In the heart of Mt. Vernon, there is a small, cool, dark room that holds the history of Maryland fashion. It is, essentially, a large closet, with metal shelves stacked with boxes of all shapes and sizes, and multiple rolling racks hung with muslin-wrapped uniforms and ball gowns.

“This is Tench Tilghman,” says Allison Tolman, touching the arm of a mannequin dressed as a Revolutionary War officer. “He’s going to the State House next week.”

Through the Maryland Center for History and Culture’s lobby, past its exhibition galleries, around a construction zone, beneath an exposed wood ceiling, sits the institution’s bona fide treasure trove—the Fashion Archives.

This impressive collection includes more than 15,000 items, from women’s, men’s, and children’s clothing to accessories like shoes, hats, and underwear spanning four centuries. The oldest item is a 1724 wedding apron, but there are also 19th-century horseback riding garments, embellished Roaring ’20s dresses, and designs once sold at the Hutzler’s department store.

There are pieces worn by iconic local figures, like Duchess of Windsor Wallis Simpson, politician Helen Delich Bentley, and mid-century American fashion trailblazer Claire McCardell, plus those made by rising designers Christian Siriano and Bishme Cromartie.

“Every day we get up and pick out what we wear and that says something about us and helps us learn about each other in interesting ways,” says Tolman, the MCHC’s vice present of collections and interpretations. “Clothing is such a powerful tool. It humanizes history.”

“Clothing is such a powerful tool. It humanizes history.”

 

The MCHC was founded as the Maryland Historical Society in 1844, but it wasn’t until 1919 that clothing would join the collection in earnest, with the purchase of the historic Enoch Pratt House, where the apparel was put on display.

But in the 1970s, the society shifted its focus toward other parts of its collection, and every shirt, hat, and ribbon was transitioned into long-term storage. All but forgotten, these pieces would not resurface until 2011, and under the tutelage of then-chief curator Alexandra Deutsch, the Fashion Archives were reborn.

“Alexandra started putting costumes into every exhibition, because it’s easier to see history with a person in front of you,” says Tolman, who co-curated 2019’s Spectrum of Fashion with Deutsch. “Seeing a woman’s mourning dress from the Civil War changes how you think about it. It’s not just the facts you were taught in school. People were here. They lived in this moment. And through them you can learn a lot about what happened.”

But for historic fashion to be exhibited in the first place is no easy feat, and it has taken several years to rehouse five floor-to-ceiling rooms’ worth of attire. Each item is cleaned, wrapped or padded with acid-free tissue or Tyvek, then transferred into archival blue-board boxes or hung on specialty hangers and wrapped in unbleached cotton, with the curators meticulously minimizing folds, which weaken fabric. All are researched and recorded in a digital database before moving into storage, which is climate-controlled for temperature and humidity to prevent mildew and dry rot, and later displayed for no more than one year at a time to reduce light damage, ensuring their survival for future generations.

With state funding, the MCHC is now transforming a former gallery into a new state-of-the-art facility devoted to storing textiles, which will hopefully be finished by their fall exhibit, showcasing one of the largest collections of clothing by McCardell, which caught the attention of New York fashion designer Tory Burch. Her current line is inspired by the Frederick-born designer, and her foundation has funded a new fellowship under Tolman, pictured right above with fellow Robyn Levy.

It’s hard for the curator to pick one favorite piece from the archives, but a red wool McCardell dress, currently donning a mannequin next to the tricorned Tench, is up there.

“Claire was a designer who wore her pieces for years,” says Tolman, pointing to hand-stitched mends. “She said some clothes earn the right to survive. I love that.”

Stacy Stube was living the dream. In 2009, after graduating from the University of Baltimore, she moved to London to pursue a degree in Fashion Entrepreneurship & Innovation. Her goal was to one day launch a fashion company with a social conscience, one that would give back to local communities.

After 13 years working in management for various brands, such as Burberry and Alexander McQueen, she headed to her native Bali for education and inspiration. As an Indonesian-American, Stube was fascinated by the textile artistry of the Balinese. Studying with the local artisans, she experienced first-hand how painstakingly difficult it was to preserve traditional craftsmanship. But she wanted to keep that tradition alive. It was there that she built her brand, Elsa Fitzgerald, an evening womenswear line.

In 2019, Stube headed back to Baltimore, where she volunteered at the Baltimore Museum of Industry, working in the garment loft and giving visitors a glimpse into the life of a fashion designer. While at the museum, “I started to look at Hutzler’s, old Baltimore, the heritage—F. Scott Fitzgerald lived here, Billie Holliday, interesting and talented individuals who were inspired by the city,” she says. “That gave me my new starting point.”

Through her time at the museum, it became Stube’s mission to revitalize Baltimore’s textile work.

“We need some type of fashion that is mindful and full-bodied—like farm-to-table but from factory-to-boutique,” she explains.

With that in mind, she launched the SEW BROMO fashion heritage and needle trade school in March 2021. Located in a former factory in Pigtown, the school offers classes where you can learn a range of industry basics, from sewing techniques to entrepreneurship training. At the studio, budding designers can learn to develop their products from Stube and other experts and graduate with a sample run of garments to bring to market.

In the not-too-distant future, Stube says, SEW BROMO will offer monthly online memberships that will provide regularly uploaded content, including video walk-throughs of trade skills, on the studio’s Facebook group and member portal page.

