Art Space is a recurring element in the UpFront section of our print publication that spotlights a local artist or project making an impact in the city at large. Here’s what’s going on this month:

It’s hard to believe that Baltimore’s beloved indie radio stations are all grown up, but this month, both WTMD and WYPR will celebrate their 20th year—with music and…locomotives?

Yup, the anniversary bash will take place at the B&O Railroad Museum on June 10 at 6 p.m., and during half-hour train rides you’ll hear local acts like rapper Eze Jackson, chamber-pop duo Outcalls, and headlining electronic artist Dan Deacon.

“You can’t get much more Baltimore than this,” says Sam Sessa, director of events and community engagement for WTMD and WYPR, with the latter acquiring the former in 2021. Tickets start at $55

Sam Sessa didn’t always dream of being on the radio—at least not in the role he plays today, as a DJ with Towson’s own WTMD. “Sometimes sports writers are failed athletes, and music writers can be failed musicians—that’s definitely me,” says Sessa, who cut his teeth as a journalist before becoming the Baltimore Music Coordinator and host of Baltimore Hit Parade.

He grew up playing the accordion, eventually pivoting to the keyboard and organ bass during college at the University of Maryland, where he performed with a local jazz and cover band. Upon graduation, the journalism major went on to cover the entertainment beat at The Baltimore Sun from 2005 to 2013, which “just happened to be at a time when Baltimore’s music scene became one of the best in the country. I got really lucky,” Sessa says, pointing to the storied rise and record deals of artists such as Beach House, Future Islands, and Dan Deacon at the time.

“In the ‘90s, we had Dru Hill and Sisqó, which were incredible success stories for the city,” he says. “But we didn’t have as large of an audience, with attention being spread out on so many different bands, like it was in the mid to late 2000s. It was like your home team coming out of nowhere to win the Super Bowl.”

On Thursday, May 19 at The Charles Theater—in the first of what will be several free public screenings in Baltimore—this historic arch will be on full display in Sessa’s directorial debut, Do Whatever You Want All the Time: The Baltimore Music Scene 2005-2020. Created during the pandemic and named after an album by local art-rock band Ponytail (one of Sessa’s favorites), the short documentary film chronicles how Baltimore made its way onto the national stage, from the late aughts, when the city’s musical milieu was dubbed the best in the country by Rolling Stone, through the 2015 Baltimore Uprising, which, Sessa says, “changed the whole conversation on the local scene.”

“The uprising was a reckoning for a lot of different communities, including the Baltimore music community,” he says. “We made the film in the year of George Floyd’s death, and to compare what was happening in the rest of the country to what happened in Baltimore in 2015—that gave us chills.”

Despite the challenges, there’s an overarching theme of optimism as Baltimore’s musicianship continues to evolve. “Between artists like Micah E. Wood, Outcalls, Super City, and Modern Nomad, we’re seeing collaboration in ways that weren’t that common in the mid to late 2000s for a bunch of different reasons—that really gives me hope,” Sessa says. “The Baltimore music scene is perhaps more connected now than it has ever been.”

The film features up-and-coming indie bands like Snail Mail and Peach Face, as well as veteran artists such as Abdu Ali, Lafayette Gilchrist, and Jenn Wasner of Wye Oak (plus images by Baltimore contributing photographer J.M. Giordano and an appearance by senior editor Lydia Woolever.)

Local cinematographer Julia Golonka, who filmed, edited, and co-produced the documentary with Sessa, wanted to make sure that every topic—in particular, racial themes—would resonate with viewers.

“I hope that people feel we did the scene justice,” says Golonka, who went to the same high school as Snail Mail’s Lindsey Jordan. “Growing up in Ellicott City, I’ve been listening to a lot of these artists for a while now. My Spotify Wrapped for last year was mostly the bands that are featured in the film. I just kept listening to them as I would edit. I hope the viewers feel inspired to do that too. This was a dream-come-true project.”

The same goes for Sessa, who refers to the film as “the bookends of my career, distilled into 24 minutes.”

“In 2005, we still had yet to even realize that the scene was a scene,” he says. “But to watch it coalesce over the years has been fulfilling to me. We’re thrilled to share this little time capsule.”

EAT

Aug. 8: Tianquiztli

Creative Alliance. 3134 Eastern Ave. 12-3 p.m. Free.

Celebrate the flavors and traditions of Latin America at this outdoor market in the lot across the street from the Creative Alliance in Highlandtown. For its first installment, Tianquiztly—which means marketplace in Nahuatl, the language of the Aztecs—will focus on maize (corn), a staple in Latin American cuisine. Upper Fells Point neighbors Cocina Luchadoras will be on site serving their handmade tortillas and other recipes featuring corn, while local artists showcase works available for purchase and musicians David Vass and Jorge Gutierrez provide the live soundtrack for the afternoon.

DRINK

Aug. 8: 8 Years of Magic with Union Craft Brewing

Facebook Live. 8 p.m. Free.

Magical is one way to sum up Union Craft Brewing’s eight years since debuting in Hampden. Though the team is unable to throw a traditional birthday blowout in the taproom this year, they’re still celebrating via Facebook Live. DJ James Nasty will be providing the music, and UCB’s brew crew will be hosting a talk show to kick off the party on Saturday night. To keep the celebrations going, Union will release three new beers over the next few weeks and bring back its beloved Double Duckpin DIPA. Plus, loyalists can show their support by grabbing one of Union’s special anniversary boxes that include two of each of the new beers, as well as an eighth-anniversary pint glass and a commemorative Magic 8 Ball.

SEE

Aug. 7-9: National Anthem at the Baltimore Museum of Art

Baltimore Museum of Art. 10 Art Museum Dr. 10 a.m.-8 p.m.. Free.

The BMA’s team knows how much visitors miss strolling through their vast galleries and gazing at their renowned collections, so this week, they are launching new outdoor programming for enthusiasts to enjoy. Premiering in the Latrobe Spring House, Kota Ezawa’s National Anthem is a single-channel animated video that draws inspiration from football players like Colin Kaepernick who took a knee, raised fists, or locked arms during the National Anthem to call attention to racial inequality and police brutality. After watching the powerful video, you can explore the grounds, visit the Sculpture Gardens, and learn about the exterior art with BMA’s Go Mobile audio tour.

HEAR

Aug. 8: WTMD’s Pirate Radio Concert

Multiple locations including Canton Waterfront Park. 6-8 p.m. Free.

While COVID-19 may have forced WTMD to batten down the hatches and cancel its famous First Thursdays concert series, the Towson radio station has not deserted its duty to bring free live music to Charm City. This weekend, WTMD organizers, along with Rufus Roundtree and Da Bmore Brass Factory, are boarding Urban Pirates’ flagship vessel to debut their floating concert. The band will be cruising through Canton, Fells Point, Federal Hill, and Locust Point while playing their funky, jazzy tunes for locals to enjoy safely on shore or aboard their own boat.

DO

Aug. 9: Second Saturdays in Old Ellicott City

Old Ellicott City. 8321 Main Street. 10 a.m-8 p.m. Free.

Spend your Saturday strolling down Main Street in Ellicott City to shop ‘til you drop. More than thirty boutiques—including Poppy and Stella, Sweet Elizabeth Jane, and Reclaimed By You—will be offering sales all day so you can snag a pair of new shoes, a fresh outfit, and even some art to bedeck your bare walls. Main Street will also be hosting outdoor dining, live music, and creative fitness classes to help neighbors make the most of their weekends.

One chilly afternoon, some 51 years ago, The Beatles gathered for a wind-whipped final performance on the roof of the Apple Corps headquarters in London.

With just a handful in attendance, The Fab Four spaced out in the open air. It had all the makings of the perfect concert by the standards of today’s new normal (minus the masks), plus an unmatched magic still etched in the minds of millions—including WTMD’s Scott Mullins.

Early last month, while brainstorming ways to bring live music back to Baltimore safely amid the ongoing coronavirus pandemic, the Towson station’s general manager and program director considered recreating the scene of the unannounced rooftop session.

“For years, I always thought that was a really cool idea,” says Mullins, who later realized that, much like the iconic concert five decades ago, recreating it would have its hangups. How would the station manage to lug equipment onto a roof (and where would they secure one?) Would people be able to see the concert from the ground? Would it draw too large of a crowd?

That’s when WTMD’s Baltimore Music Coordinator Sam Sessa had the idea to put a concert on a boat.

