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	<title>Black Lives Matter &#8211; Baltimore Magazine</title>
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	<description>The Best of Baltimore Since 1907</description>
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	<title>Black Lives Matter &#8211; Baltimore Magazine</title>
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		<title>New Book Explores How the Civil Rights Era Shaped Political Resistance Today</title>
		<link>https://www.baltimoremagazine.com/section/historypolitics/book-review-joshua-clark-davis-police-against-the-movement-civil-rights/</link>
		
		<dc:creator><![CDATA[Ron Cassie]]></dc:creator>
		<pubDate>Wed, 13 May 2026 20:59:05 +0000</pubDate>
				<category><![CDATA[History & Politics]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[book review]]></category>
		<category><![CDATA[Civil Rights Movement]]></category>
		<category><![CDATA[Joshua Clark Davis]]></category>
		<category><![CDATA[Police Against the Movement]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=182854</guid>

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			<p>The story of the Civil Rights Movement has centered around the struggle to end legal segregation, voter suppression, and housing discrimination. For good reason, of course. That long fight culminated in landmark victories in the Supreme Court and legislation in Congress ended the system of laws, social practices, and economic restrictions that enforced an apartheid system in the United States.</p>
<p>The Civil Rights Movement’s battle against police abuse, however, has been largely overlooked. Often, we think of those in the Civil Rights Movement as victims of law enforcement misconduct and violence. But in <em>Police Against the Movement</em>, University of Baltimore history professor Joshua Clark Davis reframes that narrative, presenting evidence that the movement tackled police injustice head-on, offering insight into the power of political resistance in the face of government and law enforcement attacks on protest.</p>
<p><em>Police Against the Movement</em> shows how early civil rights activists set the stage for the Black Lives Matter movement and adds important context to the intimidation, violence, and tragic recent events involving ICE’s ongoing treatment of U.S. residents and activists today.</p>
<p><strong>What prompted you to revisit the Civil Rights era?</strong><br />
I started in 2017 when Black Lives Matter was on the rise. In my previous book, <em>From Head Shops to Whole Foods</em>, I had researched FBI surveillance of Black-owned bookstores. The other thing was, many journalists and commentators were describing BLM as something completely new. Or they’d say BLM [picks up] where the Civil Rights Movement ended or this is the Civil Rights Movement 2.0.</p>
<p><strong>And in <em>Police Against the Movement</em>, you document how the Civil Rights Movement was also calling out and fighting police violence and injustice.</strong><br />
We’ve all seen the horrific footage from Selma, from Birmingham. Those [violent] images are some of the most prominent images of the Civil Rights Movement. The question to me was, “How did the Civil Rights Movement respond to police violence?” You can point back to the Black Panther Party [as far as standing up to police abuse], but what about before the Black Panthers? I learned there was this incredible record of protests and demonstrations at precinct stations, inside police headquarters, campaigns against surveillance, campaigns to monitor and observe the police even before the Black Panther Party had started doing that.</p>
<p><strong>One incredible anecdote about Baltimore, is that police here trained the police attack dogs used in Birmingham.</strong><br />
Yes, and I also wrote a whole side piece for <em>Slate</em> on that a few years ago. Basically, Baltimore’s police department pioneered the canine unit and were evangelical in their zeal to spread the idea to other departments.</p>
<p><strong>Can you explain what you mean by the term “slow violence?”</strong><br />
Slow violence describes non-physical forms of harm carried out by the state that are slow in their execution and their effect. When we think of violence against the movement, we think of billy clubs, beatings, and attack dogs. But we are missing a big piece of the picture because we haven’t adequately considered that local police all over the country, not just the FBI, were inflicting surveillance on civil rights activists, bringing fabricated charges, and specious, trumped-up felony indictments that not only put them in jail, but carried the threat of prison. They carried out forms of character assassination that got people fired from jobs. These things were geared toward political intimidation and chilling political speech. So, slow violence is this umbrella term that covers more sophisticated trickery.</p>
<p><strong>One of the more interesting things you document is these police behaviors against political activists predates the FBI. It begins with local detective “Red Squads” surveilling Socialists, unionists, and Communists in the early 1900s.</strong><br />
Baltimore had one called the Inspectional Services Division. Part of why there isn’t more Baltimore in this book is that it appears the vast majority of records from Baltimore’s Red Squad don’t exist or have been lost or have been destroyed. The only copies I’ve seen show up in an FBI file. So, Baltimore was no exception to this. Every single city had a Red Squad. Some people thought of them as little FBIs. They were political intelligence units designed to ferret out political radicals, though they rarely admitted that out loud after the 1950s. They often said they were concerned with organized crime, but political radicals were their focus.</p>
<p>Part of why they are so important to the story is that they’re the main way police attack civil rights activists, especially outside of the Deep South. Most police departments in the United States realized by the mid-1960s that it was not really going to work to flagrantly, unapologetically brutalize civil rights protesters on camera. They thought, “We’re going have to come up with more sophisticated ways to undermine them and sabotage them.”</p>

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<p><a href="https://www.baltimoremagazine.com/section/historypolitics/book-review-joshua-clark-davis-police-against-the-movement-civil-rights/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Art of the Times</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/local-artists-continue-to-create-in-unprecedented-year/</link>
		
		<dc:creator><![CDATA[Aaron Hope]]></dc:creator>
		<pubDate>Tue, 13 Oct 2020 15:00:49 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[COVID-19]]></category>
		<category><![CDATA[Baltimore Safe Haven]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Black Trans Lives Matter]]></category>
		<category><![CDATA[Close Call Studio]]></category>
		<category><![CDATA[Coronavirus]]></category>
		<category><![CDATA[Matthew Pasley]]></category>
		<category><![CDATA[Sara Autrey]]></category>
		<category><![CDATA[Zadia]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=98328</guid>

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<p class="byline"><strong>By Lydia Woolever</strong></p>
<p class="text-center">Photography by Schaun Champion, Ryan Chance, Justin Tsucalas, Shan Wallace, and Isaiah Winters</p>
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<p>
<b>WHEN THE CORONAVIRUS</b> arrived in Baltimore
this March, some of the first people to feel the effects of the new global pandemic were artists. Concerts and exhibits were quickly postponed,
then canceled, with museums and music venues
imposing social-distancing restrictions before ultimately
closing their doors. The halls grew quiet at The Walters.
The curtains hung heavy at Center Stage. The seats sat
empty at the Meyerhoff. Even Station North, usually bustling
with nightlife between The Crown and Motor House,
had gone dark.</p> <p>Overnight, musicians, painters, actors,
photographers, and more watched their livelihoods
come to a screeching halt. Resources and relief funds attempted to ease the economic pain, but by early May, nearly two-thirds of the nation’s artists were unemployed,
according to the nonprofit Americans for the Arts,
and with no end in sight. </p> <p> But art, at its essence, is a response
to the world around it, with some of history’s greatest
masterpieces borne out of times of crisis. (Shakespeare apparently
wrote <i>King Lear</i> during the bubonic plague.) And
so artists here did what they do best, honing their various
mediums and the city’s DIY spirit to help us make sense of
it all. Even as crowds could no longer fill galleries and theaters,
they found fresh ways to create, turning to the internet,
where they would bring art to the quarantine comforts
of audience’s own homes, and eventually the great outdoors.
</p>
<p>The Baltimore Symphony Orchestra launched Offstage,
where violinists and cellists performed livestream recitals from
their living rooms. The Baltimore Museum of Art debuted
its BMA Salon and Screening programs, where local
gallerists presented exhibitions on virtual walls. The Creative
Alliance offered DJ dance parties on Zoom, while the
Sondheim Artscape Prize was announced via YouTube,
and the Parkway Theatre held its annual Maryland Film
Festival online. All the while, photographers took self-portraits,
writers kept quarantine diaries, and creatives of
all kinds crafted “isolation creations,” from floral designs
to dress-up recreations of famous fine art on Instagram.</p><p>
Then not long after the first lockdowns were lifted,
another crisis emerged, as George Floyd, a Black man in Minneapolis, was killed under the knee of a white police officer and the United States began to wrestle with its own epidemic of racial injustice. Even in the midst of COVID-19, the newly invigorated Black Lives Matter movement inspired artists to both document and delve into our national strife—picking up cameras, grabbing paint brushes, firing up presses to print free protest signs (we see you, Baltimore Print Studios and Globe at MICA). By the end of summer,
Baltimore’s artists of color had once again made national
waves, with works by photographer Devin Allen—a powerful image from a march for the Black trans community—and
painter Amy Sherald—a poignant portrait of Breonna Taylor—landing on the covers of <i>Time</i> and
<i>Vanity Fair</I> magazines, respectively. </p> <p> As of press time, the rest of 2020
remains unpredictable, leaving the future of the arts in
limbo. There is still no vaccine, even as Governor Hogan
has announced stage three of the state’s recovery plan,
including the reopening of live entertainment venues
at half capacity, and museums have welcomed the
public back inside, while the country’s incredibly tense racial and political
division only intensifies on the eve of the November
election. But there is one certainty, as demonstrated
across the city this year, throughout and despite it all: Artists will carry
on, one way or another. Here are some of their stories. </p>
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">IN A FLASH</h4>

<h4 class="text-center">A street photographer documents a summer of protest.</h4>
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<h6 class="clan thin uppers text-center"><center> Matthew Pasley, right. Photography by Shan Wallace. Pasley's images from recent protests in baltimore, left. </center></h6>
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<p>
<b>THE FIRST PROTEST</b> Matthew Pasley attended as a photographer was during the 2015
Baltimore Uprising following the death of Freddie Gray. As a Black man, he had experienced his fair share of negative encounters with the police. Growing up in South Carolina before moving to Baltimore in 2002, he saw friends and family members assaulted and wrongfully arrested.</p> <p> “It was a form of self-expression,” says Pasley, who has largely worked in event photography over the years. “A friend loaned me a camera, and what better time? It was an exciting, eye-opening, alarming experience. I’d been to protests before but to actually be in the midst of documenting it was a new feeling that sparked a desire to continue to do so.”
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<p>
After the death of George Floyd this May, he took to the streets again, this time with his own Canon T5i, as well as his iPhone. With comfortable shoes and enough water to stay hydrated in the summer heat, he wove through the crowds to capture multiple protests that popped up across the city in the next few weeks, including the youth-led and women’s marches, as well as rallies outside of City Hall. His bold, black-and-white photographs, as well as video footage, depict masked faces, hand-drawn signs, and candid moments of camaraderie. </p> <p> “I’m trying to find some light in all of this darkness,” says Pasley, noting the importance of having local photographers on the ground to convey the narrative. “We want to capture those strong, sometimes hard-to-bear moments, but even with all of the pain we’re out here to recognize, I want people to know there is also joy.”
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">CITY MUSIC</h4>

<h4 class="text-center">A rising rapper turns the street corner into a stage.</h4>
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<h6 class="clan thin uppers text-center"><center>zadia, center, with her band at druid hill park. Photography by Ryan Chance.</center></h6>
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<p>
<b>THIS JUNE</b>, after a nearly two-month stay-at-home order, the streets of Baltimore once again filled with the joyous sounds of city life, but this time through the clashing drums, rippling trumpet, and raspy, soulful vocals of Zadia, aka Cheyanne Givens, who just released her debut album. </p> <p> “When I finally dropped music, I couldn’t wait to tour different venues,” says Givens, who recorded <i>Vacants</i> during quarantine. “Then the pandemic hit and it was like, ‘What are we going to do now? How can I be innovative and still bring the same feeling in a way that respects the restrictions?’”
</p>

<p>
Teaming up with the Creative Alliance’s Sidewalk Serenades, the young rapper embarked on a series of pop-up concerts across her native West Baltimore, toting mics, amps, and drum kits across six stops for an impromptu, open-air music festival. They appeared on curbs and at corner stores, in traffic medians and down alleyways, in front of the Arch Social Club in Penn North, and in the middle of the basketball court at Druid Hill Park. Her band, which includes trumpeter Brandon Woody, drummer Josh Stokes, and keyboardist Troy Long, plus backup vocalists like Al Rogers Jr. and Bobbi Rush, used three cars and a Lyft to move between each location, even performing an extended set in the rain.</p> <p> “This is the future, and the past,” says Givens, who also did a half-dozen stops in East Baltimore three weeks later. “Black people have been performing in the streets for a long time. There is a freedom to it. You’re not restricted to rules of venues, and you never know who is going to walk up and experience your music, who <i>needs</i> to experience your music. It felt like we were doing what needed to be done for the community.”
</p>

<p>
For that, Givens is planning a national tour for <i>Vacants</i>, which is inspired by her gospel music upbringing and the jazz of Pennsylvania Avenue, speaking to the city’s thousands of vacant homes. “Music will always be a connecting art form,” she says. “My message with these shows is that we’re all in this together.”
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">WINDOW TO THE WORLD</h4>

<h4 class="text-center">Local curators showcase the power of public art.</h4>
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<h6 class="clan thin uppers text-center"><center> <i>The People United</i> at Current Space. PHOTOGRAPHY BY ISAIAH WINTERS.</center></h6>
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<p>
<b>ON A HOT SUMMER NIGHT</b> in late July, a group of people gathered on Howard Street,
looking into the wide windows of the Current Space gallery at stirring black-and-white
photographs while five old televisions buzzed with scenes of Baltimore. For many, it was their first exhibition since the coronavirus relegated artists to cyberspace.</p> <p> “It’s one thing to see art on your phone or a computer,” says Casey McKeel, who co-curated <i>The People United</i> with Teri Henderson, coordinator of nomadic arts platform WDLY and <i>BmoreArt’s</i> Connect + Collect. “We had so many people say it was just so nice to see it in person again.”
</p>

<p>
Like many curators, Henderson and McKeel, who is also an organizer of photography
collective Rebel Lens, had been derailed by COVID-19, originally planning an in-person
exhibit. But instead of pivoting to virtual programming, they brought their experience
to the city streets.</p> <p> The show’s title was a nod to a popular protest chant—“the people united will not be divided”—centering seven Black photographers, including Rob Ferrell, Shae McCoy, and Philip Muriel, with images that spoke to systemic racism and police corruption, all taken during recent Black Lives Matter demonstrations in Baltimore and now for sale through the gallery. A video installation in collaboration with <i>I Got a Monster</i> authors Baynard Woods and Brandon Soderberg also depicted imagery from their upcoming documentary on the police department’s Gun Trace Task Force.</p> <p> “We wanted to present a beautiful, compelling, provocative response to the movement that got people talking in a positive way,” says Henderson. “These images really serve to document history, and they’re captured by Black artists through their own lens.”
</p>

<p>
Through late August, the window exhibit was up for local residents, Light Rail commuters,
and all walks of passersby to see, with its social distancing-friendly display
turning the main thoroughfare into an unexpected art gallery. </p> <p>“The power of public art is
accessibility,” says Henderson, who envisions more exhibits like it in the future, as seen
in recent window shows at the Waller Gallery and Impact Hub. “Not everyone feels welcome
in museums and galleries—the beauty of public art is that it truly is for everyone.”
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">COVER GIRL</h4>

<h4 class="text-center">A vintage maven makes pandemic fashion.</h4>
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<h6 class="text-center" style="padding-top:1rem;">A GET SHREDDED MASK. COURTESY OF SARA AUTREY</h6>
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<p>
<b>WHEN SARA AUTREY</b> purchased her first sewing machine two years ago, she was just expecting to use the equipment to mend the secondhand threads sold at her Get Shredded Vintage shop, now located in Remington. But this April, Autrey, <i>pictured</i>, who is also a musician, found herself in her basement, trying to figure out how to make face masks for her family in the wake of a global pandemic.</p> <p>“The first one I made was with chambray, I added a ridiculous amount of fringe, jokingly put it on Instagram, and the feedback was dozens of people like, ‘Do it!’” she says with a laugh. “We use fashion to express ourselves and how we’re feeling. In one of the crappiest phases of most of our lives, making something that’s functional but also fun feels good to be able to do. Having my hands moving and my mind occupied with something constructive was so helpful for me.” </p> <p> With retail impacted by COVID-19’s subsequent economic crisis, mask-making became an outlet for Autrey, who has made nearly a thousand face coverings out of vintage fabric thus far and plans on designing more playful sets such as those with matching dog bandanas. </p> <p>“I want to turn masks into something cheerful, instead of a cold medical reality,” she says. “As long as people keep needing them, I’ll keep making them.”
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">DIRECT MESSAGE</h4>

<h4 class="text-center">An illustrator uses social media to spread protest art.</h4>
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<h6 class="clan thin uppers text-center"><center>POSTERS COURTESY OF CLOSE CALL STUDIO.</center></h6>
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<p>
<b>IN LATE MAY</b>, Amanda Adams of Close Call Studio turned to her art to declare
three simple words in all caps, soft colors, and leafy vines: BLACK
LIVES MATTER. She posted the illustrations on Instagram, making them
available for free download in hopes that they might be used as posters
for the growing number of protests cropping up across the city and country.
</p> <p>“I was trying to figure out what I could do to improve this incredibly
corrupt world while also processing my own feelings,” says Adams, who
had also just lost her grandmother. Before long, more messages poured
out, both personal and political, all hand drawn and digitally colored, as
she delved deeper into her own self-reflection.</p> <p> Despite its myriad downsides, social media has peaked as a place for social discourse and declarations of allyship this year, and Adams' bold messages have resonated with thousands of followers. They have also helped solidify
her mission as an artist, which already included donating a portion of her proceeds to charities focused on causes such as the environment and human rights. </p> <p>“I want to bring people joy, but if I can make
people think, too, or feel seen or heard, all the better,” says Adams. “Artists are human, and their opinions matter, and if you have something to
say, you can use your skill set to do so. If there’s a way I can use mine to
show up, I will do that. I think we all need to.”
</p>
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">FOOD FOR
THOUGHT</h4>

<h4 class="text-center">A culinary artist collects recipes for self-care in COVID.</h4>
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<h6 class="clan thin uppers text-center"><center>Krystal mack in
her home. PHOTOGRAPHY BY SCHAUN CHAMPION.</center></h6>
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<p>
<b>WHEN THE CORONAVIRUS</b> closed Maryland schools in March, Krystal
Mack found herself thinking about her own childhood. The news
brought back troubling memories of snow days that often meant
witnessing domestic abuse at home. </p> <p>“My first thought was how
many kids are seeing this and how many people are experiencing it
while everyone else is saying ‘stay home and be safe’?” says the chef
and culinary artist behind In Absence Of Studio. “At first, it made me
feel powerless. Then I asked myself, ‘What can I do?’”
</p>
<p>
Inspired by the community cookbooks of high schools and
churches, she enlisted friends to help create <i>How To Take Care</i>,
which was then free to download for anyone who donated to nonprofits
that support victims of domestic violence, to whom copies
were also given. Released in April, the collaborative e-guide features
fellow artists and chefs, as well as teachers, farmers, and yoga instructors,
sharing their recipes and rituals for everything from tea
and sourdough to face masks and meditation.
</p>
<p>
“It shows that self-care is not just for women in linen dresses
who do aromatherapy and tarot,” says Mack. “You don’t need googobs
of money to find peace and relaxation. It’s something that can
be done by everyone.”
</p>
<p>
Designed with modern fonts and colorful photography, the 100-page limited edition helped raise over $10,000 for organizations like
House of Ruth. It also led to virtual summer classes in partnership
with Jubilee Arts, and has inspired Mack to think about the new
ways she can continue reimagining our relationship with food while
still connecting across communities.
</p>
<p>
“Self-care for the individual is self-care for the collective,” she
says. “You can’t care for someone else if you are in a deficit. It’s
about having an intimate relationship with yourself and knowing
what you need. It’s a constant practice, every day.”
</p>
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">CHANGING TUNES</h4>

<h4 class="text-center">A rock-and-roll mainstay keeps the music alive online.</h4>
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<h6 class="clan thin uppers text-center"><center>Cris Jacobs in his backyard. PHOTOGRAPHY BY JUSTIN TSUCALAS.</center></h6>
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<p>
<b>OVER THE LAST</b> two decades, Cris Jacobs has stood on more than a thousand stages—
with various bands, on festival lineups, all on his lonesome—in Baltimore and beyond.
But none of those shows prepared him for that first set of quarantine, when on
March 24, he duct-taped his cell phone to a music stand in his basement, sat in front
of a microphone, and grabbed an acoustic guitar. </p> <p> “I didn’t really know what to expect,”
says the singer-songwriter. “I’d be lying if I said when the pandemic hit I wasn’t at a
crossroads. Everybody’s support and generosity has really blown me away.”
</p>
<p>
With venues closed, many artists swiftly took to social media for livestream concerts, but
few stuck it out like Jacobs, who as of press time had shown up on 29 Tuesdays for solo
sets via Facebook Live. That first night, over 1,000 fans tuned in, and months later, a
loyal base still follows along, sending virtual tips through apps like PayPal and Venmo, which Jacobs
has used to donate to charities and pay his band and crew. </p> <p>“There’s definitely been a
week or two where I didn’t know if I had it in me, but then I think, people are showing
up for you, so show up for them, and every time, it’s so cathartic,” he says. “In so many
ways, it’s saved my life.”
</p>
<p>
Jacobs is realistic about the harsh realities ahead for the music industry, from
indoor concert limitations to viewer fatigue for virtual programming. But he’s here
for the long haul, recently investing in new at-home equipment while relishing this
unforeseen time as a stay-home dad. </p> <p>“This has reaffirmed my belief that people are
always going to need music, even if it will be more of an uphill battle to make a living at it,” says Jacobs. “Those things that lift up the soul are more important now than ever.”
</p>
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">COMMERCIAL
BREAK</h4>

<h4 class="text-center">Filmmakers channel public broadcasts in times of quarantine.</h4>
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<p>
<b>WHEN BALTIMORE’S</b> independent movie theaters closed their box offices this spring, filmmakers Thomas Faison and Gillian Waldo channeled their art into filling the cinematic void of the shuttered Charles, Senator, and Parkway. In many ways, “We wanted to give artists a reason to maintain creative momentum,” says Faison. </p> <p> And so with the help of fellow artists, they launched Quarantv, a free 24/7 television channel featuring an eclectic lineup, from art house films to cartoons to original programming, on the online streaming platform Twitch. </p> <p> “We’re inspired by the public-access model that offers citizens a way to be creative, while keeping it local and low budget,” says Waldo. “It’s a resource for communities.” </p> <p>In that vein, their programming, now airing all day on Thursdays, is focusing more on news and politics, hoping to fill another void, this time within the local media landscape. </p> <p>“Growing up, I remember the <i>Sun</i> as a thicker paper and I mourn the loss of <i>City Paper</i>,” says Waldo. In an effort to better serve the community, they're using their “Primetime Live” segment to break down budget hearings and interview the likes of city comptroller Bill Henry. “We want to see how we can harness this project to build better civic understanding.”
</p>
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<h4 class="clan uppers" style="font-size: 3.5rem;text-align: center;">STREETS OF PRIDE</h4>

<h4 class="text-center">A muralist creates a monument to the trans community.</h4>
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<h6 class="clan thin uppers text-center"><center>Jamie Grace Alexander in the middle of her mural. PHOTOGRAPHY BY Schaun Champion.</center></h6>
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<p>
<b>ON A FRIDAY</b> morning in mid-July, two blocks of North Charles
Street were closed off with orange traffic cones as dozens of volunteers
assembled in Old Goucher with buckets of paint to declare
on the asphalt: BLACK TRANS LIVES MATTER.
</p>
<p>
“This location is an epicenter for Black trans life, and it needs
this message to reinforce that reality,” says artist-activist Jamie
Grace Alexander, who co-organized the mural with Baltimore Safe
Haven, a neighborhood nonprofit that serves the transgender
community. “Those voices do matter, and they need to be uplifted
on a large scale.”
</p>
<p>
Such big, bright letters have been rolled out across the country
in the wake of the death of George Floyd, but between East 21st
and 23rd Street in Baltimore, this specific message holds particular
meaning within the larger Black Lives Matter movement,
sparking conversation on a stretch of city street frequented by
Black trans women performing sex work as a means of survival.
</p>
<p>
“When the mural was finished, I felt pride—it’s <i>huge</i>,” says Alexander,
who for 10 hours donned a face mask and rode her skateboard up
and down the main thoroughfare to inspect each of the 21 capital
letters painted in blue, pink, and white—a nod to the Transgender
Pride Flag. “My favorite reactions have been from other Black trans
people who drive over this street and internalize this message for a
full 60 seconds.”
</p>
<p>
But there’s more work to be done, with the community still
in need of better access to housing, job services, and health care. Alexander’s crew experienced street harassment as they
added final touches to the mural, which should last for one year.
</p>
<p>
“At the end of the day, it is a symbol—a visual representation
of all the work that we’ve been doing, and a reminder of where the
center is,” she says. “What comes after is building worth in the
Black trans community . . . As activists, we are going to continue
applying pressure to make sure that this statement is true.”
</p>
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<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/local-artists-continue-to-create-in-unprecedented-year/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>GameChanger: Brittany Oliver</title>
		<link>https://www.baltimoremagazine.com/section/community/brittany-oliver-mission-no-black-women-left-behind/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Wed, 02 Sep 2020 15:49:27 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Black voices]]></category>
		<category><![CDATA[Black Women]]></category>
		<category><![CDATA[women's march]]></category>
		<category><![CDATA[women's rights]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=96973</guid>

