More than half a dozen books and documentaries tell the stories of Washington, D.C.’s punk music scene—one that birthed famous musicians, created noteworthy clubs and venues, and continues to inspire bands and social activists today. People who know anything about punk know groups who emerged from D.C., including the likes of Fugazi, Bad Brains, Minor Threat, and Bikini Kill.

Often forgotten and ignored—although just forty-five minutes away—Baltimore had a punk scene, too. But finding anything that tells the story of it today is nearly impossible. That is, unless you’ve been to Celebrated Summer Records in Hampden, where owner Tony Pence has created a mini museum of punk fliers, photos, t-shirts, posters, and setlists that he’s collected throughout the years.

While his items highlight many bands, scenes, and genres that interest him outside of his native Baltimore, he has perhaps one of the best collections documenting the local punk scene.

This August, Pence is compiling hundreds of his keepsakes in a show of “raw and rare ephemera” at Metro Gallery, featuring Baltimore’s lesser known punk underground from 1977 to 1989.

“Baltimore had a scene too,” Pence says. “People forget that this happened here.” He adds that he wants to celebrate Baltimore musicians and venues that hosted more famous bands on tour, like the Circle Jerks, Dead Kennedys, and Black Flag.

To show that this era still inspires, the exhibit will open with a reception and live performances on August 3rd. Coinciding with Celebrated Summer’s 13th anniversary, the event will feature bands that capture the general style of 1980s punk, including Philadelphia-based Dark Thoughts, Pence’s band Glue Traps, and Ammo from New Jersey.

“It’s going be an interesting glimpse into the subculture of this city that doesn’t really get a light shone on it very much,” says Metro Gallery manager Patrick Martin.

The exhibit itself ends up being as close to a time machine as Pence can offer. Hundreds of artifacts create an immersive experience of what it would have been like at iconic spaces such as the Marble Bar, Godfrey’s Ballroom, and Eutaw Clubhouse in the late 1970s and 1980s. As much as possible, Pence has organized the material chronologically and by specific shows.

Photographs taken by documentary filmmaker Skizz Cyzyk—who was then just a punk kid playing in bands—put you in the room. Contemporaneous reviews in fan zines comment on shows, while Maximum Rock n’ Roll provides Baltimore “scene reports.”

On a mixtape, you can listen to demos and songs off of rare albums. At least 150 fliers plaster the walls, like they would have plastered the streets of Baltimore, consisting of both original Xeroxed handouts and artwork cut out and taped together.

Almost every one includes an out-of-town and Baltimore band on the bill, and while local bands like Reptile House and Lungfish ended up being more well-known, Pence admits that many of the hometown names were “born and dead before anyone knew them.” He also has band t-shirts, setlists, tickets, the actual albums, and even a contract from when Black Flag played at Jules Loft on display.

He gave the show the name “Killed by Charm,” a reference to bootleg punk compilations from the late 1980s featuring the obscure and forgotten—one of which included Baltimore band Ebenezer and the Bludgeons. The earliest flier Pence has on display is from when the band played at the Oddfellows Hall in Towson in 1977.

“I didn’t go to these original shows,” Pence says, explaining that he wasn’t old enough and was more into metal as a teenager. “This isn’t supposed to be definitive.” He adds that he hopes this show will help other punk enthusiasts come out of the woodwork to share their experiences. “There are people out there with more knowledge.”

Although he loves the ephemera, he doesn’t hang it just to show off. Instead, he wants to highlight the DIY ethos of punk—something he hopes the Killed by Charm show highlights.

During that era, punk was underground. Fliers were handmade, the albums were self-released or on small labels, and the were venues small. He says his true desire is for kids to see and hear all of this, and then think, “I can start a band. I can make a flier.” Then, he says, the punk tradition passes forward.

EAT

July 4: Independence Day Deck Party

Historic Ships in Baltimore, 301 East Pratt Street. 7-10 p.m. Free-$75.

Celebrate our country’s independence and all its history aboard a historic American Treasure—the USS Constellation. Get the best birds eye view of the Harbor above the crowds and enjoy the sparkling fireworks close up. And, of course, spoil your stomach with an all-you-can-eat menu by The Classic Catering People. Guests will enjoy all-American eats including hot dogs, veggie burgers, rotisserie chicken, seafood paella, salads, and nachos.

DRINK

July 4: Dogfish Head 4th of July Takeover at Sandlot

Sandlot, 1000 Wills St. 2-11p.m. $5-10.

What’s a Fourth of July celebration without ice cold beers? At this beach takeover, sip delicious Dogfish Head brews including SeaQuench, Slightly Mighty, Super 8, Namaste White, and the 60 Minute IPA. Join the Delaware-based brewery for a day full of live music by Joi Carter, Nelly’s Echo, and Raindeer, along with games and food vendors like The Charmery. Be sure to bring your own blankets and beach chairs to take in the view of fireworks bursting above the water.

SEE

July 4: AVAM’s July 4th Visionary Pets On Parade

American Visionary Art Museum, 800 Key Hwy. 9a.m. Free.

It’s time for your furry friends to strut their patriotic stuff at this annual July 4th pet parade and talent show. Prizes will be awarded for Best Costume, Most Patriotic, Most Visionary Pet, Owner & Pet Lookalikes, Visionary Pet Tricks, and more. Whether you participate, parade, or just watch, it’s all free and in loving memory of supreme animal lover, Ellis Rosen.

HEAR

July 6: DDm Album Release

Metro Gallery, 1700 N Charles St. 8p.m. $10-12.

