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	<title>Bmore BeatClub &#8211; Baltimore Magazine</title>
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	<description>The Best of Baltimore Since 1907</description>
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	<title>Bmore BeatClub &#8211; Baltimore Magazine</title>
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		<title>Culture Club: Mark Bradford at the BMA, Taste of Tuva with Joyce Scott, and Mono Practice Opens</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/culture-club-mark-bradford-taste-of-tuva-and-mono-practice/</link>
		
		<dc:creator><![CDATA[Lauren LaRocca]]></dc:creator>
		<pubDate>Wed, 29 Aug 2018 15:58:48 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Abdu Ali]]></category>
		<category><![CDATA[Abraham Burickson]]></category>
		<category><![CDATA[AfriCOBRA]]></category>
		<category><![CDATA[Alash Ensemble]]></category>
		<category><![CDATA[Amy Sherald]]></category>
		<category><![CDATA[Baker Artist Awards]]></category>
		<category><![CDATA[BMA]]></category>
		<category><![CDATA[Bmore BeatClub]]></category>
		<category><![CDATA[CityLit]]></category>
		<category><![CDATA[Creative Alliance]]></category>
		<category><![CDATA[Fades and Fellowship]]></category>
		<category><![CDATA[Galerie Myrtis]]></category>
		<category><![CDATA[Gina Pierleoni]]></category>
		<category><![CDATA[hamilton gallery]]></category>
		<category><![CDATA[hip-hop]]></category>
		<category><![CDATA[J Pope]]></category>
		<category><![CDATA[Jackie Milad]]></category>
		<category><![CDATA[jazz]]></category>
		<category><![CDATA[Jenny O’Grady]]></category>
		<category><![CDATA[Joseph Paul Cassar]]></category>
		<category><![CDATA[Joyce Scott]]></category>
		<category><![CDATA[Kwame Alexander]]></category>
		<category><![CDATA[L. Nef’fahtiti Partlow-Myrick]]></category>
		<category><![CDATA[literary arts]]></category>
		<category><![CDATA[Maren Hassinger]]></category>
		<category><![CDATA[Mark Bradford]]></category>
		<category><![CDATA[Metro Gallery]]></category>
		<category><![CDATA[MICA]]></category>
		<category><![CDATA[Mono Practice]]></category>
		<category><![CDATA[Motor House]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Myrtis Bedolla]]></category>
		<category><![CDATA[Reginald F. Lewis Museum]]></category>
		<category><![CDATA[Ruri Yi]]></category>
		<category><![CDATA[Sara Dittrich]]></category>
		<category><![CDATA[Shodekeh]]></category>
		<category><![CDATA[Small Press Expo]]></category>
		<category><![CDATA[theater]]></category>
		<category><![CDATA[Towson University]]></category>
		<category><![CDATA[University of Baltimore]]></category>
		<category><![CDATA[visual art]]></category>
		<category><![CDATA[Y:Art Gallery]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=26645</guid>

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			<h4>Visual Art</h4>
<p><strong>Maren Hassinger: The Spirit of Things<br /></strong><a href="https://en.wikipedia.org/wiki/Maren_Hassinger" target="_blank" rel="noreferrer noopener">Maren Hassinger</a>’s four-decade career in art is rooted in sculpture and dance. A selection of her sculptures, made with wire rope, plastic bags, and newspapers, are on exhibit in the Contemporary Wing of the <a href="https://artbma.org" target="_blank" rel="noreferrer noopener">Baltimore Museum of Art</a> in the solo show <em><a href="https://artbma.org/exhibitions/hassinger" target="_blank" rel="noreferrer noopener">The Spirit of Things</a></em>. Some have been reconfigured for this exhibition, which also contains video installations of her performance art and dance. She’s also known for her role at the <a href="https://www.mica.edu/" target="_blank" rel="noreferrer noopener">Maryland Institute College of Art</a> as director of the Rinehart School of Sculpture, which she has served since 1997. <em>July 18-Nov. 25, performance and conversation with the artist at 3 p.m. Sept. 8. BMA, 10 Art Museum Drive.</em></p>