For Stube, SEW BROMO offers a chance to merge the past and the present. “A big part of the work is to expand it to a fun and interesting space,” she says, “but we don’t want these [artisanal] skills to die.”

The first time Baltimore-based novelist Laura Lippman got dressed up for Twitter, she didn’t know it would turn into a regular thing.

The Twitter hashtag #DistanceButMakeItFashion was conceived by journalist (and connoisseur of all things glamorous) Rachel Syme. Fashion had been one of the first things to go by the wayside during the pandemic, so Syme thought it would be nice for people to occasionally get out of their yoga pants and into something a little fabulous. She proposed doing it every Sunday.

“And I was like, sure, I’ll do that,” Lippman says with a chuckle. “It just seemed funny and silly…I did it and it felt fantastic, like weirdly wonderful. I posted a photo of me that evening in this very fancy nightgown and robe that I literally wore on the Orient Express.”

A couple of days passed and Lippman decided to do it again.

“I reached into my closet and pulled out these over-the-knee red suede boots and paired them with a plaid dress and I put up a photo and wrote, ‘Oh Rachel what have you wrought?’”

From there, more outfits came—a coat dress with velvet applique tights and knee-high gray suede boots. A leopard-print coat with giant red sunglasses. An outfit—pink pants and a black top—styled by Georgia Ray, Lippman’s daughter with writer/producer David Simon.

“There are these really nice memories in my closet. I’ve been enjoying them,” Lippman says. (It doesn’t hurt that she’s more or less been the same dress size for 25 years.)

At one point, Lippman started telling the story behind the outfits—a dress she wore to the Emmys, another dress she wore to the premiere of The Sopranos at Radio City Music Hall—and she thinks she’ll continue with that practice.

“They’re almost like little writing prompts,” she says.

The response to the outfits has been very positive—although Lippman says she has filters set up on Twitter to minimize the appearance of bots or trolls.

“I’m sure there are some people who think it’s obnoxious,” she laughs. “There’s always someone who hates you online—that’s just a given!”

Lippman has really appreciated the ritual of creating the outfits, but she also wants to make it clear that she’s “achingly aware” how “lucky” she is.

“Knock wood, no one in my house is sick and no one close to us is sick,” she says. “For now, we don’t have to worry about our pay checks. I don’t know how to be luckier than that right now.”

So does Lippman recommend that everyone get in on the #DistanceButMakeItFashion phenomenon?

“I recommend that people do whatever makes them feel good right now,” she says.

It’s that time of year again. School supplies and mini-me outfits are starting to take over our favorite shops—but we’re not complaining. A fresh wardrobe and new supplies can make for a successful start to the school year. So grab your shopping bags and get ready to deck your little ones in head-to-toe style with these on-trend pieces.

Artscape is known for many things: tasty street food, live music, local vendors, eye-catching installations, and, of course, outfits that are works of art themselves. Even this year’s heat wave couldn’t stop some from showing up in striking style from head to toe. We scoured Baltimore’s favorite arts festival for this year’s most standout looks, and we weren’t disappointed. Here are some of our favorites:

Alyssa Forsythe

“I have so many friends who make so much cool art and to be able to come to one place and see it displayed in so many different ways is one of my favorite things about this city.”

Tyler Phillips, 29

“It’s very hot outside and kilts are a lot more breathable than jeans, which is what I usually wear. All I ever wear in my spare time are band shirts. TWRP is a fun band. They actually played here at Artscape in 2015, it was their first show in the States—they’re from Canada. But this is just the first shirt that I pulled out of my wardrobe this morning. I thought ‘It’s sleeveless, It’ll be great!'”

Johnnie Johnson, 22

“I dress like this on a usual basis. I love colorful things! My favorite color used to be purple but it’s grown from there and now I just love rainbow.”

Paige Davis and Michael Raso

“Penn Station and the shops along Charles Street have been the most fun areas to photograph at Artscape, but we actually just started, so we don’t know all of the great spots yet. We’re looking for the cars that are covered with art.”

Brooks Kossover, 26

“These sunglasses are from Bottle of Bread and the shorts I got at Get Shredded Vintage.”

At a young age, Baltimore native Bishme Cromartie had a knack for fashion and spent most of his time cutting up his own clothing to making miniature outfits for his G.I. Joes.

“Where I grew up it was weird for a 13-year-old to want a sewing machine,” Cromartie says. “My friends accepted me but it was just funny to see the things I got excited about versus the other guys in the neighborhood.”

While attending Reginald F. Lewis High School, he created popular hoodies and prom dresses for his classmates and dreamed of a career in fashion, but considered giving it all up when he was rejected by the prestigious Fashion Institute of Technology in New York City. It was his mother who snapped him back to reality.

“She sat me down and told me that you can’t always expect things to go your way and you have to learn to maneuver around problems,” Cromartie recalls.

Through much determination—and with a little help from his social media accounts—Cromartie landed one of his first designs on a Good Morning America segment. Since then, his accomplishments have been nothing short of remarkable, with his pieces gracing the pages of Vogue Italia and Elle Vietnam, and seen on celebrity clientele like Mel B and Andra Day, to name a few.

Though his talents have taken him to L.A. and New York and back again, Cromartie believes that relocating isn’t necessary if your designs are good enough. The majority of his collections have been inspired by Baltimore and he takes great joy in seeing how far the city has come.