Hometown favorite Emmanuel ‘DDm’ Moss works his way up with fresh confidence and energy as he introduces his bravado, wit, humor, and heart in his solo debut album “Beautiful Gowns.” The abrasive yet pleasing voice of this hip hop/rap artist is now coming to Metro Gallery to show off his newest big, bold, and colorful beats. This Soap Powder event hosted by Eze Jackson and Ellen Gee will also feature artists Life on Planets and Nnadagi.

DO

July 4: Cherry Hill Arts & Music Fourth of July Waterfront Festival

Middle Branch Park, 3301 Waterview Ave. 1-10p.m. Free.

Celebrating the cultural vibrancy of South Baltimore through performing and visual arts, this event is sure to entertain families all day long. Come enjoy interactive arts and crafts and live music from Kerq Band, The Joe Cooper Project, Paula Campbell, and Sister Carol, who will all be activating the green spaces at Middle Branch Park. Offering a clear view of the Baltimore City skyline, the park is also an ideal fireworks-watching spot.

In a way, the zig-zag-printed stage at the Windup Space is symbolic of the programming that the arts venue has become known for. One night you could be there to see a local band or comedy show, and the next you could be sketching live models or screening episodes of Twin Peaks in the dark.

This week, the haven for local creatives will celebrate 11 years of offering inclusive arts showcases in Station North. But, sadly, owner Russell De Ocampo recently announced that the space won’t be around for year 12.

“We’ve had the pleasure of sharing our love for the strange and beautiful things that Baltimore has to offer with our own special blend of programming,” De Ocampo said in a statement announcing a closing date of June 1. “We hope you found the things you were looking for and discovered some new things that you will never forget.”

Discovery was a huge aspect of the Windup ethos. Whether packed in shoulder to shoulder for a show or mingling freely at a gallery exhibition, regulars appreciated the versatility of the venue (which Baltimore named a “Best Bar” in 2010), and its ability to open their eyes to obscure art forms.

“Since Russell was so willing to bring in just about anything that people could get down to, we really leaned on the space for availability,” says Derek Vaughan Brown, a local singer and actor who performs at Windup monthly with the groups like the Baltimore Rock Opera Society and psychedelic punk trio Patterson Trash. “It wasn’t necessarily about monetizing for him, but about drawing all of those people in and letting them express themselves and use their voices.”

Veteran rapper Eze Jackson says that De Ocampo has been welcoming him “with open arms” for nearly a decade. Back when his band Soul Cannon was just starting out, Jackson struggled to find performance spaces in the area.

“At that time, it was hard for us to get booked and even harder for us to put together our own bills,” he says. “Other venues had trouble understanding us being on bills with punk bands or rock bands, and Russell was one of the first people to be open to any ideas that we thought were cool.”

In the years since, Jackson has appeared in front of the iconic red curtains countless times. Among the many Windup memories that stick out in his mind is a show that he curated with J. Pope and the late Derrick “OOH” Jones of hip-hop and reggae group Brown Fish in 2010.

Jackson has also performed there with the Baltimore Boom Bap Society, whose founders Wendel Patrick and Erik Spangler first met at one of the venue’s many free improv events. The duo later established a home for their live collaborative hip-hop showcases on the Windup stage.

“We just had one on Saturday and didn’t know that it was our last one,” Patrick says. “We’ve done individual shows at many places many times, but Windup has been our home for almost eight years and we’ve been proud to call it our home. I can’t really think of a space that I’ve been sad to see close like that.”

Brown sees the closure as yet another hit to the DIY arts scene, especially after the loss of The Bell Foundry, whose tenants were evicted in 2016, and Single Carrot Theatre—which recently vacated its Remington home.

“Those experiences are starting to vanish a little bit,” he says. “Something that Russell was always keen to support was this idea that you don’t need to figure out how to make money off of a project, as long as you’re not spending money to make it. For art kids in Baltimore, that’s perfect. There is something really beautiful about a small theater performing something in an inexpensive space.”

Now faced with the impending closure at the end of the month, regulars are beginning to contemplate what the local landscape will look like without the North Avenue gathering spot.

“There will never be another Windup Space,” Jackson says. “After you’ve been on the scene for so many years, you start to realize that’s the reality. Venues come and go, but I hope whoever gets that space understands its history and at least tries to keep up what it brought to the scene.”

De Ocampo’s Station North neighbor and close friend Sarah Werner, who owns Metro Gallery around the corner, took to Facebook to share her thoughts on the void that Windup will leave behind: “I can’t really imagine Station North without Russell,” she said. “Every bit of the Windup Space was an outpouring of his love for the artists and people of Baltimore.”

Even still, artists remain hopeful that Windup has paved the way for other spaces throughout the city to welcome works of all genres.

“I’d obviously love for other places and venues to maybe try to follow suit, but I don’t think it’s really a model that one would necessarily follow—it was just Russell,” Patrick says. “He had this place that he really wanted and he’s just such a caring and thoughtful individual. It really came out in the space.”

To give the club a proper send off, the next two weeks will be jam-packed with the diverse entertainment that Windup has become known for. Specifically, the final 4 Hours of Funk will happen this Friday, the Baltimore Record Bazaar is scheduled for May 19, one last “Whose Roll Is It Anyway” performance will happen on May 26, and Brown’s band Patterson Trash will host a “Living Wake” (complete with blacklight table tennis) on May 29. Locals are making plans to stop by in the coming weeks to have one last drink and honor the community that the Windup Space has built.

“I grew up watching Cheers,” Jackson shares. “And when Windup first opened, I actually lived right around the corner on Maryland and LaFayette, so I used to joke and say that Windup was my Cheers. I was Norm, and I would be over there every night. I’m sad to see it go.”

EAT

March 24: Pig Parts and Pancakes

Foraged, 3250 Chestnut Ave. 11 a.m.-3 p.m. Free.