“Baltimore is a harbor city with thousands of people living and working near the water,” Sessa says. “So we thought we could visit a bunch of neighborhoods in one night and bring live music to so many people with way less effort than hauling all that gear up to someone’s roof deck.”

And if you’re going to put a concert on a boat, why not make it a pirate ship?

This Saturday, WTMD is partnering with Urban Pirates and Stages Music Arts to bring the Pirate Radio Concert—a live, floating, musical performance—to the Baltimore Harbor. With New Orleans-fused funk favorites Rufus Roundtree and Da B’more Brass Factory aboard, Urban Pirates’ flagship will set sail at 6 p.m. in Canton Waterfront Park, making 15-minute stops for performances in Fells Point, the Inner Harbor, Federal Hill Park, and Locust Point before returning to dock around 8 p.m.

Following in the footsteps of cities like Tampa, Florida—which has organized similar setups to answer the call of distanced concert-going—the floating performance will be what Mullins calls “the opposite of a typical music cruise” with both audience and band on board. Instead, listeners have the option of enjoying offshore in compliance with social distancing, or boarding their own vessel for what he hopes will be “a little bit of fun.”

“I just think anything positive for Baltimore right now is what we need to do, and we’re happy to be a little part of it,” says Urban Pirates owner and CEO Cara Joyce. “I have a feeling we’re going to have a trail of boats following us the entire time.”

And who could blame them?

“I’m like what they would call the new Cab Calloway,” says Rufus Roundtree, although fans have dubbed the infectious brass band frontman “Cap’n Crunch” for his signature Masonic Knights Templar hat—a nod to time spent performing with George Clinton and Parliament-Funkadelic.

“There’s no music we can’t tackle and give a good, cheerful festival-like vibe to,” he says. And there’s no party they can’t tackle either. In 2015, Roundtree and his band rolled through the streets of Philadelphia in the back of a dump truck to perform at The Mummers Parade, making it a safe bet that a pirate ship performance will be a piece of cake.

Roundtree hopes listeners walk away from the concert feeling that they’ve regained some of the freedoms lost to restrictions during COVID-19, even if only for a moment.

“With all of that, you need something just to give you a glimpse of hope,” he says, calling the opportunity to create joy for others through music “amazing.” “Music does so much that, you know, it just has to happen. I have no problem being the one to bring it.”

Sadly, concerts are among the most beloved summer staples that were scrapped this year due to COVID-19. And WTMD’s annual concert series, First Thursdays, is one of the music festivals locals miss most.

In accordance with social-distancing guidelines, the Towson radio station made the decision to cancel the monthly shows—which are typically attended by thousands at Canton Waterfront Park.

But, on June 4, WTMD presented its first-ever virtual First Thursday festival. Viewers tuned into the radio station’s Facebook page to watch performances by soulful singer Allen Stone, multi-genre band Chicano Batman, and our own DJ Landis Expandis.

The station partnered with Baltimore-based photography and videography production company, Human Being Productions, to handle the technical side of the concert, and WTMD’s program director Scott Mullins says it went off without a hitch.

Because the event received so much positive feedback, the station has decided to continue the virtual concerts for the rest of the summer. The next livestreamed show is scheduled for July 2, featuring performances from renowned singer-songwriter Grace Potter, Americana darling Sarah Jarosz, British folk singer Laura Marling, alternative country and rock musician Katie Pruitt, Maryland native Michael Nau, and homegrown rapper and hip-hop artist Eze Jackson.

“None of us are under the illusion that this is taking the place of a real, live musical event,” Mullins says. “It’s making the best of a bad situation.”

As the series features artists from all over the country, most of the performances are pre-recorded. During the first show, WTMD’s afternoon drive host, Carrie Evans, introduced the acts while broadcasting live from the studio.

Mullins says the station modeled the virtual concerts off of the old MTV VJs, where DJs would tie broadcasts together by airing various music videos. The first show included skits, promos, and short appearances from local artists along with the musical performances.

“One of the things we decided when putting this together was that it did not need to be a straightaway concert performance,” Mullins adds.

One of the bonuses of planning a virtual series was the ease Mullins had in booking the musical acts. He’s found that performers are much more likely to commit to a virtual concert, rather than a live performance: “While the virtual First Thursdays had its limitations,” he says, “it also offered up some opportunities that you don’t have with a live event.”

Pre-coronavirus, WTMD organized a total revamp of its annual outdoor festival, planning to partner with Baltimore childcare network, Napp, to create a Saturday Morning Tunes Kids’ Corner for children to engage in themed arts and crafts while listening to the music with their parents. In collaboration with Made in Baltimore, the station also planned to create a market featuring more than 20 local makers, selling everything from apparel to personal care products. True to the festival’s musical roots, the market would also boast a DJ area for up-and-coming spinners to mix tracks.

“Our disappointment in not being able to do it is huge,” Mullins says. “We hope to be able to pursue those changes for next season.”

EAT

April 10-12: Easter and Passover Carryout Meals

Locations, times, and prices vary.

It’s safe to say that this Easter and Passover weekend will look and feel different than any other.
Although more family celebrations will take place via Zoom and Facetime than around the dinner table this year, that’s no reason to forego tradition, which always starts and ends with food. Plan your weekend menu using our guide to local eateries that are offering carryout and delivery specials on everything from “Seder Containers” and matzo ball soup to deviled eggs and “Easter Egg” ice cream in honor of these springtime holidays.

DRINK

April 10-12: Booze To Go

Locations, times, and prices vary.

When Gov. Larry Hogan passed the March executive order to allow alcohol delivery and takeout sales from restaurants, bars, and other hospitality establishments amid the coronavirus pandemic, Marylanders breathed a heavy sigh of relief. Since then, tons of local spots have gotten creative with their to-go booze options, including Mr. Nice Guy Cocktail’s Tiger King-themed menu, Wet City’s signature slushies by Blinky, and Nepenthe Brewing Co.’s at-home brewing supplies. Order “essential supplies” for this weekend using our easy-access guide to Baltimore-based breweries, liquor stores, and eateries, and support your favorite small businesses when they need it the most.

SEE

April 12: Virtual Drag Brunch

12:30 p.m. facebook.com/bookmakerscocktailclub.

If there’s anyone who can transition a popular weekly drag brunch into a Facebook Live performance filled with top-notch performers, raffles, and more than a few breakfast cocktails, it’s Brooklyn Heights. This Sunday, instead of snagging a seat at Bookmaker’s Cocktail Club, pull up the Federal Hill bar’s Facebook page to watch some of Baltimore’s best drag performers sashay for the camera. Make a donation and enter to win raffle prizes to support local queens like Iyana Deschanel, Jasmine Blue, and Bambi Necole Ferrah, and count down the days until we can throw dollar bills at our favorite performers in person.

HEAR

April 10: Mary Prankster

8 p.m. wtmd.org.

Live music doesn’t come to a halt just because we can’t hear our favorite acts play in concert halls or venues right now. Instead, we can listen to up-and-coming musicians play from the comfort of their own living rooms, thanks to WTMD’s new Cabin Fever Concerts video series. This Friday, visit the Towson radio station’s Facebook page to watch a livestream performance by local singer-songwriter Mary Prankster, featuring an hour of intimate solo acoustics. Tune in to hear the reigning WTMD Artist of the Year play fan-favorite songs like “Local Honey” and “Rock n Roll Degenerate,” and mark your calendars for upcoming livestream spots by the likes of Letitia VanSant and Emily Wolfe.

DO

April 10: Fells Point Community Blood Drive

Su Casa Furniture, 901 S. Bond Street. 12:30-6 p.m. Free.

As local and regional hospitals face an emergency blood shortage in the wake of the coronavirus pandemic, Fells Point businesses and neighbors are coming together to host a community-sponsored blood drive. If you’re able to donate blood, register with the Red Cross and then visit the temporary station at Su Casa Furniture, which is volunteering its closed store to the cause. After making your donation, enter for the chance to win gift certificates to neighborhood staple Kooper’s Tavern.

This week our Diamond Nature School of America—the name we gave our homeschool—grinded to a halt.

Not only has Governor Larry Hogan issued a stricter stay-at-home order (yes, we can still be outside on hikes, but more limited locations), but also we found a crazy looking engorged tick on our 9-year-old’s head.

