vegetation. “Our cakes become very viola-heavy,”
says Smith. “Sometimes we do a pressed, fresh mélange,”
says Kinney, which might include hydroponic, indoor-grown flowers,
as well as those the staff presses and dries.
</p>
<p>
Smith, a Maryland transplant, started baking in part as a way of
getting attuned to the local growing season. “When you move to a
completely new region of the world, you’re often a little unmoored,”
she says. Smith, who was raised in upstate New York and went to
grad school for museum studies in Boston, relocated to Maryland for
a job as an education coordinator at The Walters Art Museum in 2016.
“I had a lot of time in my evenings, so I started baking obsessively, to
keep myself occupied, and it became a way for me to become more
familiar with mid-Atlantic produce.”
</p>
<p>
Smith used her income from the Walters to get that foothold and
then began honing her baking skills at a commercial kitchen sharing
space with a small catering business. In 2019, Bramble became
Smith’s full-time job. “It was fun to be in art museums parallel to
baking,” she says. “It’s a great place to soak up inspiration. The jury
is still out on whether I’ll call cake ‘art’ or not.”
</p>
<p>
In those early days, Smith and her partner, Robin Rhodes, a full-time
musician who plans to help with more events at the bakery
when COVID-19 restrictions further lift, would take Smith’s baked
goods to farmers’ markets, first the Cross Street market, then the
32nd Street market in Waverly. It was there that many of Smith’s
current staff first encountered both baked goods and baker, including
longtime staffers like pastry chef Jaime Hacker.
</p>
<p>
“I want to make rustic rye croissants and not matcha foam,”
says Hacker of the career trajectory that brought her from culinary
school to a series of restaurants where she found herself following
trends rather than baking what she wanted. Hacker was the first
person to join Smith’s team—Kinney, the second, came on just before
the pandemic—and had been at a crossroads in her career.
</p>
<p>
“I have this classical French training, worked at enough [restaurants]
to realize how toxic the industry was,” says Hacker. “I was
thinking about what else to do with my life, and I reached out to
Allie via Instagram to see if I could bake with her for fun.”
</p>
<p>
Bramble’s croissant program began with Hacker, who’s doing
a tutorial on the laminated pastry for others in the kitchen. “I’m
going on maternity leave in a week and a half, so I’m trying to
teach everybody how to do this,” she says, feeding sheets of butterstacked
dough through the machine’s roller, like laundry. Nearby,
sheet pan racks are loaded with warm buttermilk biscuits and the
roasted purple potatoes for pies, waiting for the next
stage in the bakery’s production schedule.
</p>
<p>
Rahma Haji, a Ph.D. candidate in the University of
Maryland’s Harriet Tubman Department of Women,
Gender, and Sexuality Studies program, would wake
up early on Saturday mornings to make it to the market
stand in time to get babkas, one of Bramble’s specialties.
“People love pastries,” Haji says. “That’s literally
how I started.” Now Haji spends those weekends behind
the counter at the bakery, working front-of-house
and further advancing personal pastry skills. “I love to
bake; there’s an element of experimentation.”
</p>
<p>
The same can be said for Smith’s evolving business
model, which Smith describes as “ambiguous by
design.” This could also describe many of those who
have gravitated to her kitchen.
</p>
<p>
“Bramble has grown into a more queer- and women-
led space as we’ve grown our team,” says Smith.
“Lots of women, but lots of non-binary folks. We’ve
prioritized and will continue to prioritize a work environment
that has care at its center, and I do think
that there’s a certain queer sensibility and a feminist
sensibility that allows us to stay true to that. I’m not
sure how the two will inform each other yet, but that’s
how we’ve naturally grown.”
</p>
<p>
Recently, there’s been a lot of discussion about giving
back-of-house food service professionals their due,
both financially and in terms job contentment. “I entered
the food world when there was beginning to be
this reckoning about that, and there’s more and more
each year,” says Smith. “The pandemic created space
for the folks in lower places to be heard.”
</p>
<p>
Drew Koshgarian arrived for her first day at the
bakery with her own rolling pin. Koshgarian says
that she wouldn’t have applied for a job at Bramble
if Smith hadn’t included a focus on collaboration,
responsibility-sharing, and respect in the job description.
“Everybody’s become more aware of how things
work when everybody feels valued,” says Koshgarian,
who worked in bakeries in Los Angeles (and also did
improv and stand-up comedy there). “It was wildly antiquated,”
Koshgarian says of the restaurant industry.
“Allie comes from an art history background; everybody
in this kitchen is interesting.”
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Clockwise from top, an old
flower press; a frosted mini cake with currant
tomatoes and dried flowers; fresh fruit and
flowers; decorating a cake; the pain au
chocolat; pressed flowers for decorating.