<p><strong>ISLA: Regarding Paradise<br /></strong>Ironically, the etymology of the word “paradise” goes back to its Greek and Old Iranian roots meaning “walled enclosure.” In this group exhibit at <a href="https://www.towson.edu" target="_blank" rel="noreferrer noopener">Towson University</a>, curated by Baltimore artist <a href="https://jackiemilad.com/home.html" target="_blank" rel="noreferrer noopener">Jackie Milad</a>, contemporary artists working in an array of mediums examine the figurative and literal walls that enclose the pristine beach images of the Caribbean islands, a place that has worked toward political autonomy and environmental justice. <em>Sept.7-Oct. 20. Reception on Sept. 6</em>.<em> Center for the Arts Gallery at Towson University, 8000 York Rd., Towson.</em></p>
<p><strong>DOS-à-DOS<br /></strong>Baltimore artists L. Nef’fahtiti Partlow-Myrick and Jenny O’Grady met as students in the Creative Writing and Publishing Arts master’s program at the <a href="http://www.ubalt.edu/" target="_blank" rel="noreferrer noopener">University of Baltimore</a> and will now exhibit the fruits of their labor: a collection of art books, made from a variety of materials both traditional and unorthodox (paper—but also metal and beans, for example). The show’s title references a bookbinding technique that ties together two text blocks with a shared spine-that spine being the MFA program, in this context. <em>Sept. 7-30. <a href="https://hamiltonarts.org/?page_id=387" target="_blank" rel="noreferrer noopener">Hamilton Gallery</a>, 5502 Harford Road.</em></p>
<p><strong>Baker Artist Awards 2017 &amp; 2018<br /></strong>Recent Baker Awards awardees—Abraham Burickson (interdisciplinary, 2018), Sara Dittrich (interdisciplinary, 2017), David Marion (visual art, 2017), and Amy Sherald (visual art, 2018)—will show work in an exhibit at the Baltimore Museum of Art. Included in the show will be Burickson’s “The Odyssey Works Box,” an archival box filled with books, photographs, and other ephemera, accompanied by a video tour of the history of the arts collective Odyssey Works; Dittrich’s wall sculptures, arranged with hundreds of clay ears; Marion’s multimedia sculptures “Extinction Event” and “Fracking,” which explore violence perpetrated on the natural environment; and two portraits by Sherald. <em>Sept. 12-Oct. 14, with a free opening event with performances on Sept. 13. Baltimore Museum of Art, 10 Art Museum Drive.</em></p>
<p><strong>Balancing Act<br /></strong><a href="http://www.mdinabiennale.org/index.php/42-mdbn-artists/592-joseph-paul-cassar" target="_blank" rel="noreferrer noopener">Joseph Paul Cassar</a> has been working in Baltimore for 13 years as a visual artist and art historian, and is a professor at the University of Maryland University College. He’s shown his work around the world, and this month will exhibit in our city, when <a href="https://www.yartgalleryandfinegifts.com/" target="_blank" rel="noreferrer noopener">Y:ART Gallery</a> in Highlandtown shows his recent work in <em>Balancing Act</em>—drawings in ink and pastel, paper cut-outs, collage, and acrylic on canvas. <em>Sept. 12-Oct. 20, opening reception from 6-9 p.m. Sept. 15, artist talk from 4-6 p.m. Oct. 13. Y:Art Gallery, 3402 Gough St.</em></p>
<p><strong>Mark Bradford: Tomorrow is Another Day<br /></strong>Renowned contemporary artist <a href="https://art21.org/artist/mark-bradford/" target="_blank" rel="noreferrer noopener">Mark Bradford</a> represented the U.S. at the 2017 Venice Biennale and will bring that work to Baltimore for the exhibit Tomorrow is Another Day, accompanied by a new site-specific installation, at the Baltimore Museum of Art. Bradford explores themes from his personal life, black identity, Greek mythology, and the universe through mixed-media pieces, paintings, and video. <em>Sept. 23, 2018-March 3, 2019; opening celebration, 1-5 p.m. Sept. 23. Baltimore Museum of Art, 10 Art Museum Drive.</em></p>