In a way, seeing our pediatrician (though it was initially in the parking lot) felt normal, but as we moved inside the office (since we were both healthy) it all felt so surreal. Empty waiting rooms, doctors in masks. She was able to remove the tick and we have started two weeks of antibiotics.

“Well this was my most interesting case today,” she told me. I laughed. Imagine being told that in the middle of a pandemic. (And now add Lyme disease to my—long—list of worries.)

And while we aren’t afraid of being outside and have added tick checks after all our hand washing, I was happy to compile this list of indoor activities from some beloved local institutions.

I’ll just add that all these options, while well intentioned, can also feel overwhelming. I’m here to say you don’t have to do everything. You can let your kids choose or write each program/video/activity down and choose one or two a day from a bowl. These should only bring joy.

The Maryland Zoo is hosting a new “Zoo To You” Instagram series with animal check-ins every weekday at 11 a.m. We especially love an occasional photo of chimp babies, Lola and Violet.

Center Stage’s “Camp at Home” DIY learning series features eight weeks of interactive at-home storytelling with simple activities and a new unit released each week on Facebook.

The Maryland Science Center has created a “Let’s Science Together” page that includes a massive catalogue of at-home experiments and star maps, along with some live-streaming at home activities (like Maker Monday) and the five-object challenge every Thursday.

The American Visionary Art Museum offers at-home art projects, downloadable coloring pages, educational materials for pre-K through middle school kids, and even a how-to guide on making their beloved sock monkeys at home.

Port Discovery’s Instagram has great #PlayatHome projects for kids, from a simple slime recipe (plus info about animals who create their own slime naturally) to painting with slinky to creating sensory rice bins.

Baltimore County Public Library has a “Storyline” where kids can choose between six different stories each week, read aloud by the librarians. It can be accessed by simply calling 410-887-6116.

National Aquarium has at-home aquatic activities from word finds to coloring books to octopus mask-making, but our favorites are the tank cams of the blue blubber jellies, Pacific coral reef, and the Blacktip Reef exhibit. (Though we really miss Calypso the sea turtle.)

Kevin Sherry, a local kids book illustrator, is doing sing-along’s and live readings of his books on Instagram and his YouTube channel, along with lots of drawings to download and color, and our favorite, “COVID Quarantine with Kinkos,” a short comic about Sherry and his cat.

WTMD’s Home School with Sam Gallant is spinning educational songs every day at 10 a.m. on 89.7 FM or online at wtmd.org. We also love the station’s Young At Heart marathons hosted daily by Lisa Matthews, the lead singer of the Grammy-nominated kids rock band, Milkshake.

Irvine Nature Center has been posting tips for exploring nature at home, plus videos including songs, easy activities, and even some feeding time with their resident vulture, along with sharing their Nature Preschool’s YouTube channel.

Other favorites include pirate story time from Urban Pirates, The Creative Alliance’s Storytime with Drag Queens, and Route One Apparel’s awesome Baltimore coloring book. It’s a free download, but any donation will go straight to their employees.

Feel free to send any other great, local activities to: djanelle@baltimoremagazine.net.

EAT

Feb. 7-23: Maryland Vegan Restaurant Week

Locations, times, and prices vary.

Calling all plant-based eaters: Maryland Vegan Restaurant Week is back with enough meatless specials, restaurant takeovers, and tasting activities to stay full all month long. The bi-annual affair features more than 20 participating green spots—including Baltimore favorites like The Land of Kush, Paulie Gee’s, and Wicked Sisters—to help you spend the weekend munching on the best vegan dishes in town.

DRINK

Feb. 8: Nepenthe First Anniversary Party

Nepenthe Brewing Co., 3626 Falls Rd. 12 p.m.-12 a.m. Free.

Somehow it’s already been a year since Nepenthe Brewing Co. opened its doors, and we’re not ashamed to admit how many Space Jellyfish IPAs and orders of thick-cut fries we’ve downed in that time. Celebrate the Hampden brewery’s first birthday with food specials, a commemorative pint glass, as well as three new beers including an imperial stout, an IPA with tropical notes, and a double IPA. Raise a glass (or several) to this local staple, and stick around all day long to catch pours of limited-release versions of some of Nepenthe’s most popular beers.

SEE

Feb. 7-16: The Rocky Horror Picture Show—Valentine’s Edition

Baltimore Theatre Project, 45 W. Preston St. $45-65.

Who says The Rocky Horror Picture Show can only be experienced during Halloween? Turn up the heat ahead of Valentine’s Day with a date night full of kitschy mania, outlandish rituals like call-outs and cascading toilet paper, and singalongs with Dr. Frank-N-Furter, Rocky, and the whole Transylvania crew. Bring your sweetheart to see live performances during this special take on the 1975 cult film, which is almost guaranteed to leave them wanting more, more, more.

HEAR

Feb. 7: Live Lunch with Emily Wolfe

WTMD, 1 Olympic Pl., Towson. 11:30 a.m.-1 p.m. Free.

Back in September, Texas guitarist Emily Wolfe rocked the WTMD First Thursday Festival and showed the Baltimore crowd why NPR described her sound as “stormy, seductive blues-rock thunder, with riffs for miles.” Ahead of her Friday night show at The 8X10, this rising artist will play a live midday set at WTMD’s Towson studio for fans who want to get to know the singer behind songs like “Atta Blues” and “Steady.” If you can’t leave the office during lunch, no worries, tune into 89.7 FM to broadcast the show.

DO

Feb. 8: Melanin Market

Union Craft Brewing, 1700 W. 41st St. 12-5 p.m. Free.

In honor of Black History Month, Union Craft Brewing will transform its taproom into a full-blown marketplace packed with some of the city’s best black artisans, vendors, and performers. In between cheering on the Lethal Ladies Step Team and musician Spirulina Green, explore the pop-up’s wide range of wares, including everything from custom notebooks and sporting goods to haircuts and vintage clothes. Don’t forget to slurp down a few half-shells from The Urban Oyster before heading home with your goodies.

Visual Art

Grace Hartigan: Works on Paper

Track the evolution of 20th-century artist Grace Hartigan through decades-worth of watercolors, collages, and paintings at C. Grimaldis Gallery starting this month. The local gallery has represented Hartigan’s estate since 1979, and this new exhibition covering 50 years of her works will offer visitors the chance to experience her early contributions to Abstract Expressionism all the way through the vibrant, representative pieces that marked her later career. Nov. 14 through Jan. 11, 2020. Opening reception Nov. 14, 6-8 p.m. C. Grimaldis Gallery, 523 N. Charles St.

Literature

Brown Lecture Series: Colson Whitehead, The Nickel Boys

Colson Whitehead is a literary force, and his latest offering, The Nickel Boys, based on a true story of a Florida reform school and the lives it affected over a century, is a must-read. Pick up your copy of Whitehead’s hard-to-put-down novel, and then stop by the Central Library to hear from the award-winning MacArthur Genius himself. 7-8:30 p.m. Nov. 14. Enoch Pratt Free Library, 400 Cathedral St.

Jubilee: A Celebration of Recipes from Two Centuries of African American Cooking with Toni Tipton-Martin

Welcome author and recent Baltimore transplant Toni Tipton-Martin to her new home by attending this lunch and discussion toasting Jubilee: A Celebration of Recipes from Two Centuries of African American Cooking, hosted by the D.C. chapter of Les Dames d’Escoffier. Tipton-Martin’s new cookbook is a lesson in both great meals and underrepresented history, and the luncheon is sure to include wonderful discussions of both. 12-2 p.m. Nov. 23. Gunther & Co., 3650 Toone St.

Music

WTMD First Thursday Festival

Did you skip the rainy WTMD First Thursday Festival at Canton Waterfront Park in September? If so, you missed out on a doozy of a lineup and an incredible night out. Whether you’re looking to get your chance to listen to those sets or relive the magic, Maryland Public TV and WTMD are here to help. The two local stalwarts have partnered to turn the concert into a 1-hour special set to premiere on MPT Nov. 7, with a simulcast of the performances by Robert Randolph, Super City, and Emily Wolfe on WTMD. 10-11 p.m. Nov. 7 on MPT and WTMD.

Caleb Stine & The Revelations Album Release Party

It’s a known fact that Caleb Stine is a Baltimore treasure. Join the celebrated songsmith and friends for an evening of good vibes and new tunes at the Creative Alliance to welcome his latest album into the world. Also on hand will be Arty Hill, the Honey Dewdrops, Ben Frock, and other local favorites. 8 p.m. Nov. 23. Creative Alliance, 3134 Eastern Ave.