“Exploring new places makes you realize that there really is no place like home,” Cromartie says. “It’s been amazing to be proud of coming from Baltimore.”

There’s a change in the wind and it’s blown over Baltimore. Men’s fashion is on the rise and our local favorites aren’t holding back. Whether you’re looking to refresh you spring wardrobe, searching for a classic leather jacket, or just need to get your hands on the latest sneaker release – we’ve got you covered with Baltimore’s fashion hot spots for men.

VINTAGE: Hunting Ground

Searching high and low for the perfect pair of vintage Levi’s 501 jeans? In the old church on Falls Road is where you may strike luck. Hunting Ground’s racks are filled with an ever-rotating selection of both affordable vintage finds and pieces from local brands. 3649 Falls Rd., 410-243-0789

SPORTS FANATIC: This Sporting Life

A curation of embroidered patches, snapback caps, and (never) forgotten jerseys are what This Sporting Life is all about. History-inspired and all things sports, this online store features vintage and handmade items in by the store’s own Arvay Adams.You can also find This Sporting Life also stocked at For Rent Shoes, Sewlab Factory Store, and Sixteen Tons.

TIMELESS STYLE: Sixteen Tons
Don’t miss Sixteen Tons located in the same space as sister store Doubledutch on Hampden’s avenue. Stocked with vintage and new apparel that stand the test of time, the store also hosts a great selection of local duds from brands like Creative King and This Sporting Life (as mentioned above). We also love their wide assortment of accessories and grooming products, ensuring you will be stylish from head to toe.

TRENDY: Brightside Boutique

One of Baltimore’s favorite shops, Brightside is no longer just for women. Head down to the avenue in Hampden to find what’s hot and trending this season. From vinyl bomber jackets and woven knit button-ups to beard maintenance kits, you’ll slowly but surely find yourself a Brightside regular. 915 W 36th St., 410-814-0595

SNEAKER-HEAD: For Rent Shoes Baltimore

If you’ve noticed the uptick in the Baltimore sneaker game, you may just have to thank FRS. Owner Harrison Davis noticed a lack in decent sneaker shops back in 2013 and ever since has been keeping Baltimore’s sneaker lifestyle thriving from his Federal Hill store. Major brands, local designers, and up-and-coming labels all have a home here so stop by and you may just find an exclusive release. 515 Cathedral St., 443-873-9928

A MODERN TAKE: Six2Six Society

Streetwear fashion isn’t just for New York City. Fed Hill’s Six2Six Society brings together contemporary trends and vintage steals. Make a statement in a color block Tommy Hilfiger windbreaker or throw on a brightly colored Coogi sweater. Hanging from the ceiling and covering the racks are one of a kind pieces that will take your style up a notch. 912 S. Charles St., 443-717-1210

PERFECTLY TAILORED: Different Regard

Nothing says class like a well-tailored outfit. Different Regard brings together modern style and luxury quality with polished clothing. Upgrade your style with a fine-knit sweater, precisely cut slacks, or even a custom suit at this Mount Vernon shop. 825 N. Charles St., 410-225-3777

ON TREND: Angel Park

For the guy who keeps track of the latest trends, Angel Park is the place to go. Owner Justin James has curated the perfect selection of men’s clothing and accessories with just the right amount of edge. Inspired by West Coast fashion, one trip into this Fell Point shop will have you feeling like an off-duty celeb. 1707 Aliceanna St., 410-669-0600

THE PROFESSIONAL: J. S. Edwards

Looking to spruce up your work wear? Head to J.S. Edwards in Pikesville for their upscale selection of classic and dependable suits, sportswear, shoes, and accessories. The super helpful staff will have you looking your best in no time with styles from Canali, Jack Victor, and Hugo Boss. 1809 Reisterstown Road, 410-653-2266

STREETWEAR: The Lor Store

This local streetwear-focused shop in Mt. Vernon definitely brings Baltimore’s cool level up a notch. With unique artwork, lego-inspired tables, and clothing from brands like Bape and Stussy, Lor Store offers a unique and innovative shopping experience. Through collaborations with local rappers and artists, founder Malik Smith hopes to connect the community and offer a home to local designers and makers. 1110 Cathedral St., 443-683-5296

You may have noticed a lot of zoo-inspired prints at your favorite shops this season. It seems we’ve said goodbye to the ever-popular floral prints and opted instead for bold animal prints in natural—and not so natural—colorways. From leopard to snake, there are many ways to incorporate this statement-making trend into your wardrobe.

Online clothing shopping may be convenient, but getting the right fit is the eternal struggle—especially if you wear an atypical size. That’s why when Alex Dekowski opened her contemporary women’s boutique, Hello Addie, in Federal Hill this past summer, she decided to offer complimentary alterations to her customers.

“We do our best to find brands that fit most people, but everyone’s bodies are so different, and we really want anyone who comes in to be able to find something in the store that makes them feel comfortable and confident,” says Dekowski. “Shopping can be miserable, but with the in-store alterations, if something doesn’t fit you perfectly, we can tweak it so that it does.”

Dekowski, a business major who worked in banking after dropping out of college, always had a love for fashion and decided to open the boutique in Federal Hill this past July after testing the waters with numerous pop-up shops throughout Pennsylvania and Maryland. “I think the fact that I don’t have a huge fashion background is an advantage and allows me to see the needs of the consumer that people who have been in the industry wouldn’t necessarily see,” she says.