Nothing says Sunday morning like the smell of fresh bacon, and this seasonal eatery’s pork confections will have you out of bed in no time. Join Foraged for its second annual walk-in-only brunch featuring pancakes, a wide variety of pig parts, farm-fresh eggs, as well as mimosas and their slightly more adventurous cousins “beermosas.” Eat fresh from the earth at this Hampden hotspot and be sure to pour some locally sapped maple and black walnut syrup over your pancakes to achieve that perfect local breakfast.

DRINK

March 22-24: Full Tilt Brewing Co. Opening

Full Tilt Brewing Co., 5604 York Rd. Fri. 3 p.m.-12 a.m., Sat. 11 a.m.-12 a.m., Sun. 11 a.m.- 10 p.m. Free.

From artisan craft mead to IPAs named after revered macabre master Edgar Allen Poe, there are plenty of local beer options in Baltimore. And personally, we believe that there’s no such thing as too many breweries. This weekend, celebrate the official grand opening of Full Tilt Brewing Co. with a three-day-long bash to christen this new brewery and taproom on York Road. With new beer releases, arcade games, and live music, this Govans brewery will be a contender for your favorite hangout spot after this weekend.

SEE

To March 31: B&O Best in Service

B&O Railroad Museum, 901 W. Pratt St. Free.

The B&O Railroad has always been a point of pride for our city, but, as with many chapters in history, the service of African Americans and their contributions to the railroad is largely unrecorded. Through the end of the month, visit the downtown railroad museum to take in paintings by artists Dan Content and Roy Speter that depict prominent African Americans like Thurgood Marshall and Maggie Hudson, as well as many unsung workers, who helped build arguably the most revolutionary railroad in our nation’s history.

HEAR

March 24: Kotic Couture with DDm, RoVo Monty & Chiffon

Metro Gallery, 1700 N. Charles St. 8 p.m. $10.

You may have seen this rising rapper playing MC with DJ Trillnatured during the Version dance parties at The Crown or making a cameo in local singer-songwriter RoVo Monty’s iconic “Pretty in Pink” music video, but you don’t know this fearless artist until you see them perform live. Hear them seamlessly flow between high-energy hits such as “Get Ya Life” and smooth, swaggering rhymes in “Drippin,” before sharing the stage with rapper DDm, R&B duo Chiffon, and RoVo Monty during this much-anticipated show at Metro Gallery.

DO

March 23-24: Baltimore Wing Festival

Power Plant Live, 34 Market Pl. Sat. 2 p.m.-8 p.m., Sun. 2 p.m.- 8 p.m. $14.95-49.95.

This weekend, dare to step into the carnival frenzy of the first annual and soon-to-be-notorious Baltimore Wing Festival. In between chowing down on the festival’s namesake snack, spend the afternoon throwing axes, playing tailgating games, and enjoying a brew in the outdoor beer garden. With more than 60 styles of wings to choose from and every kind of contest to you can think of (mega hot-wing eating, bleu cheese dipping, and French-fry eating), you’re guaranteed to leave with spicy lips and a full stomach.

Visual Art

Spring 2019 Design Soiree
For the past 15 years, the Design Soiree has given artists and creatives a change to interact, exchange ideas, and get feedback on their work. Reserve your spot early to experience the latest evening of artistic exchange at Y:ART Gallery. And don’t forget to bring some food and drink to share before you settle in to see presenters share their newest projects. Y:ART Gallery & Fine Gifts, 3402 Gough St. 7-10 p.m., March 20.

Logan Visionary Conference 2019: The Art of Parenting
Celebrate AVAM’s themed exhibition Parenting: An Art Without a Manual by soaking up some knowledge from a panel of luminaries including Dr. Daniel J Siegel of the UCLA School of Medicine and the Mindsight Institute, Alison D’Alessandro of the Baltimore Child Abuse Center, and Joe Jones of The Center for Urban Families. This yearly conference is free, but reservations must be made in advance. American Visionary Art Museum, 800 Key Hwy. 1-4 p.m., March 24.

Literature

Blythe Roberson: How to Date Men When You Hate Men
Join Blythe Roberson at Bird in Hand for a discussion of just how weird it is to date men in the modern world. The New Yorker and Onion contributor’s new book features such helpful sections as “Real Interviews With Men About Whether Or Not It Was A Date” and “Definitive Proof That Tom Hanks Is The Villain Of You’ve Got Mail,” so you know it’s sure to be a good time full of great advice. Bird in Hand Charles Village, 11 E. 33rd St. 7-9 p.m. March 9.

Confessionals: Writing the Hard Stuff
Truth hurts, so they say, but this MoonLit event seeks to help writers put their true selves down on paper and learn the importance of doing so. Local poet Ashley Elizabeth will help guide the group through readings, writing, and a discussion on truth-telling, and editing/workshopping will be available if time allows. Greedy Reads, 1744 Aliceanna St. 7-9 p.m., March 27.

Dance

Addict
Seven dancers will each portray a different experience with addiction in this performance in support of Helping Up Mission, a Baltimore nonprofit that provides for those dealing with homelessness, poverty, and addition. Featuring a live accompaniment from Two Rivers Chamber Music, Addict seeks to address the portrayal of addiction in media and how people are affected by society’s lack of understanding. Baltimore Theatre Project, 45 W. Preston St. 8 p.m., March 12-13.

Music

That’s What She Said
Grab your best girlfriends, because this women-powered night featuring some of the best voices in town is not to be missed. Electro-opera duo Outcalls, gloom-pop group $100 Girlfriend, and New Jersey rocking sister act Nalani & Sarina will join forces for one night only at Motor House for a no-boys-allowed evening of comedy and music. Motor House, 120 W. North Ave. 7-10:30 p.m., March 16.