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<p>In the midst of major social change, Brittany Oliver’s mission is to make sure that Black women are never left behind. She founded Not Without Black Women in 2017, as a response to the Women’s March in Washington, D.C., which she (and others) felt marginalized women of color. More recently, she was one of the leaders of the local Say Her Name march, which demanded justice for Breonna Taylor and all Black women, femmes, and girls who have experienced police and interpersonal violence.</p>
<p>&nbsp;</p>
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<p><strong>Why is it so important to center your work on Black women?</strong><br />
With this racial justice movement, we’re never going to get where we need to be if folks don’t provide a lane for Black women&#8230;The public response is very different to Black women who experience police violence and interpersonal violence. We don’t get the same amount of over- whelming outpouring—you know, the marches in the streets. Black women typically have to organize those sorts of things themselves. I wholeheartedly <span style="font-size: inherit;">believe that when Black women are free, everyone else will be. That’s why we do the work that we do. It’s forever a struggle.</span></p>
<p><span style="font-size: inherit;"><strong>A lot of the public conversation has been about police violence. But you think it’s important to talk about interpersonal violence, as well.</strong><br />
Especially as it pertains to Black women and girls because we meet the intersection of race and gender. Our struggle is not just being Black. It’s also being women.</span></p>
<p><span style="font-size: inherit;"><strong>Defund the police has been a rallying cry for the movement. But there’s a caveat for you.</strong><br />
I have been growing very concerned with there being a lack of planning around how to protect women and children. I support re-evaluating where police funding is going, absolutely. The police have too much money! What I demand to know is, what is the alternative? I have not seen those who are calling for the police to be defunded come up with an effective, adequate, accountable proposal for [women, femmes, and children in danger]. I say put the power with the survivors. Let them make the decision about who they want to contact or what mechanism they want to use to deal with their situation. I don’t believe in calling the shots for them about what they should be doing.</span></p>
<p><span style="font-size: inherit;"><strong>It seems like Breonna Taylor’s name is almost as prominent now as George Floyd’s. Do you sense that progress is being made?</strong><br />
There is an obsession with this meme culture, this hashtag type of phenomenon, which is helpful in many ways, of course. Public awareness is always a good thing. But I guess it’s, how do you move beyond the hashtags? And how does that look in real time in terms of policy and laws and practices? It’s like, if you support Black women and you support Black people, then pass reparations. Ban police officers from using the knee technique that killed George Floyd. Ban the no-knock warrants that got Breonna killed. She was sleeping. The good news is, there are lots of conversations happening. There are lots of changes being made. And I do believe that we will get there one day. For me, I know it’s not here yet, right now, but at least I can say when I’m long gone that I was a part of the resistance creating change.</span></p>
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<p><a href="https://www.baltimoremagazine.com/section/community/brittany-oliver-mission-no-black-women-left-behind/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>The Two Pandemics</title>
		<link>https://www.baltimoremagazine.com/section/covid19/hopkins-director-lisa-cooper-connects-dots-between-racism-covid-19/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Tue, 11 Aug 2020 12:04:11 +0000</pubDate>
				<category><![CDATA[COVID-19]]></category>
		<category><![CDATA[Health & Wellness]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Coronavirus]]></category>
		<category><![CDATA[Dr. Lisa Cooper]]></category>
		<category><![CDATA[Johns Hopkins’ Urban Health Institute]]></category>
		<category><![CDATA[pandemic]]></category>
		<category><![CDATA[racial equity]]></category>
		<category><![CDATA[racism]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=81201</guid>

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			<p>Dr. Lisa Cooper wants to make it clear that racism is a public health crisis. The director of Johns Hopkins’ Urban Health Institute and its Center for Health Equity, which both work to document and overcome systemic health disparities, explains that the COVID-19 pandemic and protests surrounding the death of George Floyd are actually related.</p>
<p>“It’s interesting that this epidemic of police brutality against African-American communities is colliding with this health epidemic,” she says. “A lot of people didn’t realize that police brutality is not only a terrible social problem, but it leads to all kinds of other problems.”</p>
<p>Problems like mental health issues, drug addiction, and chronic disease, says Cooper, which begin at a young age.</p>
<p>“It starts with African-American children and the ways that they experience racism in school, that they don’t have opportunities to obtain gainful employment, that they get targeted by law enforcement early in life, which impairs their ability to lead more productive lives,” she says. All of which makes them more likely to get sick.</p>
<p>At this point, it’s well known that both Black and Hispanic people are five times more likely to get COVID-19 than whites, which Cooper largely attributes to systemic racism, with many communities of color lacking necessary social protections, like fresh food access, spacious housing, or paid sick leave.</p>
<p>“And then to top it all off, they have poorer access to healthcare or, in many cases, no health insurance,” she says.</p>
<p>Cooper believes the light being shined on these two crises will ultimately help further her organizations’ missions.</p>
<p>“People are starting to see&#8230;it’s all related,” she says. “When you don’t take care of the most vulnerable in your society, you put everyone else at risk.”</p>

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<p><a href="https://www.baltimoremagazine.com/section/covid19/hopkins-director-lisa-cooper-connects-dots-between-racism-covid-19/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Teach Your Children Well</title>
		<link>https://www.baltimoremagazine.com/section/educationfamily/how-to-raise-good-allies-black-lives-matter/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Mon, 10 Aug 2020 11:46:00 +0000</pubDate>
				<category><![CDATA[Education & Family]]></category>
		<category><![CDATA[allyship]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[Education]]></category>
		<category><![CDATA[Maryvale Preparatory School]]></category>
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			<p>If I’m being honest, I have a certain level of anxiety in writing this essay. Putting to paper all of my shortcomings when it comes to combating systemic racism opens me up to criticism. Admitting my outrage without action is just hot air. Just believing Black Lives Matter as some abstract thought isn’t enough. I keep seeing the same message: If you’ve ever wondered what you’d do during slavery, the Holocaust, or the civil-rights movement, you’re doing it now. In my mind, I’m getting arrested at a “sit-in.” In reality, I’m at home with my four children doing my best to home-school and get through a pandemic. Am I not as brave and progressive as I thought?</p>
<p>My kids—Milo, 13, Willa, 11, and Zeke and Gideon, 9—spent their first years of life in Baltimore City. They attended a public charter school that pulled students from every zip code, and our classrooms were filled with students of many different races and economic backgrounds. A few years ago, when we moved just over the line into the county, our kids enrolled at a school that we love, but where we, as Jews, represent one of the few examples of diversity.</p>
<p>We—my husband, Ron, and I—try to teach our kids daily about what’s right and wrong. We talk about the news, never hiding the hard stories. We vote—in person when we can and always dragging our kids along, so they grow up knowing that this is what we do in a democracy. We repeat, over and over, that everyone is loved and welcome and equal in our eyes.</p>
<p>We march, as we did in that first big Women’s March in Washington, D.C., after the last election (and the subsequent smaller ones in Baltimore). We’ve also marched against gun violence and for abortion rights and now we stand in the streets for Black lives. I go for many reasons, but mostly to breathe in—if only metaphorically now through my mask—the air of like-minded people. And make sure that my own voice is heard.</p>
<p>But are we just surface activists? After the BLM march in Roland Park, I posted a picture of my daughter holding her “RACISM IS A PANDEMIC” sign on social media and wrote: “I worry about posting the wrong thing and offending someone. To post #blackouttuesday or not. To attend a mostly white protest in support of racial justice or not. But then I thought, if I do nothing else but show my daughter that we don’t sit idly by when we see our fellow humankind hurting, that’s enough.”</p>
<p>But let’s be honest. That’s <em>not </em>enough.</p>
<h2>It’s time for the tough conversations and self-reflection.</h2>
<p>It’s time for the tough conversations and self-reflection. My kids are my opportunity to do better.</p>
<p>I think about reaching out to my friend, Tanika White Davis, a Black mom who has twin boys a year older than mine and an 8-year old daughter, but then I see she has posted her newest <em>Sun </em>parenting column, “No Sage Words for This Moment in History.”</p>
<p>“It is all just too much,” she writes. “And I am exhausted from feeling all of it, all at once.” How do I put my burden on her after reading this? “I know I should have more to say,” her column continues. “But I am no sage. I am just a mother of three Black children, trying to protect them. You’ll forgive me then if I spend what’s left of my energy doing just that.”</p>
<p>I want to say to her: “Help me help you.” But that just feels like extra work for her. (Though she later scolds me: “You know you can always reach out to me.”)</p>
<p>Instead, I reach out to Traci Wright, dean of students at The Park School of Baltimore in Brooklandville. We talk about race and privilege and kids. Wright leads the school’s formative Civil Rights trip, now in its 16th year, that takes students and faculty from Park, Baltimore City College High School, and City Neighbors High School on a tour of the South. From Atlanta to Birmingham to Montgomery to Little Rock to Selma, they visit sites and meet people who were instrumental during the 1960s movement for racial equality.</p>
<p>“They learn the importance of speaking up and being involved,” says Wright. One of the local stops is the Hampton National Historic Site in Towson, a vast 18th-century estate that still has its original stone slave quarters, which she suggests I visit with my kids for a guided tour. “They do a phenomenal job of helping kids understand the system of slavery,” says Wright. “No one is born a slave.”</p>
<p>Wright is full of wisdom and suggestions and kindness toward my jumble of questions. She forwards me a piece on NPR’s the <em>Hidden Brain </em>about how it’s more important to change the way that a community thinks about race and racial bias than it is to focus on one individual person. She tells me to read “75 Things White People Can Do for Racial Justice” on <em>Medium </em>and says she even learned things from that article that she, as a Black woman, should be doing.</p>
<p>I tell her about the “inclusive parents versus anti-racist parents” post from <em>Curious Parenting</em>, a caregiver online community, that I keep seeing shared by friends. In one example, an inclusive parent makes sure their child’s library is racially diverse. An anti-racist parent intentionally includes books that go beyond slavery and the civil rights movement to include reads on ballerina Misty Copeland or NASA mathematician Katherine Johnson or poet Maya Angelou. I realize that I fall into the former category.</p>
<p>Wright emphasizes that it’s important for students—hers at Park and mine at their Baltimore County public schools—to feel empowered. “It’s up to the adults to create a culturally relevant curriculum,” she says. And what is culturally relevant? Well, if you live in Baltimore, says Wright, “just open your eyes” and look around. That includes teaching about both current events and history in a real and truthful way.</p>
<p>In addition to Wright, I speak with Mark Riding, a high-school English teacher at the all-girls Maryvale Preparatory School in Lutherville, where he is the only Black faculty member.</p>
<p>“I’m not an expert, but I am a passionate educator,” he tells me. There have been only a handful of Black teachers in the school’s 70-year history. “The students are overwhelmingly white,” says Riding, the father of two teenagers. “I’ve done a lot of thinking, even more since the upheaval happened: How can I bring a fresh perspective to a community that is sorely lacking that [Black] perspective?” Despite some pushback over the years, Riding has always made it a priority to amplify the histories and lessons of the marginalized, from feminism to the Black voice.</p>
<p>This spring, he saved for last the Harlem Renaissance—the artistic explosion of Black culture in New York in the 1920s—and ended up having to teach it virtually. But he and his students still got in deep about why there needed to be a renaissance in the first place. And they also talked about the intersection of race and gender. “No matter what racial or ethnic background, you are marginalized for being a woman,” Riding told them.</p>
<h2>Where do I go from here? I don’t write this to feel better about myself.</h2>
<p>The final assignment was to write a poem exploring their own differences. Riding was surprised and impressed to see topics ranging from religion to sexuality to racial disparities. “Everyone has knots in their ropes,” he says. But recognizing that helps you “understand other people’s knots.” That’s a difficult concept even for adults, he says.</p>
<p>Riding told me, “I wanted to expose these girls to the dark, scary, disgusting history” of the Black struggle. But also, what came out of the struggle: music, poetry, stories, and the civil rights movement.</p>
<p>Wright says she’s been energized to see “the far corners of the state” reacting to this moment, as well. There are BLM marches in Harford County and on the Eastern Shore.</p>
<p>“People are seeing these issues as their own,” she says. “They’re becoming everyone’s issues. When people are marginalized, we are all marginalized.” Kids see that—sometimes more than parents—and are responding.</p>
<p>I tell Wright I have great expectations for my kids, as Jews, a group that has faced its own marginalization and decimation. Our house is filled with books about the Holocaust, we’ve visited the Holocaust Memorial Museum in Washington, D.C., we’ve listened to survivor stories, and we feel it deeply and personally when a synagogue is under attack or a group of white supremacists are called “very fine people.”</p>
<p>Wright understands the connection I’m trying to make. “You have experienced other-ing and genocide,” she says. “The Holocaust happened not even on our soil.” But there is an outrage surrounding violence against Jews that isn’t always extended to Blacks, she notes. Wright recommends finding books on coalitions between Blacks and Jews to make this even more relatable to my children. “What is the history here in terms of people coming together?” she poses. “Baltimore is a segregated city. We live in our own pockets. We don’t really socialize. How can we bring people together?”</p>
<p>I’ve been thinking about that a lot. It came up in a conversation on Father’s Day. We (me, my husband, my own mom and dad) were sitting around the table discussing the BLM movement. My mother is 71 years old and, still, this movement has awakened her in new ways. As a first step of what she hopes will be many more steps, she just became a member of the National Museum of African American History and Culture. “Wouldn’t you want every person to walk through Jewish museums to better understand our plight and resilience and culture?” I say to my mom. “I would guess the same is true for that museum.” We’ll go together as soon as we can, I tell her.</p>
<p>Prior to this moment, and this movement, I’m not sure we would have had this conversation. And that’s what I have witnessed more and more—the conversations. “Can this happen in schools?” I ask Wright. “Public schools are more racially and socio-economically diverse,” she says. (And while that might not be true for our elementary school, it certainly is at Dumbarton Middle School, which my oldest attends.) “Public school is real life,” she says.</p>
<p>It’s the place where you are together with people who look different from you. It should be the best place for listening and sharing and growing.</p>
<p>Wright acknowledges that the conversations about institutional racism are not easy for anyone to begin. But it’s our jobs as parents to foster relationships, she says, whether it’s making sure we are on sports teams that are diverse or forming a book or movie club with families that create a safe space for honest questions and discussions.</p>
<p>“Initially, it will likely feel forced,” says Wright. “But we have to work harder to combat the systems of oppression. It’s okay if it makes you feel nervous or uncomfortable because the more we talk about it, the more it becomes second nature. It’s retraining our brains to see what we’ve been missing all along.”</p>
<p>In the days that follow, I spend a long time scrolling through posts on the Anti-Racist/Social Justice Parenting Discussion Group on Facebook that I joined during the heat of the protests. There are virtual events (the Reginald F. Lewis Museum’s African American Children’s Book Fair), town halls (“How to Raise and Teach Anti-Racist Kids,” hosted by author Kwame Alexander), and fundraising ideas. I can’t do it all, but I can start somewhere. I sign up for Zoom calls about raising socially conscious children, and I order Jason Reynolds’s and Ibram X. Kendi’s <em>Stamped: Racism, Antiracisim and You </em>and Veronica Chambers’s <em>Resist: 35 Profiles of Ordinary People Who Rose Up Against Tyranny and Injustice</em>.</p>
<p>Where do I go from here? I do not write this to feel better about myself, or to say that Googling or reading or even protesting makes me a social-justice warrior mom. But I do understand that there is a time to talk and a time to listen. A time to teach and a time to be taught. My kids are watching me and all my actions. We, as a family, need to get comfortable with being uncomfortable. We need to hold ourselves accountable.</p>
<p>I promise that we will.</p>

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		<title>A Moment of Reckoning</title>
		<link>https://www.baltimoremagazine.com/section/community/a-moment-of-reckoning-listening-to-black-voices-baltimore/</link>
		
		<dc:creator><![CDATA[Aaron Hope]]></dc:creator>
		<pubDate>Mon, 03 Aug 2020 12:00:00 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Baltimore]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Black voices]]></category>
		<category><![CDATA[community]]></category>
		<category><![CDATA[George Floyd]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?post_type=article&#038;p=73416</guid>

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<h1 style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; font-size:6rem; padding-bottom:1rem; color:#ffffff;">A<br/>
Moment<br/>
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<h3 class="uppers" style="font-family: 'Mohr', futura, sans-serif; color:#ffffff;">Listening to Black voices in Baltimore.</h3>

<span class="clan editors"><p style="font-size:1.25rem; color:#ffffff; margin-bottom:0;"><strong>Edited by Lydia Woolever
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As told to the editors
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Photography by Devin Allen, Kelvin Bulluck, Schaun Champion, Tevin Towns, Shan Wallace, and Isaiah Winters
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<h6 class="thin tealtext uppers text-center">News & Community</h6>
<h1 class="title">A Moment Of Reckoning</h1>

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Listening to Black voices in Baltimore.
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<p class="text-center" style="font-size:1.25rem; padding-top:1rem;"><strong>Edited by Lydia Woolever</strong> 
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<h5 class="captionVideo thin"><center><i>“UNTITLED,”</i> 2020. BALTIMORE CITY HALL, JUNE 12. PHOTOGRAPHY BY DEVIN ALLEN</center></h5>
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<b>IN LATE MAY</b>, a horrifying video began to circulate of George Floyd, a 46-year-old Black man who died in Minneapolis after being pinned under the knee of a white police officer while pleading more than 20 times: “I can’t breathe.”
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The loss of Black life at the hands of law enforcement has become a familiar story in America. Just five years earlier, Baltimore had been at the center of similar anguish after Freddie Gray died from injuries suffered while in police custody. But this time, the grief and outrage over Floyd’s tragic death incited protests that would ripple out across the entire country, forcing many to realize that, a century-and-a-half after emancipation and a half-century after Jim Crow, systemic racism remains entrenched in the United States. 
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“I saw generations, decades, of frustration,” local artist Ernest Shaw Jr. told PBS in the aftermath of the 2015 Balti-more Uprising. “I don’t think it was directed solely at police officers. . . . It was directed at the system.” In that same vein, this national outcry is about much more than police brutality and the failings of our criminal justice system. Systemic racism and racial inequality are being called out in all aspects of society: education, employment, health care, housing, voting rights, incarceration—and anti-racist allyship among non-Black people is at an all-time high. Since the death of George Floyd—after Ray-shard Brooks, Tony McDade, Breonna Taylor, Ahmaud Arbery, and Elijah McClain—there has been an undeniable shift in public sentiment and a newly urgent refrain: enough is enough. 
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But it does raise the question: With generations before who fought tirelessly for civil rights—from Frederick Douglass to Lillie Carroll Jackson to Thurgood Marshall to Elijah Cummings, to name just a few here in Baltimore—what makes this moment different? 
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Perhaps, in part, it’s the coronavirus pandemic, which has given many time to reflect, as well as witness the disproportionate impacts of COVID-19 and its economic fallout on minorities. Certainly, the omnipresence of cellphone video and social media is documenting racial violence and making it difficult to look away. Likely, the protests have also been fueled by a polarizing president, who has stoked racial tensions and failed to unify the nation. 
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All the while, city streets are being renamed, Confederate monuments are coming down, police reforms are underway, and across America, hundreds of thousands of protestors of every color, age, and creed have been out there, day after day, fighting for justice and equity on a scale never before seen in this country. Once a rallying cry for activists, Black Lives Matter is gaining acceptance as basic truth. 
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Two months in, it’s clear that this reckoning is more than just a moment. But where do we go from here? Will there be meaningful, lasting change? 
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On the following pages, we listen to local Black leaders as they speak to these historic times, share their own stories, and pose hopes for the future. 
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<p>
“It’s better late than never...Isn’t that the point? Continuing to talk about something until it comes to light,” says musician Eze Jackson. “I’m grateful for it, and I’m not going to stop. There’s more to talk about. We’re just getting started.” 
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif;">MAHSATI “SUNNY” MOORHEAD </h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">CO-ORGANIZER, MARYLAND STUDENTS FOR BLM, 17</h5>

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<h5 class="captionVideo thin"><center>PHOTOGRAPHY BY SCHAUN CHAMPION.</center></h5>
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I’ve been protesting since I was about nine. I went to the Trayvon Martin protest in New York City. I went to an Eric Garner protest. I went to a Freddie Gray protest. When we first moved to Baltimore, that’s when Freddie Gray was murdered by the police. It was sort of by my house where all the uprisings happened. We went to help clean up when the uprisings settled down. It’s been really awesome to see all these people come together [this time]. Going to protests, I’ve seen many people of different races, different ethnicities, different backgrounds come together to fight for Black rights and human rights. . . . For the student protest [in Baltimore this June], a group of us talked about the demands: Racial bias training for teachers and students. Adding more books by African-American authors and scholars within the English curriculum. Just talking more about Black excellence. And implementing the Black Lives Matter movement within the history curriculum, because we definitely have been making history. I read the demands. Speaking in front of all those people gave me confidence to keep pushing with activism. We need to have more conversations about race, anti-Blackness, white supremacy, and white guilt. I think Black kids are more open to talking about race. It’s still very hard for my white peers. That’s also what we were fighting for in our demands. . . . Young people have been fighting for years for what’s right. And with social media, anti-Blackness is more clear—we’re getting more information. But we learned from the people who came before us. We learned from Angela Davis, Malcolm X, Toussaint Louverture, Nat Turner, Ella Baker. We’re trying to finish the work that they started. Everyone’s waking up now. I know that change is coming. But I’m still on the edge. This has been 400 years of “change is going to come.” It’s been slow to change.
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<p><i>—AS TOLD TO MAX WEISS</i></p>
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“No justice, no peace. Prosecute the police.” —<i>Baltimore youth protest, June 1. </i>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">EZE JACKSON</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">MUSICIAN, COMMUNITY ORGANIZER, VETERAN, 39</h5>

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<h5 class="captionVideo thin"><center>JACKSON WRITES AT THE COMPOUND. PHOTOGRAPHY BY TEVIN TOWNS.</center></h5>
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I’ve always felt like artists should help push social agenda. My mother raised me on protest music. Marvin Gaye. Stevie Wonder. She was a big Public Enemy fan. Those sorts of artists were always my favorite musicians. When I left community organizing in 2014, I never felt like I was totally leaving the movement. With music, I could say what I want. I didn’t have to worry about my job being like, well, that’s not the position we’re taking so you have to be quiet. My mother would always tell me stories about what was going on in the world when certain songs came out, like Sam Cooke’s “A Change Is Gonna Come,” and the fact that she could remember was always fascinating to me. Recently, when we had protests here in Baltimore, they played my song, “Be Great,” [outside of City Hall]. To see my music providing a backdrop for this moment was humbling. I definitely cried. And now people have been pulling “Unapologetically Black” back up, which I wrote a few years ago when a lot of stuff was happening—Philando Castile, Alton Sterling, post-Freddie Gray. That’s the goal, I think. An artist’s job is to articulate the human experience. When people identify with that, it’s a blessing. . . . I think it’s better late than never. Isn’t that the point? Continuing to talk about something until it comes to light. I’m happy that everybody is talking. In this particular moment, it’s scary to think about how much longer we would’ve gone before people woke up. In the Black community, we watched America take a nap during the Obama era. I can remember having arguments with my white, liberal friends during that time. It was just this dismissal. Like, oh, it’s not really that bad. And now I’m seeing some of those same people go, oh, I had no idea that I was not paying attention all this time. I’m grateful for it, and I’m not going to stop. There’s more to talk about. We’re just getting started.
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<p><i>—AS TOLD TO LYDIA WOOLEVER</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; color:#ffffff;">JUSTIN TIMOTHY TEMPLE </h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">YOGA TEACHER, 37</h5>

