EAT

March 30: Latinx Market

Baltimore School for the Arts, 712 Cathedral St. 10 a.m.- 2 p.m. Free.

During this first-ever collaboration between the Baltimore School for the Arts and the Roots and Raíces Festival, celebrate all things Latinx with some of the best authentic cuisine the city has to offer. In between sampling eats from top-notch local vendors like La Calle, Cocina Luchadoras, and Te Conte Bolivian Empanadas, browse through handmade goods that take a modern spin on traditional styles. Stick around after the market closes to hear live Latinx-influenced music accompanied by a dance performance by BSA students.

DRINK

March 30: Fancy Clancy Pilsner Draft Launch Party

Sliders Bar and Grille, 504-506 Washington Boulevard. 1 p.m. Free.

If you’ve ever sat in the first-base section of Camden Yards, you know Fancy Clancy. This beloved vendor has dedicated 45 years to slinging drinks during Orioles games, and now Escutcheon Brewing and Sliders Bar & Grille are celebrating Fancy Clancy with his own Pilsner. Stop by the stadium-side bar on Saturday to watch the O’s take on the Yankees in New York, play a few rounds of corn hole, and raise a glass to the king of Orioles beer sales.

SEE

March 30: The Big Baltimore Kite Fest

Patterson Park, 12 p.m.-4 p.m. Free.

With cloudy skies in the forecast for Saturday, there’s never been a better time to brighten up Patterson Park with colorful kites. During this inaugural high-flying festival, participate in a plethora of fun activities like make-your-own kite workshops, face painting, and the “Will It Fly” competition. Whether you view the festivities from a picnic blanket or from the top of the Pagoda, spend the afternoon watching nontraditional kites inspired by cultures from across the city dance in the wind.

HEAR

March 29: Chaunter

Metro Gallery, 1700 N. Charles St. 8 p.m. $12-30.

Chaunter’s debut album, Dream Dynamics, has only been out for two weeks and it already has the city’s music scene busting at the seams to hear the dream-pop duo perform it live. This Friday, pack the Metro Gallery to hear Station North stalwarts Brooks Kossover, on vocals and flute, and Jenghis Manning-Pettit, on guitar, take their one-of-a-kind sound to a whole new level. Get there early to hear fellow rising acts Nerftoss, Infinity Knives + Randi, Frogohmine, and Matmos start off what sure to be a can’t-miss night of creative sounds.

DO

March 29-31: Asia North Festival

Motor House, 120 West North Ave. Fri. 5-11 p.m., Sat. 12-9:30 p.m., Sun. 3-8 p.m. $10.

This weekend, the Charles North neighborhood will put the spotlight on its past and present history as “Koreatown” with a three-day food, arts, and cultural extravaganza. On Friday, check out the Asian Arts & Culture Center-curated art exhibition Intricate Layers at Motor House along with sets by musicians Ami Dang and EN’B. Then, spend Saturday watching performances by acts like Korean percussion group Washington Samulnori and Baltimore-based beat boxer Shodekeh, and rally for Night Market Underground, with tons of authentic eats by the likes of Daikaya, Lei Musubi, and Old Boy in Graffiti Alley.

Visual Art

Spring 2019 Design Soiree
For the past 15 years, the Design Soiree has given artists and creatives a change to interact, exchange ideas, and get feedback on their work. Reserve your spot early to experience the latest evening of artistic exchange at Y:ART Gallery. And don’t forget to bring some food and drink to share before you settle in to see presenters share their newest projects. Y:ART Gallery & Fine Gifts, 3402 Gough St. 7-10 p.m., March 20.

Logan Visionary Conference 2019: The Art of Parenting
Celebrate AVAM’s themed exhibition Parenting: An Art Without a Manual by soaking up some knowledge from a panel of luminaries including Dr. Daniel J Siegel of the UCLA School of Medicine and the Mindsight Institute, Alison D’Alessandro of the Baltimore Child Abuse Center, and Joe Jones of The Center for Urban Families. This yearly conference is free, but reservations must be made in advance. American Visionary Art Museum, 800 Key Hwy. 1-4 p.m., March 24.

