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	<title>The High &amp; Wides &#8211; Baltimore Magazine</title>
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	<description>The Best of Baltimore Since 1907</description>
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	<title>The High &amp; Wides &#8211; Baltimore Magazine</title>
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		<title>Music Reviews: December 2019</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/music-reviews-december-2019/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Wed, 27 Nov 2019 08:30:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Al Rogers Jr.]]></category>
		<category><![CDATA[Seven True Stories]]></category>
		<category><![CDATA[SwoozyBaby]]></category>
		<category><![CDATA[The High & Wides]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=20958</guid>

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			<h4>Al Rogers Jr.</h4>
<p><em>SwoozyBaby</em></p>
<p>On his latest release, with the title referring to his trademark mantra for spreading good vibes around the city and world, Al Rogers Jr. cements himself as the master of the remastering old-school sounds with new-school flavor. Fusing jazz, soul, hip-hop, R&amp;B, and even a touch of Bmore Club, the West Baltimore rapper creates music that’s both new and nostalgic, fresh and familiar, all at once, and these eight tracks offer a “message to the dreamers,” as he puts it. Listen not just for the wordsmith verses, melodic beats, and live instrumentation by the local likes of trumpeter Brandon Woody and drummer Josh Stokes, but also the inspirational life lessons. Like, “Never sell your soul or yourself short,” or, “In a world of Mr. Me-Toos, there’s only one you.” There’s clearly only one Al Rogers Jr., too. </p>

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			<h4>The High &amp; Wides</h4>
<p><em>Seven True Stories </em></p>
<p>Bluegrass is so much more than just acoustic strings and achy-breaky vocal croons. Some might call that country, while its up-tempo cousin, bluegrass, is ultimately about the stories. And the second album from this Baltimore-by-way-of-Eastern Shore band is full of them—11 tales of hard times and heartache, age and death, religion and America, both true and apocryphal. The rising quartet has found their own lane in the old-school genre, digging deep into tradition, reimagining it with a modern soul, and these new tunes push that pursuit even further. Across breakneck barnburners and lonesome ballads, they showcase their individual talents and collective strength, flawlessly harmonizing on both lyric and chord. Through such artistic dives, both in sound and sense of place, they’re writing a story of their own. </p>

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<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/music-reviews-december-2019/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>The Big Baltimore Playlist: October 2019</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/the-big-baltimore-playlist-october-2019/</link>
		
		<dc:creator><![CDATA[Lydia Woolever]]></dc:creator>
		<pubDate>Wed, 30 Oct 2019 08:00:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Al Rogers Jr.]]></category>
		<category><![CDATA[Dan Deacon]]></category>
		<category><![CDATA[Joyero]]></category>
		<category><![CDATA[Mary Prankster]]></category>
		<category><![CDATA[The Big Baltimore Playlist]]></category>
		<category><![CDATA[The High & Wides]]></category>
		<category><![CDATA[The High and Wides]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=17475</guid>