<p><strong>What Makes Us (Us)<br /></strong><a href="https://bakerartist.org/portfolios/gina-pierleoni" target="_blank" rel="noreferrer noopener">Gina Pierleoni</a> exhibits some 200 paintings and mixed-media portraits of people encountered over a 25-year period in Baltimore and beyond. She’ll lead a coinciding workshop which will include live music to help to dig deeper into questions of place and perception. <em>Aug. 25-Sept. 29; workshop, 6-7:30 p.m. Sept. 15. Creative Alliance, 3134 Eastern Ave.</em></p>
<p><strong>AfriCOBRA: The Evolution of a Movement<br /></strong>This group exhibit at <a href="http://galeriemyrtis.net/" target="_blank" rel="noreferrer noopener">Galerie Myrtis</a> celebrates artists in <a href="https://en.wikipedia.org/wiki/AfriCOBRA" target="_blank" rel="noreferrer noopener">AfriCOBRA</a>, aka African Commune for Bad Relevant Artists, a coalition that was born from the black arts movement that began in the 1960s and is now celebrating its 50th anniversary. The aesthetic of these artists emerged from activism and aims to speak to black people specifically. The show will display paintings, photographs, prints, and 3-D pieces by the group’s earliest and most recent members, including Akili Ron Anderson, Kevin Cole, Adger Cowans, Michael D. Harris, Napoleon Jones-Henderson (founding member), James Phillips, Frank Smith, Nelson Stevens (founding member), and Renee Stout. Coinciding programming will include Tea with Myrtis (as in, founding director of Galerie Myrtis, Myrtis Bedolla) and an art salon with AfriCOBRA members who will talk about their artwork and its impact on the black arts movement. <em>Sept. 15-Oct. 17, with an opening reception from 5-7 p.m. Sept. 15. Galerie Myrtis Fine Art, 2224 N. Charles St.</em></p>
<h4>Music</h4>
<p><strong>Taste of Tuva<br /></strong>Celebrated artist <a href="https://www.macfound.org/fellows/971/" target="_blank" rel="noreferrer noopener">Joyce Scott</a> will host this special evening featuring the music, art, and food of Asia. <a href="https://www.alashensemble.com/" target="_blank" rel="noreferrer noopener">Alash Ensemble</a>, a trio of throat singers from the Central Asian state of Tuva, will bring both their music and culinary specialties, while collaborating with Baltimore musicians <a href="https://www.msac.org/touring-artists-roster/shodekeh" target="_blank" rel="noreferrer noopener">Shodekeh</a> and <a href="https://jpopeandthehearnow.bandcamp.com/" target="_blank" rel="noreferrer noopener">J Pope</a>. The event supports the Asian Arts &amp; Culture Center at Towson University. <em>6-9 p.m. Sept. 15. TU South Campus Pavilion at Towson University, 8000 York Rd.</em></p>
<p><strong>Abdu Ali&#8217;s Last Show of 2018<br /></strong>Baltimore music artist <a href="https://soundcloud.com/abduali" target="_blank" rel="noreferrer noopener">Abdu Ali</a> will perform their last live show of the year this month at Metro Gallery, joined by Kotic Couture (hip-hop with pop, Baltimore club, and underground art influences), Pamela_ and her sons (the solo music project of Alessandra Hoshor), and W00dy (Philadelphia-based experimental pop artist). <em>8 p.m. Sept. 5. Metro Gallery, 1700 N. Charles St.</em></p>
<p><strong>BeatClub at the Lewis<br /></strong>Over the years, <a href="https://www.facebook.com/bmorebeatclub/" target="_blank" rel="noreferrer noopener">Bmore BeatClub</a> has met regularly inside clubs, bars, and initially a record shop to celebrate hip-hop and beats. Novice artists rap alongside experts at these gatherings, and this month’s event will be extra special, as Bmore BeatClub will bring hip-hop, spoken word, and poetry to the <a href="http://lewismuseum.org/" target="_blank" rel="noreferrer noopener">Reginald F. Lewis Museum</a>. <em>7 p.m. Sept. 28. Reginald F. Lewis Museum, 830 E. Pratt St.</em></p>