Literature

Blythe Roberson: How to Date Men When You Hate Men
Join Blythe Roberson at Bird in Hand for a discussion of just how weird it is to date men in the modern world. The New Yorker and Onion contributor’s new book features such helpful sections as “Real Interviews With Men About Whether Or Not It Was A Date” and “Definitive Proof That Tom Hanks Is The Villain Of You’ve Got Mail,” so you know it’s sure to be a good time full of great advice. Bird in Hand Charles Village, 11 E. 33rd St. 7-9 p.m. March 9.

Confessionals: Writing the Hard Stuff
Truth hurts, so they say, but this MoonLit event seeks to help writers put their true selves down on paper and learn the importance of doing so. Local poet Ashley Elizabeth will help guide the group through readings, writing, and a discussion on truth-telling, and editing/workshopping will be available if time allows. Greedy Reads, 1744 Aliceanna St. 7-9 p.m., March 27.

Dance

Addict
Seven dancers will each portray a different experience with addiction in this performance in support of Helping Up Mission, a Baltimore nonprofit that provides for those dealing with homelessness, poverty, and addition. Featuring a live accompaniment from Two Rivers Chamber Music, Addict seeks to address the portrayal of addiction in media and how people are affected by society’s lack of understanding. Baltimore Theatre Project, 45 W. Preston St. 8 p.m., March 12-13.

Music

That’s What She Said
Grab your best girlfriends, because this women-powered night featuring some of the best voices in town is not to be missed. Electro-opera duo Outcalls, gloom-pop group $100 Girlfriend, and New Jersey rocking sister act Nalani & Sarina will join forces for one night only at Motor House for a no-boys-allowed evening of comedy and music. Motor House, 120 W. North Ave. 7-10:30 p.m., March 16.

Inaugural Baltimore Old Time Music Festival
A Friday night concert, a day of workshops and intimate performances from headliners, and a Saturday evening square dance will celebrate the Old Time music that made its way from Appalachia and cemented its legacy in Baltimore during the 20th century. This foot-stomping new fest at Creative Alliance will feature acts such as Ken and Brad Kolodner, Molsky’s Mountain Drifters, Corn Potato String Band, and The Local Honeys, who are sure to bring out the best of Old Time with fiddles, banjos, dulcimers, and plenty of dancing. Creative Alliance, 3134 Eastern Ave. Times vary, March 22-23.

Chaunter Dream Dynamics LP Release Party
Get acquainted with Baltimore’s latest cool kids at this release party for Chaunter’s new LP, Dream Dynamics, featuring the dreamy sounds of songwriting duo Brooks Kossover and Jenghis Manning-Pettit. Nerftoss, Infinity Knives + Randi, Frogohmine, and Matmos will get the evening started before Kossover, Pettit, and the rest of Chaunter take the stage to share their creative sound and impeccable style. Metro Gallery, 1700 N. Charles St. 8 p.m., March 29.

Film

The Case Against Adnan Syed
Part one of this four-part documentary series revisiting the murder of Baltimore County teen Hae Min Lee and the conviction of Adnan Syed for the crime premieres March 10 at 9 p.m. on HBO. The series, directed by Academy Award nominee Amy Berg, has been in production since 2015 and includes new evidence discovered by private investigators and interviews with friends, family, and people involved in the case over the past 20 years of uncertainty. Part 1 premieres on HBO 9 p.m. March 10.

Matmos

Plastic Anniversary (Thrill Jockey)

Leave it to Matmos to defy all expectations. Known for using unlikely objects as instruments—balloons, cigarettes, a deck of cards—the veteran experimental electronic duo might have just outdone themselves with this visionary piece of environmental activism. In the spirit of their last record, Ultimate Care II, which was composed entirely from the sound of their own washing machine, this new album is created from another single source: plastic, cleverly acknowledging our complicated relationship with the synthetic material. Using the likes of plastic gloves, pricked bubble wrap, and Styrofoam containers, these songs begin as a playful, pop-esque carnival of sound, reflecting our early, excited relationship with the product, before ultimately unraveling into an unruly dystopia. In a time when grocery store bags are strangling our wildlife and water bottles are filling our oceans, M.C. Schmidt and Drew Daniel use plastic itself to forewarn what the future could hold. On top of that, some of the album’s proceeds will benefit The Ocean Cleanup nonprofit.