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To me, as an individual who wakes up every morning and purposefully breathes, it’s a radical act, particularly when you’re aware that that there are external forces that would rather I not. I’m going to do everything I can to make sure that I continue to teach people to be with their breath, because it’s a radical act. That's just another way for us to be free, to sit with ourselves, and to acknowledge and be present with this thing that so many others would take away from us. It's a declaration of no—you can’t have it, it is ours. . . . Who is this a moment or reckoning for? For me, all of these truths that we have exposed, all of these ideas and instances of exactly how bad things are were talked about in 2015, in 2014, in 2013. . . in 1954, when my dad was one of the first Black people allowed in a school. So, for Black people, it’s not really a moment of reckoning. It’s a moment of you guys caught up. The reckoning is what did I miss, and how do I make sure that it doesn't happen again? . . . . Because of COVID-19, you couldn’t have a more crystallized moment where more people were paying attention to the internet. It came after three months of people being stuck inside. Those two converging truths led to not only a desire for people to want to join in community, but a desire for things to be better than how they are right now. People are operating within the sense of collective care. People really want what’s best for the group. That, to me, is hopeful.
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<p><i>—AS TOLD TO JANE MARION</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">ERNEST SHAW JR. </h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">PAINTER, EDUCATOR, ADJUNCT PROFESSOR, MICA & BCCC, 51</h5>

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<img decoding="async" class="rowPic" alt="The painting songye by Ernest Shaw Jr." src="https://www.baltimoremagazine.com/wp-content/uploads/2020/11/AUG20_Reckoning_Shaw_Songye.jpg"/>

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<h5 class="captionVideo thin"><center>ABOVE: “SONGYE.” BELOW: “EVIDENCE.” COURTESY OF ERNEST SHAW JR.</center></h5>
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When the officer who had his knee on George Floyd’s neck put his hands in his pocket, I think that specific action was the tipping point. That, on top of Breonna Taylor, on top of Ahmaud Arbery. It was rapid fire. It wasn’t simply the brutality, it wasn’t simply the taking of a human being’s life. But the putting of your hands in your pocket was a signal, and a symbol, of, I would say, Custer’s Last Stand. Just a very subtle, nonchalant action like putting your hands in your pocket. The arrogance associated with it . . . It’s like, I can kill you without even using my hands. I have the authority to invalidate your humanity, you know? I think the toughest part psychologically for a lot of people is that people of color, women, members of the LGBTQ community—so many have been fighting to have their humanity validated. That’s a basic human pursuit. Everybody wants some sort of validation that who they are and what they do is worthwhile. The problem is, when you brutalize other human beings, it’s an inhumane act. All oppressed people are asking is for you to be human, for you to validate your humanity, not to validate ours. I think that’s the difference in 2020. . . . This notion that there are just a few bad apples, that the overwhelming majority of police are good people, I’m going to push back on that. For certain groups of people, for certain members of our society, there is no such thing as good police. . . . Have I done everything right? No, but I don’t have a criminal record, I’ve always been employed, I have more than one degree, I co-parented two children, I’m a schoolteacher and an artist. But I’ve still been brutalized by the police. It doesn’t matter if you get straight As in school. It doesn’t matter if you’re an adjunct professor at a private institution. You are still subject at any time to get what is called your “[N-word] wakeup call.” Excuse me for using that language, but that is a part of the reality for Black people in this country. At some point no matter who you are, and it may happen multiple times. No matter how much money you make, or how many taxes you pay, or what neighborhood you live in.
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<p><i>—AS TOLD TO LYDIA WOOLEVER</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif;">TAWANDA JONES</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">MOTHER, TEACHER, ANTI-POLICE BRUTALITY ACTIVIST, 42</h5>

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<h5 class="captionVideo thin"><center>Jones at her Home under a Photograph of Her brother. PHOTOGRAPHY BY ISAIAH WINTERS.</center></h5>
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With George Floyd, it took me back in so many ways to my brother’s death. [An unarmed Tyrone West died during an arrest in Baltimore in 2013.] Hearing his final words, calling out for his mother who had passed years ago, that really broke my heart. I saw law enforcement officers just completely disrespectful of human life, of a human being, and I think those screams for his mother are the catalyst for this struggle for civil rights. I’m not the only one who heard his cry, and I think his cry changed us forever. It made people know we are more than trending hashtags, buttons, and T-shirts. . . . Then Rayshard Brooks is killed [by police outside a fast-food restaurant in Atlanta in June] and it did it to me again. You relive your own trauma, your whole family relives their trauma. It happens over and over. Rayshard Brooks reminded me of Walter Scott. There was Tamir Rice, who was a baby, gunned down by police in a sacred place for children—a playground. What was his last thought? Eric Garner, who was choked out. Breonna Taylor. But what’s happening makes me know this work is not in vain. . . . We’ve had successes. Gag orders in Baltimore City police settlements have been banned. Johns Hopkins University de-laying the start of their own police force is a big deal. The movement to defund police is amazing. The entire world is protesting. You’ve got little children holding up signs. But it’s never going to stop, that’s what people are learning, until we make it stop.
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">IYA DAMMONS</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">EXECUTIVE DIRECTOR, BALTIMORE SAFE HAVEN, 28</h5>

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<h5 class="captionVideo thin"><center>Dammons in front of Baltimore Safe Haven in Charles Village. Photography by Shan Wallace.</center></h5>
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Time magazine was an achievement to those on the out-side of the trans community. [An image of Baltimore’s Black Trans Lives Matter march by local photographer Devin Allen made the magazine’s cover in June.] That’s not what makes me happy. What makes me happy is to see my community really get the resources and the education they need, because help is not on the way. All Black Lives Matter, including trans lives. That’s what our march was about for me. It was not about changing the narrative for our Black community, but including us. I’m making sure that we’re included. I’m on the frontlines, I’m fighting for my people, with unbelievable strength at times. The glitz and the glam that comes with the news? All of that is just hype for an old girl like me who was a survival sex worker. A lot of people do not talk about the difference between women who are willing to do sex work who have a college degree versus my girls who have been out here during COVID. My highest achievement was when I turned the key to the drop-in center and opened our mobile outreach unit and was able to put out those services [such as providing temporary housing, HIV and AIDs resources, and legal support, among others] right in the streets where trans women are. Baltimore is historically behind when it comes to programming for the trans community. There’s a stigma that says LGBTQ people will get HIV and AIDS, that trans people die at 35. At least one of us has been killed, no matter the color of our skin, every year for the last 10 years in Baltimore. Like, come on—is anyone listening? But this is the fight of all fights that I’m in...My hope for the future is that you include me at the table. Take my life and my trauma seriously. Don’t come through right now because it’s an “it” thing to do. I want you to show up every day. I’ve been here as a Black trans woman in survival mode way before this, and I’ll still be here when all of the lights are over with. Last year, there were at least 27 of us who died in the United States. We are now at 21 this year. Don’t forget us, because we’re still here, going through the same issues, and until you tap into the resources we need, we’ll still be fighting.
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<p><i>—AS TOLD TO LYDIA WOOLEVER</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif;">KONDWANI FIDEL</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">POET, AUTHOR, 27</h5>

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<h5 class="captionVideo thin"><center>FIDEL AT THE CYLBURN ARBORETUM. HIS NEW BOOK, "THE ANTIRACIST", IS DUE OUT AUGUST 11. PHOTOGRAPHY BY SCHAUN CHAMPION.</center></h5>
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In moments like this, when I don’t know how to make sense of the world, I talk to Zoe Spencer, one of my college professors at Virginia State University, who is a sociologist, about the group psychology of what’s happening. Experience is a big part of how you process things. I talk to [Baltimore writer] D. Watkins and Valencia D. Clay [a National Geographic Education Fellow and humanities teacher at the Balti-more Design School]. They’ve been on this Earth longer than me. They have more insight, even though I’ve been Black and from Baltimore for 27 years. But what I’m really pulling from them is inspiration. When you’re doing this work, it gets discouraging. I have more bad days than good days. My writing, when you hear it or read it, it’s very emotional. I never wanted to be involved in politics, but art pushed me into politics. . . . The thing about being from Baltimore is that we’re always on the Jumbotron for the corrupt mayor, the dysfunctional police, the violence, the poor schools. That’s plastered in your face every day. At the same time, we don’t ever get around to addressing the poverty that’s behind all this. It’s like nobody wants to have that conversation. . . . I think symbols are important, the Confederate statues and flags coming down, but I want the real change, too. I want both. I want Black people to be treated the way white people or people with money are treated. That’s it.
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<p><i>—AS TOLD TO RON CASSIE</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">DAVE & TONYA THOMAS</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">RESTAURATEURS, 52 & 54</h5>

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<b>DAVE</b>: My family was the second African-American family to move into an all-white neighborhood in Riviera Beach, Maryland. It was a really, really tough existence. My family moved there to get away from the city, to give us a better way of life, but little did they know that we’d be walking into a hotbed of racist anarchy. We had crosses burned on my lawn in 1973. In junior high school, I was around a bunch of people who didn’t see a lot of African Americans unless they went to school. The community was very prejudiced. Some of them were just out-and-out rac-ists. They wanted to get rid of us and they would intimidate us. I had an Afro-pick in my back pocket and one of the kids on the bus grabbed it and stabbed me in the side. That’s the kind of stuff you dealt with—it just became the norm. You just prepared yourself for it. This is stuff that I have dealt with all of my life, so my voice was set in stone for me long before I even knew that I had one. My wife and I have always wanted to talk about things that would help uplift our people, so my voice isn’t going to change now. We are going to continue to push this narrative so that people understand that out of struggle comes beauty. Hopefully, after the struggle, there will be some ease. That’s what our goal is—to continue to educate people so we can hopefully turn the corner on this one day. 
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<b>TONYA</b>: That’s why we are always telling the story. We don’t want the history to be erased, we don’t want people to be able to say that’s not what happened, what are you talking about? We have to continue the narrative. There’s a group in this country that if they could, they would erase it and say it didn’t exist, that it was a hoax.
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<b>DAVE</b>: Racism is about one group oppressing another group and the power and systems that are in place to allow that to happen—that’s what racism is. Black people have never been in the position to oppress anybody, not in this country. Racism was brought out of white people not wanting Black people to be equal, not wanting Black people to be free, so it is not a problem that we can fix ourselves. We can yell and scream and protest, but unless the white people of the country stand up and say that racism has to end, it’s never going to end. Until they embrace it and say, ‘We are not going to stand for this anymore,’ it will continue. 
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<p><i>—AS TOLD TO JANE MARION</i></p>
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<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">OWNER, PURE CHOCOLATE BY JINJI, 37</h5>

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I know that I’ve gotten to where I am because of the way I’ve interfaced with the majority community. What that means is that I grew up a swimmer, went to McDonogh, went to Indiana University. It’s just this training that we all get in these different ways for what’s necessary to blend in and make it through. I’m in such gratitude that this moment has finally come...My earliest memory of being different or being the other person was in school. I remember white girls and their parents wanting to play with and touch my hair—that goes back to the whole idea of ownership, like someone thinks they own a piece of you, that they can, without permission or any kind of conversation, handle you and your body. . . . I feel like, through the truth of fully being myself without the fear of not being accepted, I’m able to freely and openly bring more integrity to what I’m doing now. That’s a gain in principal and purpose. I look forward to the research this will allow me to do into my specific craft, and I look forward to the openness of the conversations that will come. 
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<p><i>—AS TOLD TO JANE MARION</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">SHARAYNA CHRISTMAS</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">FOUNDER, MUSE 360 ARTS, 36</h5>

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I’ve had to really rethink what radicalism is in this moment, and think about it in a sense of peace and balance. I’m always doing this work—all of my work is really African- and Black-centered. And now everyone is marching and every website says “Black Lives Matter.” But it needs to be more than that. It needs to be action. This country has been built on the backs of my ancestors. That’s a cliché thing to say, but it’s real. Yes, there are injustices being done by the police in terms of what the Black community has experienced for centuries. But there are also things that have been systematically happening that people need to zero in on. It can be as simple as getting someone’s name right, or asking me how I’m doing—I know it can’t compare to someone dying at the hands of the police per se, but it’s death by a thousand cuts. And that’s what I think a lot of institutions, predominately white institutions, don’t understand. We’re constantly triggered by these moments. So it’s really important for me to maintain the balance of a radical love for myself and for my work with my youth. And to let them know that they’re loved. My youth are really hurting. They are suffering. They are hopeless. Yes, people are marching and listening, but they also know people are dying. . . . Racism is not going to be solved overnight. There are tons of books and resources, but it really comes down to how you treat people. It has to start with yourself. When people quote, “The revolution will not be televised,” it has nothing to do with television. It’s not televised because it’s happening inside of you. 
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<p><i>—AS TOLD TO LAUREN COHEN</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">FREEMAN A. HRABOWSKI III</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">PRESIDENT, UNIVERSITY OF MARYLAND, BALTIMORE COUNTY, 69</h5>

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<h5 class="captionVideo thin"><center>Hrabowski stands on the roof of the administration building at UMBC. PHOTOGRAPHY BY ISAIAH WINTERS.</center></h5>
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As a society, we are being forced to see our-selves, to look at ourselves in the mirror and speak the names of those who have been the victims of structural racism. Protestors are doing important work, making visible the signs of discrimination and the deaths from police brutality. Now, there is a challenge with respect to that. What comes after the protests? Am I asking myself the question, what role am I playing in all of this?...For me, education is obviously very important, and we have to do everything we can to ensure that income inequality and zip codes never impact the quality of education a child receives. In terms of higher education, we have to look at our-selves in the mirror, too. Are we assisting first-generation college students of all races and genders? At UMBC, we have increased the number of Black faculty, but we still have a deficient faculty of color...One thing we have to realize is anti-Black racism directed at African Americans is a 400-year-old-plus phenomenon. I grew up in Birmingham, Alabama, in the ’50s and ’60s, when marchers being knocked down by fire hoses and children being put in jail first began to make many Americans feel the depth of hatred in this country. In 1963, I was 12 years old when those four girls were killed in the 16th Street Baptist Church bombing. One of the girls went to my school. My mother was a teacher and another girl had been in her class. Seeing how those little girls died was horrific. Period. You don’t want to do anything after something like that. But you can’t stay in that place. What Dr. King said inspired me, that tomorrow can be better than today. And tomorrow is today and we have to act.
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<p><i>—AS TOLD TO RON CASSIE</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">JAMYLA BENNU</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">OWNER, OYIN HANDMADE, 44</h5>

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<h5 class="captionVideo thin"><center>BENNU’S SON AT A 2015 MARCH IN BALTIMORE. COURTESY OF JAMYLA BENNU.</center></h5>
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Like most Black American parents, we’ve been talking to our children about race, equity, and the brutal history of our country since they were very small. In age-appropriate ways, we have always tackled the tough questions and tried to be honest with them about the world they live in. This is an important part of rearing Black children in an anti-Black society. We have to inoculate them, little by little and early, so that—hopefully—their first exposure to these concepts doesn’t break them. These are also Baltimore children, and we attended protests as a family around the police killing of Freddie Gray five years ago. They were tiny. I have feelings of fatigue and disgust that here we are again. Here we are some more. Here we are, continuously, and still. They’re less tiny, now. My oldest just turned 12—the age Tamir Rice was when police slaughtered him in the park while he was playing with a toy. I had to grapple with my urge to protest and my simultaneous urge to protect my children. But is one even possible without the other? When are they the same thing? When are they in direct conflict? In Dani McClain’s book, We Live for the We: The Political Power of Black Motherhood, she talks about how Black mothers have traditionally “metabolized fear” on behalf of their children. That expression was so powerful. Because yes, we eat our fear for them and turn it into protection, into action. But also, we risk being consumed by it, if we're not careful. We risk it becoming the kind of “preexisting conditions” that lower our life expectancy and make us more vulnerable in a pandemic. [In early June,] my metabolizer broke. My “supermama” mask slipped. My children saw my fear. That hadn’t been a part of what I'd talked to them about. History? Yes. My own personal horror? No. . . but I guess it was time. We were all able to grow closer as a family after having the conversation that was prompted by those tears. 
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<p><i>—AS TOLD TO JANE MARION</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">WILLIAM H. “BILLY” MURPHY, JR.</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">LAWYER, FORMER CIRCUIT COURT JUDGE, CIVIL RIGHTS ADVOCATE, 77</h5>

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<img decoding="async" class="rowPic" alt="William Murphy in 2015 while he was representing the Gray family." src="https://www.baltimoremagazine.com/wp-content/uploads/2020/11/AUG20_Reckoning_Murphy.jpg"/>

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<h5 class="captionVideo thin"><center>Murphy in 2015 while he was representing the Gray family.</center></h5>
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People are absolutely outraged by what they’ve seen. And each outrage trumps the last one—it’s unlike any we’ve seen be-fore. But there are various factors that con-tribute to what the outcome will be. One of those is press coverage: During the Nixon administration, the press stopped covering the civil rights movement—figuring the out-rage would go away—because of an unspoken agreement with the powers that be. But social media spreads this like wildfire, and now families and communities are talking about it for the first time. This last incident in Minnesota just horrified people. They said, “Is this racism? I can’t be in favor of this.” Every structure has to change. Color remains the symbol of inferiority—we still see that in the criminal justice system, housing, and banking. And it’s the younger generation that can affect that change through re-education. Look at the historically fast shift in attitudes toward the LGBTQ community. The younger people are just not taking it anymore. And when white folks fight against bias, then you get real change. As far as Baltimore goes, it’s time for the Black leaders to get some backbone—most have just been kowtowing to the white establish-ment. Unless our new mayor, Brandon Scott, comes out with a radical new approach, there will be a failure of leadership. Incrementalism does not move the needle. 
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<p><i>—AS TOLD TO KEN IGLEHART</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; color:#ffffff;">REVEREND ALVIN C. HATHAWAY SR. </h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">PASTOR, UNION BAPTIST CHURCH, 69</h5>

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I was born in the 1950s, so much of my life has been a constant fight for civil and human rights. I grew up on Druid Hill Avenue in Upton, but 60 years later, it’s clear it has been a community of disinvestment. This highlights that in Baltimore, we have created two different experiences: communities of advancement and those of decline. This moment of reckoning means that, first, we must acknowledge the disparity that exists, and institutions must become intentional about dismantling racism. Finally now I see recognition across the board that our society, and city, are going in the wrong direction. Unfortunately, though, I've seen similar conversations occur after the riots of 1968, and we can point to very few accomplishments that have resulted from those. I also participated in the One Baltimore effort after the 2015 Freddie Gray incident, and, despite the full force of the federal government, we accomplished very little in the way of tangible results. And now we are at this watershed moment again, and, if we are not careful, we will repeat the patterns of the past and revert back to business as usual. I will resist that from occurring with everything I can. I’ve lived long enough and interacted with enough people that I can say empathically the hearts and spirits of the people of Baltimore are desirous of change in a more equitable way. My hope is that, as we walk that journey, we will keep our hands to the plow and not turn back.
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<p><i>—AS TOLD TO KEN IGLEHART</i></p>
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<h2 class="text-center" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif;">SHELONDA STOKES</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">PRESIDENT, DOWNTOWN PARTNERSHIP OF BALTIMORE, 48</h5>

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<img decoding="async" class="rowPic" alt="Stokes standing outside of the downtown partnership building." src="https://www.baltimoremagazine.com/wp-content/uploads/2020/11/AUG20_Reckoning_Stokes2.jpg"/>

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<h5 class="captionVideo thin"><center>STOKES OUTSIDE OF THE DOWNTOWN PARTNERSHIP BUILDING. PHOTOGRAPHY BY SCHAUN CHAMPION.</center></h5>
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I do believe we’re seeing meaningful change. I think about every step we’ve taken in our expansion of freedom over the years. In the past, there were always certain people willing to challenge the status quo. But now it’s not just that one group of people, it’s everybody, all colors, standing up—even some police taking a knee. And businesses, too, are standing up. This is a moment in history. And all this means more for us than for many other cities. For a while, we were like the lone actress on the stage, with people thinking that these issues were only about Baltimore. But now you see everyone grappling with them, though we’re probably further ahead in the process of change because of Freddie Gray. I believe we have to see positive change now. Because those who were in power for so long are, in many cases, no longer able to wield it. It’s the masses now that have the power. Now, because of George Floyd and others like him, people can start to visualize their own sons or daughters being in the same position. We saw him beg for his life. And you could see that life come to an end. People are now forced to take a position. They can’t stand on the sidelines anymore. And the one factor that makes this time different? Audio-visual technology. For hundreds of years, injustices against people of color were underreported—or not reported at all, much less prosecuted. Before, people could question a report of injustice, because there was no proof. But suddenly we have cell phone cameras, security cameras, YouTube, and the media spreading the word—that’s played a tremendous role in providing a lens for the world to see what’s going on. Those eight minutes and 46 seconds of video were pivotal.
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<p><i>—AS TOLD TO KEN IGLEHART</i></p>
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<h2 class="text-center uppers" style="font-family: 'Magnel Display', 'Times New Roman', sans-serif; ">Brandon Scott</h2>
<h5 class="text-center uppers" style="font-family: 'Mohr', futura, sans-serif; color:#a15a25;">PRESUMPTIVE BALTIMORE CITY MAYOR, 36</h5>

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<h5 class="captionVideo thin"><center>SCOTT AT CITY HALL. PHOTOGRAPHY BY SCHAUN CHAMPION.</center></h5>
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I can’t tell you how many protests I went to. Pretty much for the first two weeks [after George Floyd’s death], if there was a protest, I was there. My first instinct is always to be present and be seen in the moment, but especially one that has a higher meaning to me as a young Black man. In this case, it was also critical for me to be there to make sure that our young people were being looked after, that outsiders were not coming in and trying to hijack their moment, their movement. That people were not putting them at risk. I always say that when I was growing up, aside from [late Congress-man] Elijah E. Cummings, I couldn’t reach out and touch most elected officials. I made a point in my career in service to be present so that the next generation could reach out and physically touch me. They could talk to me, they knew me, I was in their schools, I’d be coaching their teams, in their neighborhoods. . . . Being Black in America is exhausting. It’s exhausting. We have to think about things that no one else does. I always tell younger politi-cians, especially Black ones—you don’t get the breaks that anyone else gets. When you step into your job, you have to be 10 times better than anyone else because the system is set up for you not to be there. I heard from reporters that the other can-didates said it wasn’t mayoral for me to be down at the protests and my response to that was, actually, it is very mayoral. If you’re the mayor of the people, you have to be with the people. . . . Above all else, when my title is gone, I’m going to be Brandon from Baltimore, from Park Heights, who was involved in community work before coming to City Hall.
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<p><i>—AS TOLD TO MAX WEISS</i></p>
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<p><a href="https://www.baltimoremagazine.com/section/community/a-moment-of-reckoning-listening-to-black-voices-baltimore/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Weekend Lineup: June 19-21</title>
		<link>https://www.baltimoremagazine.com/section/events/weekend-lineup-june-19-21-2/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Fri, 19 Jun 2020 11:48:00 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Charm City Classics]]></category>
		<category><![CDATA[Father's Day]]></category>
		<category><![CDATA[Knotty Pine]]></category>
		<category><![CDATA[Oliver Brewing Co.]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=72210</guid>