The store, which is named after Dekowski’s grandmother, is full of on-trend items from brands such as Sage the Label, Matisse Footwear, Line & Dot, and Pistola Denim. Every week, the team at Hello Addie does an Instagram Live video where they all try on new arrivals and discuss the materials, fits, and quality of the items in real time.

“Everyone that works here has very different body types, so we like to show our girls what each piece could look like on them,” Dekowski says. “We have customers who come in the next day and say, I saw this on Instagram and I would’ve never thought I’d like it, but it looked good on everyone here, so I need it.”

To further her goal of inclusion at Hello Addie, Dekowski has plans to create her own line sometime next year. “Being a buyer for the first time, I noticed quickly that there is no single line that makes something in regular and plus sizes,” she says. “I plan to carry many styles with each piece offered in extra small through plus size. We don’t want anyone to have to walk into the store and have to find their section. We want everyone to be able to look through the same racks and to find something that they can leave feeling great about.”

On the second Saturday in October (aka this Saturday, October 13), The Walters Art Museum will host its annual gala, this year celebrating a year of transformation with their theme “Metamorphosis.” While this isn’t exactly the Met Gala, The Walters and executive director Julia Marciari-Alexander enlisted local design prodigy Bishme Cromartie to make her outfit and encourages patrons to dress to the nines as well. We talked to Marciari-Alexander and Cromartie about the design process, their inspiration, and what to expect from this year’s event.

How did this collaboration come about?
Julia Marciari-Alexander: He did a photo shoot at the Walters for Bmore Art and I loved it.

Bishme Cromartie: It was just so weird. I did a collection called “The Chrysalis” because I felt like I was going through the process of being a caterpillar and coming out of my chrysalis as a designer. So, when I got the information about this event I kind of teared up because it felt like the universe letting me know that I am going in the right direction.

JMA: I was so nervous meeting you, I was like, “Oh my god, I’m going to meet a real-life designer. He is going to be all stiff and art-y.” But you just were so awesome and put me at ease immediately, and your collection is just so beautiful.

BC: I appreciate it. I’m prolonging the fittings because I don’t want it to end.

JMA: You can just be my personal stylist forever.

Why did you choose to have a local designer make your outfit?
JMA: We have such a commitment at the museum to Baltimore and the ways that the collection inspires Baltimore, and to have someone for whom that is 100-percent true being the star of the evening is just awesome.

BC: Don’t make me cry again. My mascara is not waterproof.

JMA: Fashion is art and we have a lot of examples throughout our collection of fashion throughout the ages, so this collaboration is just another piece of that.

What inspired the garment?
JMA: Well first, we walked through the museum with Bishme. Our collection is really about design, and I think that most of the works in the collection were used as inspiration in some way. Walking around with Bishme was just amazing because I was seeing the collection through his eyes and seeing his mind click in terms of what he was interested in and how it would fit with his development as an artist.

BC: I got chills walking through because we were standing in the museum talking and I realized we were standing there looking at one of my favorite artists’ paintings. I love Sir Lawrence and his work as far as draping and stuff. To see one of my favorite artist’s paintings for the first time in person was amazing and has been an eye opener to keep going and how things come full circle.

JMA: Seeing you looking at the Lawrence Alma-Tadema paintings and knowing the way this painter treats fashion and treats fabric has been a guiding force in your creativity and to have that happen right here, that made me cry. That was a moment of wonder. You had a moment of wonder and we got to experience that with you.

How much input did you have on the piece Julia?
JMA: The most interesting conversation that we had about the outfit—and I say outfit—was whether it was going to be a dress or pants. I saw myself wearing a dress, but Bishme really wanted to put me in pants.

BC: When you guys came to me, I was told you were open to different styles, so pants were a thought. But then when I got to meet Julia and got to know her, I thought she needs to stand out. A dress would’ve been expected, so for me I really just wanted to create a moment that reads well with the theme of the night. And then once I saw the invitation, I wanted the fabric to sort of mimic how the invitation looked with the detailing.

How is this event different from others in the city?
JMA: We don’t have any auctions, it’s really just a beautiful party in an extraordinary setting. This isn’t about an exhibition, it’s about the museum and celebrating the opportunity for everyone to have access to creativity. The money from tickets goes straight into our operating budget and covers a lot of our education programs.

BC: I love the fact that the theme of this event has a message behind it that I and other people can connect with. It’s about transition in our lives and growing. It’s not just a theme, it’s something that everyone experiences. Everyone is developing, and I think that’s why this experience has meant so much to me.

I’ve heard you want this to be sort of the Met Gala of Baltimore. Do you think people will get that and incorporate the theme into what they choose to wear?
JMA: Absolutely! We saw it last year with a lot of people you could tell thought about what they put on. Our theme last year was Egypt and I felt like our patrons got it and really stepped up their game in bringing their most beautiful clothing to reflect the collection well without being culturally inappropriate. I’m really interested in connecting our collections with contemporary artistic practice primarily through the lens of people in Baltimore and what better way to do that then through what we all are wearing.

This year I think we’ve been really intentional about how we’ve presented the event and I think people will understand even just from a feeling level the theme and what kind of event they are going to. It’s elegantly fun. But it does make you think.