Inaugural Baltimore Old Time Music Festival
A Friday night concert, a day of workshops and intimate performances from headliners, and a Saturday evening square dance will celebrate the Old Time music that made its way from Appalachia and cemented its legacy in Baltimore during the 20th century. This foot-stomping new fest at Creative Alliance will feature acts such as Ken and Brad Kolodner, Molsky’s Mountain Drifters, Corn Potato String Band, and The Local Honeys, who are sure to bring out the best of Old Time with fiddles, banjos, dulcimers, and plenty of dancing. Creative Alliance, 3134 Eastern Ave. Times vary, March 22-23.

Chaunter Dream Dynamics LP Release Party
Get acquainted with Baltimore’s latest cool kids at this release party for Chaunter’s new LP, Dream Dynamics, featuring the dreamy sounds of songwriting duo Brooks Kossover and Jenghis Manning-Pettit. Nerftoss, Infinity Knives + Randi, Frogohmine, and Matmos will get the evening started before Kossover, Pettit, and the rest of Chaunter take the stage to share their creative sound and impeccable style. Metro Gallery, 1700 N. Charles St. 8 p.m., March 29.

Film

The Case Against Adnan Syed
Part one of this four-part documentary series revisiting the murder of Baltimore County teen Hae Min Lee and the conviction of Adnan Syed for the crime premieres March 10 at 9 p.m. on HBO. The series, directed by Academy Award nominee Amy Berg, has been in production since 2015 and includes new evidence discovered by private investigators and interviews with friends, family, and people involved in the case over the past 20 years of uncertainty. Part 1 premieres on HBO 9 p.m. March 10.

Fleetwood Mac
March 24. 8 p.m. $73.50-207.50. Across its 50-year history, legendary rock-blues band Fleetwood Mac has had a revolving door of guitarists and singers, but despite its rotating crew, it has cemented its place as one of the world’s bestselling bands. During this one-night stop on the group’s 50-city tour, hear original bandmates Mick Fleetwood and John McVie, longtime members Stevie Nicks and Christine McVie, and newcomers Mike Campbell and Neil Finn rock the Royal Farms Arena with classics such as “The Chain” and “Dreams.”

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Ed Schrader’s Music Beat
March 2. 9 p.m. $13-15. We’ve been following this post-punk duo’s climb through the city’s DIY scene for years and, following the release of Riddles last spring, have watched them finally get the kudos they deserve. To tie up a year of touring around the U.S. and Europe, frontmen Ed Schrader and Devlin Rice will rock this hometown show with crowd favorites such as “Dunce” and “Kid Radium,” following sets by up-and-coming acts Param Anand Singh and Infinity Knives + Randi.

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Jonathan Van Ness
March 2. 7 p.m. $55-318.30. Whether you recognize his flowing locks and gut-busting catchphrases from the popular Netflix series Queer Eye or his parody web series Gay of Thrones, you know Jonathan Van Ness. This month, the grooming guru is bringing his pop culture quips to the Hippodrome Theatre as part of his first-ever stand-up comedy tour, where fans can laugh along with “America’s sassiest sweetheart.” Can you believe?

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Expressions
March 2-3, 5. $20-375. The Baltimore School for the Arts has long been heralded as a shining star in the city’s arts community, and its annual fundraiser, Expressions, has become a can’t-miss event. This year, the series of performances—along with the traditional gala and cocktail party—is dedicated to the beloved creator of Expressions, Sally Michel, who passed away in August. Support the esteemed local art school during this honorary benefit and celebrate the memory of one of BSA’s longtime leaders.

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Love Thy Self
March 7. 5:30-6:30 p.m. Free. In our February issue, we featured a few of the love-inspired letters and drawings included in Beyond Beautiful: One Thousand Love Letters, an exhibition by Baltimore-based artist Peter Bruun that explores expressions of love. In conjunction with the final days of this heart-stirring exhibit, hear testimonials and performances from exhibit participants, including singer-songwriter ellen cherry and artist Phylicia Ghee, during this one-night event. Arrive to Maryland Art Place early to hear local jazz keyboardist George Spicka perform during the opening reception.

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Dinner with Friends
March 12-April 7. Times vary. $43-52. With serendipitous timing to our Best Restaurants issue, the latest production from Everyman Theatre takes on a tension-filled dinner party thrown by two food writers whose guests are grappling with loyalty and commitment issues. Head to the downtown theater to see resident company actors Megan Anderson, Danny Gavigan, and Beth Hylton bring this Pulitzer Prize-winning drama to life and prove that even a picture-perfect dinner can get messy.

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National Cherry Blossom Festival
March 20-April 14. Times and prices vary. In the DMV, spring has not officially sprung until the trees surrounding D.C.’s Tidal Basin turn pale pink and white with an abundance of cherry blossoms. Celebrate the nearly four weeks that these famed trees are in bloom with springtime festivities such as a pink-tie party, a kite festival, a lavish parade, and an all-out festival along the National Harbor.

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Burn Baby Burn
March 23. 12-4 p.m. $25-85. On the first day of spring in 1978, Annapolis boatbuilder Bob Turner decided he was sick of wearing his “oppressive” winter socks and invited his fellow sailing enthusiasts to join him in burning his socks to celebrate the start of another sailing season. Although Turner moved south in 1994, the sock-torching tradition lives on through the Annapolis Maritime Museum’s annual Oyster Roast & Sock Burning (this year on March 23), where locals and visitors alike recite the poem “Ode to the Equinox” before tossing their mid-calfs into the bonfire. “Let’s face it: We all have socks that have gotten worn out by March,” says AMM executive director Alice Estrada, middle. “That moment when socks of all different sizes and colors are cascading onto the fire just fills my heart.”