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<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_eat_1.png" alt="lydia_eat_1.png" style="border-style:none;vertical-align:middle;height:auto;" /> EAT</h2>
<h4>June 21: <a href="https://www.facebook.com/events/264648101421777/?active_tab=about" target="_blank" rel="noreferrer noopener">Father’s Day Crabs</a></h4>
<p><em><em>Knotty Pine. 801 S Conkling St. 2-6 p.m.</em> </em></p>
<p>What better way is there to celebrate dad this year than with some good old-fashioned Maryland crabs? This weekend, Knotty Pine will be selling crabs by the dozen and half dozen for the whole family to enjoy on Father’s Day. The Canton neighborhood pub will also be selling steamed corn and pounds of shrimp to round out the feast. And don’t forget to toast to Dad with a boozy Orange or Grapefruit Crush. </p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_drink_1.png" alt="lydia_drink_1.png" style="font-family:'Trebuchet MS', 'Helvetica Neue', Helvetica, Tahoma, sans-serif;color:rgb(34,34,34);font-size:32px;font-weight:700;border-style:none;" /> DRINK</h2>
<h4><a href="https://www.facebook.com/1373592142699348/photos/a.1382166428508586/3055517627840116/?type=3&amp;theater" target="_blank" rel="noreferrer noopener"></a>June 19-20: <a href="https://www.instagram.com/p/CBK4KznJD12/" target="_blank" rel="noreferrer noopener"></a><a href="https://www.facebook.com/events/650583048865689/" target="_blank" rel="noreferrer noopener">Oliver Brewing Co. Triple Beer Release</a></h4>
<p><em><em>Oliver Brewing Company. 4216 Shannon Dr. </em> </em></p>
<p>This weekend, Oliver Brewing Company is dropping two new beers and bringing back its fan-favorite &#8220;This Floor is Snakes&#8221; double IPA. The brewers teamed up with their friends at Donut Shack in Severna Park to create &#8220;Chop Suey,&#8221; a blonde ale featuring apple cider, vanilla, and cinnamon that pairs perfectly with Donut Shack&#8217;s Chop Suey apple-cinnamon fritters. The &#8220;S’more or Less&#8221; imperial stout will have you ready for campfire season with hints of graham cracker, chocolate, and marshmallow. The new brews will be available for pickup on Friday, and on Saturday, guests can crack open their ice-cold cans while soaking up the sun in the outdoor area.</p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_see_1.png" alt="lydia_see_1.png" style="border-style:none;" /> SEE</h2>
<h4>June 19: <a href="https://www.facebook.com/events/634855147109994/" target="_blank" rel="noreferrer noopener">Juneteenth Double Feature</a><a href="https://www.facebook.com/events/225426675191158/" target="_blank" rel="noreferrer noopener"></a></h4>
<p><em>Times and prices vary. </em></p>
<p>Amid the resurgence of the Black Lives Matter movement in the wake of George Floyd&#8217;s death, Juneteenth—the holiday commemorating African-American freedom and achievement—holds a strong significance this year. Among the <a href="{entry:128808:url}">many ways to </a>honor the holiday is with this double feature screening by Charm City Classics. All you need is a Netflix account and the Netflix Party application to stream Roger Guenveur Smith’s one-man show, <em>Rodney King, </em>followed by <em>13th</em>, a documentary analyzing the criminalization of African Americans. Head to their Facebook page shortly before the screening to join the watch party. </p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_hear_1.png" alt="lydia_hear_1.png" style="color:rgb(34,34,34);font-family:'Trebuchet MS', 'Helvetica Neue', Helvetica, Tahoma, sans-serif;font-size:32px;font-weight:700;border-style:none;" /> HEAR</h2>
<h4>June 20: <a href="https://www.creativealliance.org/events/2020/world-refugee-day-benefit-concert" target="_blank" rel="noreferrer noopener">World Refugee Day Benefit Concert</a></h4>
<p><em><em>Facebook Live. 12-2 p.m. Free. </em> </em></p>
<p>Join Creative Alliance in celebrating our refugee, asylee, and immigrant neighbors through live music. Local performers will take the virtual stage, and host and community arts liaison Ari Pluznik will interview refugee service providers to learn more about the crucial care they supply. Consider making a donation to help support Mera Kitchen Collective, which has been working tirelessly to serve free meals to communities in need throughout the pandemic. (Read more about Mera&#8217;s work in our July issue, on newsstands June 26.)</p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_do_1.png" alt="lydia_do_1.png" style="font-family:'Trebuchet MS', 'Helvetica Neue', Helvetica, Tahoma, sans-serif;font-size:32px;font-weight:700;border-style:none;" /> DO</h2>
<h4>June 19: <a href="http://www.weberscidermillfarm.com/webers-farm-news-upcoming-events.php?fbclid=IwAR0MfQ5XowAuyp9tH-7VSaWpQYBZq6BNWg6U8nY-ls_I4w0vJaeKbk5z2uo" target="_blank" rel="noreferrer noopener"></a><a href="https://www.facebook.com/events/251617326181126/" target="_blank" rel="noreferrer noopener"></a><a href="https://www.instagram.com/crawltimore/" target="_blank" rel="noreferrer noopener"></a><a href="https://www.facebook.com/events/978513889267970/" target="_blank" rel="noreferrer noopener">Say Her Name: March for Black Women and Femme Survivors</a></h4>
<p><em>The Ynot Lot. 1904 N Charles St. 4-7p.m. </em></p>
<p><em> </em></p>
<p>On Juneteenth, head to the Ynot Lot in Station North to honor the life of Black Lives Matter activist Oluwatoyin Salau, who was tragically killed earlier this month at the age of 19. Local organizers with Black Womyn Rising, Not Without Black Women, and Amorous Ebony are all working together to create a space for Black women and femme survivors of sexual violence to unite and voice their demands. </p>

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<p><a href="https://www.baltimoremagazine.com/section/events/weekend-lineup-june-19-21-2/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>How to Celebrate Juneteenth While Social Distancing</title>
		<link>https://www.baltimoremagazine.com/section/community/how-to-celebrate-juneteenth-in-baltimore/</link>
		
		<dc:creator><![CDATA[Oyin Adedoyin]]></dc:creator>
		<pubDate>Thu, 18 Jun 2020 08:00:00 +0000</pubDate>
				<category><![CDATA[COVID-19]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Baltimore]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Juneteenth]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=72216</guid>

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			<p>Recognized by most African Americans as Freedom Day, Juneteenth honors the date that more than 200,000 Black men, women, and children were freed in Texas 155 years ago. Throughout the decades, the holiday has become understood as a day of liberation and celebration for all African Americans, commemorated with a feast of red foods and drinks symbolizing perseverance in bondage. </p>
<p>This year, as the resurgence of the Black Lives Matter movement spreads across the nation, and protestors <a href="{entry:128647:url}">continue to demonstrate</a> locally in Baltimore, the day seems to hold a stronger significance.</p>
<p>A petition is currently underway to declare Juneteenth a national holiday. Its roots date back to 1865—roughly five months after the 13th Amendment abolished the institution of slavery. Though Abraham Lincoln’s Emancipation Proclamation was finalized two years prior, it wasn’t acknowledged in Texas until June 19, 1865. </p>
<p>Experts say that, originally, there were a number of elaborate Emancipation Day celebrations held all over the country, but during the radical reconstruction era of the late 1860s, laws were put into place that made these celebrations illegal.</p>
<p>“They really snuffed out those celebrations that were equivalent to what we would call Memorial Day or like a Fourth of July,” says Morgan State University archivist Dr. Ida Jones. She believes that, because Juneteenth doesn’t receive the same widespread awareness as other American holidays, it is of the utmost importance to recognize it today. “Everything that we’re doing now is facilitated by that which happened before.”</p>
<p>Some experts say that Black Lives Matter, a movement in response to police brutality and systemic racism, is a direct result of the country’s attempt to bury its past. </p>
<p>“The idea of Juneteenth permeates Black America as this Black holiday that survived that experience,” Jones says, “and commemorates itself outside of the federal and state government.”</p>
<p>While James Calvin, interim director of the Center for Africana Studies at Johns Hopkins University, agrees with Jones, he also believes that, in order for the movement to progress, non-Black Americans and predominantly white institutions must acknowledge the country’s past in relation to its present. </p>
<p>“Those issues of freedom are still with us on a number of levels,” Calvin says. “If we think of the movement as it continues forward, one of the things that is important is how whiteness intersects with what it means to be Black in America.”</p>
<p>Vedet Coleman-Robinson, executive director of the Association of African American Museums (AAAM) , says that part of the reason why Juneteenth isn’t as mainstream as other national holidays is because of lack of exposure. She learned about the holiday in middle school and later in college, but often had to seek out Juneteenth celebrations on her own. </p>
<p>“Like much of our history, Juneteenth was not mainstream or pushed in mainstream media,” she says. “If you aren’t exposed to at least a piece of the celebration, it’s history or origin, then you are left to only know about the Fourth of July celebration.” </p>
<p>AAAM is based in Washington, D.C., but works with and advocates for African and African American- focused museums such as the Reginald F. Lewis Museum, The Peale Center for Baltimore History and Architecture, and local universities. Currently, they are assisting with promoting virtual events for Juneteenth due to coronavirus concerns. </p>
<p>So, for African Americans and allies alike looking for ways to celebrate in Baltimore, we’ve rounded up some of the many Juneteenth events that are social-distance approved: </p>
<p><strong>6/18: </strong><strong><a href="https://www.facebook.com/events/273764510432282/">Virtual Storytime: Freedom Bird<br /></a></strong>The Reginald F. Lewis Museum is kicking off its Juneteenth celebration with a reading of <em>Freedom Bird: A Tale of Hope and Courage</em> with author Jerdine Nolen. The folktale centers around an enslaved brother and sister who, guided by a mysterious bird, escape to freedom. Because the museum is currently closed to the public, the reading will take place online. The uplifting picture book is appropriate for all ages. <em>1:00 p.m.-2 p.m. </em></p>
<p><strong>6/19: <a href="https://www.instagram.com/p/CBgvA-9pEMV/" target="_blank" rel="noreferrer noopener">Juneteenth Baltimore Freedom Fest</a><br /></strong>Secure your a mask and join this youth-led march from Penn North to Druid Hill Park to honor the contributions and significance of the city’s Black history. The event will conclude with a celebration at Druid Hill Park featuring Black-owned food trucks, youth poets, musicians, and speakers.</p>
<p><strong>6/19: </strong><strong><a href="https://www.eventbrite.com/e/juneteenth-jubilee-tickets-108744531822">The Juneteenth Jubilee<br /></a></strong>The Boonie Breakdown and The Sneaker Exhibit are encouraging Baltimore residents to celebrate the holiday by supporting Black-owned businesses and eateries in several locations around the city. Due to COVID-19 restrictions, the organization isn’t able to do a traditional crawl, but participants are encouraged to visit each business while adhering to social distancing guidelines and wearing a mask. For those who prefer not to leave their homes, the organizations have compiled a list of Black-owned online businesses and service providers. <em>12 p.m.-4 p.m.</em></p>
<p><strong>6/19: </strong><strong><a href="https://www.eventbrite.com/e/bmorefree-juneteenth-cookout-tickets-109229961756?aff=efbeventtix">BMoreFree Juneteenth Cookout<br /></a></strong>In true Juneteenth fashion, the annual BMoreFree Juneteenth Cookout will celebrate Black culture in the city with food, music, giveaways, and more. Participants are encouraged to bring lawn chairs, blankets, and positive energy to the family-friendly event. <em>Towanda Park, 4100 Towanda Ave., 4 p.m., Free</em></p>
<p><strong>6/19: </strong><strong><a href="https://www.facebook.com/events/1180287842310908/">Inspire Juneteenth Celebration<br /></a></strong>Join community leaders Andrea Jones, Sara Wolfe, and Antoynica Ryan for a Juneteenth cookout. Volunteers and donations of any kind are encouraged, and face masks are a must. To adhere to social distancing and state guidelines, the cookout will be hosted outside of the old Dr. Lillie M. Jackson Building with free food and fun. <em>1511 Ashburtin St., 4 p.m.-7 p.m., Free</em></p>
<p><strong>6/19: </strong><strong><a href="https://www.facebook.com/events/256440638763728/">Arena Players’ Juneteenth Virtual Celebration &amp; Discussion</p>
<p></a></strong>Baltimore’s oldest African American community theater is hosting a Zoom discussion to encourage solution-oriented dialogue about activism in the Black community. Arena Players actors, directors, playwrights, and supporters are encouraged to attend the event and participate in the discussion. A Facebook Live event will follow with a Juneteenth presentation featuring musical performances, drumming, and monologues. <em>3 p.m.-9 p.m., Free</em></p>
<p><strong>6/19: </strong><strong><a href="https://www.facebook.com/events/634855147109994/">Juneteenth Double Feature <br /></a></strong>For those interested in a Juneteenth-inspired movie night, the Charm City Classics Company is hosting a virtual double feature of films <em>Rodney King</em> and <em>13th</em> as part of their #QuarantineandChill Film Festival. All you need to do is log into Netflix Party—a quarantine favorite—and tune in starting at 8 p.m. The organizers encourage participants to only use the chat to share resources and instead, focus all energy on the films being shown. <em>8 p.m.-11:00 p.m.</em></p>
<p><strong>6/20: <a href="https://www.instagram.com/dovecotecafe/" target="_blank" rel="noreferrer noopener">Juneteenth Art Bazaar</a> <br /></strong>Dovecote Cafe’s annual Juneteenth Art Bazaar will return this year with a virtual twist to encourage social distancing. The online event will showcase art, a <a href="https://open.spotify.com/user/kwi2554gmr98joju7mqdr89x3?si=12BSWFLMQrWhvAVY31JqIw" target="_blank" rel="noreferrer noopener">freedom playlist</a>, cookout recipes, and more.</p>
<p>For even more celebrations, check out the post below: </p>

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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CBjEWd9p8W9/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CBjEWd9p8W9/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CBjEWd9p8W9/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">This weekend in Baltimore. There are lots of demonstrations and celebrations taking place, please let us know if there’s anything else or if we missed any tags.</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/unbooking/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> unbooking</a> (@unbooking) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-06-17T19:28:18+00:00">Jun 17, 2020 at 12:28pm PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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<p><a href="https://www.baltimoremagazine.com/section/community/how-to-celebrate-juneteenth-in-baltimore/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>As Council Weighs Budget, Protestors Paint ‘Defund the Police’ Outside City Hall</title>
		<link>https://www.baltimoremagazine.com/section/community/as-council-weighs-budget-protestors-paint-defund-the-police-outside-city-hall/</link>
		
		<dc:creator><![CDATA[Ron Cassie]]></dc:creator>
		<pubDate>Mon, 15 Jun 2020 12:24:00 +0000</pubDate>
				<category><![CDATA[History & Politics]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Baltimore Bloc]]></category>
		<category><![CDATA[Baltimore Police Department]]></category>
		<category><![CDATA[Bernard C. "Jack" Young]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[CASA]]></category>
		<category><![CDATA[City Hall]]></category>
		<category><![CDATA[Michael Harrison]]></category>
		<category><![CDATA[Organizing Black]]></category>
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			<p>Two-hundred-plus demonstrators calling for cuts to the Baltimore Police Department (BPD) budget, and a reallocation of BPD funding to other agencies, marched to City Hall Friday afternoon with several protestors painting “Defund the Police” in large, block lettering on Gay Street. </p>
<p>Protest organizers, including local grassroots group Organizing Black, said they set the time and place of the rally to send a message to the City Council as they began their virtual budget hearings Friday afternoon. Among those attending the budget hearing was Police Commissioner Michael Harrison, along with other officials.</p>
<p>“The police budget increases every year, and every year, there’s more crime,” Taz Gaines, with <a href="https://www.facebook.com/OrganizingBlack/" target="_blank" rel="noreferrer noopener">Organizing Black</a>, told reporters as the street painting got underway. “Why are we still increasing funding? We should be taking away funding and adding it to education and housing. It’s not just about defunding the police, but reinvesting that money back into the city.” </p>
<p>Marchers met at Baltimore’s Central Booking and Intake Center at 3 p.m. Friday before walking the roughly 10 blocks to City Hall, where they met other demonstrators. Other groups partnering in the rally included <a href="https://twitter.com/BmoreBloc?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor" target="_blank" rel="noreferrer noopener">Baltimore Bloc</a> and <a href="https://wearecasa.org" target="_blank" rel="noreferrer noopener">CASA</a>.</p>
<p>Throughout the past 30 years, the BPD’s budget has tripled while Baltimore City Recreation &amp; Parks funding has remained <a href="https://www.baltimoremagazine.com/section/community/how-to-fix-baltimore" target="_blank" rel="noreferrer noopener">nearly flat</a>.</p>
<p>According to a 2017 Fiscal Year study by the Center for Popular Democracy, which was published by <em>Forbes </em><a href="https://www.forbes.com/sites/niallmccarthy/2020/06/10/which-major-us-cities-spend-the-most-per-resident-on-policing-infographic/#739fe4936163" target="_blank" rel="noreferrer noopener">last week</a>, Baltimore has the highest level of per resident policing, by far, of any large city in the country.</p>
<p>With a city operating budget of $2.6 billion that year, $480.7 million was dedicated to policing in Baltimore. That represented 18.2 percent of Baltimore’s total operating budget, which equates to $772—the highest level in the report by far—per person on policing, a figure more than double that of Los Angeles, for example.</p>

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			<p>Recent Morgan State University graduates Chrissy Okemkpa and Taylor Boykin attended the rally in front of City Hall. Both said it was important for them to be present given the recent protests against police brutality in the wake of the death of George Floyd in Minneapolis, as well as the subsequent calls to shift police funding to other functions that benefit the community—which they believe is needed.</p>
<p>“It’s not enough for people to just be on social media and say they support something,” Okemkpa said. “We wanted to be here. We wanted be present. That’s how you show you support the movement and calls for reform and changes.”</p>
<p>She continued: “We went to school in the city. We’re both from Baltimore, and the city spends too much money on policing—we see it. There’s a lot of inequities that need to be addressed—public health, food desserts—and yes, police brutality.”</p>
<p>Boykin also highlighted the need to shift the police department spending elsewhere.</p>
<p>“Education definitely needs more money,” said Boykin, who mentioned a need for more recreation centers and after-school, weekend, and summer opportunities for city students.</p>
<p>Michaela Brown, one of the Organizing Black leaders, said the group is demanding that 50 percent of the police department’s budget be redirected to infrastructure, education, housing, health care, and social services.</p>
<p>She also said they were calling for the repeal of Law Enforcement Officers’ Bill of Rights (LEOBOR), which can hinder investigations into allegations of police violence. Police supervisors, for example, may not question their officers for 10 days following an incident report.</p>
<p>City Council members met virtually last week to review the $3 billion <a href="https://bbmr.baltimorecity.gov/budget-publications" target="_blank" rel="noreferrer noopener">operating budget</a> put forth by Mayor Bernard C. “Jack” Young for the next fiscal year, which is scheduled for a vote on Monday. Young’s proposal would give the Baltimore Police Department a budget of $550 million, which is roughly 20 percent of the entire city budget and an increase of around $21 million.</p>
<p>Council members can negotiate funding priorities with Young and his administration, but they only make cuts to the proposal and cannot increase spending in any one area.</p>
<p>A perennial problem with the police budget is the roughly $40-$50 million that is spent each year on overtime. Police Commissioner Harrison said he is determined to do better, and he demonstrated that by decreasing overtime costs by about $5 million in the last year. He also eliminated vacant positions and generated savings through reduced legal settlements. </p>
<p>More cuts, Harrison warned, will “have very serious consequences,&#8221; such as longer response times and more unsolved crimes.</p>
<p>Even before recent protests, Young described the fiscal 2021 budget process, which goes into effect in July, as “incredibly difficult,” given projected revenue decreases because of the COVID-19-related economic shutdown.</p>
<p>“Every City and county in the country are facing difficult budgetary decisions, and Baltimore is no different,” Young said last month when he released his budget outline. “What sets us apart, however, is the fact that even in the face of financial pressures, our commitment to our children and families is rock solid. The budget I presented makes very clear that Baltimore values its children, older adults, and most vulnerable residents.”</p>
<p>Earlier Friday morning, hours prior to the march and rally at City Hall, other protesters met outside the South Baltimore rowhouse of City Councilman Eric Costello, the chairman of the council’s budget and appropriations committee, calling for him to cut police spending and redirect the funding to other urgent needs. Costello responded by phoning—and apparently expressing anger toward—a local parent of one of the photojournalists covering the protest.</p>
<p>Costello later issued an issued <a href="https://slack-redir.net/link?url=https%3A%2F%2Ftwitter.com%2FCouncilmanETC%2Fstatus%2F1271610568848408582%3Fref_src%3Dtwsrc%255Egoogle%257Ctwcamp%255Eserp%257Ctwgr%255Etweet" target="_blank" class="c-link" rel="noreferrer noopener">an apology</a> for his actions.</p>

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<p><a href="https://www.baltimoremagazine.com/section/community/as-council-weighs-budget-protestors-paint-defund-the-police-outside-city-hall/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Weekend Lineup: June 12-14</title>
		<link>https://www.baltimoremagazine.com/section/events/weekend-lineup-june-12-14-2/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Fri, 12 Jun 2020 11:32:00 +0000</pubDate>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Charm City Night Market]]></category>
		<category><![CDATA[Hampden]]></category>
		<category><![CDATA[HonFest]]></category>
		<category><![CDATA[Hotel Revival]]></category>
		<category><![CDATA[Lafayette Gilchrist]]></category>
		<category><![CDATA[Maryland Film Festival]]></category>
		<category><![CDATA[MDFF]]></category>
		<category><![CDATA[Peabody Heights Brewery]]></category>
		<category><![CDATA[Trillnatured]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=72242</guid>

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			<p><em>Editor&#8217;s Note: After this piece was published, Hotel Revival&#8217;s Virtual Happy Hour scheduled for Friday, June 12 was unexpectedly cancelled.</em></p>
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<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_eat_1.png" alt="lydia_eat_1.png" style="border-style:none;vertical-align:middle;height:auto;" /> EAT</h2>
<h4>June 14: <a href="https://www.facebook.com/events/259081068662933" target="_blank" rel="noreferrer noopener">Bake Sale for Black Lives Matter</a></h4>
<p><em>Peabody Heights Brewery. 401 E 30th St. 1-4 p.m. </em></p>
<p>This weekend, you can quell sweet-tooth cravings while supporting the Black Lives Matter movement. The Charm City Night Market is partnering with Peabody Heights Brewery to raise money for two local organizations including Black Yield Institute, a Cherry Hill-based initiative that works to end food apartheid, as well as the Baltimore Action Legal Team, which provides legal support to those protesting against racial injustice. Chef Cai Lindeman from Noona’s will be running the sale at the brewery with options from local favorites including Codetta Bake Shop, Bramble Baking Co., Dutch Courage, Black Rock Orchard, Red Emma’s, and True Chesapeake Oyster Co. To limit contact at the bake sale, you can buy virtual vouchers in advance to redeem for your goodies of choice. If you can’t make it out, donations are also being accepted online.</p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_drink_1.png" alt="lydia_drink_1.png" style="font-family:'Trebuchet MS', 'Helvetica Neue', Helvetica, Tahoma, sans-serif;color:rgb(34,34,34);font-size:32px;font-weight:700;border-style:none;" /> DRINK</h2>
<h4><a href="https://www.facebook.com/1373592142699348/photos/a.1382166428508586/3055517627840116/?type=3&amp;theater" target="_blank" rel="noreferrer noopener"></a>June 12: <a href="https://www.instagram.com/p/CBK4KznJD12/" target="_blank" rel="noreferrer noopener">Hotel Revival Virtual Happy Hour</a></h4>
<p><em>Instagram Live. 5-7 p.m. Free. </em></p>
<p>After a long week, there is no better way to unwind than with your favorite summer cocktail or an ice-cold beer. While we’d love to enjoy our drink of choice in-person at Hotel Revival’s upstairs garden bar, tuning in to this virtual happy hour from your cozy couch or breezy porch is still a worthy way to start your weekend. Head to the Mount Vernon hotel’s Facebook or Instagram account to bump along to beats spun by DJ Trillnatured and turn your living room into a dance party of your own.</p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_see_1.png" alt="lydia_see_1.png" style="border-style:none;" /> SEE</h2>
<h4>June 12-21: <a href="https://mdfilmfest.com/" target="_blank" rel="noreferrer noopener">Maryland Film Festival’s Virtual Fest</a><a href="https://www.facebook.com/events/225426675191158/" target="_blank" rel="noreferrer noopener"></a></h4>
<p><em>Times and prices vary. </em></p>
<p>For all of the film buffs and cinephiles out there—this Friday the Maryland Film Festival is bringing the big screen to you. Although the Parkway Theatre is temporarily closed due to COVID-19, the show must go on, and this year the annual movie event is <a href="{entry:128706:url}">going virtual</a>. Unlock access to 17 feature films and 15 short films or browse the website and buy individual tickets to the movies you know you <a href="{entry:128754:url}">can’t miss</a>. TT the artist’s <em>Dark City Beneath the Beat</em> will kick off the festival and explore Baltimore City through its club music and dance scene. Don’t forget the popcorn! </p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_hear_1.png" alt="lydia_hear_1.png" style="color:rgb(34,34,34);font-family:'Trebuchet MS', 'Helvetica Neue', Helvetica, Tahoma, sans-serif;font-size:32px;font-weight:700;border-style:none;" /> HEAR</h2>
<h4>June 12: <a href="https://www.facebook.com/events/2536778463253776/" target="_blank" rel="noreferrer noopener">Lafayette Gilchrist Trio Streaming Concert</a></h4>
<p><em>7 p.m. $5. </em></p>
<p>There’s nothing like listening to live music, especially when it’s coming from <a href="{entry:128558:url}">acclaimed pianist and local legend</a> Lafayette Gilchrist. This Friday, An Die Musik will stream a performance by Gilchrist alongside his jazzy trio as a part of the venue’s quarantine concert series. The group will be previewing their new album <em>Now,</em> ahead of its October release. Get your tickets and listen to Gilchrist and his fellow musicians use their instruments to confront social issues, such as police brutality and wealth gaps, affecting Baltimore.</p>
<h2><img decoding="async" src="https://98329bfccf2a7356f7c4-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/lydia_do_1.png" alt="lydia_do_1.png" style="font-family:'Trebuchet MS', 'Helvetica Neue', Helvetica, Tahoma, sans-serif;font-size:32px;font-weight:700;border-style:none;" /> DO</h2>
<h4>June 13-14: <a href="http://www.weberscidermillfarm.com/webers-farm-news-upcoming-events.php?fbclid=IwAR0MfQ5XowAuyp9tH-7VSaWpQYBZq6BNWg6U8nY-ls_I4w0vJaeKbk5z2uo" target="_blank" rel="noreferrer noopener"></a><a href="https://www.facebook.com/events/251617326181126/" target="_blank" rel="noreferrer noopener"></a><a href="https://www.instagram.com/crawltimore/" target="_blank" rel="noreferrer noopener"></a><a href="http://honfest.net/?fbclid=IwAR1jrVMaLV_sZAVrv-cb4Tn17RbCbGwu79kNja3ATpPSIuxrsfNdYDqBLG0" target="_blank" rel="noreferrer noopener">Virtual HonFest</a></h4>
<p><em>11-4 p.m. Free. </em></p>
<p>Not everyone’s got what it takes to be one of Baltimore’s Best Hons, but if you’re fluent in Bawlmerese and no stranger to a wash-and-set hairdo, you may just get the gold. This annual festival honors the working women of America, but especially the working women of our cherished Charm City. No need to go downy Hampden, hon—this year the competition is virtual. Don your Bawlmer fashion and snap a picture to share on social media using the hashtags #HONfest2020 and #SaferatHomeHON to have your shot at local fame. Just remember, the higher the hair the closer to god. </p>