Theatre

Freedom: An Evening of LGBTQ Storytelling

Gather your people and settle in to listen to eight LGBTQ storytellers present their personal interpretations of the theme “freedom.” Come early to mingle and listen to live music at the cocktail hour, then sit back and enjoy these sometimes heartfelt, sometimes humorous, tales. 7-10 p.m. Nov. 16. Baltimore Center Stage, 700 N. Calvert St.

Fluid Movement’s 20th Birthday Galapalooza

Grab some glitter and head over AVAM to help Fluid Movement cap off their 20th birthday festivities with what’s sure to be an unforgettable night of quirky company, good eats, and joyous dance and musical acts from the quintessential Baltimore performers. Get a VIP ticket to enjoy an extra hour of signature cocktails and snacks, as well as a bonus performance before the dance party gets started. 7-11 p.m. Nov. 23. American Visionary Art Museum, Jim Rouse Visionary Center, 800 Key Hwy.

Film

The Chesapeake Bay: A Look Back in Film

Sail back to days gone by with this presentation of ‘70s and ‘80s 16mm films celebrating Baltimore and the Chesapeake at the Heron Room. Local film presenter Bob Wagner will screen the archive footage that covers everything from growing environmental concerns in the bay to a crab race and Ms. Crustacean 1985. 6:30-8:30 p.m. Nov. 18. The Heron Room, 3000 Falls Rd.

EAT

Sept. 14: Baltimore Seafood Festival

Canton Waterfront Park. 12-7 p.m. Free-$100.

What better way to honor Baltimore’s undoubted love for seafood than a full-blown festival with crustaceans as far as the eye can see? Head to Canton Waterfront Park for this sixth annual extravaganza as local seafood spots—including favorites like Jimmy’s Famous Seafood, Mason’s Famous Lobster Rolls, Nick’s Fish House, and The Local Oyster—serve up crab cakes, shrimp salad, oysters, and steamed crabs. Indulge in the only large-scale seafood festival in Baltimore City and spend the day trying new drinks, listening to live music, and taking in cooking demonstrations.

DRINK

Sept. 14: WTMD’s Rock and Rye

South Point, 101 W. Cromwell St. 6-9 p.m. $65.

With five cocktail tastings and unlimited samplings of 75-plus hand-crafted spirits, Rock and Rye is the idyllic goodbye to summer. Sip the night away while enjoying DJ Who’s soundtrack. In between glasses, hear from representatives of 18 Maryland distilleries—including local favorites like Sagamore Spirit and Old Line—which will offer insights into the trade and how to best serve their whiskey, gin, and vodka at home.

SEE

Sept. 14: Central Library Grand Reopening

Enoch Pratt Free Library, 400 Cathedral St. 11 a.m.-4 p.m. Free.

After three years of top-to-bottom renovations to the Enoch Pratt Central Library, the city’s 86-year-old institution will celebrate its grand reopening on Saturday with a block party and open house featuring some of the best performers, musicians, and authors Baltimore has to offer. As you take a virtual tour through the library to see its new additions and expansions, take in the host of activities going on in each section, including a performance by The Ellen Show-famous drummers A1 Chops, a Black Cherry Puppet Theater show in the Children’s Department, and readings by revered local authors like Laura Lippman and Kondwani Fidel in the Wheeler Auditorium.

HEAR

Sept. 13: Eze Jackson & The Backwudz Band

Baltimore Soundstage, 124 Market Pl. 8 p.m. $20-25.

If you haven’t yet tuned in to local legend Eze Jackson’s latest record, Fool, start binge-listening ahead of this Friday’s can’t-miss show at Baltimore Soundstage. Joined on the downtown stage by a packed lineup of up-and-comers—including FUNSHO, Apex Tha Genius, Dre Thompson, MC Bravado, and Christen B, as well as rising comedian Ivan Martin—the frontman of beloved hip-hop collective Soul Cannon will take the audience through new songs like “Unapologetically Black” and “Be Great” in the same fiery, high-energy way that he’s known and loved for.

DO

Sept. 15: Abell Community Street Fair

Abell Ave. 12-5 p.m. Free.

Whether you’re a longtime Abell resident or new to the neighborhood, spend Sunday afternoon exploring the sights and shops along its main avenue during this annual street fair. After grabbing a bite from local food trucks like Farm to Charm and cm.pops, browse through free books from The Book Thing of Baltimore, snag some fall-inspired pieces from The Clothing Swap’s free collection, and jam out to live music from 13 local acts including Bobbi Rush and School of Rock Baltimore. There is something for everyone at this fun-in-the-sun event, including a parade and game booths for the kiddos, as well as beer from Peabody Heights Brewery for the grown-up set.

You started at WTMD in 2006 as the host of Baltimore Unsigned, not long after you started covering arts and entertainment at The Sun. How old were you at the time?
I was 22, so I was basically making it up as I went. The bands I was talking to in those first years of the show were all of these talented Baltimore musicians, like Monarch, who became Wye Oak, and J. Roddy Walston & The Business. It was just a matter of being in the right place at the right time. I’ve been really lucky to watch and report on the Baltimore music scene for the last 10 years, because it’s exploded. Right now, the Baltimore music scene is the most popular and most influential it’s ever been.

What’s led to that?
I think it’s a couple things. When I first started covering music here, there was a trend, especially in hip-hop, where a really promising rapper would attract some mainstream label interest, sign a record deal, move away, and chances are you’d never hear from them again. Baltimore bands had a similar pattern—they’d move to New York or L.A. to try and chase fame. Sometimes it would work out; sometimes it wouldn’t. So there was this drain in the arts and music scene.

What changed was when the Wham City arts collective moved here in 2005 or 2006. They started making some noise and you started to see other bands get interested. Rolling Stone did a piece saying that Baltimore’s music scene was the best in the country, and all of a sudden, people were coming here to be part of it. No one was leaving. Future Islands still lives here. Beach House still lives here. Dan Deacon still lives here. And because people refuse to leave, you’ve got this music scene unlike what we’ve had in the past.

Those big artists create a nest egg for all the up-and-comers.
You’re seeing that in hip-hop, too. You’ve got this extremely talented younger generation of rappers—Bond St. District, Abdu Ali, TT The Artist—who are proud that they’re from Baltimore. They’re staying here, and that sends a message.

Something else has changed, too, and some people will say this is for the worst, but when I first started covering Baltimore music, there were not a lot of legitimate places to see live shows.

And many of those DIY venues would get busted and be shut down.
But since Station North has started to come online, you see legitimate clubs like Metro Gallery, The Windup Space, The Crown, Joe Squared, and that’s been really good for the scene. I was talking to Abdu Ali about this recently—for the first time in a long time, it feels like we’re living in a city, because competition has gotten really fierce. Some nights, you don’t know which club to go to, and that’s really exciting. Fells Point was a similar setup in the 1970s, with live music on just about every corner. It was a lot of bar bands, a lot of blues bands; that’s what we were known for at the time. So it’s happened before, but not in a while.

What’s exciting about a lot of the Station North venues is that they are so open to a variety of genres.
One of the characteristics that sets Baltimore’s music scene apart, and I think that makes it one of the best in the country, is the willingness to experiment. Across genres, Baltimore musicians are fearless, and you don’t always know what you’re going to get. These musicians are doing something new, and you can’t say that about a lot of other cities.

Some of the bands that came up when you started are now selling out shows at major venues across the country.
But they’re still approachable. Future Islands can play a festival in front of thousands of people in England and then you run into them at The Crown. Oh, and there’s Alex and Victoria from Beach House. And there’s Dan Deacon, just having a drink. That doesn’t happen in other cities. You don’t just walk up to some of the most popular musicians at a bar or club in Seattle, but you do here, because like the rest of Baltimore, they are unpretentious. Baltimore is too small of a town for people to get big egos.

What was WTMD like when you first started?
We were in the basement of the media center at Towson University. There were no windows. The studios would occasionally have minor flooding. National touring musicians would come in and ask us what year we were in college, which was kind of a bummer. So when we moved into this gorgeous new space, where we’ve been since 2013, it changed everything. We’ve been able to do these live radio shows with studio audiences, which I’m pretty sure doesn’t really happen anywhere else.