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The Big Baltimore Kite Fest
March 30. 12-4 p.m. Blowing into Patterson Park for the first time, this high-flying festival invites artists, kids, and kite-lovers to enter nontraditional kites in its park-wide contest. For a birds-eye view, watch the vibrant sky-flyers from the top of the Pagoda. Back on the ground, enjoy live music and the chance to be a part of this brand-new springtime tradition.

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The Ghost of Johns Hopkins
March 24. 4-5:30 p.m. $10. There’s no debating that the philanthropist Johns Hopkins and his namesake institutions have shaped modern-day Baltimore. In his latest book, The Ghost of Johns Hopkins, longtime Baltimore Sun journalist Antero Pietila examines the effect they’ve had on the racial patchwork of our city. Hear the well-regarded writer at The Engineers Club in Mt. Vernon for an in-depth discussion about what has been deemed the first real biography of Hopkins and how it explores the city’s complicated relationship with race and community.

Visual Art

Maren Hassinger: The Spirit of Things
Maren Hassinger’s four-decade career in art is rooted in sculpture and dance. A selection of her sculptures, made with wire rope, plastic bags, and newspapers, are on exhibit in the Contemporary Wing of the Baltimore Museum of Art in the solo show The Spirit of Things. Some have been reconfigured for this exhibition, which also contains video installations of her performance art and dance. She’s also known for her role at the Maryland Institute College of Art as director of the Rinehart School of Sculpture, which she has served since 1997. July 18-Nov. 25, performance and conversation with the artist at 3 p.m. Sept. 8. BMA, 10 Art Museum Drive.

ISLA: Regarding Paradise
Ironically, the etymology of the word “paradise” goes back to its Greek and Old Iranian roots meaning “walled enclosure.” In this group exhibit at Towson University, curated by Baltimore artist Jackie Milad, contemporary artists working in an array of mediums examine the figurative and literal walls that enclose the pristine beach images of the Caribbean islands, a place that has worked toward political autonomy and environmental justice. Sept.7-Oct. 20. Reception on Sept. 6. Center for the Arts Gallery at Towson University, 8000 York Rd., Towson.

DOS-à-DOS
Baltimore artists L. Nef’fahtiti Partlow-Myrick and Jenny O’Grady met as students in the Creative Writing and Publishing Arts master’s program at the University of Baltimore and will now exhibit the fruits of their labor: a collection of art books, made from a variety of materials both traditional and unorthodox (paper—but also metal and beans, for example). The show’s title references a bookbinding technique that ties together two text blocks with a shared spine-that spine being the MFA program, in this context. Sept. 7-30. Hamilton Gallery, 5502 Harford Road.

Baker Artist Awards 2017 & 2018
Recent Baker Awards awardees—Abraham Burickson (interdisciplinary, 2018), Sara Dittrich (interdisciplinary, 2017), David Marion (visual art, 2017), and Amy Sherald (visual art, 2018)—will show work in an exhibit at the Baltimore Museum of Art. Included in the show will be Burickson’s “The Odyssey Works Box,” an archival box filled with books, photographs, and other ephemera, accompanied by a video tour of the history of the arts collective Odyssey Works; Dittrich’s wall sculptures, arranged with hundreds of clay ears; Marion’s multimedia sculptures “Extinction Event” and “Fracking,” which explore violence perpetrated on the natural environment; and two portraits by Sherald. Sept. 12-Oct. 14, with a free opening event with performances on Sept. 13. Baltimore Museum of Art, 10 Art Museum Drive.

Balancing Act
Joseph Paul Cassar has been working in Baltimore for 13 years as a visual artist and art historian, and is a professor at the University of Maryland University College. He’s shown his work around the world, and this month will exhibit in our city, when Y:ART Gallery in Highlandtown shows his recent work in Balancing Act—drawings in ink and pastel, paper cut-outs, collage, and acrylic on canvas. Sept. 12-Oct. 20, opening reception from 6-9 p.m. Sept. 15, artist talk from 4-6 p.m. Oct. 13. Y:Art Gallery, 3402 Gough St.

Mark Bradford: Tomorrow is Another Day
Renowned contemporary artist Mark Bradford represented the U.S. at the 2017 Venice Biennale and will bring that work to Baltimore for the exhibit Tomorrow is Another Day, accompanied by a new site-specific installation, at the Baltimore Museum of Art. Bradford explores themes from his personal life, black identity, Greek mythology, and the universe through mixed-media pieces, paintings, and video. Sept. 23, 2018-March 3, 2019; opening celebration, 1-5 p.m. Sept. 23. Baltimore Museum of Art, 10 Art Museum Drive.

What Makes Us (Us)
Gina Pierleoni exhibits some 200 paintings and mixed-media portraits of people encountered over a 25-year period in Baltimore and beyond. She’ll lead a coinciding workshop which will include live music to help to dig deeper into questions of place and perception. Aug. 25-Sept. 29; workshop, 6-7:30 p.m. Sept. 15. Creative Alliance, 3134 Eastern Ave.