Chaunter

Dream Dynamics (self-released)

Consider this duo a new Baltimore band to know now. The brainchild of art scene denizens Brooks Kossover and Jenghis Pettit makes its debut with this idiosyncratic first record, featuring Kossover on vocals and flute and Pettit on guitar, as well as an aspirational league of local heavyweights, from Dan Deacon (“Goodbye”) to Sam Herring of Future Islands (“Lightning Games”) to Lower Dens’ Jana Hunter (“Mirror Mirror”). With trappings of shoegaze, ’80s pop, and ’70s prog-rock, it guides you through a mythical world, landing somewhere between the glory of Labyrinth-era David Bowie (“Boo Cat”) and the golden age of Baltimore DIY dream-pop (“The CopyCat”). Each song unfurls as if in reverie—swirling in gauzy synth, smoldering with reverberating guitar, brimming with both hauntingly singular vocals and grand group harmonies. See for yourself at the Metro Gallery on March 29, as Chaunter’s performances are a theatrical, fantastical feat in and of themselves.

See our interview with Brooks Kossover and Jenghis Pettit of Chaunter.

It’s not every day that a brand-new band so quickly captures the sound of its home city, but in the case of Chaunter, you could say these songs have been nearly a decade in the making.

Founded by Station North stalwarts Brooks Kossover, on vocals and flute, and Jenghis Pettit, on guitar, the duo’s debut record, Dream Dynamics, is a celebration of the DIY scene in a Baltimore, and its idiosyncratic spirit is fleshed out by guest appearances from a league of local musical legends. Think electronic artist Dan Deacon, Future Islands’ Samuel T. Herring, Lower Dens’ Jana Hunter, guitar-pop group Super City, and rapper 83 Cutlass, to name a few.

Swirling in synth and smoldering with live-wire guitar, the songs harken back to the days when Rolling Stone named Baltimore’s music scene the very best in the country, but the bandmates follow the sound of their own woodwind into a sort of deep, dark, mythical dream world.

Before their release show at the Metro Gallery on March 29, we talked with the duo about friendship, freakwave, and finding inspiration in Baltimore.

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How did Chaunter come to be?

Brooks Kossover: Jenghis and I have been friends for a long time, but we really bonded over music. We hit it off over this shared love of prog-rock and you almost never meet anyone, especially our age, who is into, like, Jethro Tull. I specifically remember seeing him in a Rush t-shirt and being like who is this kid? From there, he introduced me to visual kei, this Japanese form of rock from the 1990s that really influenced Chaunter. The music is very thematic and dramatic and not just one particular sound. When you see us live, you know what I mean. We wrote this album and rehearsed it for half a year before ever playing a show.

Anyone from outside of Baltimore might wonder how this brand-new band got all these legendary local musicians on their debut record. But as regulars in the local arts scene, they just so happen to be your friends. How did the album come to be?

BK: It kind of all started with my paintings. In making these large portraits, I met all of these different artists and musicians and ended up collaborating, and even living, with some of them. Putting out music together just felt like the natural next step. . . . I wanted this first album to be a testament to the Baltimore arts scene. We wanted to come out strong like this is who we are, these are our friends, this is Baltimore music, and make as big of an impact as possible. Our first album is a concept album in a weird way. I wanted it to be like waking up in a dream, and in the end, you fall back into reality.

Jenghis Pettit: No matter what the genre is, a lot of the different sounds out that come out of Baltimore have this dreamlike quality to them.

BK: Moving forward, our music will be much more band-driven—Jenghis and me—and later in the year, we’ll be putting out an EP that will have a finer scope that truly defines us. We just want to put out cool songs and hopefully put Baltimore and freakwave on the map.

Ah, freakwave—the new Baltimore genre. Also used by local quintet Super City.

JP: It’s his favorite word. [Laughs.]

BK: Hey, I’ve only said it once this whole interview! [Laughs.] It’s a very performative, melody-driven form of music. Just one of those things you need to see live to really feel the energy of it. I just love the idea of another genre being born out of Baltimore. I know I’m not from here, but I’ve lived here for about eight years now, and it’s changed me so much.

Jenghis, you grew up in West Baltimore. How did you got involved in the DIY music scene?

JP: My freshman year of high school, one of my friends gave me a guitar. I taught myself how to play by sitting and playing along with the radio. I went straight into metal and prog rock. Later on, I was living at Bell Foundry with Qué [Pequeño] and we started the band Melanin Free, which took on a life of its own. Melanin Free is a form of activism for me. After 2015, the Uprising was something I felt I needed to bring into my music. Even in certain places with Chaunter, it comes out in certain ways and I’m not going to try to hide it. It feels good to be able to show my Baltimore and put my two cents in. For me, this first album revolves around old memories from when I first started doing the whole art thing.