Radio stations have not had performance studios since, like, the 1930s, and if they do have performances, they don’t broadcast them live. There’s a level of energy and excitement that you get because you’re live on the radio. There might be a couple hundred people in the room, but there are tens of thousands of people listening in.

It’s been 10 years since the beginning of Baltimore Unsigned, which eventually evolved into today’s Baltimore Hit Parade.
The problem with Baltimore Unsigned was that, as the music scene grew, the artists started getting signed. We changed the name around the same time we moved into our new space in 2013. We’re trying to introduce Baltimore listeners to the diverse voices of Baltimore’s music scene, not only live on the radio but at our performance space. We’re trying to bring people together, in different ways, in different parts of the city, in different musical genres. That’s what I hope I’ll be able to do for another 10 years.

Who are some of the artists you’re most excited about right now who are just emerging?
Every year I say to myself, this year couldn’t possibly be any better than last year, and each year, the Baltimore music scene proves me wrong. Just when you start to wonder if it might be starting to peak, or fall off, another Bond St. District comes along. I think they have the best chance of being the next breakout star from Baltimore. They are singular, nobody sounds quite like them, and DDm is a star in the making. You can feel his presence in the room.

How was it seeing events like WTMD’s BSO Pulse indie-orchestra concerts at the Meyerhoff and BWI Live baggage claim concerts come to life?
I was on the verge of tears for most of Wye Oak’s Pulse show. Ten years ago, they were guests on Baltimore Unsigned for one of their first radio interviews ever, and then they sold out the Meyerhoff! And performed with the BSO! It felt like everything had come full circle. And then Jenn Wasner goes from that to playing a free show in the baggage claim of the BWI airport, which goes back to the open-mindedness and unpretentiousness of the Baltimore music scene. Where else are you going to see that?

What’s next for WTMD in 2017?
There’s a generation of young people who have grown up listening to WTMD. They started when they were in or right out of college, then they got married, and now a lot of them have young kids. In my travels, I kept hearing people say, ‘I love WTMD but I can’t come to any of your shows because they’re not at kid-friendly times.’ Live Lunch is really close to naptime, and while you see a lot of kids at First Thursdays, that’s also the witching hour. We’re going to be offering a kid-friendly concert series, once a month for the first three months of 2017, at 10 on Saturday mornings. Milkshake did our first one last year. We had snacks and milk and it was a huge success.

Well here’s to the next year, or ten.
In 10 years, the station has gone from being perceived as a college radio station to being part of the fabric of Baltimore’s arts and music community. It really feels like we’re starting to hit our stride. But there are still plenty of people to reach.

EAT

May 12: Mother’s Day Brunches

Locations, times, and prices vary.

The last few days before Mother’s Day mark the annual scramble for last-minute bouquets, sentimental cards, and—if you’re really behind—brunch reservations at her favorite local spot. If you’re still searching for a table, we recommend snagging seats for the first-ever brunch service at popular Italian restaurant Orto, indulging in a three-course mid-morning meal at Minnow, or any of the other Sunday specials listed in our roundup of mom-worthy spots.

DRINK

May 11: Classy Trashy Birthday Bashy

Peabody Heights Brewery, 401 E. 30th St. 7-10 p.m. $35-40.

It’s been five years since Mr. Trash Wheel officially started churning trash from the Jones Falls, and we can barely remember what Baltimore was like before his googly eyes could be seen on every T-shirt, sticker, and plush toy. To celebrate the milestone birthday, Peabody Heights Brewery is throwing an all-out bash with live music, trash-themed games, and, of course, all-you-can-drink beer. Be one of the first fans to try the latest beer release in collaboration with the Healthy Harbor Initiative, Mr. Trash Wheel’s Solar Power Sour. And be sure to recycle the can!

SEE

May 8-12: Maryland Film Festival

Station North Arts & Entertainment District. Times vary. $8-450.

Baltimore might not be as glamorous as Hollywood, but according to film critic Richard Brody, it becomes the “center of cinematic gravity” each year during this five-day film celebration. Whether you’re a casual moviegoer or a full-blown cinephile, take advantage of this opportunity to watch more than 100 shorts, features, and documentaries, as well as attend Q&A sessions and workshops with acclaimed filmmakers at the historic Parkway Theatre in Station North. Pro tip: Make your movie-watching plan based on our reviews of eight of this year’s featured films.

HEAR

May 11: Welcome to Shakesville Saturday Morning Tunes

WTMD, 1 Olympic Place, Towson. 9-11 a.m. Free-$40.

Although the premiere of the Baltimore Rock Opera Society’s much-anticipated show Welcome to Shakesville is still two weeks away, the cast and crew will perform a sneak preview of the colorful opera for their toughest critics: local music-loving kids. With throwback nods to 1960s psychedelia, this puppet-filled performance will transport audiences of all ages to the magical world of Shakesville with tons of surf jams along the way. If dancing is not enough to tire out your little one, there will be bike rides by Race Pace Bicycles, a reading corner, and cake from Eddie’s of Roland Park to knock them out by noon.

DO

May 11: Remfest

Remington Ave. and 28th St. 12-9 p.m. Free.

Despite the smash-hit success of the first-ever RemFest, Remington-based businesses and neighbors are gunning to make this year’s festival even bigger and better. Along with more than 75 local artisan vendors, drool-worthy bites from area restaurants, and libations by Union Craft Brewing and R. Bar, the outdoor festival boasts a killer lineup of local acts that can’t be beat. Stake out a spot near the 27th Street stage to hear the likes of indie-pop stars Super City, soul sensation Brooks Long, singer-songwriter Bobbi Rush, pop-opera duo Outcalls, and be sure to stick around for an end-of-the-night Save Your Soul dance party with DJ Rob Macy.

EAT

April 20: Greener Fest

Diamondback Beer, 1215 E Fort Ave. 12-10 p.m. Free.

Any seasoned drinker will tell you that wine isn’t the only type of adult beverage that deserves a good food pairing. This Saturday, take your beer-tasting experience to the next level during this all-day festival that couples Diamondback’s limited-release beers with delectable bites by local pop-ups like Masarap Bmore, Clark Burger, and Avenue Kitchen & Bar. Spend the day snacking on fresh burgers and truck tacos, knocking back a few IPAs, and jamming out with area bands like folk group Pressing Strings, whiskey-rockers Old Eastern, and garage-folk band Skribe.

DRINK

April 20: Brews & Bands

WTMD, 1 Olympic Pl. 12-4 p.m. $30.

The only thing that pairs better with beer than great food is great music. For the fifth year, pack the WTMD studio for all-you-can-drink beer from 15 local breweries, including regional favorites like Heavy Seas Beer, Nepenthe Brewing, and Flying Dog Brewery. With a beer (or two) in hand, bop along to performances by local indie rock band Thunder Club and Baltimore-born Mark Hopkins & the Pretty War. With unlimited tastings of 30 beers, this annual shindig will have you swaying to the rhythm and buzz.

SEE

April 20-June 15: Blackface: A Reclamation of Beauty, Power and Narrative

Galerie Myrtis, 2224 N Charles St. 6-8 p.m. Free.

In collaboration with multicultural arts platform The Agora Culture, Galerie Myrtis will fill the walls of its Old Goucher gallery with photographs, paintings, and multidisciplinary works that explore contemporary notions of black identity. In this two-month exhibition, striking artworks, along with a compilation video, offer a counter narrative to historical and current negative stereotypes of African Americans and reassert the power and beauty of black bodies. Mark your calendar for June 15 for a discussion with contributing artists Tawny Chatmon, Alfred Conteh, Jerrell Gibbs, Jas Knight, Arvie Smith, and Felandus Thames on the final night of the exhibition.

HEAR

April 19: Rise Bmore

Union Baptist Church, 1219 Druid Hill Ave. 7-9:30 p.m. Free.

We already gave this momentous evening of words, music, and movement our seal of approval as 2017’s Best Concert, now get ready to give it yours, too. Now in its fourth year, this Druid Hill concert in honor of Freddie Gray, the Baltimore man who died while in police custody in 2015, will bring local spoken-word artists, activists, musicians, and dancers together for a free evening of artistic expression on the anniversary of his death. Starting with a conversation about art and activism with the founders of A Revolutionary Summer (a program for young women to discuss the creative works of black female artists), take in performances by the Peabody String Sinfonia as well as acts like singer-songwriter J. Pope, poet Tariq Touré, and beatboxer Shodekeh—and reflect on what’s still needed to instill justice and inspire change in our city.