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			<p>In the latest iteration of <a href="https://www.baltimoremagazine.com/tag/The%20Big%20Baltimore%20Playlist" target="_blank" rel="noreferrer noopener">The Big Baltimore Playlist</a>, we found five local songs to listen to now, ranging from breakneck bluegrass and comeback indie rock to masterful electronic music. Check back each month for new top tracks of the moment, and follow our <a href="https://open.spotify.com/user/baltimoremagazine/playlist/1b55OBzVqlB68kESsVrxJJ" target="_blank" rel="noreferrer noopener">Spotify</a> playlist as we continue to build a soundtrack for our city.</p>
<hr />
<p><strong>“<a href="https://soundcloud.com/alrogersjr/sets/swoozybaby-ep" target="_blank" rel="noreferrer noopener">Crystal Geyser</a>” by Al Rogers Jr.</strong></p>
<p>Leave it to <a href="https://www.baltimoremagazine.com/2015/11/12/al-rogers-jr-discusses-his-new-album-luvadocious" target="_blank" rel="noreferrer noopener">Al Rogers Jr.</a> to drop the most infectious song of autumn so far. This first single off his new album, <em>SwoozyBaby</em>, titled for his trademark mantra for spreading good vibes, is giving us summer energy with its almost tropical, rat-a-tat beat, chiming bells, and smooth, swift vocals. Play it on repeat (trust us), then dig into the rest of the West Baltimore rapper’s record for even more one-of-a-kind inspiration. </p>
<p><strong>“<a href="https://youtu.be/5YsvMbX-F7k" target="_blank" rel="noreferrer noopener">Sat By A Tree</a>” by Dan Deacon</strong></p>
<p>This morning, electronic wizard Dan Deacon announced his upcoming 2020 album, <em>Mystic Familiar</em>, with this first single and its accompanying <a href="https://www.youtube.com/watch?v=5YsvMbX-F7k&amp;feature=youtu.be" target="_blank" rel="noreferrer noopener">creepy, crawly music video</a>. Looking into the topics of life and death, this bright, buoyant melody is full circle in its familiar touches and techniques from both his most recent and earliest work. It’s peak <a href="https://www.baltimoremagazine.com/section/artsentertainment/dan-deacon-makes-his-meyerhoff-debut" target="_blank" rel="noreferrer noopener">Deacon</a>—a beautiful opus—and it leaves us eager to listen to the rest of the record. </p>
<p><strong>“<a href="https://thehighandwides.bandcamp.com" target="_blank" rel="noreferrer noopener">Reverie</a>” by The High &amp; Wides*</strong></p>
<p>This song came to singer Marc Dykeman almost entirely in a dream—hence the name. But it’s a perfect example of the natural talent of this rising <a href="https://www.facebook.com/Baltimoremagazine/videos/387356228752607/" target="_blank" rel="noreferrer noopener">bluegrass quartet</a>, whose debut <em>Lifted </em>made the Billboard top-ten charts last year for its genre. With their sophomore <em>Seven True Stories </em>due out this December, this track is a sneak peek of the ways in which their abilities—fast-flying fingers, vocal and instrumental harmonies, creative storytelling—only continue to grow.</p>
<p><strong>“<a href="https://www.youtube.com/watch?v=ZBaEAjhY_Ak" target="_blank" rel="noreferrer noopener">Dogs</a>” by Joyero</strong></p>
<p>Wye Oak’s Andy Stack has struck out on his own under a new debut solo project, Joyero. For the first time, the drummer’s voice moves to the forefront, and it’s a cool, calming sound. Now based in Marfa, Texas, the sparse yet saturated melody captures the transition between his different cities, relationships, and lifetimes—a dreamy, electronic reel-to-reel. Trappings of his old bands are there, but it’s wholly all his own. Plus, it might have the best <a href="https://www.youtube.com/watch?v=ZBaEAjhY_Ak" target="_blank" rel="noreferrer noopener">music video</a>, of all time.</p>
<p><strong>“<a href="https://www.youtube.com/watch?v=QVPJpKhkhkE" target="_blank" rel="noreferrer noopener">Local Honey</a>” by Mary Prankster*</strong></p>
<p>If you’re of a certain age, you might not know the name Mary Prankster. But for those Baltimore music scene veterans, and musicians in the know, the genre-jumping singer-songwriter was an alt-rock cult icon here in the 1990s. Now back after taking more than a decade off from recording and touring, her new album, Thickly Settled, drops this weekend, which she calls a “rollicking cross-country road trip.” Consider it a comeback with this first single—&#8217;60s and surf-inflected, backed by some of the city’s best musicians, into pure, don’t-make-it-like-this-anymore indie-rock. </p>
<p><em>*Not yet on Spotify. We&#8217;ll add it when it becomes available.</em></p>

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<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/the-big-baltimore-playlist-october-2019/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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