<h4>Theater</h4>
<p><strong>Fades and Fellowship Barbershop Stories<br /></strong>Barbershops are places of conversation and camaraderie—and from this idea came the production Barbershop Stories by Baltimore-based theater troupe <a href="http://fadesandfellowship.com/" target="_blank" rel="noreferrer noopener">Fades &amp; Fellowship</a>. A cast of real barbers will perform the stories overheard in the shop—and then give actual haircuts to selected audience members. <em>Sept. 28. The Motor House, 120 W. North Ave.</em></p>
<h4>Literary Arts</h4>
<p><strong>CityLit Swing: A Special Celebration Honoring Kwame Alexander<br /></strong><a href="http://www.citylitproject.org/" target="_blank" rel="noreferrer noopener">CityLit</a> will honor poet, educator and <em>New York Times</em> bestselling children’s author <a href="https://kwamealexander.com/" target="_blank" rel="noreferrer noopener">Kwame Alexander</a> with its Chic Dambach Award for Service to the Literary Arts during a celebratory evening at The Motor House. Sliding-Scale tickets are available for this CityLit fundraiser, which will include lite fare, libations, jazz, and a reading by Alexander. <em>6:30 to 8:30 p.m. Sept. 13. The Motor House, 120 W. North Ave.</em></p>
<p><strong>Small Press Expo<br /></strong>The annual <a href="http://www.smallpressexpo.com/" target="_blank" rel="noreferrer noopener">Small Press Expo</a> celebrates indie cartooning and comic arts, bringing more than 4,000 creatives to Bethesda for readings, workshops, and to meet with one another. <em>11 a.m.-7 p.m. Sept. 15 and noon-6 p.m. Sept. 16. Bethesda North Marriott Hotel &amp; Conference Center, 5701 Marinelli Road, North Bethesda</em></p>
<h4>Miscellanea</h4>
<p><strong>Mortified: Share the Shame<br /></strong>Everyday adults share their most mortifying moments via teenage diary entries, poems, love letters, lyrics, and locker notes in this popular show. <em>6 and 8 p.m. Sept. 22. <a href="http://www.creativealliance.org" target="_blank" rel="noreferrer noopener">Creative Alliance</a>, 3134 Eastern Ave.</em></p>
<p><strong>Mono Practice<br /></strong>Founding director Ruri Yi is opening a new contemporary art gallery, <a href="https://www.monopractice.com/" target="_blank" rel="noreferrer noopener">Mono Practice</a>, in Station North this month, with a focus on abstract and reductive art. The inaugural exhibit, Pointing To The Sun | An Exercise In Abstraction, is curated by Rod Malin and will feature work by Baltimore-based artists David Brown, Zoë Charlton, Ariel Cavalcante Foster, Terence Hannum, Stephen Hendee, Bill Schmidt, and Yi. <em>Sept. 6-Oct. 13, with an opening reception from 6-9 p.m. Sept. 6. Mono Practice, 212 McAllister St.</em></p>

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<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/culture-club-mark-bradford-taste-of-tuva-and-mono-practice/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Weekend Lineup: June 29-July 1</title>
		<link>https://www.baltimoremagazine.com/section/events/weekend-lineup-june-29-july-1/</link>
		
		<dc:creator><![CDATA[Kaitlyn Pacheco]]></dc:creator>
		<pubDate>Thu, 28 Jun 2018 19:08:00 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Bmore BeatClub]]></category>
		<category><![CDATA[Checkerspot Brewing]]></category>
		<category><![CDATA[Dundalk Heritage Fair]]></category>
		<category><![CDATA[Galerie Myrtis]]></category>
		<category><![CDATA[Ronald Jackson]]></category>
		<category><![CDATA[The Night Brunch]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=26972</guid>

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			<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_eat_1.png" alt="lydia_eat_1.png" style="border-style:none;vertical-align:middle;height:auto;" /> EAT</h2>