What are you most excited for at this year’s event?
JMA: Sitting with Bishme. It is such an honor to be wearing something of yours because there is no one else that could’ve made something like this for me. Plus, we just really like each other.

BC: My fittings with Julia. I don’t want them to end.

JMA: Also, there is no one in this town that cares more about fashion than our Mayor [Catherine Pugh] and the opportunity to sit you right next to her and to let her see the amazing creativity that lives here in Baltimore all the time and to talk about your work and mentorship with the Baltimore Design School—the school she set up. That’s just so exciting. That’s what a museum can do.

Football season is finally here, and the biggest question—aside from “Who’s going to win?”—is “What am I going to wear?” Whether you’re cheering on your favorite team from the stadium or from home, show off your team spirit with these sporty and trending trappings.

Clockwise from top right: Black baseball hat ($12.99) at Target. Route One Apparel Natty Boh football scarf ($25) at Baltimore in a Box. Compagine De Provence hand cream ($9) at South Moon Under. DL1961 Margaux instasculpt jeans ($188) at Sassanova. Holly transparent mini backpack ($47) at Tobi. NFL sneakers ($39.99) at Target. Plastic Solo cups ($6.49) at Target. SPF 30 original sunscreen lotion ($9.99) at trustthebum.com. Route One Apparel Ravens, Bohs, Crabs, and O’s shirt ($27.99) at Route One Apparel. Sunglasses ($20) at South Moon Under. Iridescent card lanyard ($7.99) at Target.

Kids don’t know how good they have it. At the end of every summer, like clockwork, they basically get a whole new wardrobe—and somebody else pays for it! We’ve picked out some clothing and gear so cute and fashionable, your little learners might actually thank you.

“I own my homosexuality. I feel like people tell me all the time you don’t look gay, so I try to be as gay as possible. Women’s clothing inspires me. I love Audrey Hepburn, Jackie Kennedy Onassis, and I am a huge Beyoncé fan.” —Dairis Bogues

“I love Artscape because everyone who is different in Baltimore comes together to celebrate art and I love being a part of that. Despite our differences, it really brings Baltimore together.” —Justice Hartley

“I like going on Instagram for style inspiration. I feel like jumpsuits as well as stripes are really in this year and they are great for the summer.” —Chelsea Zou

“We were coming to the TLC concert, so I wanted throw it back to the ’90s. I am definitely a ’90s kid, so I love 90s inspired looks. I also love androgynous-inspired looks.” —Claire Walker

I love the culture at Artscape. You see people you wouldn’t normally see cross paths here. I also love how the people here express themselves through art, clothes, and music. —Tracee

My dad is from from Senegal, so my style can be very Afrocentric. I love going outside of the box, and basically going left when everyone is going right. —Bryant

“I love that at Artscape all of the freaks are allowed to come out. I love that everyone is allowed to be here. I’ve been coming since I was 17 years old. I discovered it by accident, but I’ve been coming ever since.

Now that I’m older, I can go full out with my outfit—I can throw on some glitter and wear a bunny backpack if I want to.” —Mana Colter

“I like to dress for comfort. My shirt only has four buttons and is really lightweight so it’s really easy to wear. I am a fan of Kate Mara’s style and British menswear. I’m really into plain colors and stripes.” —Kiersten Patron

Welcome to “Life Lines,” a new column on aging gracefully by writer Laura Black.

I wasn’t sure how to dress for a business meeting with a pair of thirty-something women at one of those nouveau coffeehouses. I had my go-to uniforms for board meetings and lunches with contemporaries at the Center Club,—but, these executives were the same age as my kids.

My wardrobe is centered around 40 pairs of black pants—37 of them have elastic waists. (The other three I never wear). Not that I need to justify, but, I need different lengths, fabric weights, and (especially) sizes. They run the gamut from tight-fitting leggings to wide legged, or what we used to call bell bottoms.

I stood in front of my full-length mirror and tried on several black pants and top/jacket combinations. Finally, I settled on a pair of medium weight pants and navy hip-length top. I hoped I looked somewhat stylish. I was tempted to ask Alexa, “Does this make me look old?” And, if she answered, “No,” I would add, “Does it make me look fat?”

In the last few years, like many parts of my body, my confidence in fashion has sagged. My angst is not limited to business meetings with millennials. Simply packing for vacation is cause for confusion. I wonder: Is it okay to wear a fanny pack? How about my extra-wide and super thick Saucony tennis shoes? (Those dainty white sneakers don’t have enough arch support.) And, if it’s hot, can I wear sleeveless tops—even if my underarms jiggle? How about shorts—am I past the age limit? Are capris better? Will they make me look like a Boca Bubbie?

Black-tie events bring a deluge of decisions. Are pantyhose still in? If so, nude or black? Heels are out for me and wedges don’t work either—after a few drinks, they make me wobble. I need flat and fashionable, but wide enough to accommodate custom orthotics. Will I be condemned if I show up in SAS rather than Manolo Blahnik?

Like, technology, I’ve kept-up enough to get by—but always run into problems. The difference is, when my computer freezes, my husband can help. But, where do I turn to find out if eyeliner is in? And, if it is, does it go on both the top and bottom of my lids? How about nail polish? My manicurist suggests blues, greens, and yellows. Does that mean red is a no? Getting more personal—is everything supposed to get waxed?