Are there any songs that are particularly meaningful to you?

BK: For me, it’s “The Copycat.” Jenghis lives there now, I lived there for a long time, we started [the art gallery] Terrault there. All the time spent in that building, what that building has meant to the city, the music that’s come out of it. I wanted this song, and the first album, to be an ode. I wanted them to be reminiscent of all those different sounds and people and memories and experiences coming together into one place.

JP: It has a lot of backstory. Frank, the superintendent of The Copycat, who is my landlord right now, is featured on the intro as well. It’s just a really good song.

In celebrating the past, where do you find inspiration in this city today?

JP: A few years back, there was a lot of hype, and then it kind of disappeared. But everyone just decided to focus on making good work, and through that, we’re starting to get real, genuine recognition that I think is a lot more sustainable. Looking at friends like Butch [Dawson], Joy [Postell], and Al [Rogers Jr.] putting out these insane projects—it’s just like, alright, I have to really go hard to try to keep up with them. I think if we can all stay together and continue to collaborate, we can make something for ourselves here that can’t disappear.

EAT

Jan. 27: Brunch N’ Chill

Prime Corner, 3400 Chestnut Ave. 11 a.m.-2 p.m. $25.

From sleeping masks and bath bombs to chocolates and coffee, products infused with CBD oil (aka cannabidiol, the second-most abundant compound found in marijuana plants) are all the rage. This Sunday, trade your usual mimosa-filled brunch for a plant-based breakfast at Hampden’s Prime Corner, and then spend the afternoon sampling CBD-filled treats from local purveyors, including lattes from Vent Coffee Roasters, donuts from Full Circle Artisan Palace, and ketchup from Secret Sauce Co.

DRINK

Jan. 25: Nepenthe Brewing Co. Opening

Nepenthe Brewing Co., 3600 Clipper Mill Rd. 4 p.m. Free.

After months of delays, this new Hampden hangout officially opens to the public on Friday. The facility (which includes a 160-seat taproom, a 10-barrel brewhouse, and an attached home-brewing shop) is an expansion of Nepenthe Homebrew, the beer-making supply shop that husband-and-wife owners Brian Arnold and Jill Antos operated in Woodberry for five years before moving to their new home on Falls Road. Joined now by Brendan Kirlin (formerly of The Wine Market and Le Garage), the co-owners are ready to open their doors. This weekend, fill a flight with samples of Nepenthe’s starting lineup of IPAs and saisons.

SEE

Jan. 25-27: Raoul Middleman: Watercolors & Monoprints

C. Grimaldis Gallery, 523 N. Charles St. Tues.-Sat. 10 a.m.-5:30 p.m.

At 84 years old, this born-and-raised Baltimore artist continues to create innovative artworks that exhibit renewed inspiration for his lifelong passions and subjects: burlesque, horses, and Charm City. Visit the C. Grimaldis Gallery to take in this longtime MICA professor’s latest series of inked mono-prints and impressionist watercolors, which will be on display at the Mt. Vernon gallery until February 16.

HEAR

Jan. 26: Super City, Chaunter, and Soul Cannon

Ottobar, 2549 N. Howard St. 9 p.m. $12.

If we had to make a wish list concert lineup of some of our favorite up-and-coming local acts, it would look a lot like this Saturday’s roster at the Ottobar. With “freakwave” band Super City home from their nationwide tour and ready to rock the Remington club with tracks from their latest album, Sanctuary, along with sets from songwriting duo Chaunter and experimental hip-hop collective Soul Cannon, this is the definition of a can’t-miss show.

DO

Jan. 26: Baltimore Orioles FanFest

Baltimore Convention Center, 1. W Pratt St. 11 a.m. $6-12.

As the saying goes, there is no offseason in baseball. Put last year’s abysmal season in the past and kick off the Orioles’ 2019 season with a day-long celebration at the Baltimore Convention Center. Celebrate all the new changes the front office (and the players themselves) will bring to 2019 while enjoying Orioles-themed games, press conferences for kids, one-of-a-kind memorabilia for purchase, and autograph and Q&A sessions with select players from the team.