DO

April 20-21: Easter Egg Hunts

Multiple locations. Times vary. Free.

This Sunday, don your best pastel-colored outfit and hop along to parks across the city for a sugar-crazed Easter morning. From Patterson Park to Federal Hill to O’Donnell Square Park, tag along as the little ones hunt for candy-filled eggs and then spend the rest of the afternoon enjoying bouncy castles, cotton candy, photo booths, and visits from the Easter Bunny during this picture-perfect day of family fun.

EAT

April 7: Baltimore Farmers’ Market & Bazaar

Jones Fall Expressway, Holliday & Saratoga St. 7 a.m.- 12 p.m. Free

Grab your sun hat and celebrate the return of this 42-year-old Sunday morning ritual with tons of food, games, and a special performance by the BSO OrchKids. Start your day with a stroll beneath the Jones Fall Expressway to sample eats from more than 44 local vendors including Blacksauce Kitchen, Le Monade, and Sporty Dog Creations and stock up on fresh produce from area farms.

DRINK

April 7: Game of Thrones Trivia

El Bufalo Tequila Bar & Kitchen, 2921 O’Donnell St. 1-4 p.m. Free.

Winter may be over, but it’s never too late to flex your Game of Thrones obsession with fellow die-hard fans. Spend your Sunday Funday answering trivia questions about the hit HBO show in preparation for the premiere of its final season on April 14, with plenty of beer buckets and Smirnoff bombs to keep you on your game. Whether you’re a party of two or a group of 8, put your brain power to the test for the chance to win El Bufalo gift cards, free shots, and all the glory.

SEE

April 5: Out of Order

Maryland Art Place, 218 W. Saratoga St. 7-10 p.m. $40-45.

Join Maryland Art Place in celebrating its 22nd annual springtime auction-party that gives regional artists—from students to established professionals—the opportunity to display their work. Take in the floor-to-ceiling display of artworks, and, in between bidding on your favorite pieces, bop along to music by DJ Ridiculous, snap pictures with drag queens Bambi Galore and Whimsy Thrift, and experience a psychic reading by Clairvoyant Lady.

HEAR

April 6: Saturday Morning Tunes

WTMD, 1 Olympic Pl., Towson. 9-11 a.m. Free-$40.

There’s no denying that reggae music is good for the soul, and this weekend, it’ll be good for your ears, too. This Saturday, WTMD will be hosting its first-ever, sensory-friendly Saturday Morning Tunes for families with autistic children. Veteran reggae star Scotty P. of Jah Works will perform acoustic versions of his songs, while little ones can enjoy snacks from Eddie’s of Roland Park, bike rides provided by Race Pace Bicycles, and plenty of dancing.

DO

April 6: Festival for the Animals

Druid Hill Park, 900 Druid Park Lake Dr. 10 a.m.-2 p.m. Free-$40.

Every pet owner believes that their furry friend deserves the world, and that sentiment is at the heart of this annual festival that supports the Maryland SPCA and its animal rescue, shelter, and aid programs. With your pup in tow, spend the afternoon in Druid Hill Park participating in a walk-a-thon as well as fun-filled contests that benefit this com-paw-ssionate cause.

The first time Mahala Morefield met Weasel, aka Jonathan Gilbert, she was a law firm receptionist posing as a music writer from the Lone Star Dispatch. It was 1975. Morefield had relocated to Washington, D.C., from Austin and stumbled across a high-pitched nasal voice spinning records on an eclectic midnight to 6 a.m. show at a 3,000-watt station with the call letters WHFS (“High-Fidelity Stereo”).

Little Feat, the Stones, Frank Zappa—a Romani-French jazz guitarist named Django Reinhardt with only eight good fingers—somehow it all fit together each night. “I had a musical crush on Weasel,” recalls Morefield. “I set up a phony 5 a.m. meeting and held on to the cassette tape of that ‘interview’ forever.”

Fast-forward almost 45 years. The WHFS days—including the later years when the station moved to Annapolis and blasted its new 50,000-watt signal toward Baltimore—are long past. The station’s epic HFStivals, of course, are gone, too. But Weasel, whose nickname was bestowed by an American University classmate who thought he resembled the creature on the cover of the Zappa-produced 1970 album Weasels Ripped My Flesh, is still on the air, spinning now for Towson University’s WTMD.

Because Gilbert doesn’t drive—he still lives in the same Bethesda building where the old WHFS studio was located and where its transmitting tower remains impaled on the roof—a revolving band of 50-plus volunteers, fondly referred to as Weasel’s Wagon Train, takes turns transporting the unlikely D.C.-Baltimore cultural icon to Towson to record his once-again, organic, free-range shows on WTMD. (Passionate, engaging, witty at the microphone, Gilbert isn’t quite a recluse off air, but he’s not on Facebook or other social media, either. “Why would I do that? I want to listen to music and I want other people to listen to music.”)

A Long Island native, Gilbert’s extraordinary curatorial gifts begin with a great natural ear, followed by a deep curiosity and impeccable memory. “It started with a transistor radio when I was 10 years old,” he says. “I’d stay up all night, covers pulled over my head, not wanting to miss a thing—sometimes that was one of the great jocks from WBAI in New York, sometimes it was a baseball game—on a good night you could get Bob Prince from Pittsburgh. I listened to Chuck Thompson from WBAL long before I came to Baltimore.”

An older brother introduced him to Chuck Berry and Little Richard. He heard the records his uncles, aunts, and parents played, their personal interests skipping from folk to jazz to Sinatra and big band. Singing in the school choir, playing clarinet through 12th grade, and graduating high school in 1967 when album-oriented rock was transforming radio, Gilbert absorbed everything.

To this day, his playlists pop with surprises and style as he juxtaposes songs in the same key and effortlessly raises and lowers the tempo. “You create a narrative, an emotional journey,” he says, thumbing through a tattered notebook during a recent set that spanned gospel, early civil rights-era, and black-power soundtracks on Martin Luther King Jr. Day. “Music is visceral first.”

In between, he provides the kind of nuggets and backstories that music lovers geek over. “When I hear something new that I like—and it could be something that’s old—I’m still that 10-year-old kid,” he says. “I want to hear it 10 times. And, like a guitar player figuring out the chords, I want to slow it down and see how they did what they did.”

By coincidence, Morefield, who moved back to Texas in the late ’70s, returned to the area shortly before Gilbert joined WTMD nine years ago. After not conversing since her “interview” when both were in their mid-20s, she’s now a friend and occasional Wagon Train driver. A whole lot and nothing has changed. “He plays your soul, your heart,” she says of his Weasel Wild Weekend shows. “A maestro of the radio. One song vibrating off the next.”

Volunteering Untapped Fake Wedding
Feb. 23. The Baltimore Museum of Industry. 7 p.m. Prices Vary. On a Saturday night last February, John Magiros jumped in front of a crowd of dressed-to-the-nines party-goers at the Baltimore Museum of Industry and called out, “Who’s single and wants to get married tonight?” Magiros then ushered two volunteers forward, gave the “groom” a top hat and the “bride” a veil, and “married” them using Mad Lib-style wedding vows in front of hundreds of strangers. And while the wedding was fake, the mission of the party—to support the local nonprofit network Volunteering Untapped—was very real. At this year’s Black Tie Baltimore Fake Wedding on February 23, the VU leadership team including Jeremy Raichle, Teddy Davidson, Brittany Fowler, and Magiros, will cut out the obligations of attending a wedding—no presents or plus-ones required—while keeping the drinks flowing all night. “It’s all the fun of a wedding with none of the commitment,” says Magiros. “What more could you ask for?”

Grateful Dead Tribute for Kids
Feb. 2. 800 Key Hwy. 9 a.m.-11 a.m. Free-$50. Deadheads, rejoice! If you’ve been looking for a way to introduce your kids to the mother of all jam bands, you’re in luck: the American Visionary Art Museum and local radio station WTMD are hosting a Saturday morning celebration of all things Grateful Dead. Local cover act Ed Hough’s Dead Collective will perform kid-oriented favorites in the museum’s banquet hall, with plenty of snacks, drinks, and art to go around.