And, those undergarments—I think they’re called shapers. Admittedly, they’re much better than the old girdles and long-line bras. But, while they suck in my stomach and hips—somehow, like ants in the summer, my fat finds a way to escape. I also tried thongs from Victoria’s Secret. I wore a purple pair for a few hours—I just don’t get it. I know my granny panties are not a turn-on; but, my tush is grateful.

Looking for fashion direction, I observe other women in my age group. Some fight like David against the Goliath of aging. They subject their bodies to lifts, tucks, and fillers. They wear jeans with holes and boots without toes. And, many of them carry it off. I don’t.

On the other extreme, are the women who surrender to age without fighting. They wear floral house dresses or fashion favorites from the ’70s. They don’t have to lug plastic bags of clothes to Goodwill. For them, nothing is out of style.

The group I most admire have a knack for classic dressing. Their silver hair and designer scarves epitomize elegance. They don’t concern themselves with what’s in—they reach for what’s timeless. They walk tall with confidence and embrace their maturity. I can’t tie a scarf.

I know, I could make an appointment with a fashion consultant. Or, I could study Vogue and shop at Saks. But, whenever I learn the rules, the game changes.—and nobody sends me an alert. More importantly, I don’t care enough to stay up-to-date. As my 10-year-old granddaughter said, when we were shopping for a dress for her lower-school graduation, “I want to be myself, but I don’t want to stick out so much that other people talk.”

When I got to the coffee shop I noticed that one of the millennials was wearing a dress with a denim jacket, the other, jeans and a black top. Between sips of java and bites of avocado toast, we closed a deal.

On the way out, the one in the denim jacket said, “You look great for your age.” In other words, it didn’t matter what I wore—in their eyes, I’m old. And, that’s okay. I realized, my real fear was not fashion; it was marginalization.

If you’ve started to notice hints of yellow lining the walls and shelves of your favorite stores, you’re not crazy, it’s full-on happening.

This bright and cheery color, which fashion blog Man Repeller dubbed “Gen-Z Yellow” is the new hue filling the closets of the young, hip, and fashion forward—dethroning the once-popular “Millennial Pink” that we have seen everywhere over the past year.

While this sunny shade can be intimidating to most, the trend extends itself to different shades of yellow, such as canary, gold, and mustard, allowing people of all complexions to embrace it.

With more than 50,000 followers on Instagram, Dayna Bolden documents her day-to-day life for the masses leaving us feeling completely inspired. From fashion and beauty to travel and family, she has all of the bases covered and offers heartfelt advice, aspirational goals, and attainable fashion tips and tricks in a truly genuine way. We caught up with Bolden to talk about how she got started blogging, adventures in motherhood, and where she likes to shop in Baltimore.

What made you want to start blogging?
I really wanted to create a platform for myself where I could share my lifestyle as an entrepreneur, a mother, a wife, and just document all of the things I love. 

How is being a mother impacted your posts?
I love showing my readers the beauty of motherhood and how I am still able to follow my dreams, while still being an amazing mother. I feel that a lot of women feel that once they become mothers and have another little life to take care of, that everything else has to stop and that is definitely not the case. I believe that being a blogger mom also really inspires my daughter to know that she can do what she loves as she gets older. 

Where do you love to shop in Baltimore?
I love Brightside Boutique—they have amazing clothes and great quality stuff. I also recently discovered another cute store called Poppy and Stella, I haven’t had the time to shop there as much as I would like too but I’m definitely planning on it. There is also an online clothing company I really love called Mess in a Bottle, sadly there so no real store yet, but my friend owns the company and she sells really cute t-shirts online. Those are probably my go-to places in Baltimore.

What do you like to do outside of your blog?

I’m an entrepreneur. I own a business called Bolden Creative Media, where I brand consult and work with brands on creative directing, functions, and strategies. I also love spending time with my family and traveling. I don’t have a lot of hobbies because blogging was always my hobby when I was younger and I turned that into a full-time career. 

Any style tips for the summer?
I love a cute dress, and I feel that you can never go wrong with a maxi dress. The perfect maxi is always going to look chic and is really easy to dress up or down. Also a nice pair of shorts, that aren’t too short. I don’t like super tight or super short shorts, but a nice fitted pair of shorts are essential for your summer wardrobe. 

What is your go-to outfit?
My everyday go-to outfit right now is sweats, a cute T-shirt, and just pairing that with some sneakers. But If I’m actually going somewhere and need to look cute, I love nice tapered pants, a cute blouse, and a statement heel as my go-to.

Marvel’s latest blockbuster Black Panther has already broken records during its opening weekend, topping the charts and earning more than $200 million. The film has not only received accolades for being Marvel’s first film with a black director, an almost entire black cast, and featuring a black superhero—but also for its fashion.

The black community had been anticipating this moment since the trailer dropped in June showcasing colorful, ethnic designs worn by the cast. Veteran costume designer Ruth Carter can be cited for the uproar it created on “black Twitter” with the hashtag #BlackPantherSoLit, everyone asking “What are you wearing to Black Panther?”

Not only are the costumes fashion-forward, but they blend traditional and contemporary African styles from across the continent. From cold-shoulder, floor length gowns to Afropunk stylings to authentic African, hand-dyed robes, the film’s costumes have sparked up discussions about embracing African culture vs. cultural appropriation.