Visual Art

Raoul Middleman: Watercolors & Monoprints
An artist’s passions are explored with frenetic mono-prints and impressionist watercolors in this new show from Baltimore native Raoul Middleman at C. Grimaldis Gallery. From his studio 19 floors above the city streets, Middleman has documented the changes in daylight as well as changes in the skyline itself. Back on the ground, his inky depictions of horses and burlesque capture motion and beauty in two distinctly different venues. Opening reception 6-8 p.m. Jan. 17; on view during gallery hours Jan. 17-Feb. 16. C. Grimaldis Gallery, 523 N. Charles St.

Art and Healing with WombWork Productions
Explore The Walters Museum’s historic property at 1 West Mount Vernon Place, and enhance your experience of this storied residence with a performance from local social change theater group WombWork Productions. One of WombWorks’ goals is to use art as a method for healing, and this new work will seek to connect the present to stories from 1 West Mount Vernon Place’s past. 7-8 p.m. Jan. 24, The Walters Art Museum, 600 N. Charles St.

Music

BSO Pulse: Dan Deacon
Two forces of Baltimore’s music scene will combine their talents for one night only during the next iteration of the BSO Pulse series. Come early for Deacon-curated entertainment from Jamal Moore, Amy Reid, Stewart Mostofsky, Alex Silva, and Amanda Schmidt in the Meyerhoff lobby and stay to hear the world premieres of new compositions blending acoustic and electronic sounds. 6-10 p.m. Jan. 17, Joseph Meyerhoff Symphony Hall, 1212 Cathedral St.

Kentavius Jones Album Release w/ Brooks Long & Mad Dog No Good
An Eastern Shore native releasing his long-awaited album and the return of Brooks Long & The Mad Dog No Good? Count us all the way in. Join singer-songwriter Kentavius Jones as he celebrates his new album, The Bohemian Beatbox, at Creative Alliance. He’ll be joined by CA curator of special projects Brooks Long and his rock and soul band for a full night of homegrown hits. 8-11 p.m. Jan. 25, Creative Alliance, 3134 Eastern Ave.

Super City, Chaunter, and Soul Cannon
Embrace the “freakwave” sound of Baltimore’s Super City as they return home after dancing their way through the south. You’ve probably heard tracks off the band’s latest project, Sanctuary, by now, but nothing compares to experiencing these guys’ rock anthems and expert choreography live. Local acts Chaunter and Soul Cannon will also join the party at the Ottobar. Doors at 8 p.m., show at 9 p.m. Jan. 26, Ottobar, 2549 N. Howard St.

Theater

Thank You, Dad
His twisted legacy has been immortalized by filmmakers, songwriters, authors, and poets. Now revisit Jim Jones’ deadly Peoples Temple with the world premiere of this collection of three plays by Aladrian C. Wetzel. Performed by Rapid Lemon Productions Artistic Director Lance Bankerd, this trio of works based on the life of Jones will kick off RLP’s 2019 season, which explores the power of belief. Jan. 11-20, Baltimore Theatre Project, 45 W. Preston St.

Roald Dahl’s Charlie and the Chocolate Factory
Dive into a world of pure imagination with Charlie, Willy Wonka, and the rest of Roald Dahl’s colorful characters in this musical based on the beloved work of children’s fiction. With colorful costumes, classic songs, and plenty of twists and turns, this tale is sure to be a delight for all ages. Just be sure not to slip Slugworth any trade secrets on your way out of the theater. Jan. 22-27, The Hippodrome Theatre, 12. N. Eutaw St.

Film

Who Will Write Our History
When lies and hate took over their world, a group of journalists, scholars, and community leaders fought back with the only weapons they had left—their words. This new documentary from Roberta Grossman exposes the secret band of writers known at Oyneg Shabes, who documented life under Nazi rule in the Warsaw Ghetto.

Drawing from the group’s writings, new interviews, dramatizations, and archival footage, Grossman has crafted a film that carries on the legacy of this brave group determined to ensure their stories would survive. The Who Will Write Our History screening at Landmark Theatres, Harbor East is one of several around the world that will take place as part of International Holocaust Remembrance Day. 1 p.m. Jan. 27, Landmark Theatres, Harbor East, 645 President St.

Literature

Roxane Gay With One N
Loyola University’s annual Martin Luther King Jr. Convocation always brings incredible personalities with powerful stories to Baltimore, and this year is no exception. For the 26th annual event, author Roxane Gay will discuss feminism, body image, and social justice at Reitz Arena and end the evening with a book signing. Though the event is free, you’ll want to register early to secure your seats. 7-9 p.m. Jan. 22, Loyola University Maryland, 4501 N. Charles St.