AfriCOBRA: The Evolution of a Movement
This group exhibit at Galerie Myrtis celebrates artists in AfriCOBRA, aka African Commune for Bad Relevant Artists, a coalition that was born from the black arts movement that began in the 1960s and is now celebrating its 50th anniversary. The aesthetic of these artists emerged from activism and aims to speak to black people specifically. The show will display paintings, photographs, prints, and 3-D pieces by the group’s earliest and most recent members, including Akili Ron Anderson, Kevin Cole, Adger Cowans, Michael D. Harris, Napoleon Jones-Henderson (founding member), James Phillips, Frank Smith, Nelson Stevens (founding member), and Renee Stout. Coinciding programming will include Tea with Myrtis (as in, founding director of Galerie Myrtis, Myrtis Bedolla) and an art salon with AfriCOBRA members who will talk about their artwork and its impact on the black arts movement. Sept. 15-Oct. 17, with an opening reception from 5-7 p.m. Sept. 15. Galerie Myrtis Fine Art, 2224 N. Charles St.

Music

Taste of Tuva
Celebrated artist Joyce Scott will host this special evening featuring the music, art, and food of Asia. Alash Ensemble, a trio of throat singers from the Central Asian state of Tuva, will bring both their music and culinary specialties, while collaborating with Baltimore musicians Shodekeh and J Pope. The event supports the Asian Arts & Culture Center at Towson University. 6-9 p.m. Sept. 15. TU South Campus Pavilion at Towson University, 8000 York Rd.

Abdu Ali’s Last Show of 2018
Baltimore music artist Abdu Ali will perform their last live show of the year this month at Metro Gallery, joined by Kotic Couture (hip-hop with pop, Baltimore club, and underground art influences), Pamela_ and her sons (the solo music project of Alessandra Hoshor), and W00dy (Philadelphia-based experimental pop artist). 8 p.m. Sept. 5. Metro Gallery, 1700 N. Charles St.

BeatClub at the Lewis
Over the years, Bmore BeatClub has met regularly inside clubs, bars, and initially a record shop to celebrate hip-hop and beats. Novice artists rap alongside experts at these gatherings, and this month’s event will be extra special, as Bmore BeatClub will bring hip-hop, spoken word, and poetry to the Reginald F. Lewis Museum. 7 p.m. Sept. 28. Reginald F. Lewis Museum, 830 E. Pratt St.

Theater

Fades and Fellowship Barbershop Stories
Barbershops are places of conversation and camaraderie—and from this idea came the production Barbershop Stories by Baltimore-based theater troupe Fades & Fellowship. A cast of real barbers will perform the stories overheard in the shop—and then give actual haircuts to selected audience members. Sept. 28. The Motor House, 120 W. North Ave.

Literary Arts

CityLit Swing: A Special Celebration Honoring Kwame Alexander
CityLit will honor poet, educator and New York Times bestselling children’s author Kwame Alexander with its Chic Dambach Award for Service to the Literary Arts during a celebratory evening at The Motor House. Sliding-Scale tickets are available for this CityLit fundraiser, which will include lite fare, libations, jazz, and a reading by Alexander. 6:30 to 8:30 p.m. Sept. 13. The Motor House, 120 W. North Ave.

Small Press Expo
The annual Small Press Expo celebrates indie cartooning and comic arts, bringing more than 4,000 creatives to Bethesda for readings, workshops, and to meet with one another. 11 a.m.-7 p.m. Sept. 15 and noon-6 p.m. Sept. 16. Bethesda North Marriott Hotel & Conference Center, 5701 Marinelli Road, North Bethesda

Miscellanea

Mortified: Share the Shame
Everyday adults share their most mortifying moments via teenage diary entries, poems, love letters, lyrics, and locker notes in this popular show. 6 and 8 p.m. Sept. 22. Creative Alliance, 3134 Eastern Ave.

Mono Practice
Founding director Ruri Yi is opening a new contemporary art gallery, Mono Practice, in Station North this month, with a focus on abstract and reductive art. The inaugural exhibit, Pointing To The Sun | An Exercise In Abstraction, is curated by Rod Malin and will feature work by Baltimore-based artists David Brown, Zoë Charlton, Ariel Cavalcante Foster, Terence Hannum, Stephen Hendee, Bill Schmidt, and Yi. Sept. 6-Oct. 13, with an opening reception from 6-9 p.m. Sept. 6. Mono Practice, 212 McAllister St.

Visual Art

Odyssey: Jack Whitten Sculpture
The Baltimore Museum of Art will introduce to the world 40 sculptures by Jack Whitten (1963-2018), the renowned artist who influenced the next generation of painters and passed away in January. As he was known primarily for his paintings and mixed-media work, this show, co-organized with The Metropolitan Museum of Art, marks the first of its kind. Sculpture mediums include wood, marble, copper, and bone, and the collection also features personal mementos, as well as Whitten’s Black Monoliths series, which reveals how sculpture influenced his paintings. April 22 through July 29 at the BMA, 10 Art Museum Drive. Free Opening Celebration, 1 to 5 p.m. April 22.

Bonnie Crawford Kotula
Baltimore-based artist Bonnie Crawford will show a series of drawings and sculptural works around the theme of sleep—and more specifically, insomnia—in an exhibit at Montpelier Arts Center. The body of work was inspired by Louise Bourgeois’ Insomnia Drawings. At an artist talk, there will be blankets and tea. April 7 to May 27 at Montpelier Arts Center, 9652 Muirkirk Road, Laurel. Opening reception from 2 to 4 p.m. April 8; artist talk at 3 p.m. April 28.

Music

Negative Gemini, Amy Reid
The Metro Gallery will host a night of electronica with a packed lineup of local and national acts. Negative Gemini will headline with her indie dream-pop dance beats. Also on the bill: George Clanton and two Baltimore-based artists, Amy Reid and Giddeon Gallows (Drew Scott). It’s a good excuse to dance and shake off those winter blues. 9 p.m. April 11 at Metro Gallery, 1700 N. Charles St.