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<p><a href="https://www.baltimoremagazine.com/section/events/weekend-lineup-june-12-14-2/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Students March and Call for Anti-Racist, Pro-Black Curriculum Changes</title>
		<link>https://www.baltimoremagazine.com/section/historypolitics/students-march-and-call-for-anti-racist-pro-black-curriculum-changes/</link>
		
		<dc:creator><![CDATA[Ron Cassie]]></dc:creator>
		<pubDate>Thu, 11 Jun 2020 11:38:00 +0000</pubDate>
				<category><![CDATA[Education & Family]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[History & Politics]]></category>
		<category><![CDATA[Baltimore School of the Arts]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Freddie Gray]]></category>
		<category><![CDATA[George Floyd]]></category>
		<category><![CDATA[Kwame Rose]]></category>
		<category><![CDATA[Mahsati "Sunny" Moorhead]]></category>
		<category><![CDATA[Sonja Santelises]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=71906</guid>

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			<p>Several hundred high school students marched from the Baltimore School for the Arts to the Baltimore City Public Schools headquarters Wednesday afternoon, demanding curriculum changes and full support for the Black Lives Matter movement from local and state school leaders. </p>
<p>Organized by the students—mainly from the city’s acclaimed school for the arts, but also those from other schools—speakers called on the head of city schools, Dr. Sonja Santelises—who was in attendance—and state school superintendent Dr. Karen Salmon to, “outline the ways in which their organizations will work to be anti-racist and pro-black from now on.” </p>
<p>“Our country is in crisis, and it has been for 400 years,” said 16-year-old Mahsati “Sunny” Moorhead, who is finishing her junior year at the Baltimore School for the Arts this spring, reading from a prepared statement. “We implore the leaders of Maryland State Department of Education and Baltimore City Public Schools to be on the right side of history and make the necessary changes to begin to dismantle the long held white supremacist ideology running so rampant within their own organizations.”</p>
<p>Among the specific demands from students was a more inclusive English reading curriculum, including works by Zora Neale Thurston, Toni Morrison, and Malcolm X. They also demanded social studies lessons that cover the history of white supremacy in the United States, as well units on successful black political revolutions and the role of black women in the American civil rights movement. </p>
<p>“The problem is we don’t see African Americans represented in our history classes or in our English classes—people who look like us,” Moorhead, who is black, later told us. “We read <em>The Great Gatsby</em> and <em>The Awakening</em>, but nothing that we can relate to or relates to ur experience.”</p>
<p>Students also seek an increase in mental health awareness and services for students and staff. They also called on the overwhelming black Baltimore school district to employ a higher percentage of black social workers and counselors.</p>
<p>The noon march from the Baltimore School for the Arts took demonstrators through closed city streets in Mount Vernon and Station North before reaching the school headquarters. Protestors gathered at the steps, kneeling for an eight-minute, 46-second period of silence to honor George Floyd, who died while having his neck pinned to the ground for that exact amount of time by Minneapolis police officers last month.</p>
<p>The two-hour march and rally included several musical, singing, and dance performances. But the focus was on the message delivered by several student speakers, notably Moorhead, who presented the students&#8217; list of demands. </p>

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			<p>Baltimore activist Kwame Rose, 26—who has been present during the recent city protests, as he was in 2015 following the death of Freddie Gray from injuries suffered while in police custody—praised students for pushing for social and educational change.</p>
<p>“I think it’s important for every adult here to listen to their demands,” Rose told the crowd. “I know protesting is important to secure space to highlight the issues.” </p>
<p>It’s also important to work for tangible goals, Rose added, encouraging those in attendance to pay attention to budgets and email the mayor, City Council members, and school officials to advocate for increased funding for schools. Rose noted that, when he went to school, classrooms were often crowded, short of textbooks, and sometimes without air conditioning.</p>
<p>“There is no reason why Baltimore City police officers should make more than Baltimore City schoolteachers,” Rose said.</p>
<p>Santelises said she supported the students and young people advocating for, “the kind of education they want and deserve.”</p>
<p>She also highlighted the city school systems “BMore Me” curriculum designed to increase student engagement by focusing on Baltimore&#8217;s current events and history.</p>
<p>“The students are impatient to see change. We’re all impatient to see change,” Santelises said. “But I’m here listening today.”</p>

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<p><a href="https://www.baltimoremagazine.com/section/historypolitics/students-march-and-call-for-anti-racist-pro-black-curriculum-changes/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>How To Show Support for Black Lives in Baltimore</title>
		<link>https://www.baltimoremagazine.com/section/community/how-to-take-a-stand-for-black-lives-in-baltimore-1/</link>
		
		<dc:creator><![CDATA[Lydia Woolever]]></dc:creator>
		<pubDate>Thu, 04 Jun 2020 11:20:00 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[George Floyd]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=70729</guid>

					<description><![CDATA[In the days following the death of George Floyd, a Minneapolis black man who died in police custody last Monday, a national outcry over racism and racial inequality has fanned out across the country. At the same time, an outpouring of ways to support, donate, and learn has also popped up in towns and cities &#8230; <a href="https://www.baltimoremagazine.com/section/community/how-to-take-a-stand-for-black-lives-in-baltimore-1/">Continued</a>]]></description>
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<p>In the days following the <a href="https://www.baltimoremagazine.com/section/community/baltimore-responds-to-the-death-of-george-floyd" target="_blank" rel="noreferrer noopener">death of George Floyd</a>, a Minneapolis black man who died in police custody last Monday, a national outcry over racism and racial inequality has fanned out across the country. At the same time, an outpouring of ways to support, donate, and learn has also popped up in towns and cities throughout America, including here in Baltimore. From joining <a href="https://www.baltimoremagazine.com/section/community/baltimore-youth-marches-peacefully-to-protest-state-violence" target="_blank" rel="noreferrer noopener">protests</a> to patronizing Black-led or Black-owned establishments, we’ve rounded up some of the many ways to get involved on the local level.</p>
<h4>JOIN THE PROTESTS</h4>
<p><strong>Protests: </strong>For those looking to get involved in local protests, the People&#8217;s Power Assembly will be leading an emergency march and car caravan for Breonna Taylor on Saturday, September 26, from 1 to 4 p.m. at at the Gather Solidarity Center on 2011 N. Charles St. Baltimore students are also organizing a youth-led Black Lives Matter rally on Saturday, October 3, from 3 to 6 p.m. at Patriot Plaza in Towson, followed by aa march along Bosley Avenue. On Friday, October 9, a Trans Lives Matter rally will be held on October 9 at Roosevelt Park following an anti-trans incident in skateboarding community.</p>
<p><strong>Protest Signs: </strong>The <strong>Reginald F. Lewis Museum</strong> is asking protestors to donate their protest signs to the museum to be added to its permanent collection, with drop-offs welcome at the Pratt Street loading dock. Local printmakers are also joining the fight, with the <strong>Globe Collection and Press</strong> at the Maryland Institute College of Art offering posters in their iconic neon colors and bold fonts for suggestion donation with all proceeds benefiting MICA&#8217;s Art and Design College Accelerator Program for Baltimore City high school students.</p>
<h4>SUPPORT BLACK BUSINESSES</h4>
<p>One of the many ways to take action is to make a conscious effort to support Black-owned businesses, which have already been disproportionally impacted by the coronavirus. According to the <a href="https://www.washingtonpost.com/business/2020/05/25/black-minority-business-owners-coronavirus/"><em>Washington Post</em></a>, the number of working African-American business owners has plummeted to 40 percent.</p>
<p>Made in Baltimore has compiled a <a href="https://www.instagram.com/p/CA-hEa7pEbO/?utm_source=ig_web_copy_link">list</a> of more than 60 places to patronize, including <strong>KSM Candle Co. </strong>candles, <strong>Oyin Handmade </strong>beauty products,<strong>Keeper’s Vintage </strong>clothing, <strong>Power Nail Decals </strong>accessories, <strong>Creative King </strong>hats and T-shirts, and <strong>A Day N June </strong>vintage, among others.</p>
<p>On September 25, the Downtown Partnership is hosting a free, virtual <strong>Black Business Friday</strong> happy hour from 6:30 to 8:30 p.m. with conversations between <strong>Mess in a Bottle</strong> owner Kalilah Wright and <strong>Night Brunch</strong> co-founder Jason Bass, as well as maker demonstrations from <strong>KSM Candle Co.</strong> and cocktail making from <strong>Cajou Creamery</strong> feat <strong>CAnE Collective</strong>. A virtual marketplace will also feature products from 11 Black-owned businesses.</p>
<p>Meanwhile, Black-owned restaurants, food businesses, and farms abound, with our own <a href="https://www.baltimoremagazine.com/section/fooddrink/black-owned-food-businesses-to-support-in-baltimore">roundup</a> including nearly 50 options, from <strong>Ida B’s Table</strong> to <strong>Connie’s Chicken &amp; Waffles</strong>, while local food blogger Arli Lima of of <strong>Arli’s Appetite </strong>has also created a <a href="https://www.instagram.com/p/CA-LSJ6JZL6/?utm_source=ig_web_copy_link">list</a> including several others. Local food education nonprofit <strong>Black Girls Cook Inc.</strong> has also started a <a href="https://www.instagram.com/p/CBBJewYJ1u5/" target="_blank" rel="noreferrer noopener">list</a> of several local Black-led organizations fighting for food justice, access, and sovereignty.</p>
<p>In South Baltimore, the <strong><a href="https://www.cherryhillfoodcoop.com" target="_blank" rel="noreferrer noopener">Cherry Hill Food Co-Op</a> </strong>is fundraising to create the first Black, community-owned grocery store in Baltimore, in an effort to increase fresh food access and Black food sovereignty and land justice, with 260 pledges met of their 750 pledge goal. Sign-ups are available through their website.</p>
<p>Black-owned bakery <strong>Crust By Mack</strong> has created a new pastry-filled “celebrate box,” with a portion of proceeds in honor of families who have lost loved ones to gun violence or police brutality and benefitting organizations like <a href="https://www.invisiblemajority.net/"><strong>Invisible Majority,</strong></a> a Baltimore creative incubator that provides resources for local Black artists.</p>
<p><strong>CLLCTVLY</strong>, a local social change nonprofit, has also created the Baltimore Black-Led Solidarity Fund to provide $500 micro-grants for Black-led and Black-owned organizations impacted by COVID-19.</p>
<h4>LISTEN &amp; LEARN</h4>
<p>In recent days, the Internet has exploded with lists of resources for readers to better educate themselves on racism, inequality, and the Black experience.</p>
<p><strong>Local Bookstores:</strong> In Baltimore, the worker-owned Red Emma’s in Mt. Vernon, which is currently closed but open for online sales, has long been a hub for books on social justice, arts-activism, and racial history, including works by local writers of color like D. Watkins, Ta-Nehisi Coates, and Lawrence Burney’s <em>True Laurels</em> zine. Other local shops around town, like Charm City Books in Pigtown, Greedy Reads in Fells Point and Remington, and Bird In Hand in Charles Village are also promoting antiracist titles.</p>
<p><strong>Virtual Resources:</strong> In the midst of coronavirus, online learning opportunities are popping up across the local community with renowned Black artists, activists, and leaders speaking on their experiences and offering insight and ideas for change.</p>
<p>The <strong>Motor House</strong>, along with other local organizations like Maryland VLA, Arts Education in Maryland Schools, the CityLit Project, and Rapid Lemon Productions, is hosting a new Anti-Racism Book Club on the third Monday of each month, starting with <em>White Fragility </em>by Robin DiAngelo.</p>
<p>On Thursday October 1, local anti-racism educators<strong> Both/And</strong> presents &#8220;Disrupt Your Practice: A Workshop for White Artists and Creatives&#8221; and &#8220;White Womxn Anti-Racism Alliance Foundational Workshop&#8221; for individuals to better understand systemic racism.</p>
<p><strong>Art As Activism: </strong>The city’s arts scene has long been a place for artists of color to address topics like race, inequality, and justice, as well as documenting Black beauty, struggle, and life in Baltimore. From <a href="https://www.baltimoremagazine.com/2018/9/5/black-artists-finally-receiving-recognition-in-mainstream-art-world" target="_blank" rel="noreferrer noopener">painters and photographers</a> to <a href="https://www.baltimoremagazine.com/section/artsentertainment/black-musicians-write-the-soundtrack-of-the-city" target="_blank" rel="noreferrer noopener">musicians</a>, these creatives can be supported by following their pages, patronizing their projects, and donating to Black-owned or Black-led arts spaces and events, such as the <strong>Reginald F. Lewis Museum</strong>,<strong> Waller Gallery,</strong> <strong>Galerie Myrtis</strong>, <strong>Muse 360</strong>, <strong>Motor House</strong>, <strong>As They Lay</strong>, and the <strong>Pennsylvania Avenue Black Arts District</strong>, among others.</p>
<p>Now live, the first exhibition, titled &#8220;The Softer I Feel, the Freer I Be,&#8221; from <strong><a href="https://www.instagram.com/astheylay/" target="_blank" rel="noreferrer noopener">As They Lay</a></strong>, the new art and programming initiative from local artist <a href="https://www.baltimoremagazine.com/section/artsentertainment/allow-abdu-ali-to-reintroduce-themself" target="_blank" rel="noreferrer noopener">Abdu Ali</a>, is on display in the Baltimore Museum of Art&#8217;s new BMA Salon virtual gallery, featuring works by young emerging Black artists such as Sydney J. Allen, Kyle Vincent Scott, and Darius Johnson. The museum&#8217;s new Screening Room program also features works by notable Black Baltimore artists such as Devin N. Morris, Nia Hampton, and NIa June.</p>
<p>On Saturday, September 26, local poe<strong>t Kondwani Fidel</strong> will be hosting a book launch for his new <em>The Antiracist, </em>featuring readings, signings, and a Q&amp;A with photographer Devin Allen at the Ynot Lot at 6:30 p.m.</p>
<p>Through October 1, Bmore Art&#8217;s Connect + Collect presents <strong><em>Close Read</em></strong>, featuring a digital window exhibition of works by local Black women artists, including Akea Brionne Brown, Shan Wallace, and Savannah Wood, inspired by research into the <em>Afro</em> <em>American</em> newspaper archieves. It is on view nightly on N. Charles Street from dusk until 11 p.m.</p>
<p>Through October 10, Current Space&#8217;s window gallery presents <strong><em>Black Noise</em></strong>, a solo exhibition by artist Alpha Massaquoi, whose powerful charcoal drawings captures the raw emotions of his subjects and brings Black joy and beauty.</p>
<p>On October 17, the Black women-led <strong>Two Strikes Theatre Collective </strong>is teaming up with the female-focused Strand Theatre Company to present The Brown Sugar Bake-Off Play Festival, a one-day virtual theatre festival, featuring 10-minute plays by local directors and playwrights.</p>
<p>Through October 31, the Impact Hub presents <strong>The North Ave Window Joint</strong>, a community art show and window exhbitions curated by <em>Baltimore</em> contributor Alanah Nichole Davis, featuring photographs by more than 15 artists, including Rob Ferrell, Phillip Muriel, and Asia Kimpley.</p>
<h4>MAKE A DONATION</h4>
<p>There is no shortage of Black-led organizations in Baltimore who are working tirelessly to create positive change and promote racial justice for communities of color across the city. To name a few:</p>
<p><a href="https://baltimoreceasefire.com/"><strong>Baltimore Ceasefire</strong></a><strong>, </strong>co-led by organizer <a href="https://www.baltimoremagazine.com/section/gamechangers/q-a-erricka-bridgeford-baltimore-ceasefire" target="_blank" rel="noreferrer noopener">Erricka Bridgeford</a>, is a call-to-action group that works to promote peace and reduce violence through community events, or “sacred space rituals.” They are seeking outreach volunteers, Ceasefire ambassadors, event hosts, and donations through their website, in addition to hosting a Juneteenth Father&#8217;s Day Bailout fundraiser for other local employment and legal aid organizations on June 19-21.</p>
<p>The <a href="https://www.blackchurchfoodsecurity.net/"><strong>Black Church Food Security Network</strong></a>, run by <a href="https://www.baltimoremagazine.com/2018/2/5/baltimore-visionaries-30-people-shaping-the-future-of-the-city" target="_blank" rel="noreferrer noopener">Reverend Dr. Heber Brown III</a>, is a community-owned food system anchored in African-American farmers and congregation-owned farmland, working to advance food and land sovereignty for communities of color. They offer membership for other churches of color, volunteer opportunities at their sites, and accept financial contributions online.</p>
<p><strong><a href="https://www.baltimoresafehaven.org" target="_blank" rel="noreferrer noopener">Baltimore Safe Haven</a></strong> is a new non-profit organization that provides outreach, resources, and housing services for the transgender community in Baltimore City. They accept one-time or recurring donations through their website, which benefits their food pantry, outreach vans, and drop-in center in Old Goucher.</p>
<p>The <a href="https://www.baltimoreactionlegal.org/"><strong>Baltimore Action Legal Team</strong></a> (BALT) is a community lawyer group that works to provide legal support for protesters involved in civil liberties movements for racial equality, including a community bail fund, legal training workshops, and arrest resources. They are currently accepting volunteers for the likes of court and jail support, as well as donations on their website.</p>
<p>The <a href="https://noboundariescoalition.com/"><strong>No Boundaries Coalition</strong></a> is a resident-led advocacy organization aimed at bolstering West Baltimore through all-neighborhood gatherings, community outreach, youth organizing, food and health advocacy, and more. They are seeking volunteers for their weekly produce market, initiative partners, and donations through mail or website.</p>
<p><strong><a href="https://www.bmoreyoutharts.org" target="_blank" rel="noreferrer noopener">Baltimore Youth Arts</a></strong> is a creative entrepreneurship and job training program that, with a focus on social justice, provides artistic and professional opportunities for young people age 14 to 22 in Baltimore City. Donations can be made online and through PayPal.</p>
<p><a href="http://lbsbaltimore.com/" target="_blank" rel="noreferrer noopener"><strong>Leaders of a Beautiful Struggle</strong></a> (LBS) is a grassroots think tank, and co-founder of the <a href="https://www.baltimoremagazine.com/section/artsentertainment/what-pennsylvania-avenues-official-arts-district-designation-means-for-the-community" target="_blank" rel="noreferrer noopener">Pennsylvania Avenue Black Arts &amp; Entertainment District</a>, that works toward the incorporation of voices of Black Baltimoreans into local politics and more inclusive public policy through research, advocacy, and outreach. They offer partnership opportunities, from panelists to performing artists to keynote speakers, as well as a three-tiered platform for one-time or long-term donations.</p>
<p>On the national level, there are many organizations to support that are currently accepting donations such as the <a href="https://www.gofundme.com/f/georgefloyd" target="_blank" rel="noreferrer noopener"><strong>Official George Floyd Memorial Fund</strong></a>; Colin Kaepernick’s <a href="https://www.knowyourrightscamp.com/" target="_blank" rel="noreferrer noopener"><strong>Know Your Rights Camp</strong></a> that provides resources for black and brown youth; the <a href="https://www.naacp.org/" target="_blank" rel="noreferrer noopener"><strong>National Association for the Advancement of Colored People</strong></a>; the <a href="https://www.aclu.org/" target="_blank" rel="noreferrer noopener"><strong>American Civil Liberties Union</strong></a>; and the <a href="https://www.splcenter.org/support-us" target="_blank" rel="noreferrer noopener"><strong>Southern Poverty Law Center</strong></a>, among others.</p>
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<p><a href="https://www.baltimoremagazine.com/section/community/how-to-take-a-stand-for-black-lives-in-baltimore-1/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Black-Owned Food Businesses to Support in the Baltimore Area</title>
		<link>https://www.baltimoremagazine.com/section/fooddrink/black-owned-food-businesses-to-support-in-baltimore/</link>
		
		<dc:creator><![CDATA[Lauren Cohen]]></dc:creator>
		<pubDate>Tue, 02 Jun 2020 10:52:00 +0000</pubDate>
				<category><![CDATA[Food & Drink]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Black-owned businesses]]></category>
		<category><![CDATA[cafes]]></category>
		<category><![CDATA[Farms]]></category>
		<category><![CDATA[George Floyd]]></category>
		<category><![CDATA[restaurants]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=70768</guid>