In the latest iteration of The Big Baltimore Playlist, we found five local songs ranging from barebones indie-rock and supergroup dream-pop to explosive, experimental hip-hop. Check back each month for new top songs of the moment, and follow our Spotify playlist as we continue to build a soundtrack for our city.

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“Mirror Mirror” by Chaunter

Introducing Chaunter, the new Baltimore band you need to know now and the brainchild of art scene denizens Brooks Kossover and Jenghis Pettit. In the new year, the duo, with Kossover on vocals and flute and Pettit on guitar, will be releasing their debut album Dream Dynamics with an aspirational league of Baltimore heavyweights, from Dan Deacon to Sam Herring of Future Islands to Lower Dens’ Jana Hunter, as featured here on the record’s first single. Through this song and the rest of its idiosyncratic record, you drift through a mythical dream world. It unfurls in reverie—swirling in gauzy synth, smoldering with reverberating guitar, brimming with both Hunter’s haunting vocals and grand group harmonies—landing somewhere between the glory-days of Labyrinth-era David Bowie and the golden age of Baltimore DIY dream-pop.

“North Star” by Joy Postell

Okay, so by now you might be tired of us gushing over the new music of local neo-soul singer-songwriter Joy Postell, but too bad. We found the first singles, “Consciousness” and “Water,” off her full-length Diaspora debut to be moving portraits with true vision, which imbues the rest of the record. “North Star,” for example, could be seen as the album’s sleeper hit for its quiet disposition, sparse composition, and only minute-long length, but this breathtaking spiritual sets the stage for the entire record, transporting listeners to a midnight field beneath the big dark sky, perhaps in another era, perhaps right now, all the while preparing you to embark on a transformative journey. Postell’s vocals—exposed, ethereal, yet full of power—call for freedom and convey the strength within her music to find it.

“Pretn’d (Drew Scott Remix)” by RoVo Monty

In the 21st century, we can’t get enough songs about the misgivings of modern love, where lyrics help us make our way through the maze of dating in 2018. Take this slow-jam by R&B singer-songwriter RoVo Monty, in which the protagonist asserts his desires and demands in the face of the fair-weather relationship. Turning a common trope of unrequited love on its head, this track is about self-empowerment, through and through, with candid lyrics (“tired of knocking boots, how about you show me ’round town?”) calling it like it is. And calling out for a simple bit of chivalry. Founded in electronic melodies inspired by fashion, dance, and disco, Monty’s confident verses float over a lush, funky melody crafted by local beat master Drew Scott, featuring a fiery guest flow by no-holds-barred Baltimore rap favorite DDm.

“The 2nd Most Beautiful Girl in the World” by Snail Mail*

These days, no one does young heartache quite like Snail Mail’s Lindsey Jordan, the Ellicott City singer-songwriter who skyrocketed to indie stardom over the last year for her coming-of-age rock-and-roll. And with this cover of a 1990 song by the little-known Washington duo Courtney Love (no relation to the Hole frontwoman), Jordan might just have outdone herself. Compared to the original’s spunky post-punk beat, this stripped-down version features nothing more than a few reverberating strums of guitar and Jordan’s vulnerable vox, stretched out to its most elastic, emotive state, pushing and pulling at certain words like the tugs of memory at a broken heart. In the end, and especially on the live stage as we saw at the Parkway Theatre this summer, she reinvents the song as all her own.

“Play Hard” by Soul Cannon

We knew the long-awaited release of Soul Cannon’s self-titled album was going to bring the fire, and the experimental hip-hop quartet have more than delivered—on their new record, and especially in this potent time bomb of a track. As in all of the band’s music, “Play Hard”makes, breaks, and recreates its own rules from start to finish. The song is an urgent, unruly sprint, with frontman Eze Jackson speaking breakneck truth—a sort of poet-prophet—while the jazz-influenced instrumentation of his talented bandmates both keeps pace and inspires further pursuit. Rapping on the fleeting flicker of life, Jackson’s verses zig and zag, running uphill. At the song’s peak, with ascending runs of bass and an outright avalanche of drums, it’s as if they outrun death itself.

*Not on Spotify. We’ll add it to the playlist when it becomes available.