Snakes album release show
Frontman George Cessna eases through each of Snakes’ dark and twangy rockabilly rides, creating a lo-fi sound while crooning out lyrics that have a timeless quality about them. The five-piece, which essentially started as a backup band for Cessna, released its second full-length record, No More Songs About Wildflowers, in March (with a cassette option, per tradition), and they’ll play their album release show this month at EMP Collective. Catch them before they hit the road this summer for an extended tour. 9 p.m. April 13 at EMP Collective, 307 W. Baltimore St.

Theater

Peter Pan, an original stage adaptation
Playwright Joshua Conkel (Netflix’s A Series of Unfortunate Events) re-imagines the classic story of Peter Pan for a 21st-century audience in Single Carrot Theatre’s world premiere of Peter Pan. As part of its community outreach, the theater partners with people in Baltimore each year to create an original production. This one borrows stories and inspiration from local LGBTQ residents to present a Peter and Wendy who grapple with questions of gender and sexuality in Neverland. 8 p.m. on Thursdays through Saturdays and 3 p.m. on Sundays from April 27 through May 20. Pay-What-You-Can Previews on April 25 and 26. Single Carrot Theatre, 2600 N. Howard St.

Literary Arts

CityLit Festival
In its 15th year, CityLit Festival returns with a lineup so packed, it’s probably best to clear your whole day on April 14. The event includes workshops, readings, lectures, and panel discussions spanning multiple genres and local and international talent. The keynote author is New Yorker staff writer Philip Gourevitch, Yrsa Daley-Ward will give a master class, plus Elizabeth Acevedo and Joanne Gabbin will be speakers, among many more. Most events at the festival are free, but some require registration and/or small fees. 10 a.m. to 5 p.m. April 14 at William H. Thumel Sr. Business Center at the University of Baltimore, 11 W. Mount Royal Ave.

Fashion

MICA’s experimental fashion shows
Avant-garde and experimental fashion by MICA students will be highlighted during two shows this month. First, designs by 20 students in fiber, painting, illustration, fine arts, graphic design, sculpture, and other programs at the school will make their debut at Authenticity, the annual benefit show in its 25th year. Artists explore personality, social class, and cultural heritage through their work, reflecting on their individual as well as collective identities. Several garments will be auctioned off at the event. The second event, MEZZO: An Experimental Fashion Event, is by the Fiber Department’s Multi Media Event class and encompasses costumes, performance, puppetry, and sculpture by 12 designers. Authenticity is at 9 p.m. April 13 and 8 p.m. April 14 at MICA’s Falvey Hall, 1301 W. Mount Royal Ave., and MEZZO is at 5 and 8 p.m. April 21 at the Baltimore War Memorial, 101 N. Gay St.

Miscellanea

Refugee and Immigrant Arts Feast
Mera Kitchen Collective’s inaugural Refugee and Immigrants Arts Feast celebrates cultures from around the world through food, art, crafts, and music. The all-day event is free and family-friendly. 11:30 a.m. to  4p.m. April 28 at 2640 Space, 2640 St. Paul St.

#RiseBmore
April 19 marks the third anniversary of Freddie Gray’s death while in police custody. In commemoration, several artists will present a free event, #RiseBmore2018, that evening at Union Baptist Church. The lineup: Words by Abdu Ali, Erricka Wonder Voice Bridgeford, Brittani McNeill, Tariq Touré, and Shannon Lo Wallace, and music by Judah Adashi, Akua Allrich, Japheth Clark, Mark G. Meadows, Joy Postell, Letitia VanSant (leh-tih-sha), and Voices Rise: A Baltimore Choir of Hope.

On Drugs: Stories about dependence, destruction, and salvation
As the Stoop Storytelling Series so aptly puts it, elixirs have the power to both heal and destroy us. In a night of stories around this central theme of drugs, storytellers include a poet, a family medicine doctor, an independent drug researcher, a retired state police captain, and others. 8 p.m. April 19 at the Senator Theatre, 5904 York Road.

Five things to eat, drink, see, hear, and do with your Charm City weekend.

 EAT

March 11: Pig Parts & Pancakes

Foraged Eatery, 3520 Chestnut Ave. 10 a.m.-3 p.m. Free. 410-235-0035.

For many of us, Sunday brunch is a must-do weekend ritual, so naturally we were excited to hear that this new farm-to-table eatery would be debuting its inaugural service this weekend. On Sunday, head to the tiny, trendy Hampden spot for a hyper-seasonal brunch menu featuring chef  Chris Amendola’s trademark pig parts and made-to-order mimosas (and beermosas!). While it sounds like an unconventional pairing, let your adventurous weekend self be pleasantly surprised by crispy pig ears and fluffy pancake stacks drizzled with a local delicacy—black walnut and red maple syrup, harvested from Whistle Pig Hollow and Third Way Farms.

 DRINK

March 9: End of Prohibition Party

Chuck’s Trading Post, 1506 W. 36th St. 3-11 p.m. Free. 410-366-0178.

Baltimore has a long, storied history with Prohibition, with speakeasies and hidden stashes of booze fueling the city’s best parties in the 1920s. Now, almost a century later, this Hampden hideaway will break in its new liquor license and celebrate its own end to Prohibition with free-flowing Union Craft brews and an all-afternoon party. For the first time ever, pair Double Duckpins and Old Pros with Best of Baltimore-winning skillet dishes and cured meat sandwiches as you raise a glass to our country’s hooch-filled future.

 SEE

March 10: Adam Davies ‘Reroutings’ Exhibition

Creative Alliance, 3134 Eastern Ave. 6-9 p.m. Free. 410-276-1651. 