<h4>June 30: The Night Brunch</h4>
<p><em>The Field, 200 E. Cromwell St. 6-10 p.m. Free.</em></p>
<p>We can’t get through a weekend without spotting a new way to eat brunch—bottomless, all-day, or accompanied by a drag show—and now, thanks to The Night Brunch, Baltimoreans have an excuse (like we need one) to now eat breakfast for dinner. On Saturday, this bimonthly foodie hangout will take over Port Covington’s pop-up event space, The Field, for a night of elevated eats under the stars. Dig into South American-inspired plates by Chef Patrick Morrow of Ryleigh&#8217;s Oyster and Bluegrass Tavern, including brioche French toast topped with roasted stone fruit and drizzled with agave nectar and smoked salmon tacos garnished with mango cabbage slaw and griddled avocados.</p>
<h2><strong><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_drink_1.png" alt="lydia_drink_1.png" style="border-style:none;vertical-align:middle;height:auto;" /></strong> <strong>DRINK</strong></h2>
<h4>June 30: Checkerspot Brewing Co. Grand Opening</h4>
<p><em>Checkerspot Brewing Company, 1399 S. Sharp St. 12 p.m.-12 a.m. Free. 410-591-5527.</em></p>
<p>After a year and a half of planning and taste-testing, the long-awaited Checkerspot Brewing will open the doors of its new South Baltimore home this Saturday. Named after Maryland’s state butterfly, this farm-to-glass brewery uses locally-sourced ingredients to create a variety of beers like Keeper’s Stout, fortified with crab shells from J.M. Clayton Seafood Company, and opening weekend pours like the Juniperus juniper IPA and Southside pale ale.</p>
<h2><strong><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_see_1.png" alt="lydia_see_1.png" style="border-style:none;vertical-align:middle;height:auto;" /> </strong><strong>SEE</strong></h2>
<h4>June 30-July 28: Ronald Jackson Solo Exhibition </h4>
<p><em>Galerie Myrtis, 2224 N. Charles St. 5-7 p.m. Free. 410-235-3711.</em></p>
<p>This weekend, Galerie Mrytis will debut its first-ever solo exhibition by Virginia artist Ronald Jackson. Head to Station North to take in <em>Profiles of Color III: Fabric, Face, and Form</em>, featuring paintings from Jackson’s reimagined world of African-American portraiture. On display until late July, arts lovers will be wowed by the way his bold use of geometric patterns, vivid colors, and rich fabrics to imbue each work with power and emotion.</p>
<h2><strong><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_hear_1.png" alt="lydia_hear_1.png" style="border-style:none;vertical-align:middle;height:auto;" /> </strong><strong>HEAR</strong></h2>
<h4>June 30: Bmore BeatClub</h4>
<p><em>The Windup Space, 12 W. North Ave. 8:30 p.m.-1 a.m. $10. 443-243-5400.</em></p>
<p>This Saturday marks the return of Bmore BeatBlub, the epic bimonthly hip-hop gathering where MCs and rappers of all experience levels are invited to show off their skills on the Station North stage. Hosted by local MC Eze Jackson, this open-mic series is the go-to spot to catch rising talents and established artists alike as they prove their bent for beatmaking. Hear new tracks from local producers, like the ambient-inspired Gentei and the trap-minded SocialN3rd, and be sure to stick around until the end of the show for a late-night dance party.</p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_do_1.png" alt="lydia_do_1.png" style="border-style:none;vertical-align:middle;height:auto;" /> <strong>DO</strong></h2>
<h4>June 29-July 1: Dundalk Heritage Fair</h4>
<p><em>Dundalk Heritage Park, 2717 Playfield St., Dundalk. Fri. 4-10 p.m., Sat. &amp; Sun. 12-10 p.m. Free-$8. 410-284-4022.</em></p>