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			<p>As demonstrators continue to take to the streets to demand justice for George Floyd and other victims of police violence, many are feeling helpless and unsure of how to show support. </p>
<p>One of the many ways to take action is to be conscious about spending money at local black-owned businesses. Especially in the wake of COVID-19—which caused the number of working African-American business owners to plummet 40 percent, according to the <a href="https://www.washingtonpost.com/business/2020/05/25/black-minority-business-owners-coronavirus/"><em>Washington Post</em></a>—it’s a tangible way to support the black community while also working to achieve racial equity and better distribute wealth. </p>
<p>While it’s important to patronize black-led restaurants, cafes, bars, bakeries, and farms on any day, here are a few to familiarize yourself with if you’re looking for a way to show support right now.</p>
<p><strong><a href="https://berriesbyquicha.com/" target="_blank" rel="noreferrer noopener">Berries By Quicha:</a> </strong>With locations in Federal Hill and Medford, this sweets shop from owner LaQuicha Brown specializes in chocolate-covered strawberries that can be customized for special occasions.</p>
<p><strong><a href="https://www.blackyieldinstitute.org/" target="_blank" rel="noreferrer noopener">Black Yield Institute:</a> </strong>Led by founder Eric Jackson, this Cherry Hill-based collective works tirelessly to address food apartheid in Baltimore City. In the wake of the coronavirus, Jackson and his team continue to organize produce distribution from the Cherry Hill Urban Garden and many other community farms.</p>
<p><strong><a href="https://blacksaucekitchen.square.site/" target="_blank" rel="noreferrer noopener">Blacksauce Kitchen: </a></strong>Chef Damian Mosley has developed a die-hard following with his buttermilk biscuit sandwiches filled with everything from fried chicken to cider-braised pork with onion jam. Normally you&#8217;d be able to spot the line from a mile away at the Baltimore Farmers Market, but in the wake of its cancelation, Mosley has shifted to offering parking lot pickups in Remington on weekends. </p>
<p><strong><a href="https://www.blondiesdoughnuts.com/" target="_blank" rel="noreferrer noopener">Blondie&#8217;s Doughnuts:</a> </strong>Owner Michelle Diggs slings her scratch-made brioche doughnuts in flavors such as lemon meringue, chai-spiced sugar, strawberries and cream, Jamaican rum custard, and raspberry swirl. Catch her at the Cross Street Farmers Market on Saturday mornings. </p>
<p><strong><a href="https://www.instagram.com/breakingbreadnation/" target="_blank" rel="noreferrer noopener">Breaking Bread:</a></strong> The Pigtown cafe from husband-and-wife owners Edward and Kimberly Ellis lives up to its name with a menu of comforting burgers, pasta and potato salads, and famous sticky wings.</p>
<p><strong><a href="https://www.cajoucreamery.com/" target="_blank" rel="noreferrer noopener">Cajou Creamery:</a> </strong>Husband-and-wife <a href="https://www.baltimoremagazine.com/section/community/new-monthly-market-at-lake-montebello-aims-to-unite-the-neighborhood" target="_blank" rel="noreferrer noopener">owners</a> Dwight Campbell and Nicole Foster are offering contact-free “porch drops” of their plant-based ice cream pints throughout the pandemic. Must-try flavors include cheesecake, baklava, and horchata.</p>
<p><strong><a href="http://www.connieschickenandwaffles.com/" target="_blank" rel="noreferrer noopener">Connie’s Chicken and Waffles:</a></strong> The fan-favorite chicken-and-waffles spot—run by brothers Shawn and Khari Parker and their mother, the restaurant’s namesake, Connie—are offering pickup and delivery from their Broadway Market location in Fells Point.</p>
<p><a href="https://www.crustbymack.com/" target="_blank" rel="noreferrer noopener"><strong>Crust by Mack:</strong></a> The very soon-to-open brick-and-mortar stall inside Hampden’s Whitehall Mill will offer chef Amanda Mack’s scratch-made cookies, cakes, hand pies, and more.</p>
<p><strong><a href="https://creolesoulrestaurant.com/menu" target="_blank" rel="noreferrer noopener">Creole Soul Restaurant:</a> </strong>This R. House stall takes diners on a trip to New Orleans courtesy of chef Que Neal and her fiancé, co-founder Dedric Richardson. Menu highlights include authentic gumbo, blackened catfish, sweet potato and kale soup, and “Grandma&#8217;s Ole’ Fashion Southern Mac.”</p>
<p><a href="https://squareup.com/gift/0D0NTHM04424P/order"><strong>Dovecote Cafe:</strong></a> Though this beloved Reservoir Hill haven—whose mission has always been “community first, cafe second”—remains closed throughout the pandemic, you can show your support for the cafe’s team and their many food justice initiatives by purchasing <a href="https://squareup.com/gift/0D0NTHM04424P/order" target="_blank" rel="noreferrer noopener">gift cards</a> to use in the future.</p>
<p><strong><a href="https://www.instagram.com/ekibenbaltimore/" target="_blank" rel="noreferrer noopener">Ekiben:</a> </strong>Co-owner Ephrem Abebe prepares beloved steamed buns and rice bowls for the shop&#8217;s loyal fans. Carryout orders can be placed online at both the Hampden and Fells Point locations. </p>
<p><strong><a href="https://freakinsweetjars.com/" target="_blank" rel="noreferrer noopener">Freakin Sweet Jars:</a> </strong>Husband-and-wife team Jaheel and Renate Garrett pack tons of flavor into their delectable dessert jars. They&#8217;re offering their signature parfaits—which come in featured flavors like Pineapple Crush Cake, banana pudding, and Key Lime pie—for delivery and pickup from Natasha&#8217;s Just Brittle on Harford Road. </p>
<p><strong><a href="https://www.csmdelivers.com/" target="_blank" rel="noreferrer noopener">Gangster Vegan Organics:</a> </strong>Featuring vegan salads, bowls, burgers, and snacks, this Cross Street Market stall offers delivery via Uber Eats Thursday through Sunday from 1-8 p.m.</p>
<p><strong><a href="http://grannysrestaurant.net/" target="_blank" rel="noreferrer noopener">Granny’s Restaurant:</a> </strong>The Owings Mills location of this family-run restaurant—which pays homage to its namesake, Lessie Wainwright, more lovingly known as “Granny”—is open for carryout and delivery Monday through Sunday.</p>
<p><strong><a href="https://www.homemaidbrunch.com/" target="_blank" rel="noreferrer noopener">Home Maid:</a></strong> The homey Key Highway brunch spot created by Derrick Faulcon offers curbside pickup Friday-Sunday.</p>
<p><strong><a href="https://www.idabstable.com/" target="_blank" rel="noreferrer noopener">Ida B’s Table:</a> </strong>Named after pioneering investigative journalist and civil rights advocate Ida B. Wells, this modern soul food restaurant—a venture from <em>The Real News Network—</em>currently offers curbside pickup and delivery via Doordash, Grubhub, and Uber Eats.</p>
<p><strong><a href="https://www.justcallmechef.co/" target="_blank" rel="noreferrer noopener">Just Call Me Chef:</a> </strong>Chef Catina Smith founded this culinary <a href="{entry:95256:url}">movement</a>, which empowers female chefs of color through mentorship, networking, and education. Smith and four other chefs are currently offering special Father&#8217;s Day <a href="https://www.instagram.com/p/CA-d14UgYCW/" target="_blank" rel="noreferrer noopener">cookout menus </a>that are available for pickup June 20. You also support the efforts by donating, <a href="https://www.justcallmechef.co/" target="_blank" rel="noreferrer noopener">here</a>. </p>
<p><strong><a href="https://www.kobacafe.co/" target="_blank" rel="noreferrer noopener">Koba Cafe:</a> </strong>For 15 years, owner Adama Fall has been serving up coffee, all-day breakfast, and other cafe fare at his bright neighborhood spot in Riverside. </p>
<p><strong><a href="https://thelandofkush.com/" target="_blank" rel="noreferrer noopener">The Land of Kush:</a> </strong>Locals rave about the vegan crab cakes and dairy-free mac and cheese at this soul food eatery near the University of Maryland Medical Center’s Midtown campus. Throughout the years, owners Greg Brown and Naijha Wright-Brown have become trusted leaders in the plant-based community.</p>
<p><strong><a href="https://www.instagram.com/le_monade_/" target="_blank" rel="noreferrer noopener">Le Monade:</a> </strong>Chef Carleen Goodridge, who has familial connections to Harriet Tubman, named her small-batch drink mix startup as a nod to how her son used to pronounce “lemonade.” She also operates a <a href="https://www.baltimoremagazine.com/section/fooddrink/carleen-goodridge-of-le-monade-is-launching-a-liberian-pop-up" target="_blank" rel="noreferrer noopener">Liberian pop-up</a>, Cōl Bōl, sharing recipes passed down throughout the generations.</p>
<p><strong><a href="https://www.instagram.com/lemontopiabaltimore/" target="_blank" rel="noreferrer noopener">Lemontopia:</a></strong> Thirteen-year-old <a href="https://www.baltimoremagazine.com/2018/7/30/meet-the-11-year-old-behind-lemontopia-at-cross-street-market" target="_blank" rel="noreferrer noopener">Jamaria Crump</a> continues to set an example for young entrepreneurs by selling her specialty lemonades (flavors include original, watermelon, and lavender blueberry ) and baked goods.</p>
<p><strong><a href="https://www.instagram.com/love_puddin/" target="_blank" rel="noreferrer noopener">Love Puddin’:</a> </strong>Catch Denisha “Dawn” Hightower in her <a href="https://www.baltimoremagazine.com/2018/12/19/baltimore-pudding-makers-jazz-up-the-comfort-food" target="_blank" rel="noreferrer noopener">mobile pudding van</a> to savor butter crunch, strawberry cheesecake, and classic “Dirt” pudding cups, as well as other treats.</p>
<p><strong><a href="https://www.theivybaltimore.com/dine/restaurant/" target="_blank" rel="noreferrer noopener">Magdalena:</a></strong> Owned by husband-and-wife team Eddie and Sylvia Brown, this fine-dining den inside the boutique Ivy Hotel in Mt. Vernon offers seasonal plates that explore all cultures.</p>
<p><strong><a href="http://www.midniteconfection.com/" target="_blank" rel="noreferrer noopener">Midnite Confections Cupcakery:</a> </strong>Mother-son team Sandra and Aaron McNeil whip up 12 daily cupcake flavors at their Federal Hill bakery, which currently offers carryout, delivery, and catering. The namesake &#8220;Midnite&#8221; cupcake tops chocolate cake with a chocolate buttercream frosting and features a chocolate chip cream cheese inside.</p>
<p><strong><a href="https://www.instagram.com/misscarters_kitchenllc/" target="_blank" rel="noreferrer noopener">Miss Carter’s Kitchen:</a> </strong>Endorsed by Lamar Jackson, chef Cia Carter’s soul food concept is known for its Instagram-worthy seafood pastas and fried fish platters.</p>
<p><strong><a href="https://www.baltimoremagazine.com/section/fooddrink/neopol-savory-smokery-mother-son-business-salmon-belvedere-square" target="_blank" rel="noreferrer noopener">Neopol Savory Smokery:</a> </strong>Dorian Brown and his mother and business partner, Barbara Lahnstein, are offering online ordering for diners to dig in to their famous smoked spreads, fish, and salmon BLTs. They also offer a weekly dinner special for two. </p>
<p><strong><a href="http://nextphazecafe.com/" target="_blank" rel="noreferrer noopener">Next Phaze Cafe:</a></strong> The Lexington Street hub is open for curbside pickup and delivery, with dishes including catfish tacos, crab cakes, and crispy chicken sandwiches with red pepper sauce.</p>
<p><strong><a href="https://offtheroxwine.com/" target="_blank" rel="noreferrer noopener">Off the Rox:</a> </strong>At their Highlandtown liquor store, co-owners Jeryl Cole and Tyrekia Jackson feature a vast selection of local beer, wine, and spirits, as well as beers on tap for growler fills. </p>
<p><strong><a href="http://oldmajorbaltimore.com/" target="_blank" rel="noreferrer noopener">Old Major:</a> </strong>Not only does owner Candice Bruno serve great food and drinks at her Pigtown neighborhood bar, but she’s also turned it into a hub for community fundraisers, donation drives, game nights, and live music performances. While the bar remains closed throughout the pandemic, regulars can&#8217;t wait to enjoy all of the programming when it reopens. </p>
<p><strong><a href="https://www.instagram.com/papicuisine/?hl=en" target="_blank" rel="noreferrer noopener">Papi Cuisine:</a> </strong>Private chef and caterer <a href="https://www.baltimoremagazine.com/section/fooddrink/papi-cuisine-chef-alex-perez-talks-growing-in-the-local-food-scene" target="_blank" rel="noreferrer noopener">Alex Perez</a> recently opened his first brick-and- mortar restaurant in Fells Point. Try the droolworthy mac and cheese, jumbo lump crab cakes, or &#8220;Snow Cone&#8221; cocktails, all available to-go. </p>
<p><strong><a href="http://www.jinjichocolate.com/" target="_blank" rel="noreferrer noopener">Pure Chocolate by Jinji:</a></strong> Jinji Fraser and her father, Guy, share their dairy-free, gluten-free chocolates that are produced without any refined sugar. The treats are sold at the flagship stall in Belvedere Square as well as many other <a href="http://www.jinjichocolate.com/wholesale" target="_blank" rel="noreferrer noopener">markets and coffee shops</a> around town.</p>
<p><strong><a href="https://www.facebook.com/RefocusedVegan/" target="_blank" rel="noreferrer noopener">Refocused Vegan:</a> </strong>Owner Jerel Jefferies is offering his vegan bacon cheeseburgers, mac and cheese, truffle fries, and other lauded dishes for curbside pickup and delivery. Be sure to try some of the restaurant’s colorful to-go cocktails to wash down all of the eats. </p>
<p><strong><a href="https://www.sobeachyhaitiancuisine.com/menu-1" target="_blank" rel="noreferrer noopener">SoBeachy Haitian Cuisine:</a></strong> Husband-and-wife owners Chanel and Leo Fleurimond are offering to-go orders from their stall inside Cross Street Market Wednesday through Saturday. Enjoy traditional Haitian dishes such as simmered oxtail, whole red snapper, fried codfish sandwiches, and, of course, the boozy rum punch.</p>
<p><strong><a href="https://www.instagram.com/sophomorecoffee/" target="_blank" rel="noreferrer noopener">Sophomore Coffee:</a> </strong>Co-founder Kris Fultion is one of the most knowledgeable baristas around. At his cozy Old Goucher shop, he pours the likes of Thread and Partners coffee blends—educating patrons with every cup. </p>
<p><strong><a href="https://www.shareefshouseofwraps.com/" target="_blank" rel="noreferrer noopener">Shareef’s Grill:</a> </strong>With locations in East and West Baltimore, as well as a new sister spot on Liberty Road in Randallstown, this one-stop-shop for Halal wraps and rotisserie wings takes a healthier approach to typical carryout fare. The Belair Road location even has a juice bar attached.</p>
<p><strong><a href="https://www.sportydogcreations.com/" target="_blank" rel="noreferrer noopener">Sporty Dog Creations:</a> </strong>Mother-daughter duo LaShauna Jones and Daejonne Bennett <a href="https://www.baltimoremagazine.com/2018/9/24/the-sporty-dog-is-changing-the-way-baltimore-thinks-about-hot-dogs" target="_blank" rel="noreferrer noopener">craft hot dogs</a> that appeal to all palates, from classic ballpark to vegan and chicken franks.</p>
<p><strong><a href="http://www.farmalliancebaltimore.org/farms/strength-to-love-ii/" target="_blank" rel="noreferrer noopener">Strength 2 Love Farm II:</a></strong> This Sandtown-Winchester farm works to combat food deserts while also creating job opportunities. The vacant plot-turned-working farm primarily grows leafy greens, as well as okra, peppers, cucumbers, squash, radishes, beets, and flowers.</p>
<p><strong><a href="https://sunsetrawjuicebar.com/" target="_blank" rel="noreferrer noopener">Sunset Raw Juice Bar:</a> </strong>Owned by former Ravens player Gerrard Sheppard and his family, this go-to located in the Foundry Row development in Owings Mills offers a wide selection of cold-pressed juices, smoothies, cleanses, and acai bowls. </p>
<p><strong><a href="http://www.tastethisbaltimore.com/" target="_blank" rel="noreferrer noopener">Taste This Baltimore:</a> </strong>Since opening in 2015, diners have raved about the stuffed salmon, honey Old Bay wings, and other drool worthy dishes at Taste This, which now operates locations in Charles Village and Hamilton-Lauraville.</p>
<p><strong><a href="http://teavolvecafe.com/" target="_blank" rel="noreferrer noopener">Teavolve:</a></strong> Owner Sunni Gilliam’s serene cafe took root in Harbor East long before all of the high-rises towered over the neighborhood. Order teas, smoothies, croissant sandwiches, salads, and more online during the pandemic.</p>
<p><strong><a href="https://www.terracafebmore.com/" target="_blank" rel="noreferrer noopener">Terra Café:</a></strong> This Charles Village staple from owner Terence Dickson has proudly served the community with great food and plenty of live music for more than 10 years. Comfort dishes include shrimp and grits, fish and waffles, and omelets of all flavors. Terra Café is offering delivery via UberEats Monday-Thursday from 8 a.m.-9 p.m., Friday and Saturday from 8 a.m.-11 p.m., and 10 a.m.-7 p.m. on Sunday.</p>
<p><strong><a href="http://www.taharkabrothers.com/" target="_blank" rel="noreferrer noopener">Taharka Brothers Ice Cream:</a> </strong>Though we do love the addictive ice cream flavors (the honey graham will change your life), the most important aspect of this homegrown business is its commitment to social justice reform. Through various initiatives, the dessert wholesaler—which also operates retail shops at R. House and Broadway Market—uses its ice cream as a mechanism to spark change.</p>
<p><strong><a href="https://www.toasttab.com/the-urban-oyster/v3'" target="_blank" rel="noreferrer noopener">The Urban Oyster:</a> </strong>Chef Jasmine Norton has been getting creative at her Locust Point seafood spot, rolling out special menus exploring flavors from New Orleans to the tropics. Place carryout orders Thursday through Sunday.</p>
<p><strong><a href="https://www.unioncraftbrewing.com/" target="_blank" rel="noreferrer noopener">Union Craft Brewing:</a> </strong>Co-founder Kevin Blodger also serves as the director of brewing operations at this homegrown facility. Though the Union Collective taproom and patio remains closed, you can order to-go beers for delivery and pickup directly from the brewery&#8217;s <a href="https://www.unioncraftbrewing.com/" target="_blank" rel="noreferrer noopener">website</a>. </p>
<p><strong><a href="https://www.vagrantcoffee.com/" target="_blank" rel="noreferrer noopener">Vagrant Coffee:</a> </strong>After years in the United States Marine Corps, private security world, and working as a member of the clergy, Josh Dew pivoted to open this local roastery with co-founder Jared Cate in 2017. The operation has since expanded to include three retail shops across the city, including Milk &amp; Honey Market in Station North, 3 Bean Coffee on Key Highway, and the 1100 Wicomico building in Pigtown. Milk &amp; Honey and 3 Bean are currently open for carryout and accepting online preorders.</p>
<p><a href="https://www.baltimoremagazine.com/section/fooddrink/review-serenity-wine-cafe" target="_blank" rel="noreferrer noopener"><strong>Serenity Wine Cafe:</strong></a> At this neighborhood haunt in Locust Point, diners go for the serve-yourself wine taps, but stay for the oven-fired pizzas.</p>
<p><strong><a href="https://www.instagram.com/sunnysidecafe13/" target="_blank" rel="noreferrer noopener">Sunnyside Cafe:</a> </strong>Order carryout or delivery from this East Baltimore favorite, which features an extensive lineup of breakfast options, wings, seafood, and an Instagram-worthy chicken and waffle sandwich. </p>
<p><strong><a href="https://www.waterforchocolate.com/" target="_blank" rel="noreferrer noopener">Water for Chocolate:</a> </strong>Chef/owner Sean Guy recently celebrated the 14th anniversary of his Butchers Hill brunch spot, which is now open for al fresco service.</p>
<p><strong><a href="https://www.facebook.com/withloveplantbased/" target="_blank" rel="noreferrer noopener">With Love Co.:</a> </strong>Officially reopening its doors on June 4, this black and female-owned vegan spot on Harford Road emphasizes the passion that goes into its food. As the hand-painted wall mural inside the shop reads: &#8220;Everything begins and ends with love.&#8221; Try the lentil burgers, scratch-made soups, and filling bowls and salads. </p>
<p><strong><a href="http://www.32ndstreetmarket.org/" target="_blank" rel="noreferrer noopener">Whitelock Community Farm:</a></strong> The team behind this Reservoir Hill farm is working harder than ever to supply residents, senior centers, and group homes with organic produce throughout the COVID-19 crisis. You can purchase the produce at the 32nd Street Farmers Market on Saturday mornings. </p>

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<p><a href="https://www.baltimoremagazine.com/section/fooddrink/black-owned-food-businesses-to-support-in-baltimore/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Baltimore Responds to the Death of George Floyd</title>
		<link>https://www.baltimoremagazine.com/section/community/baltimore-responds-to-the-death-of-george-floyd/</link>
		
		<dc:creator><![CDATA[Lydia Woolever]]></dc:creator>
		<pubDate>Sun, 31 May 2020 14:49:00 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Baltimore City]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[George Floyd]]></category>
		<category><![CDATA[protests]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=70787</guid>

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			<p>In the days since the death of George Floyd, a 46-year-old African-American man who died after being pinned to the ground by a white police officer in Minneapolis last Monday, an outpouring of outrage and grief has swept the United States—from every corner of the internet to large protests in the midst of a global pandemic in dozens of cities across the country, including the streets of Baltimore.</p>