This month, Creative Alliance resident artist Adam Davies will transform the Highlandtown gallery into Reroutings, a brand-new exhibit featuring his large-format photographs of ordinary public structures, such as overlooked bridges or tunnels, that have served another purpose as accidental civic forums. During the opening reception on Saturday, LA-based musician Alex Zhang Hungtai, known largely for his lo-fi electronic project Dirty Beaches, will perform the soundscapes that helped influence the artist’s photos. Listen as the waves of sound fill the room and immerse yourself in Davies’ monumental photographs of graffiti-covered walls in this dark, intimate space. 

 HEAR

March 9: March 9: Super City/:3ION/Raw Silk

Metro Gallery, 1700 N. Charles St. 8 p.m. $10. 410-244-0899. 

If you weren’t hiding under a rock last year, you probably caught wind of Super City’s infectious music video for its even more addictive single, “Artificial Sin.” If you didn’t, Google it now and you’ll instantly know why you need to be at The Metro Gallery this Friday night. Watch the indie-pop-rock group perform their choreographed dance moves and hear new music off their upcoming 2018 album. Local electronic R&B singer (and Best of Baltimore winner) :3ION will be opening the show with his bewitching pop music, as will New York City’s dance band Raw Silk.

 DO

March 9: Intercambio

The Baltimore Museum of Art, 10 Art Museum Dr. 7-10 p.m. $25-30. 443-573-1700.

With the U.S. immigration debate at the forefront of national news, there’s never been a more important time to come together and hear stories from Baltimoreans about their experiences with exchange and inspiration across the U.S.-Mexico Border. As part of Stoop Storytelling’s “Stoop Special Engagement” series that coincides with The Baltimore Museum of Art’s Crossing Borders: Mexican Modernist Prints exhibit, listen to seven storytellers share their personal, deeply human anecdotes, including local artist Alfonso Fernandez on re-discovering his Mexican heritage through art and Clavel’s chef Carlos Raba on his father’s murder and growing up in Culiacán, Sinaloa. While you’re there, take advantage of after-hours access to the modernist print exhibit before it closes on Sunday.

Five things to eat, drink, see, hear, and do with your holiday weekend.

 EAT

Jan. 6: For the Greater Goods Market

R. House, 301 W. 29th St. 11 a.m.-4 p.m. Free. 

Two years ago, Liz Vayda of B. Willow launched a monthly craft market to benefit local charities and support small businesses. So far, it’s been a big success, bringing Baltimore artisans together while giving back to those in need. This Saturday, catch their first market of 2018, benefitting Back on My Feet Baltimore, a running program that helps individuals who are experiencing homelessness. While you’re there, eat through the Remington food hall’s stalls or indulge in small batch, handmade goods available for sale by area vendors. Some of our favorites include WOOT! Granola’s almond-lavender and coffee-cacao granola mixes, The Velvet Chocolatier’s creamy caramel cups, and Le Monade’s artisanal drinks.

 DRINK

Jan. 7: Yoga & Whiskey

Sagamore Spirit, 301 E. Cromwell St. 10-11:30 a.m. $20.

The yoga-beer trend took off last year, but during the cold days ahead, you might prefer a darker spirit—whiskey. If that’s up your alley, head to Port Covington for a CorePower Yoga session at the newly opened Sagamore Spirit Distillery. Inhale the vanilla and cinnamon smells of rye as you move through vinyasa flows led by a local instructor. After your last ohm, tour the 22,000-square-foot building and sample their signature whiskey. Attendees will also receive a 20-percent discount to Rye Street Tavern so you can replenish your energy with post-workout brunch.

 SEE

Jan. 6: Cut, Copy, Paste: It’s Not What You Think.

Terrault, 218 W. Saratoga St. 7-10 p.m. Free.

It’s true that you can find beauty in almost everything—even cut up yoga mats and polyurethane foam. See it for yourself at the opening reception of Terrault’s first exhibition of the year, Cut, Copy, Paste: It’s Not What You Think. Featuring works by Baltimore-based Alex Ebstein and Brooklyn native Leah Guagdanoli, this Bromo Arts District exhibit highlights the mastery of mixed media and unfamiliar art forms. Browse Ebstein’s bold yoga mat paintings and abstract installations, as well as Guagdanoli’s 3D constructions inspired by the ’80s, ’90s, and Art Deco. 

 HEAR

Jan. 6: Amazing Bill with Outcalls and Petunia

Metro Gallery, 1700 N. Charles St. 8 p.m. $10.

The bomb cyclone may have slammed the East Coast this week, but Amazing Bill is the cure for your winter blues. In Station North, lead singer Will Lederer, who doubles as the guitarist of vintage-soul band Bosley (and triples as husband of Baltimore’s office manager, Sarah), performs funky, feel-good, indie-pop tunes off his new album, Glitzy Golden. But expect a full night of amazing music with a killer lineup featuring electronic opera queens Britt Olsen-Ecker and Melissa Wimbish of Outcalls, kicking things off with their dreamy vocals and alt-baroque sound, as well as Philly’s three-piece Petunia with their “pinball rock” tunes.

 DO

Jan. 6: Beaded Beasts

American Visionary Art Museum, 800 Key Hwy. 1-4 p.m. $5-20.95.

This new year, there’s no need to reinvent your whole self. Instead, embrace your creative side and explore a new craft. On Saturday, drop by the American Visionary Art Museum to participate in their first weekend walk-in workshop, part of the AVAM classroom’s monthly art-making series. Channel your inner artist as you follow a step-by-step lesson on how to make your own mosaic cat or dog (think Nancy Josephson’s shiny Gallery-A-Go-Go Bus parked outside of the museum’s main entrance). All supplies will be provided, including decorative beads, sequins, rhinestones, and other micro bling, so just come with an open mind and bedazzle away the afternoon.