“I wanted to show the world the beauty of tribal dress and move that forward in a more modernistic way,” Carter told The Atlantic. “I have seen some really bad African depictions of costumes where there’s a bone in their nose and they’re wearing some kind of hide and cross-strap.” 

Local musician DDm raved about the film in a Facebook live video to his followers. He praised Carter’s juxtaposition of traditional and modern African fashions. He also relates to the fashion in the film on a personal level, how it empowers the women in the film—reminding him of his grandmother.

“I grew up in a family ran by matriarchs who were tough, but unapologetically feminine,” he said. “The way Okoye can go from a military uniform to an evening gown to a cocktail dress is everything I love about the women in my life.” 

Because she wasn’t basing her costumes off actual historical periods—as she did with Selma, Malcolm X, and Amistad—Carter had the creative freedom to come up with original designs for the fictional country of Wakanda.

“The choice of wardrobe in the movie represented freedom,” says Ashley Sidney, who saw Black Panther at CinéBistro at the Rotunda. “The freedom to be who we are, freedom to represent our culture, and freedom to embrace our beauty, power, and talent.”

Although moviegoers did not have Carter at their disposal to create handmade Wakandan garb, many showed up to the theaters dressed as though the plane to Wakanda was leaving after the showing and their attire was the boarding pass.

“I felt like it was important for black Americans to connect to the Pan-African identity,” said Le’Nay Maye, who saw the movie with her husband at the AMC in White Marsh. “Seeing the Black Panther premiere photos and seeing how the actors and director really exemplified black royalty, it was the least we could do.”

On a chilly Thursday evening, people lined the street outside of Common Ground Bar in Manhattan’s meatpacking district to see “The Chrysalis,” a fashion presentation by Bishme Cromartie. The designer and Park School grad has recently gained popularity from LA Fashion Week and bevy of celebrities he has dressed.  

But this was his first time showing at the legendary New York Fashion Week, and what Cromartie had in store did not disappoint. Common Ground was filled with stringed lights, tree silhouettes, and lush hanging plants that brought the natural state of the outside in.  

“The name came from the transitional state of the butterfly,” says Cromartie. “The last two years have been my transformation. I wanted this collection to show beauty effortlessly. The chrysalis is about breaking free, being more connected with yourself, and understanding the new person you are becoming.”
 

Evolution was certainly the theme of the night with the 14 total looks showing the architectural design and shape Cromartie is known for mixed with a new-found touch of femme glam accentuated by patent leather vinyl belts. 

“I’m learning to become more subtle and that I can be that way while still incorporating bold shape,” says Cromartie. “I still love the hardcore look and making women look strong, but I’ve been tapping into a place showing a softer side. I’m making my designs more of a slow song.”  

Cromartie kept the show in the family, bringing along hairstylists, makeup artists, a videographer, and a DJ from Baltimore to complete his vision.  

“Once I have my people that I work with and we develop that rhythm, we become like family,” he says. “As much as this is a big opportunity for me, I want it to also be an opportunity for them. I always want to make sure I’m allowing people to represent Baltimore in a different, more positive light.”  

Backstage, the models kept it low key with a more natural look for both their hair and makeup. Shy Watters—who has a salon space in Mt. Vernon and in Fells Point—headed up the hair styling with a timeless ’20s-inspired look. The team opted for a left part with soft waves that mimicked the wings of a butterfly and relied on each model’s natural beauty to allow the emphasis to be placed on the clothing.  

The makeup was kept as simple as possible with Alana Johnson—makeup artist for the Baltimore Ravens Cheerleaders—leading the team. “We wanted the skin to be very soft and glowy,” says Johnson. “We did a glossy lid, highlighted cheek bones, and a stained lip that we saw a lot of last fashion week, so we are bringing it back.”  

Cromartie’s vision aligned perfectly with the venue—the color palette complementing the garments, the music energizing the crowd, and the intimacy making the collection come alive. The event was a fitting next step in his journey as a designer.  

“I’ve learned so much,” he says. “And I still have more tricks up my sleeve.”

Since coming together in 2009, Best Coast has frequented our playlists with their dreamy, lo-fi California indie pop melodies and relatable lyrics. Along the way, the band’s songwriter, guitarist, and lead singer Bethany Cosentino has made a name for herself not only musically, but as a sartorial obsession to her fans and beyond for her impeccable style on and off stage.

With a show at the Ottobar on September 12 and a North American tour on the horizon with Paramore, we talk to Cosentino about her personal style, what it’s like to pack for tour, and how she has evolved over the last decade.

How would you describe your day-to-day style?
Functional, sexy, and casual. At any given moment I could nap in my daily outfits, but there’s always a little skin showing.

Packing for a tour seems like a daunting task. How do you go about editing what you bring? 
I used to try and bring enough stuff so that I never had to wear the same outfit onstage twice, but that got way too complicated. I try and bring a bunch of different tops and a few set bottoms. I usually wear the same pair of boots onstage—gold Saint Laurent boots—and then I always bring casual shoes for days off on top of running shoes for when I workout. 

Who is your style icon?
Debbie Harry, Rihanna, Stevie Nicks, Cher in the ’70s.    

Do you have a favorite or least favorite trend that is popular right now?
My current favorites are jumpsuits, high waisted wide-leg pants, athleisure—because I’m lazy sometimes—and pantsuits. My least favorite trends are jeans that have like half the leg cut open intentionally and pom-pom earrings.