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			<div class="vc_single_image-wrapper   vc_box_border_grey"><img loading="lazy" decoding="async" width="1500" height="1200" src="https://www.baltimoremagazine.com/wp-content/uploads/2020/06/blm-peaceful-protests1-size.jpg" class="vc_single_image-img attachment-full" alt="Blm Peaceful Protests1 Size" title="Blm Peaceful Protests1 Size" srcset="https://www.baltimoremagazine.com/wp-content/uploads/2020/06/blm-peaceful-protests1-size.jpg 1500w, https://www.baltimoremagazine.com/wp-content/uploads/2020/06/blm-peaceful-protests1-size-1000x800.jpg 1000w, https://www.baltimoremagazine.com/wp-content/uploads/2020/06/blm-peaceful-protests1-size-768x614.jpg 768w, https://www.baltimoremagazine.com/wp-content/uploads/2020/06/blm-peaceful-protests1-size-480x384.jpg 480w" sizes="auto, (max-width: 1500px) 100vw, 1500px" /></div><figcaption class="vc_figure-caption"> - Photography by Isaiah Winters </figcaption>
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			<p>It’s an all too familiar scene, coming on the heels of other deeply disturbing, high-profile killings of black Americans like Ahmaud Arbery and Breonna Taylor, and just one month after the five-year anniversary of the <a href="https://www.baltimoremagazine.com/2016/4/11/a-tale-of-two-cities-west-baltimore-before-after-freddie-gray" target="_blank" rel="noreferrer noopener">death of Freddie Gray</a> in police custody.</p>
<p>From personal anecdotes to documentary footage, here are some of the responses coming out of Baltimore, as well as ways to get involved.</p>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA1Y0iVHFMF/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA1Y0iVHFMF/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA1Y0iVHFMF/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">“Untitled,” - 2020 #leica #leicam240 #:red_circle: #justiceforgeorgefloyd #justiceforbreonnataylor #RipFreddieGray #Baltimore #DVNLLN</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/bydvnlln/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Devin Allen</a> (@bydvnlln) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-31T01:42:06+00:00">May 30, 2020 at 6:42pm PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CAxwlUmJYUZ/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CAxwlUmJYUZ/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CAxwlUmJYUZ/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">Promise me that you&#39;ll keep coming back to the breath because it&#39;s yours and because it&#39;s an act of defiance against a system that does want you to and I promise to never stop teaching you how to find your breath because of it.</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/justintimothytemple/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Justin Timothy Temple</a> (@justintimothytemple) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-29T15:52:47+00:00">May 29, 2020 at 8:52am PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA17r03pGR5/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA17r03pGR5/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA17r03pGR5/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">Baltimore City Hall</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/justin_fenton/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Justin Fenton</a> (@justin_fenton) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-31T06:46:45+00:00">May 30, 2020 at 11:46pm PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA0Yr2rp1GG/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA0Yr2rp1GG/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA0Yr2rp1GG/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">My 2020 thoughts about violent uprisings. People keep looking for &#34;or&#34;, when we are in an &#34;and&#34; situation. #PeaceIsMyShit AND I completely understand not only why uprisings happen, I understand the need for them in our world. We live in a world that tells people to shut up and eat the cake, Annie Mae. The poison cake. We live in a world that tells Black &amp; Brown people we are only worth: Being killed at every turn Being dehumanized Being filled with lead... bullets and paint and water Being unheard Being silenced Being last Being robbed.. also known as gentrified Being deported by white people from land they stole Being treated like whiteness is the Tiger King and we are big cats out this bitch. AND we are supposed to do everything opposite of how all of that impacts the brain. Newsflash: We are human. Brain science dictates that unfair treatment sends humans into fight, flight, or freeze mode. The world is happy as fuck when we flee or freeze. They can say we are paralyzed because we don&#39;t care about our communities. They can say we flee because we are weak. But when we fight........ they don&#39;t understand why. Just like Joe Exotic didn&#39;t understand why the cats attacked him the minute they weren&#39;t drugged. Except, we aren&#39;t tigers. We are PEOPLE. So, for us, it&#39;s all included in the revolution. Revolution doesn&#39;t happen through either peace or violence. Revolution doesn&#39;t have to pick. Revolution is an &#34;and&#34; situation. Revolution can use both peace and violence as useful tools, because REVOLUTION IS OF GOD. God can use ALL OF IT, and does use all of it. There are much needed things that exist in Baltimore ONLY because of the Blessed Baltimore Uprising. There are mindsets and conversations that ONLY changed because of the #BaltimoreUprising. Continued in next post...</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/errickawondervoice/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> E.Wonder</a> (@errickawondervoice) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-30T16:21:41+00:00">May 30, 2020 at 9:21am PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA0to9vJoAh/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA0to9vJoAh/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA0to9vJoAh/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">Thousands took to the street in Baltimore, on foot and by car, demanding justice for victims of police brutality. . #blacklivesmatter #justiceforgeorgefloyd #justiceforfreddiegray #justiceforbreonnataylor #justiceforahmaud #baltimoreuprising</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/rebellensbmore/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Rebel Lens (Bmore)</a> (@rebellensbmore) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-30T19:24:47+00:00">May 30, 2020 at 12:24pm PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CAx03bCABVx/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CAx03bCABVx/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CAx03bCABVx/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">What did y’all expect to happen? Everybody keeps talking about “violence doesn’t solve anything,” That’s easy for you to say if you have never suffered from the pain associated with senseless lost. You are asking people to be rational in the most impossible situation.</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/dwatkinsworld/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> D. “GOAT” W A T K I N S</a> (@dwatkinsworld) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-29T16:30:12+00:00">May 29, 2020 at 9:30am PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="twitter-tweet"><p lang="en" dir="ltr">Protesters got a lieutenant to read the names of police brutality victims. <a href="https://t.co/elmaIj09dM">pic.twitter.com/elmaIj09dM</a></p>&mdash; Pamela Wood☀️ (@pwoodreporter) <a href="https://twitter.com/pwoodreporter/status/1266865009017192449?ref_src=twsrc^tfw">May 30, 2020</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CAtGb0xpnB6/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CAtGb0xpnB6/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CAtGb0xpnB6/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">In this moment as a progressive white woman I have to catch myself from turning away from my discomfort and turning into it to examine myself. My tendency is to look for ways I am exempt from my whiteness and the benefits I receive from it and the harm that systemic oppression does to people of color. Being outraged and sad is a good first step and then I have to ask what next? How can my discomfort serve as a door inward on myself and not a door out. Sure it feels like I have done something if I post about racism, or I call out racism but what is next? I must engage in a constant effort to work against being tempted by the easy answers that whiteness offers me. These words are not mine they are a mix of Robin DiAngelo and Anna Marie Cox. I go back to them a lot and I would like to share two resources that I find very valuable especially in moments like this when I find myself wanting badly to be able to other the &#34; racists &#34; and exempt myself from the system I benefit from. ⠀⠀⠀⠀⠀⠀⠀⠀⠀ First- &#34; White Fragility Why it is so hard for white people to talk about race&#34; by Robin DiAngelo This book has been very helpful to me I come back to it again and again. Second - The &#34; White Fragility Episode 101 &#34; of With Friends Like These Anna Marie Cox makes some really interesting comparisons between recovery work from addiction and how that can actually be a lense to look at white supremacy. . . . #GeorgeFloyd #BreonnaTaylor #AmaudArbery</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/anniehowepapercuts/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Annie Howe / Papercutter</a> (@anniehowepapercuts) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-27T20:27:31+00:00">May 27, 2020 at 1:27pm PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA3KdvWpRvz/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA3KdvWpRvz/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA3KdvWpRvz/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">A break from my usual posts to recognize the deep pain our country is going thru right now. In every major city protests are erupting. I joined the ranks for those in Baltimore speaking out against police brutality and walking in memory of #georgefloyd</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/sean_scheidt_photography/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Sean Scheidt</a> (@sean_scheidt_photography) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-31T18:15:08+00:00">May 31, 2020 at 11:15am PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			https://www.instagram.com/p/CA0VM1cpyGJ/?utm_source=ig_web_copy_link<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA0VM1cpyGJ/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA0VM1cpyGJ/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA0VM1cpyGJ/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">In solidarity. :heart:️</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/centerstagemd/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Baltimore Center Stage</a> (@centerstagemd) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-30T15:51:14+00:00">May 30, 2020 at 8:51am PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="twitter-tweet"><p lang="en" dir="ltr">I can’t stop thinking about this photo of a <a href="https://twitter.com/hashtag/Baltimore?src=hash&amp;ref_src=twsrc^tfw">#Baltimore</a> cop at the <a href="https://twitter.com/hashtag/GeorgeFloyd?src=hash&amp;ref_src=twsrc^tfw">#GeorgeFloyd</a> protest. Srsly. <a href="https://t.co/hkBmpL01OI">pic.twitter.com/hkBmpL01OI</a></p>&mdash; J. M. Giordano photo (@jmgpix) <a href="https://twitter.com/jmgpix/status/1266968532488802305?ref_src=twsrc^tfw">May 31, 2020</a></blockquote> <script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA0BqIAgmBg/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA0BqIAgmBg/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA0BqIAgmBg/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">The fact that I or anyone that looks like me, would have to remind some of you that our lives matter, is sickening. But of course, here we go again. My life MATTERS! Those that look like me, talk like me, cry like me, bleed like me...their lives fucking MATTER! We MATTER dammit! But please hear me out, I’m not having this conversation with my black brothers and sisters here, I’m having it with all the rest of you. So many of you send me so many wonderful messages daily about how you’ve been inspired, encouraged and love that I share what I’m passionate about. You’ll ride for me when I talk about interiors and plants, but I need you to ride for me and other like me NOW! Be upset and outraged with us! Demand change now, with us! Please, tell someone that looks like you how upset and outraged you are by all of this because they’re the ones that need to hear it. We need something new because this cycle cannot continue. I’m so tired of feeling so angry and hurt inside but not feeling comfortable to let it out. Well I guess it’s time I get a bit more comfortable and be ok with a few of you being uncomfortable. #BLACKLIVESMATTER #ALWAYSHASALWAYSWILL :black_heart::black_heart::black_heart::black_heart::black_heart:</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/hiltoncarter/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Hilton Carter</a> (@hiltoncarter) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-30T13:00:28+00:00">May 30, 2020 at 6:00am PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA02h6jFHjr/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA02h6jFHjr/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; 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font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA02h6jFHjr/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">trying not to feel undone by the similarities between the baltimore uprising of 2015 in memory of freddie gray and the national mourning of george floyd. in 2015, baltimore too was confronted by a nation more worried about a CVS burning than the senseless killing of this young black person. in 2015, baltimore too pushed for arrests that shamefully resulted in some meager third-degree murder charge that was ultimately vacated leaving the officers free and freddie&#39;s loved ones devastated. in 2015, baltimore sent in the armed guard to terrorize its citizens while cops looted pharmacies which was later discovered in a DEA investigation (literally! what! in! the! actual! fuck!). in 2015, we watched our elected city officials invest in militarizing the police while astonishingly closing down public schools in a move that left many kids and teens vulnerable to an establishment that openly wanted them to fail. in 2015, we watched much of the media demonize those young people who were simply fighting for their right to their own lives. in 2015, the president also called them thugs. • also trying to remember that in 2015, politicians were not quick to demand justice and celebrities did not tweet so openly about police brutality. i wish so many people didn’t have to die for these solidarity tweets. what horrific shame. but still i am trying to remember that in some warped way these tweets and press conferences are some whisper towards progress. i am so grateful for this movement’s organizers and builders. • also trying to remember that while we marched in 2015 understanding acutely that the nation state was failing us, and that american imperialism was crumbling, we were astoundingly not yet even living openly under fascist rule, with the stench of white supremacy shamelessly rotting from sea to shining sea. in 2015, we were also not living against the backdrop of a global pandemic that is also synonymously the largest unemployment crisis in our history— two terrifyingly expedient ways to kill poor and working-class black people. but, yes, let us mourn the big box store. • photo @julythephotoguy @apnews sermon @aireadeefam</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/dhaggag/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> Deana Haggag :sweat_drops:</a> (@dhaggag) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-30T20:42:28+00:00">May 30, 2020 at 1:42pm PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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			<blockquote class="instagram-media" data-instgrm-captioned data-instgrm-permalink="https://www.instagram.com/p/CA22eUrp1CD/?utm_source=ig_embed&amp;utm_campaign=loading" data-instgrm-version="12" style=" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);"><div style="padding:16px;"> <a href="https://www.instagram.com/p/CA22eUrp1CD/?utm_source=ig_embed&amp;utm_campaign=loading" style=" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;" target="_blank"> <div style=" display: flex; flex-direction: row; align-items: center;"> <div style="background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;"></div> <div style="display: flex; flex-direction: column; flex-grow: 1; justify-content: center;"> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;"></div> <div style=" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;"></div></div></div><div style="padding: 19% 0;"></div> <div style="display:block; height:50px; margin:0 auto 12px; width:50px;"><svg width="50px" height="50px" viewBox="0 0 60 60" version="1.1" xmlns="https://www.w3.org/2000/svg" xmlns:xlink="https://www.w3.org/1999/xlink"><g stroke="none" stroke-width="1" fill="none" fill-rule="evenodd"><g transform="translate(-511.000000, -20.000000)" fill="#000000"><g><path d="M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631"></path></g></g></g></svg></div><div style="padding-top: 8px;"> <div style=" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;"> View this post on Instagram</div></div><div style="padding: 12.5% 0;"></div> <div style="display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;"><div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);"></div> <div style="background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;"></div> <div style="background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);"></div></div><div style="margin-left: 8px;"> <div style=" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;"></div> <div style=" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)"></div></div><div style="margin-left: auto;"> <div style=" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);"></div> <div style=" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);"></div> <div style=" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);"></div></div></div></a> <p style=" margin:8px 0 0 0; padding:0 4px;"> <a href="https://www.instagram.com/p/CA22eUrp1CD/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#000; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px; text-decoration:none; word-wrap:break-word;" target="_blank">“Police them as if they were your children” -2020</a></p> <p style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;">A post shared by <a href="https://www.instagram.com/philip.muriel/?utm_source=ig_embed&amp;utm_campaign=loading" style=" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;" target="_blank"> God Fearing</a> (@philip.muriel) on <time style=" font-family:Arial,sans-serif; font-size:14px; line-height:17px;" datetime="2020-05-31T15:20:27+00:00">May 31, 2020 at 8:20am PDT</time></p></div></blockquote> <script async src="//www.instagram.com/embed.js"></script>
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<h4>WAYS TO GET INVOLVED</h4>
<p>Following Saturday’s protests in downtown Baltimore, a youth-led<strong> “Love from Baltimore to Minneapolis” </strong>demonstration will take plan on Monday, June 1, in the name of “justice for George Floyd and all victims of state violence [in] solidarity with the Minneapolis Uprising,” with a 3:30 p.m. assembly on the corner of Sharp and Pratt streets.</p>
<p>There are many organizations currently accepting donations such as the <strong><a href="https://www.gofundme.com/f/georgefloyd" target="_blank" rel="noreferrer noopener">Official George Floyd Memorial Fund</a></strong>; the <strong><a href="https://minnesotafreedomfund.org/" target="_blank" rel="noreferrer noopener">Minnesota Freedom Fund</a></strong><strong>,</strong> which works to provide bail for jailed protesters; the Minnesota-based <strong><a href="https://www.blackvisionsmn.org/" target="_blank" rel="noreferrer noopener">Black Visions Collective</a></strong>, a black, trans, and queer-led social justice organization; Colin Kaepernick’s <strong><a href="https://www.knowyourrightscamp.com/" target="_blank" rel="noreferrer noopener">Know Your Rights Camp</a></strong> that provides resources for black and brown youth; the <strong><a href="https://www.naacp.org/" target="_blank" rel="noreferrer noopener">National Association for the Advancement of Colored People</a></strong>; the <strong><a href="https://www.aclu.org/" target="_blank" rel="noreferrer noopener">American Civil Liberties Union</a></strong>; and the <strong><a href="https://www.splcenter.org/support-us" target="_blank" rel="noreferrer noopener">Southern Poverty Law Center</a></strong>, among others.</p>
<p>Local restaurants and businesses are also finding ways to get involved by fundraising for local and national organizations and non-profits. Today, Sunday, May 31, Fells Point’s <strong>Cocinas Luchadoras </strong>taco spot is donating 10 percent of all sales to the Minnesota Freedom Fund. Old Goucher’s <strong>Larder</strong> restaurant is now featuring a special waste-free duck and vegetable dish with proceeds from all orders benefitting the Minnesota Freedom Fund, as well, in addition to matching all donations submitted through their website. <strong>Motzi Bread</strong> is matching all sales of its $5 Pay It Forward loaves for donations to <strong><a href="https://www.reclaimtheblock.org/home" target="_blank" rel="noreferrer noopener">Reclaim The Block</a></strong>, a Minneapolis organization that advocates for police reform, as well as <strong><a href="http://lbsbaltimore.com" target="_blank" rel="noreferrer noopener">Leaders of a Beautiful Struggle</a></strong>, a Baltimore collective that works toward inclusive public policy. </p>
<p>Today, Charles Village’s <strong>Get Shredded Vintage</strong> shop will also be donating 25 percent of online sales to the <strong><a href="https://www.baltimoreactionlegal.org" target="_blank" rel="noreferrer noopener">Baltimore Action Legal Team</a></strong>’s community bail fund for people imprisoned under minor offenses. This week, the Remington-based <strong>B. Willow </strong>plant shop will also donate all gratuity and 10 percent of sales to the Baltimore Action Legal Team, while the <strong>Greedy Reads</strong> book store is also donating 15 percent of all sales to D.C.’s <strong><a href="https://antiracismcenter.com" target="_blank" rel="noreferrer noopener">Antiracist Research &amp; Policy Center</a></strong> and the <em>Baltimore Brew</em>.</p>

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<p><a href="https://www.baltimoremagazine.com/section/community/baltimore-responds-to-the-death-of-george-floyd/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Vested Interest</title>
		<link>https://www.baltimoremagazine.com/section/historypolitics/deray-mckesson-civil-rights-activist-baltimore-leader/</link>
		
		<dc:creator><![CDATA[Ron Cassie]]></dc:creator>
		<pubDate>Tue, 15 Jan 2019 08:30:00 +0000</pubDate>
				<category><![CDATA[History & Politics]]></category>
		<category><![CDATA[News & Community]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Deray Mckesson]]></category>
		<category><![CDATA[Ferguson]]></category>
		<category><![CDATA[Freddie Gray]]></category>
		<category><![CDATA[racism]]></category>
		<category><![CDATA[Teach for America]]></category>
		<guid isPermaLink="false">http://server2.local/BIT-SPRING/baltimoremagazine.com/html/?post_type=article&#038;p=541</guid>

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			<p>DeRay Mckesson is tired. He tweeted he’d been “cursed to sit next to the drunk man” flying back from the West Coast as he wrapped up a five-week, 22-stop, cross-country book tour. Arriving at Ida B’s Table for a morning interview and photo shoot, the 33-year-old activist is punctual and polite, but his distinctive, high-pitched voice is softer than usual. Nonetheless, he&#8217;s ready to discuss his role in the Black Lives Matter movement and his recent call-to-action memoir, <em>On the Other Side of Freedom: The Case for Hope</em>. Brief recap: Mckesson garnered national attention live-tweeting the Ferguson, Missouri, marches following the killing of Michael Brown Jr. by a white police officer, and he checked in at No. 11 (along with fellow protestor Johnetta Elzie) on<em> Fortune’</em>s list of the “World’s Greatest Leaders” in 2015. </p>
<p>Jet-lagged or not, Mckesson cogently breaks down the structural racism that plagues cities such as Ferguson and Baltimore, as well as the foundational ideas that built and sustained that inequality. That preternatural ability to communicate—with composure and conciseness—is how the Baltimore native became an overnight cable news go-to.</p>
<p>“When we think about white privilege, it is the recognition that people benefit from things that they personally did not work for,” he begins, addressing a subject covered on his book tours. “When we think about white supremacy, it is the idea that white is better, that white is the norm, is the standard, that it is more worthy. And then, we think about ‘whiteness,’ and it is the culture that idea births.”</p>
<p>On the road, Mckesson was interviewed by the likes of MC Hammer, former Obama speechwriter Jon Favreau, and <em>The Daily Show’</em>s Trevor Noah. He has a million-plus followers on Twitter, has hosted celebrities from John Legend to Katy Perry on his weekly show, <em>Pod Save the People</em>, and he gets invited to parties by Beyoncé. But here’s the weird thing: While Mckesson was born here and lives here, he draws only a small crowd to his book signing later tonight at Baltimore Soundstage.</p>
<p> “I don’t mean this in a good or bad way, I just don’t come across him,” says Sean Yoes, Baltimore <em>AFRO</em> editor and author of <em>Baltimore After Freddie Gray: Real Stories from One of America’s Great Imperiled Cities</em>. He may be a national civil rights figure, but Mckesson is not a conspicuous presence in Baltimore two years after his bid for the city’s highest office. “Maybe I’m just in my own lane—I hadn’t thought about him in months, at least,” Yoes continues. “He’s kind of in a no-man’s land here.” </p>
<p><strong>The protests in Ferguson</strong> after Michael Brown’s death began a little more than four years ago, but it is easy to forget the timeline, the details, and the next 400 days of activism that helped set the stage for the uprising in Baltimore following the death of Freddie Gray. Several days after officer Darren Wilson’s shooting of Brown in August 2014, Mckesson, then a 29-year-old Minneapolis public school administrator, headed to Missouri to see the unfolding situation for himself. He live-tweeted his mundane drive to his then-modest 800 followers while also seeking a sofa to sleep on once he reached Ferguson. The second night he was there, police tear-gassed demonstrators. “That was the moment I became a protestor,” he says.</p>
<p>In collaboration with Elzie and Brittany Packnett, both St. Louis-area natives, Mckesson took to social media to document the confrontations with the Ferguson police department’s militarized response. They also used their online platforms to launch the <em>Ferguson Protestor Newsletter,</em> which became both a resource for—and an alternative to—the establishment media, which they saw misrepresenting the protests as violent.</p>
<p>Identifiable in his ubiquitous royal blue Patagonia vest, which he basically has not taken it off since, Mckesson became the most recognizable face of the Black Lives Matter movement. In fact, the vest remains so intertwined with his political brand that it has its own Twitter handle.</p>
<p>After Ferguson, Mckesson joined similar protests in Baton Rouge, Louisiana, following the death of Alton Sterling; New York following the death of Eric Garner; North Charleston, South Carolina, following the shooting of Walter Scott; and Baltimore following the death of Freddie Gray. (In one memorable interview here, he repeatedly pushed back against CNN’s Wolf Blitzer, who tried to get a patient Mckesson to condemn the behavior of protestors. “You are suggesting this idea that broken windows are worse than broken spines,” Mckesson responded.) Since then, along with Packnett and policy analyst and data scientist Samuel Sinyangwe, Mckesson helped create the police reform initiative Campaign Zero and its associated website, mappingpoliceviolence.org, which tracks the people killed by police in the U.S. “The numbers are flat, not down at all,” he notes, with a mixture of frustration and disbelief.</p>
<p>As he chronicles in some of the best chapters of his book, Mckesson was born in West Baltimore, later moving with his father, a recovering drug addict, and his sister to Catonsville. It was in Catonsville, he says, that he first became aware of poverty and the inequity in education.</p>
<p>After college at Bowdoin in Maine, he taught in New York City through Teach for America before returning to Baltimore for three years to work for a nonprofit after-school educational initiative and the city school system. He then spent 16 months in Minneapolis as senior director of human capital for their school system before leaving for Ferguson. He has received death threats and has been sued by police officers. In turn, he has sued Fox News and commentator Jeanine Pirro for alleging he incited violence. Along the way, the Obama White House invited him to a policy discussion, and he joined the speaking roster at Creative Artists Agency, whose clients include Joe Biden and Will Smith. Oh, and he gave commencement speeches at The New School and the Maryland Institute College of Art. In other words, it has been a roller coaster.</p>
<h3>“You are suggesting this idea that broken windows are worse than broken spines.”</h3>
<p><strong>As the threats</strong> <strong>and lawsuits attest</strong>, Mckesson has also become a lightning rod. Much of the fire directed his way derives from mere hate from the other side. But there has been—and remains—resentment and criticism among those who normally would be considered allies. Broadly, the accusation is that he raced in front of cameras and put himself forward as a spokesman for a movement he did not begin.</p>
<p>Kaysonya Wise Whitehead, a Loyola University professor who teaches a course on the Black Lives Matter movement and hosts a current events program on WEAA, is not a Mckesson fan. “Black Lives Matter is a social movement, a civil rights movement, and it’s a slogan—it is something to stick on the bumper of car,” Whitehead says. “It’s all those things. But the people who created the hashtag and pushed it forward have been scrambling to get in front of it ever since. The fact that the white media rallies around someone does not make him or her a leader. Has DeRay been a leader on these issues locally? No, it’s The Algebra Project, Leaders of a Beautiful Struggle, Baltimore Bloc, Pleasant Hope Baptist Church, among many others, that’s been doing the work.”</p>
<p>Mckesson&#8217;s last-minute entry into the Baltimore mayoral race in 2016—an announcement made in coordination with <em>The Washington Post, The New York Times</em>, and <em>The Guardian</em>—gave detractors additional fuel.</p>
<p>“It’s one thing to be able to show up to an event in a major mainstream media moment,” Dayvon Love, public policy director for Leaders of a Beautiful Struggle, told <em>Slate</em> after Mckesson’s announcement. “It’s a different thing to get people from Baltimore to go to Annapolis for a hearing on police reform on a Tuesday at 1 in the afternoon.”</p>
<p>“It was opportunistic,” Anthony McCarthy, a former spokesman for the past three Baltimore mayors, says of Mckesson&#8217;s bid. “There was already one of the strongest fields in a long time.” That said, Mckesson did receive support from Morgan State professor Lawrence Brown, who is at work on a book about Baltimore’s history of segregation and housing discrimination. “What have those other establishment candidates accomplished?” Brown argues, suggesting an outsider is needed to bring real change to City Hall.</p>
<p>Mckesson, who received 2 percent of the vote, takes exception to the criticism. He highlights the year he spent opening and overseeing a West Baltimore after-school center with the nonprofit Higher Achievement and leadership roles when he was a Catonsville High School student with the city’s Safe &amp; Sound Campaign and the grant-making nonprofit Youth As Resources. “For all this talk about ‘ending the gatekeepers,’ there are places where people’s identity is rooted in deciding who is and who isn’t able to do [activism] work, and Baltimore is one of those places,” he says.</p>
<p>This past election season, he stirred more controversy by endorsing fellow Teach for America alum J.D. Merrill, son-in-law to former Mayor Martin O’Malley, over longtime Baltimore civil rights leader Jill Carter for a seat in the state Senate (Carter won). Meanwhile, Mckesson says he doesn&#8217;t know if he&#8217;ll run for office again or how long he&#8217;ll stay in Baltimore. Current plans revolve around his national podcast and Campaign Zero, which he says will be publishing new data soon about police complaints and police union contracts.</p>
<p>Erin Hodge-Williams, former executive director of the nonprofit Higher Achievement, has known Mckesson since he was a teenage youth organizer. “He pours himself into everything he does,” Hodge-Williams says. “The traction he got [after Ferguson] surprised me, but I think the blue vest, for example, is ingenious. Is it branding? Yes,” she continues. “But I think it’s brilliant. Trump is on Twitter all the time stirring up nonsense. DeRay strategizes how to make his voice heard, too, but that’s because he wants to talk about policing and prison reform and social justice. He stays true to his message, and that makes all the difference in the world.”</p>
<p>Whether it makes a difference in Baltimore may be another matter.</p>
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		<title>What&#8217;s Next?</title>
		<link>https://www.baltimoremagazine.com/section/community/one-year-after-freddie-gray-d-watkins-on-importance-of-mentoring-black-youth/</link>
		