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“The kind of community that Allie’s trying to create is very inclusive—in any possibly use of the word.”
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<p>
Like Hacker and Koshgarian, Dayna Palmer logged
time in the restaurant industry. “I focused my career in
chocolate for the last six years, but this is the first time
I’ve worked in a bakery since culinary school,” says
Palmer. “The kind of community that Allie’s trying to
create is very inclusive—in any possible use of the word.”
</p>

<p>
As she speaks, Palmer pours buttermilk into a well
in the center of the butter-flour mixture for biscuits—the bakers produce 48 of them on weekdays, selling
out in hours. She was the person who added chocolate
bon bons to the bakery’s holiday repertoire, which also
quickly sold out.
</p>
<p>
But no matter what delicious treats Smith adds to
the menu, flowers will always be Bramble’s signature.
</p>
<p>
“Part of using flowers is honoring their temporary
beauty,” says Kinney, as she carefully stores flattened
petals and herbs in binder pages.
</p>
<p>
With additional flowers—all are non-toxic and/or
edible—to feed the sweet workflow coming in from Two
Boots Farm, Belvedere Farm Flowers, and Locust Point
Flowers, there’s enough to load into an old wooden flower
press, donated to the bakery in its nascent days.
</p>
<p>
“It’s very therapeutic,” says Felicity Lugay, a front-of-house
staffer and Towson University special education
major, as she lifts mum and tulip petals, leaves of salvia
and sage. “When we run out of space [on the flower
press], we just use some books,” says Kinney as Lugay
brings some thick cookbooks (<i>The Cake Bible</i>, by Rose
Levy Beranbaum; Roxana Jullapat’s <i>Mother Grains</i>; Claire
Ptak’s <i>The Violet Bakery Cookbook</i>) down from the bakery’s
shelves.
</p>
<p>
Kinney instructs folks to refrigerate their cakes, to
keep them out of the sun for the sake of both flowers
and buttercream—Smith keeps a blowtorch beside the
KitchenAid to help control the temperature of the finicky
frosting as the layer cakes are assembled—and recommends
that fresh flower cakes are best given, and
eaten, as soon as reasonably possible. This is not generally
an issue.
</p>
<p>
Carrie Beha, who—like most of the Bramble staff—moves between front-and back-of-house work, also first
learned about the bakery through the farmers’ market.
Beha started working as a teenager and never went to
college, instead eventually transitioning to a job at Moon
Valley Farm, in Woodsboro, one of Bramble’s suppliers.
“My heart lit up,” Beha says, after seeing the post on Good Food
Jobs about Bramble. Of the bakery’s wider social project, Beha
says: “Hopefully we can keep that balance. I think that’s going to
be the best part of Bramble—and the hardest part.”
</p>
<p>
Because despite the garlands of flowers and the warm cookies,
working in a bakery is not easy. The demands are high, and the
hours are long: Smith starts work at 1:30 a.m. on Saturdays, and
on the weekends someone is at the bakery starting at 2:30 or 3 a.m.
“The only way to make this kind of work sustainable, when
it’s so against our circadian rhythms, and places a lot of demands
upon your body, is really to be honest with yourself and with each
other,” says Smith. She spreads buttercream on a mini pumpkin
layer cake, turning the cake stand around like a clock. “The pinnacle
of honesty that we’ve been able to figure out for ourselves, is
working toward this collaborative environment.”
</p>
<p>
Good sourcing, whether local or otherwise, has always been
one of Bramble’s priorities.
</p>
<p>
“It was really important to me to work with local farms and
local ingredients,” says Hacker, whose stellar rye croissants, using
stone-ground rye flour from Castle Valley Mill in Doylestown,
PA, are a masterwork, simultaneously buttery and flaky, and
earthy from the whole grains. (All Bramble’s milk and buttermilk
come from South Mountain Creamery in Middletown; the
pie dough is made with flour from Small Valley Milling in Halifax,
PA, and Migrash Farms, near Randallstown; those biscuits
are made with with Plugra butter.) “Allie understands how important
that is, when I had so many chefs who said, you’re lucky
you get any flour at all.”
</p>
<p>
It’s not difficult to see how Bramble’s workplace setting translates
from production table to pastry case. “The stuff I’m doing
here,” says Hacker, “is some of the best stuff I’ve ever done.”
“Kindness made me want to work here,” says Haji later, sitting
outside on the bakery’s sun-drenched bench, summing
things up with a baker’s deftness. “It’s great to be a part of something
and feel valued, to be in a community. It puts everything
into perspective.”
</p>
<p>
Because depending on where you are in the world, brambles
can be roses or weeds, blackberries, even Arctic brambleberries—hardy and resilient, often grown in neglected spaces. And
utterly beautiful, not unlike bakers themselves.
</p>
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