Jim Gaffigan
Feb. 7-8. 140 W. Mt Royal Ave. 7 p.m. $35.25-204. Whether it’s in his scene-stealing TV roles, his bestselling books, or his four Grammy-nominated comedy albums, Jim Gaffigan always manages to earn a laugh. The family-friendly comic, who launched his Quality Time tour in January, is known for finding humor in the mundane, such as doctor visits, food, and fatherhood. Get your tickets quickly—his show is almost guaranteed to sell out.

Lunar New Year Celebration
Feb. 10. 600 N. Charles St. 11 a.m.-4 p.m. Free. Across Asian cultures, the lunar new year marks the beginning of a new calendar year. To ring in the Year of the Pig, the Walters Art Museum is throwing a free, family-oriented celebration in their sprawling Mt. Vernon complex. Visitors of all ages can explore the museum’s expansive and much-lauded Arts of Asia exhibition, followed by a chance to create their own Asian-inspired works. Make sure to catch the traditional lion dance performance, which is believed to bring good luck in the new year.

Creature Feature
Feb. 12. The Senator Theatre, 5904 York Rd. 7 p.m. $15-$23. Whether you love them, hate them, or are allergic to them, there’s no denying that animals have a special connection with humans. This month, the Stoop Storytelling Series invites locals to get onstage at the Senator Theatre to share the good, bad, or the ugly about their relationships with four-legged friends (or foes). Get to the theater early to grab a pre-show cocktail and hear live music by (appropriately) Brooks Long and the Mad Dog No Good.

A Date With John Waters
Feb. 14. 124 Market Place. 8 p.m. $44-110. Perhaps no one embodies the spirit of Charm City more than hometown auteur John Waters. Fresh off of a retrospective at The Baltimore Museum of Art, the beloved director of films such as Pink Flamingos and Hairspray is making Valentine’s Day a little weirder with a monologue about his artistic influences, good taste, and sexual politics. To make date night unforgettable, filth followers can even spring for a meet and greet with the Pope of Trash himself after the show.

Max’s Belgian Beer Fest
Feb. 15-17. 737 South Broadway. 11 a.m.-2 a.m. Free. According to Lyft, Max’s Taphouse was the most visited bar in Baltimore during 2018, and for a good reason. During this annual beer fest, belly up to the bar and sample a selection of rare European pours that will join the pub’s usual 200-plus bottles and taps for the entire weekend. If you have one dubbel or tripel too many, no worries, the Fells Point favorite will be serving up Belgian-inspired snacks to soak up the suds.

Charm City Django Jazz Fest
Feb. 22-23. 3134 Eastern Ave. 8 p.m. $25-28. In celebration of this finger-plucking music genre pioneered by Belgian jazz guitarist Django Reinhardt, gypsy jazz musicians from near and far will take over Creative Alliance for two days of blazing guitar runs and jazz heat during this fourth annual jam fest. Revel in the chance to hear the likes of Ellicott City-based wunderkind Samuel Farthing, local jazz group Ultrafaux, and Philly-based accordionist Dallas Vietty and his group Passarinho. creativealliance.org.

Frozen Harbor Music Festival
Feb. 22-23. Inner Harbor, 34 Market Pl. Prices vary. While most music festivals wait until the warm weather months to host big-name acts and sold-out crowds, the Frozen Harbor Music Festival embraces the cold and parties on anyway. This year, spend the weekend show-hopping to Inner Harbor venues (think Baltimore Soundstage, Rams Head Live!, and Leinenkugel’s Beer Garden) to hear 160 regional and national acts jam out across 10 stages.

American Craft Show
Feb. 22-24. Baltimore Convention Center, 1 W Pratt St. $5-$50. Times vary. Whether you’re visiting this revered makers festival for an hour or for the entire weekend, the American Craft Show is guaranteed to have something for everyone. The three-day downtown event, which features work by artisans from near and far, hosts wares such as jewelry, ceramics, and furniture at every price point. Be sure to stop by one-of-a-kind booths like Tristan Sopp’s, where you can buy DIY folded-paper animals, and Marc Tickle’s, which features handmade kaleidoscopes.

At most concerts, music lovers gather around a stage studded with a medley of guitars, amps, electrical wires, and the many moving parts of a drum kit. But not at Embody—the vocal-only showcase founded by local beatboxer Shodekeh and now hosted by WTMD at their Towson studio.

This Thursday, the show returns to the radio station for the third time with an eclectic lineup that will focus on the theme of “generations.” Grammy-nominated singer-songwriter Raul Midón will perform alongside up-and-coming neo-soul singer Madison McFerrin (daughter of the legendary vocalist Bobby McFerrin); Nepalese folk icon Prem Raja Mahat (who also owns Mt. Vernon’s House of Nepal and is known as the Bob Dylan of the Himalayas) will team up with India-born, Peabody-trained opera singer Shurmi Dhar; and D.C. jazz singer Akua Allrich will pay tribute to Nina Simone and Miriam Makeba tributes with Shodekeh, who also serves as the evening’s host.

“We all have different abilities that will keep us on our toes,” says Shodekeh. “There’s no saying who will steal the show.”

As in past Embody shows, there will be no instruments or effects involved in the performances beyond that of the human voice. “The voice is the most intimate instrument, because we all have one and it literally comes from inside of us,” says Sam Sessa, Baltimore music coordinator at WTMD and co-host of Embody. “One of the trickiest things about Embody is just explaining it. A lot of people have never heard of a show like this before.”

The closest frame of reference for most music fans is a cappella, but as Shodekeh explains, “It’s really not the same. We’re pulling from traditions outside of just one technique, or genre, or language. We’re using this opportunity to push the boundaries of what the voice can really do . . . It’s really a beautiful moment of exploration.”

Before finding a home at WTMD three years ago, Embody was founded by Shodekeh as an experimental “lab” series in 2010. Over the years, performances have included some of Baltimore’s most talented artists, such as Soul Cannon emcee Eze Jackson, hip-hop powerhouse Joy Postell, Future Islands frontman Samuel T. Herring, and electronic musician Dan Deacon. This week’s performance kicks off at 8 p.m. and will also be broadcast live on 89.7 FM.

“I remember after the second Embody Lab we did at the Metro Gallery,” says Shodekeh, “I was standing outside, and I saw somebody from the audience say to a friend, ‘Oh my god, you just missed it, Embody just finished, it was amazing.’ And she said, ‘Oh, what was it?’ He said, ‘It was all voice.’ And she goes, ‘Oh, like spoken word [poetry]?’ And he says, ‘No…it was spoken soul.’ That to me encapsulate what we look to cultivate with Embody.”

When Peggy Hoffman curated monthly art exhibits on the top floor of Minás Gallery, owned by her partner Minás Konsolas, she would often organize concerts, poetry readings, and other events to branch out and draw in more people and merge what often seemed like distinct artist communities.

She spent 12 years there (she and Konsolas closed the Hampden business in 2014), and now, semiretired, provides management services for artists and curates the occasional exhibit—like the upcoming The Music, Seen, opening at WTMD in November.

Much like her vision while at Minás Gallery, the purpose of this show is to bring Baltimore’s creative communities under one roof.

There will, undoubtedly, be live music for the opening, which runs from 5:30 to 8:30 p.m. November 1. Greta and Joe, who play a lot of instrumental jazz standards, will take the stage during the reception.

“We kind of get in our own creative silos,” Hoffman says. “My approach to curating this show was to bring people together who don’t normally interact. . . . The station is connected to an extensive network of curious, engaged people from the music community. My objective is to expose new groups of people to artwork. WTMD’s objective is to build community through music. The exhibition is a great fit for both of us.”

The show includes about 50 pieces of original, musically-inspired work by five Maryland artists: Landis Expandis, Konsolas, Cody Pryseski, Watson, and Kristin Wiebe, each of whom has interpreted the musical theme in his or her own way.

Landis Expandis may be best known for his role as lead singer and drummer of the All Mighty Senators (or more recently as a Baltimore DJ), but he also works in visual art, creating colorful, loose acrylic paintings, often with a nod to music. It only made sense to feature him in this exhibit, as his work—and life—bridges together music and art.

A Maryland Institute College of Art graduate, Konsolas is working in collage and cardboard for this exhibit, though in the past he’s been known primarily as a painter and owner of Minás Gallery.

Pryseski, who has a studio in Fells Point, is known for his hyperrealistic figure paintings but is trying something new for this show: abstract portraits. The pieces reference songs that are connected to people and memories, and they are meant to evoke an emotional response, much like the way music does.