When you are on tour and traveling, do you ever get the opportunity to shop? Any favorite stores you’ve discovered?
Portland, Maine is one of my favorite cities we’ve ever played in. I walked around all day and found so many cute vintage shops and an amazing crystal store where I got a great Tarot reading. 

What is your favorite article of clothing and why?
A vintage 1976 Joni Mitchell tour letterman jacket. My mom got it for me off eBay for my birthday about five years ago. It’s so old and incredible. People have offered to buy it off my back, but I could absolutely never part with it. 

How has your style evolved over the last 10 years?
I’ve become more confident and I think my style shows that. I was 20 years old then and my style was so confusing. I look back on photos now and I’m like, ‘What was I thinking?’ My style was like very ’80s, but the bad era of ’80s fashion. 

As a woman in the entertainment industry who deals with unfortunate criticism, what’s your advice for people to stay true to themselves and not care about what others think when it comes to style?
Just remember that your opinion of yourself is the one that truly matters. People will always criticize you—regardless of who you are and what field you’re in. As long as you’re confident and comfortable, that’s what matters. 

This year marks two decades of Katwalk Boutique bringing fabulous garments and accessories to the women of Baltimore. Stepping into the Fells Point boutique feels like entering an avant-garde paradise, with pastel painted walls and mannequins covered head-to-toe in trendy styles. We stopped by Katwalk to ask owner Toni James about her special traditions, favorite trend, and longtime style icon.

Where did the name for your boutique come from?
TJ: The name comes from the runways of Paris, like walking on a catwalk. My husband came up with it—we used to go to a lot of fashion shows and all of the models come out on the catwalk.

What’s your favorite item in the store?
TJ: My favorite item is the track pants with the embellishments. Right now leisurewear is hip, so instead of the traditional track pants we tried to do something different and beautiful.

Does your boutique have any special traditions?
TJ: The fashion seat! Everyone who comes in takes a picture in the fashion seat. We believe in customer service, so when someone comes in, no matter if they’re buying something or just taking a stroll in the Katwalk, we are going to treat them the same way.

Describe the typical Katwalk Kutie.
TJ: The Katwalk Kutie is someone who loves themselves. They’re confident, and they’re not afraid to stand out in a crowd.

What inspires the style of Katwalk?
TJ: It’s not about style; we don’t follow trends. We follow what the Katwalk customer will love for that season. It’s all about quality, fit, and what will make that person feel confident when they walk down the street.

Who is your style icon?
TJ: Diana Ross. When I was five years old, she triggered the passion that I have for fashion. Everyone who knows me knows I love Diana Ross.

What Baltimore treat is your guilty pleasure?
TJ: Moe’s Seafood. My husband and I go almost every Friday night; I love everything on the menu. 

What is special about the location of Katwalk?
TJ: I think it’s the people—no matter who comes through the boutique everyone is happy and has a great attitude.

What is your current favorite fashion trend?
I love kaftans. We’ve been buying them ever since we opened up in ’97. I love if they’re embellished, sequined, or hand painted—I’m a kaftan girl.

How are you celebrating 20 years of Katwalk?
TJ: On September 23, we are having a huge fashion show with other Baltimore designers. We don’t just want to celebrate Katwalk, we want to celebrate other designers in Baltimore. It’s also a charity event for Shoes That Fit. We give away brand new shows to kids in need year round.

Looking for a simple way to elevate your wardrobe? The tassel is this season’s go-to embellishment, effortlessly taking any outfit from bleak to chic. Long gone are the days of only seeing tassels on graduation caps or your grandmother’s curtains. This fun fashion add-on is hanging—literally—on everything from handbags and apparel to jewelry and footwear.

It’s time to hit the refresh button on your swimsuit collection, because we are living in an era of tons of swimwear options. From classic bikinis to updated one pieces to flattering high-waist styles, there are cute bathing suits for all body types at our fingertips. What are you waiting for?

Let’s be honest—shopping for shorts might be even harder than shopping for the perfect pair of jeans. With a wide array of styles, colors, and materials to choose from, finding the best pair for your body type can be exhausting. So we’ve gathered some of our favorites to make your life a little easier.

1.  AGL denim sneaker ($295) at Matava Shoes. 2. Paul Green Wells sandal ($289) at Matava Shoes. 3. Klub Nico Joellen sandal ($200) at Sassanova. 4. Bernardo Hayden sandal ($215) at Sassanova. 5. Marc Fisher LTD Marcia sneaker ($155) at Sassanova. 6. Azura Aditi wedge ($90) at Ma Petite Shoe. 7. Merona Lulu block heel sandal ($30) at Target. 8. G.H. Bass & Co. Nikki mule ($135) at Poppy and Stella. 9. Irregular Choice Good Fortune flat ($165) at Ma Petite Shoe. 10. Paul Green Lexi bootie ($350) at Matava Shoes. 11. Sam Edelman Perri loafer mule ($109) at Poppy and Stella. 12. Joie Walda tassel slide ($188) at Sassanova. 13. Irregular Choice April Showers turquoise pump ($142) at Ma Petite Shoe. 

Precious metals have been in high demand since what seems like the beginning of time. Add metallic shades like gunmetal and silver into your personal color palette for a more dramatic look.