<p>With July 4 right around the corner, get a jumpstart on your Independence Day celebrations this weekend with Dundalk’s 42nd annual Heritage Fair. During this three-day extravaganza filled with everything from amusement rides and carnival games to a petting zoo and pig races, join locals and don your red, white, and blue in this time-honored tradition that leads up to the community’s parade and fireworks show on the Fourth of July. Each night will feature big-name entertainment, including the lead singer of Mötley Crüe, the Get The Led Out Zeppelin cover band, and legendary local rocker Crack The Sky.</p>

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<p><a href="https://www.baltimoremagazine.com/section/events/weekend-lineup-june-29-july-1/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>The Beat Goes On</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/bmore-beat-club-is-everything-battle-rap-is-not/</link>
		
		<dc:creator><![CDATA[Jess Mayhugh]]></dc:creator>
		<pubDate>Thu, 17 May 2018 08:30:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Artscape]]></category>
		<category><![CDATA[Baltimore Soundstage]]></category>
		<category><![CDATA[Bmore BeatClub]]></category>
		<category><![CDATA[hip-hop]]></category>
		<category><![CDATA[Maryland Art Place]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[rap]]></category>
		<category><![CDATA[the Windup Space]]></category>
		<guid isPermaLink="false">http://server2.local/BIT-SPRING/baltimoremagazine.com/html/?post_type=article&#038;p=1647</guid>

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			<p>Under a dramatic black light inside The Windup Space in Station North, MCs are called onto the small stage, two at a time. The packed crowd hoots and hollers as these novice and veteran rappers are given the task of rhyming over beats they’ve never heard before. However daunting, each rapper approaches the mic like a jazz artist, taking turns freestyling and testing new bars as if trading fours. “This is what it’s about!” shouts host Eze Jackson from the stage. “It’s about building the culture.”</p>
<p>This is the latest installment of the <a href="http://www.facebook.com/bmorebeatclub/" target="_blank" rel="noreferrer noopener">Bmore BeatClub</a>, a hip-hop open-mic series, now in its third year. The event is a platform for emerging artists who want to step up their game, as well as for producers who are scoping out new talent and people like its founder, Brandon Lackey, who want to help the Baltimore hip-hop community grow.</p>
<p>“BeatClub is really a family,” says co-producer and EDM DJ Marat Buberman. “Everyone here is supportive. . . . We know what it’s like to be struggling artists.”   </p>
<p>With the help of dedicated staff and friends, Lackey, a producer himself, and his Lineup Room Recording Studio have been producing BeatClub since it was a free, BYOB event at the now-defunct Shockwave Records store in Parkville. What began as a way for young producers to show off their beats has evolved into an open-mic with MCs rapping over tracks and drawing hordes of hip-hop fans from Baltimore and beyond. </p>
<p>BeatClub has grown out of its former venues, including, most recently, the basement of the Maryland Art Place—a setting Lackey describes as <em>Cheers</em> meets <em>8 Mile</em>—and into a bimonthly series at the larger Windup Space that also includes an epic all-night dance party. “I wanted to kill it or grow it,” says Lackey. “I didn’t want it to get stale.”   </p>
<p>The most important thing to understand is that BeatClub is not a battle. The stage acts as an even playing field, with national legends like Bobbito and Psycho Les standing alongside fresh-faced up-and-comers, some of whom have gone on to bigger things, like creating collaborative EPs, opening for big-name acts at Baltimore Soundstage, and performing at Artscape. </p>
<p>Those incentives create the hungry edge that keeps artists coming back. As Lackey puts it, “<em>That’s</em> the competition.”</p>

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