		<dc:creator><![CDATA[Jess Mayhugh]]></dc:creator>
		<pubDate>Wed, 27 Apr 2016 08:30:00 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[D. Watkins]]></category>
		<category><![CDATA[Freddie Gray]]></category>
		<category><![CDATA[Kwame Rose]]></category>
		<category><![CDATA[Makayla Gilliam-Price]]></category>
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			<p><strong>“E</strong><strong>verybody watches movies, D!</strong> TV and movies!” my friend Rello said, pounding a basketball against the pavement and in between his legs. “You gotta make a film, not everybody gonna read books! But everybody watch the tube!”  Some of our crew nodded in agreement. About twenty of us twenty- or thirtysomethings eclipsed the corner of Lakewood and Madison on a semi-warm April day. I was trying to get half of us down to Bocek Park for a 5-on-5. “They gonna read my book, homie,” I said. “I can sell! Man, I could talk a Nazi into donating money to the United Negro College Fund if I wanted to!”</p>
<p>The block laughed. We traded a few more jokes as we limped our way down to the court. Limped, because East Baltimore is rough on the bones—the lot of us have been beat, shot, stabbed, or suffered from some type of dirt bike injury.</p>
<p>Rello elevator sales pitched me all the way from Lakewood down to the court. He had some great ideas, but I had to school him on how the pen is the foundation. “We can make hella films or TV shows,” I told him. “But somebody is writing them! Most of your favorite films were probably books first!”</p>
<p>We reached the park. The court was limp and cracked like us. They painted it a fresh coat of red and blue the previous summer, but that last Baltimore winter made the rehab temporary. We didn’t care; we just wanted to compete while knocking off a few pounds for the summer.</p>
<p>Three or four games in, a black Honda pulled up. Q, another from our block who used to ball with us, hopped out, squeezing his iPhone. I haven’t seen him in person since he discovered Twitter.</p>
<p>“Yooooooo!!!!!” he said. “They killed that boy Freddie Gray from over west, yo! Slim died today! Bitch-ass, racist-ass cops!”</p>
<p>Obvious rage exploded from our side of the gate as some crowded his phone and some reached for their phones to watch the video, over and over again.</p>
<p>I didn’t know Gray personally, but he was tight with my friend GD, among others—Black Baltimore is small like that. We are all just one cousin away, really—everybody knows everybody. GD always called him Freddie Black because of his complexion. Gray was dark, slim in body, stood about yay high—and had a reputation for being a friendly jokester. Everybody knew he liked to clown, which made the cops who killed him even more evil in our eyes than the cops who usually kill people, and it was the primary reason for the actions that followed.</p>
<h2>I allowed his ignorance to further perpetuate the angry, Black stereotypes. </h2>
<p>Baltimore took to the streets in true Baltimore fashion shortly after Gray was pronounced dead. Cop cars were flipped like pissy mattresses and rumbles broke out as buildings burned—it got so wild that the National Guard parked troops with heavy automatic weapons and Army trucks on residential blocks. Mayor Stephanie Rawlings-Blake issued a 10 p.m. curfew in the midst of the madness. I don’t have a press pass, but I scraped up enough clout as a freelance journalist to mostly stay above the curfew law. I tagged along with some <i>Sun</i>, <i>City Paper</i>, and <i>Guardian</i> reporters; together we documented the cocktail of pain and positivity that would grow to become the Baltimore Uprise.</p>
<p>Prior to the murder of Freddie Gray and the Uprising, I had documented Black culture for a number of publications, mainly <i>Salon</i>. My writings earned me two book deals and countless speaking engagements around the country as a go-to guy for a range of topics including police brutality, literacy, the digital divide, and systemic racism. I used a universally accessible language, I had a knack for discussing these topics to mixed audiences, and felt like I was doing my part to make a difference.</p>
<p>Gray’s death introduced my work to all of the major cable news networks. It gave me the opportunity to talk about these issues to a larger audience, with the hope of having a larger impact. My TV experience was limited—I had nothing under my belt except a few HuffPost Live interviews, but that was more than enough for the influx of reporters and producers that flooded every inch of Baltimore. They were everywhere: Don Lemon at City Hall, Geraldo Rivera getting laid out by activist Kwame Rose at the corner of Penn and North, Anderson Cooper mobbed by fans—and on and on and on. They were snagging everybody who was anybody to do interviews on Gray, our cop problem, and the current state of the city.</p>
<p>“Okay D, three shows reached out, they want to talk about your <i>New York Times</i> piece,” said Brandi, my event coordinator. “I’ll send you the location and hit times.” I had penned an essay for the <i>Times</i> the previous day on our city’s ugly history of police brutality and how growing up Black in Baltimore under Martin O’Malley almost guaranteed constant harassment and an arrest record.</p>
<p>The first few interviews went smooth. I talked about the collection of peaceful protests that went down, and how myself and other community members were going to play our part in repairing the damage. I also got a chance to shed light on the many systemic issues that cause all of these cop shootings. My language might not have been as effective as it could’ve been, but I got my points across. I felt good about all of my appearances that afternoon and even more confident about the one I had to knock out around 7 that night—<i>OutFront</i>, with Erin Burnett.</p>
<p>CNN was posted up on the corner near that park in front of City Hall. I strolled up to the set, and prepared to give the same spiel. Erin introduced the guests—me and some square ex-cop named Dan Bongino, who was over at CNN studios in Washington. I started off by talking about the positive things that were going on in the city, and even slipped in some jokes about how the peace rallies were so diverse that they looked like Black Eyed Peas concerts or Gap commercials.</p>
<p>“D’s words are inflammatory and irresponsible!” screeched a voice in my right ear. “And all he is going to do is run away when this whole thing blows up!” It was Bongino. They had told me he was a Republican who would position himself against me; but who knew the little guy would come out swinging?</p>
<p>I thought his claims were stupid and disconnected—I’ve never run from anything in my life, not even the police. I cut him off, telling him that he was annoying and blinded by privilege. His foolish statement gave me no choice. The smell of the streets still reeks from my pores, so yeah, I lost it. I went off on him and, as a result, I allowed his ignorance to further perpetuate the angry Black stereotypes that the mainstream media love to portray.</p>
<h2>I’m not the only Black writer in the city. I’m responsible for making (other) voices heard.<br /></h2>
<p>I was upset with my performance, dismayed that a talking head could make me snap like that. Surprisingly, my mentions blew up on Twitter with praise from my side and hate from his—and now I was confronted with screenshots of his cubed-shaped head next to mine, up and down my timeline. I looked crossed-eyed and crazy on the streets, yelling at that phony in a safe and comfy studio who claimed that I ran from the issues that plague my city. I felt as dumb as he looked and decided I didn’t want to do TV any more.</p>
<p><i>Why do I need to be on camera?</i> I thought. I was in the streets working with the kids who made the Uprise happen. They needed real love and support from neighborhood guys like me, especially since the mayor and the president instantly wrote them off as thugs. <i>TV people should stick to TV</i>, I thought, <i>and I should write and do my community work</i>. My event coordinator emailed a list of shows that wanted me on the next day, while square head continued to live on my feed as my social media followers tripled—but still, I was ready to cancel all of it just to focus on working with the people who I thought needed my help the most.</p>
<p>I flopped on the couch, cracked a soda, and started flicking through some of the cable news stations. Baltimore was 24/7. Some of the reporters were trying to do good work, but many were just blowing things out of proportion.</p>
<p>My phone buzzed and then made that annoying FaceTime sound. It was Rello. I didn’t answer because I thought it was a mistake. Grown men normally don’t FaceTime each other.</p>
<p>It rung again, same FaceTime ring, so I answered.</p>
<p>“Man why you take so long to answer! You too Holly Wood now! We saw you on CNN cookin’ boy! I’m proud of you!” he screamed. A small group of well-wishers peeked over his shoulder, forcing their way into the frame—my screen was full of gleaming Black faces. “TV, homie, the tube! That’s what I been tryin to tell you! I told y’all that I know D. Wats!”</p>
<p>“Yo, for one, I find it weird that you FaceTiming me, homie, we grown men, bruh,” I told him. “And two, I ain’t going back on TV, that clown made me lose it, I would’ve slapped his face off in real life!”</p>
<p>“Hang up D!” Rello said, “I’ll call you on the landline.”</p>
<p>A second later, he called back. “D, you are going back on TV man, these streets are fucked and we need you on TV. You speaking for us. You was saying the things we wanted to say, so finish your meal! Let them know how racist this dumb-ass system is, and how hard it is being Black in Baltimore, man—that’s your job! Finish your meal man, finish your fuckin’ meal.”</p>
<p>Rello was right. Black representation in the media is a little more lopsided than Trump’s hairline. TV, like print, is considered an authority—people see it and they instantly believe, and I can’t have people believing in Bongino. I started something and my people were backing me 200 percent, so I had the responsibility of being a voice—not <i>the</i> voice for every Black person in America, but <i>a </i>much-needed perspective from the Baltimoreans who are too often left out of the narrative. After our conversation, I went ahead and agreed to do spots and interviews at pretty much every station except Fox—and I made sure I exposed systemic racism on all of them. I communicated effectively in some, others were a little rocky, but I always got my point across. I played a small role in controlling the narrative.</p>
<p>As time progressed, I pushed harder to play my part in controlling that Black narrative. Not just by telling my story to the masses, but by setting up other writers to do the same. I don’t have the monopoly on the Black Baltimore perspective, and I’m not the only Black writer in the city, so I’m responsible for playing my part in making sure their voices are heard.  I’ve worked with Tariq Touré, whose work was published in <i>1729 Magazine</i>, where I also started, and now he’s writing for <i>City Paper</i> and dropping a book; activist Kwame Rose, who is traveling the country as part of the Black Lives Matter movement; and artist and former NFL football player Aaron Maybin, who gained recognition in <i>The Sun</i>. Young activists Chanet Wallace and Makayla Gilliam-Price are helping me on a website that captures Baltimore stories, and young spoken word phenom Kondwani Fidel is working to get his stories published, and navigate the publishing world, while getting enrolled in grad school.</p>
<p>I want to be that go-to person who helps others get their voices out—creating opportunities is just as important as gunning my own. Hopefully, I can do the same with Rello and his film. And that, as Rello puts it, is finishing my meal.</p>
<hr>
<p><em>D. Watkins, a native of this city’s East Side, <a href="http://www.baltimoremagazine.net/2014/8/best-of-baltimore-news" target="_blank" rel="noopener noreferrer">has been lauded</a> by the editors of </em>Baltimore<em> magazine for his writings on such subjects as social change and race relations. In the wake of the death of Freddie Gray, he’s written for </em>The New York Times<em>, </em>The Guardian<em>, and </em>Salon<em>, among other publications, and published his first book, </em><a href="http://www.baltimoremagazine.net/2015/9/3/book-reviews-september-2015" target="_blank" rel="noopener noreferrer">The Beast Side: Living (and Dying) While Black in America.</a><em> Watkins, who teaches at Coppin State University, participated with talk-show host Clarence M. Mitchell IV in our</em><em> </em><a href="{entry:22044:url}"><em>“Conversation Issue”</em></a><em> last September. His second book, </em><a href="https://www.hachettebookgroup.com/titles/d-watkins/the-cook-up/9781455588633/" target="_blank" rel="noopener noreferrer">The Cook Up</a><em>, is being published this month</em>.</p>

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<p><a href="https://www.baltimoremagazine.com/section/community/one-year-after-freddie-gray-d-watkins-on-importance-of-mentoring-black-youth/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Black Live Matters Activist DeRay Mckesson Declares for Mayor</title>
		<link>https://www.baltimoremagazine.com/section/community/black-live-matters-activist-deray-mckesson-declares-for-mayor/</link>
		
		<dc:creator><![CDATA[Ron Cassie]]></dc:creator>
		<pubDate>Thu, 04 Feb 2016 12:11:00 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Deray Mckesson]]></category>
		<category><![CDATA[Freddie Gray]]></category>
		<category><![CDATA[Sheila Dixon]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=31756</guid>

					<description><![CDATA[DeRay Mckesson, a Baltimore native and former city school administrator with a huge social media following, declared as a candidate for mayor Wednesday. Mckesson, 30, is probably a more familiar name in national Black Lives Matter discussions at this point—he has nearly 300,000 followers on Twitter—than in local political circles. Registering on the last day &#8230; <a href="https://www.baltimoremagazine.com/section/community/black-live-matters-activist-deray-mckesson-declares-for-mayor/">Continued</a>]]></description>
										<content:encoded><![CDATA[<p>DeRay Mckesson, a Baltimore native and former city school administrator with a huge social media following, declared as a candidate for mayor Wednesday.</p>
<p>Mckesson, 30, is probably a more familiar name in national Black Lives Matter discussions at this point—he has nearly <a href="https://twitter.com/deray?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor" target="_blank" rel="noopener noreferrer">300,000 followers</a> on Twitter—than in local political circles. Registering on the last day to file, Mckesson joined a crowded field of registered Democrats in the April 26 primary, immediately garnering wide <a href="http://www.nytimes.com/2016/02/04/us/black-lives-matter-activist-deray-mckesson-jumps-into-baltimore-mayoral-fray.html" target="_blank" rel="noopener noreferrer">media coverage</a>.</p>
<p>Among the early leading candidates vying to succeed Mayor Stephanie Rawlings-Blake, who decided not to run for re-election in the aftermath of last April’s death of Freddie Gray and subsequent unrest, are former mayor <a href="https://www.baltimoremagazine.com/2015/11/3/is-baltimore-ready-to-forgive-sheila-dixon">Sheila Dixon</a>, city councilmen Carl Stokes and Nick Mosby, state delegate Catherine Pugh, businessman and philanthropist <a href="https://www.baltimoremagazine.com/2015/9/1/reverend-donté-l-hickman-sr-and-david-warnock">David Warnock</a>, and <a href="https://www.baltimoremagazine.com/2015/11/5/elizabeth-embry-expected-to-announce-for-mayor-tomorrow">Elizabeth Embrey</a>, a top deputy in the state attorney general’s office.</p>
<p>Mckesson first rose to prominence during the outcry in Ferguson after the death of Michael Brown, leaving <a href="https://www.linkedin.com/in/deray-mckesson-14523113" target="_blank" rel="noopener noreferrer">his position</a> as senior director of human capital for the Minneapolis public school system to help launch the Black Lives Matter movement. He grew up in West Baltimore, graduated from Bowdoin College in 2007, and moved back to the city a few months ago.</p>
<p>Mckesson announced his candidacy—which has already drawn both <a href="http://www.baltimoresun.com/news/maryland/baltimore-city/2016-mayor-race/bs-md-ci-filing-deadline-20160203-story.html" target="_blank" rel="noopener noreferrer">support</a> and <a href="https://twitter.com/SmartBlackMan/status/695101260253429760?lang=en" target="_blank" rel="noopener noreferrer">criticism</a> from local activists—on Twitter last night and in a <a href="https://medium.com/@deray/i-am-running-for-mayor-of-baltimore-34b4e214d582" target="_blank" rel="noopener noreferrer">longer post</a> on Medium.com: </p>
<p>“I have come to realize that the traditional pathway to politics, and the traditional politicians who follow these well-worn paths, will not lead us to the transformational change our city needs,” Mckesson wrote.</p>
<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Screen-shot-2016-02-04-at-11.59.03-AM.png"></p>

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		<title>Bernie Sanders Visits Freddie Gray’s Sandtown Neighborhood</title>
		<link>https://www.baltimoremagazine.com/section/community/bernie-sanders-visits-freddie-grays-sandtown-neighborhood/</link>
		
		<dc:creator><![CDATA[Ron Cassie]]></dc:creator>
		<pubDate>Tue, 08 Dec 2015 15:34:00 +0000</pubDate>
				<category><![CDATA[News & Community]]></category>
		<category><![CDATA[Baltimore]]></category>
		<category><![CDATA[Bernie Sanders]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Freddie Gray]]></category>
		<category><![CDATA[Person of the Year]]></category>
		<category><![CDATA[Rev. Jamal Bryant]]></category>
		<category><![CDATA[Sandtown]]></category>
		<category><![CDATA[Time magazine]]></category>
		<category><![CDATA[William Porter]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=69753</guid>

					<description><![CDATA[“I’m with you Bernie! We don’t want Trump!” came several shouts, along with others calling for more jobs and better housing, as Bernie Sanders, the Vermont presidential candidate, joined Rev. Jamal Bryant and other African-American pastors for a Tuesday morning walking tour of Sandtown, the West Baltimore neighborhood where Freddie Gray was arrested last April. &#8230; <a href="https://www.baltimoremagazine.com/section/community/bernie-sanders-visits-freddie-grays-sandtown-neighborhood/">Continued</a>]]></description>
										<content:encoded><![CDATA[<p>“I’m with you Bernie! We don’t want Trump!” came several shouts, along with others calling for more jobs and better housing, as Bernie Sanders, the Vermont presidential candidate, joined Rev. Jamal Bryant and other African-American pastors for a Tuesday morning walking tour of Sandtown, the West Baltimore neighborhood where Freddie Gray was arrested last April.</p>
<p> At the outset of the 20-minute walk through one of the city’s most challenging communities, Bryant, pastor of the Empowerment Temple Church, pointed to the bail bonds offices and liquor stores, noting the lack of resources and investment in the area. “This is the kind of businesses we have here,” Bryant told Sanders.</p>
<p> Followed by a throng of media and growing number of local residents, Sanders eventually made his way past at least a dozen boarded up homes to the prominent Freddie Gray mural near Gilmor Elementary School and the Gilmor Homes public housing complex.</p>
<p> “This is where you need to be,” a young mother said to Sanders. “We need day care, we need after-school programs. We need stuff for them [students] to do so there won’t be another riot.”</p>
<p> After touring Sandtown, Sanders returned to the <a href="https://www.facebook.com/freddiegrayempowermentcenter/" target="_blank" rel="noopener noreferrer">Freddie Gray Empowerment Center</a> at Eutaw Place for an “Ecumenical Roundtable Discussion” with Baltimore faith and social justice leaders to discuss issues of poverty, education, housing, mass incarceration, disparate sentencing, and economic development, including greater investments in urban infrastructure.</p>
<p> “I think it was very worthwhile,” said <a href="http://www.baltimoremagazine.net/2015/9/1/reverend-dont%C3%A9-l-hickman-sr-and-david-warnock" target="_blank" rel="noopener noreferrer">Rev. Donté L. Hickman Sr</a>. afterward. “I think it’s important not only to see, but to gain a feeling for what’s happening in our urban neighborhoods. I think our pastors came in with thoughtful questions as well for him, and Senator Sanders listened closely to our concerns and what we said we need in our communities.</p>
<p> “For being from Vermont, my first impression was that he is someone who wants to work toward progress,” Hickman added, “and that he is sensitive and empathetic to the issues that persist and affect people in urban communities.”</p>
<p> At one point during his walk, someone asked Sanders directly, “Why are you in Baltimore?”</p>
<p> “Because we have to end the national tragedy of people going to jail, rather than being in school or going to work,” responded Sanders, who maintained a serious, if quiet, demeanor throughout the morning. <em>Time </em>magazine announced Monday that Sanders, who is trailing well behind former Secretary of State Hilary Clinton in Democratic primary polls, won the magazine&#8217;s <a href="http://time.com/4137173/bernie-sanders-time-person-of-the-year-poll-win/" target="_blank" rel="noopener noreferrer">readers&#8217; poll</a> for &#8220;Person of the Year.&#8221;</p>
<p> Sandtown resident Larry Brown praised Sanders for taking the initiative to visit his neighborhood. “You don’t see many people like that get out of the cars and take the time to walk around,” said Brown, who said he knew Gray well. “Most people are too scared. But we need resources.”</p>
<p> “I told him to keep it real,&#8221; said Leona Berry-Bova, who hugged Sanders after the senator stood in front of the Gray mural, created by the Baltimore street artist known as <a href="http://www.nether410.com/#!baltimore/c1wbc" target="_blank" rel="noopener noreferrer">Nether</a>. “I told him, ‘You can’t let anyone take your faith away.’”</p>
<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Bernie_Baltimore13.jpg"></p>
<p>“We have 2.2 million people in jail,” said Sanders, adding that the United States incarcerates more of its citizens than any other country. “We’re spending $80 billion a year locking up fellow Americans. Even some of my conservative friends realize that this doesn’t work.” After the walking tour and meeting with local pastors, Sanders met with the media briefly for a press conference. Sanders did not talk about <a href="http://www.baltimoremagazine.net/2015/5/1/criminal-charges-filed-against-six-police-officers-in-freddie-grays-death" target="_blank" rel="noopener noreferrer">Freddie Gray</a> specifically, or the ongoing trial of <a href="http://www.baltimoremagazine.net/2015/12/3/prosecution-and-defense-lay-out-strategies-in-police-officer-trial" target="_blank" rel="noopener noreferrer">William Porter</a>, the first Baltimore officer of the six to be tried. However, he did highlight criminal justice reform issues overall, which he called the social justice issue of the 21st century.</p>
<p> To reduce recidivism and the allure of crime, Sanders called for more educational resources, more job training, and improved housing. Sanders also said the police departments need “to look like the communities they serve.”</p>
<p> He also spoke of “the high cost of being poor,” referring to the increased interest rates paid in working class communities, and more expensive, yet less nutritional food options, which drew some applause from the pastors. Sanders added that anyone who “took the walk that we took around this neighborhood” would not believe that they were in the wealthiest country in the world. &#8220;You would think that you were in a Third World country.”</p>
<p> Sanders also reiterated his main campaign theme that over the past 30 years “there has been a massive transference of wealth from working families to the top 1 percent.” He noted he has introduced legislation to raise the federal minimum wage to <a href="http://www.sanders.senate.gov/newsroom/press-releases/sanders-introduces-bill-for-15-an-hour-minimum-wage" target="_blank" rel="noopener noreferrer">$15 an hour</a> and supports free tuition at public colleges and universities.</p>
<p> Toward the end, one member of the media raised a hand, inquiring why a Sanders’ staffer had earlier suggested that journalists keep the focus on the issues facing West Baltimore, rather than questions about ISIS, for example.</p>
<p> “I’ll talk about ISIS, but today what we’re talking about is a community in which half the people don’t have jobs,” said Sanders, his voice rising, again to applause from some of the pastors standing behind him. “We’re talking about a community in which hundreds of buildings are uninhabitable. Obviously, the issues around ISIS are hugely important. So is poverty and education.”</p>
<p><img decoding="async" src="https://52f073a67e89885d8c20-b113946b17b55222ad1df26d6703a42e.ssl.cf2.rackcdn.com/Bernie_Baltimore9.jpg"></p>
<p><em><br /></em></p>

<p><a href="https://www.baltimoremagazine.com/section/community/bernie-sanders-visits-freddie-grays-sandtown-neighborhood/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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		<title>Public Art Emphasizes &#8216;Black Lives Matter&#8217;</title>
		<link>https://www.baltimoremagazine.com/section/artsentertainment/public-art-emphasizes-black-lives-matter/</link>
		
		<dc:creator><![CDATA[Gabriella Souza]]></dc:creator>
		<pubDate>Tue, 23 Jun 2015 15:16:00 +0000</pubDate>
				<category><![CDATA[Arts & Culture]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Freddie Gray]]></category>
		<category><![CDATA[Inside Out]]></category>
		<category><![CDATA[Morgan State University]]></category>
		<category><![CDATA[Open Works]]></category>
		<guid isPermaLink="false">https://www.baltimoremagazine.com/?p=68927</guid>

					<description><![CDATA[If you pass by the building at 1400 Greenmount Ave., a wall of faces greets you. They hold various expressions, gazing out from the brick in black and white. But what is particularly eye-catching is the rod iron fencing that’s shadowed across their faces and bodies. The fencing is meant to “symbolize the barriers African-Americans &#8230; <a href="https://www.baltimoremagazine.com/section/artsentertainment/public-art-emphasizes-black-lives-matter/">Continued</a>]]></description>
										<content:encoded><![CDATA[<p>If you pass by the building at 1400 Greenmount Ave., a wall of faces greets you. </p>
<p>They hold various expressions, gazing out from the brick in black and white. But what is particularly eye-catching is the rod iron fencing that’s shadowed across their faces and bodies.</p>
<p>The fencing is meant to “symbolize the barriers African-Americans encounter in everyday life,” said Christopher Metzger, a <a target="_blank" href="http://www.morgan.edu/" rel="noopener noreferrer">Morgan State University</a> professor who organized the piece. The theme of this public art is “Black Lives Matter,” and when his students chose it last spring, they had no idea just how relevant it would become.</p>
<p>This piece is a part of the <a target="_blank" href="http://www.insideoutproject.net/en" rel="noopener noreferrer">Inside Out </a> project, a global initiative that allows people to share their portraits and make a statement for what they stand for. Metzger had the idea for a few years, but it came to fruition when he enlisted the help of students in his computer graphics and computers in art design classes, who picked the theme. </p>
<p>They were working on the details when the city swirled into turmoil after the death of Freddie Gray.</p>
<p>“That made everyone realize how important the concept really was,” said Kelli Williams, the project’s lead artist, who has graduated and is off to graduate school in Ohio. “And it was great that we were talking as a group of artists, not just students or teachers.”</p>
<p>The students shot portraits of themselves and others in a studio, then created large-format prints. </p>
<p>Installation began last week, with Metzger and the students pasting the prints onto the building, the future home of creative hub <a target="_blank" href="http://www.baltimoremagazine.net/2015/6/11/new-arts-incubator-planned-in-station-north" rel="noopener noreferrer">Open Works</a>. Tragically, the group started work the day a gunman killed nine African-American churchgoers in Charleston.</p>
<p>The piece has gotten plenty of attention—cars have slowed, people have snapped cell phone photos.</p>
<p>“You would see people stop, then come back with their family and friends,” said incoming senior Kristian Robertson. “It’s amazing.” </p>
<p>The piece will likely remain until construction starts on Open Works later this year. </p>

<p><a href="https://www.baltimoremagazine.com/section/artsentertainment/public-art-emphasizes-black-lives-matter/" rel="nofollow">Source</a></p>]]></content:encoded>
					
		
		
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