Also based in Baltimore, Wiebe works primarily in acrylic on canvas, drawing inspiration from such masters as Matisse and Gaugin and also through her former work in international human rights.

A graduate of the arts program at Towson University and now based in Frederick, Watson makes mixed-media pieces with a gritty, urban motif, often incorporating signage and graffiti.

The work will be hung throughout the WTMD building in Towson—the reception area near the entrance, the conference room, and one or more hallways. The majority of the pieces were created specifically for the show, Hoffman says.

The first show she curated in the space was held in November 2017 and titled Rhythm and Muse. It featured work by five artists, as well, including one overlap (Landis Expandis and Konsolas both showed their work), and Fractal Cat played the opening. Hoffman is planning a third exhibit with WTMD that won’t be music-themed, slated to open in the spring of 2019.

WTMD has served as a venue for about half a dozen shows in the past. Sam Sessa, music and media relations coordinator at the station, says that Rhythm and Muse was one of the most well-attended, bringing about 200 people to WTMD for the opening reception. “I was blown away. The response was overwhelming, and all the artists in last year’s show sold pieces,” he says. “Any time we can bridge art and music, that’s what we’re trying to do.”

Visual Art

Perspectives: Annual Highlandtown Arts District Exhibition
Head to the Amalie Rothschild Gallery at Creative Alliance to view this showcase featuring artists who live and work in the Highlandtown Arts District. Entrants into the annual competition were asked to submit works that display their personal perspective on the world around us, and the winner will earn their own solo exhibition at the gallery in 2020. Kick off the annual celebration of Highlandtown’s artistic community with a reception on Oct. 19 from 6-8 p.m. Reception from 6-8 p.m. Oct. 19; show on view during gallery hours through Nov. 10. Amalie Rothschild Gallery at Creative Alliance, 3134 Eastern Ave.

Atomic Banana: Emotion and Heirospliffics Exhibition
Where language fails, symbols fill in the blanks and bring people together. Artist Gerry Mak knows that better than most, and his new exhibition at the Waller Gallery seeks to explore the significance of symbols in the information overload of modern life. Need some help with interpretation? Not to worry, Mak will be on hand on several occasions throughout the exhibition’s six-week run for artist talks and tours. Opening and artist tour from 6-9 p.m. Oct. 20; Make Studio Panel from 3-5 p.m. Oct. 27; Closing cocktails and artist talk from 7-10 p.m. Dec. 1. Waller Gallery, 2420 N. Calvert St.

The Necessity of Tomorrow(s): Hank Willis Thomas
The latest installment of this free BMA series exploring the relationships between art, race, and social justice hosts Hank Willis Thomas, cofounder of For Freedoms, a platform for creative civic engagement, discourse, and action. This year For Freedoms launched the 50 States Initiative, a nationwide public art project to place provocative artist-designed billboards in every state (plus Puerto Rico and Washington, D.C.) during the 2018 midterm elections and the largest creative collaboration in U.S. history. The billboards are now up throughout the country, and the group hopes to foster civil discourse and engagement through their installations and artist and institution partnerships, including those with MICA and the BMA. Reception at 5 p.m.; Doors at 5:30; Artist talk begins at 6 p.m. Oct. 17, Falvey Hall at MICA, 1301 W. Mt. Royal Ave.

Music

WTMD Towson Rock Block
Grab the whole family and spend your Saturday celebrating one of Baltimore’s favorite radio stations. As part of their 15th Birthday Celebration WTMD is closing down the block for a full day of music, food, drinks, and art. Hear from Brooklyn psychedelic rockers Sunflower Bean, John Brodeur’s Bird Streets, and German indie-pop duo HAERTS as you wander the Art Village and grab good eats from local spots such as Cunningham’s, The Point, and Burger Bros. 4-9 p.m. Oct. 20, 1 Olympic Pl.

Theater

A Chaste Maid in Cheapside
Follow Moll Yellowhammer as she sets out to marry her true love in this 1613 comedy presented by The Baltimore Shakespeare Factory. Don’t miss your chance to see Thomas Middleton’s scandalous romp through London (performed by an all-female cast in this production). This masterpiece of Jacobean city comedy is rarely staged. Oct. 26 through Nov. 18, The Great Hall Theater at St. Mary’s Community Center, 3900 Roland Ave.

Sweat
If last year’s performance of Lynn Nottage’s Intimate Apparel is anything to go by, this staging of the playwright’s Sweat is sure to be a hit. Everyman Theatre’s Dawn Ursula and Deborah Hazlett star in this tale of two working-class friends, their tight-knit community, and the unpleasant realities that could force them apart, which won Nottage the 2017 Pulitzer Prize for Drama. Oct. 23 through Nov. 25, Everyman Theatre, 315 W. Fayette St.

Evil Dead: The Musical
Want to mix up your Halloween season with a theater experience beyond Rocky Horror? Look no further than Motor House, where Deer in the Spotlight Productions is bringing Evil Dead to the stage with music, comedy, and a bloody splash zone. If it’s been a while since you’ve seen the cult classics, you may want to binge beforehand. This show covers Evil Dead, Evil Dead 2, and Army of Darkness. And we shouldn’t have to say it, but maybe leave the kiddos at home for this one. The show is recommended for ages 16-plus due to violence, language, sexual situations, and gore. 8 p.m. Oct. 19-20 and Oct. 26-27, Motor House, 120 W. North Ave.

Film

The Art of Style
Join professional skaters Joey Jett, Mike Vallely, and Ron Allen for this demonstration, art show, and screening of Jett’s film The Dream to benefit Jake’s Skate Park and Sharp Dressed Man. The 20-year-old Jett, a Baltimore native, directed, edited, and stars in the film showcasing original skate tricks performed all over the world. At this final premiere of The Dream before it’s released Oct. 22 viewers can also snack on local bites, sip on beers from Key Brewing, and catch a live set by local rockers To The Moon. 7-9:30 p.m. Oct. 20, Coppermine Field House at Du Burns Arena, 3100 Boston St.

Literary Arts

The Art of Making Books
Ever wonder how those beautiful tomes on antiquarian shelves came to be? Join Ink Press Productions founder Amanda McCormick to learn about bookbinding and printmaking, as well as how the way a book is made helps tell its story. Attendees will be learn about the process using tools, supplies, and reference materials supplied by the workshop, which is part of a five-event series presented by Greedy Reads and D.C.-based arts/literature programming group MoonLit. 6:30 p.m. Oct. 25, Greedy Reads, 1744 Aliceanna St.

What started out as an experiment—exposing people to concert symphony orchestra music by way of indie rock—has gained such rapid popularity, Baltimore Symphony Orchestra’s Pulse concerts have become some of the most sought-after events to attend in the city.

In its fourth season, the series pairs an indie music act with work by a composer that complements it, performed by the BSO. These are three-set concerts: a first set by the BSO (almost like an opening act), the next by the indie artist, and a third by the indie artist backed by the BSO. Between sets, WTMD’s Alex Cortright talks with the artists onstage.

The BSO continues to push the boundaries with this season’s lineup, featuring Dan Deacon, Rhiannon Giddens, Kelela, and Parquet Courts.

As BSO associate conductor Nicholas Hersh, who conducts the shows, puts it, this season will offer “perhaps our most daring and diverse lineup of musical talent yet,” as each artist represents a unique genre.

Ethiopian-American singer-songwriter Kelela kicks off the season October 25 with her soulful vocals; post-punk rockers Parquet Courts will host a fun, upbeat show on November 29; Baltimore’s electronic-music icon Dan Deacon will bring his DIY aesthetic and eccentricity on January 17; and Grammy-nominated banjoist Rhiannon Giddens of the Carolina Chocolate Drops, who is recognized internationally for her original songwriting and vocals that blend gospel, jazz, blues, and country, will play May 16.

Past seasons have brought the likes of Esperanza Spalding, Wye Oak, and Valerie June to the Meyerhoff Symphony Hall stage.

“It’s supposed to be flexible,” says Hersh, who co-curates the series. “We don’t want to do the same thing over and over, so we get feedback and implement changes.”

Attendance has been up for the shows, which have also proven to draw a younger audience to the symphony hall.

These casual concerts—where you can buy beer and bring it to your seat—kick off with a happy hour in the lobby, where local musicians perform in a party-like atmosphere.

Betty Davis is a legend.

If you know who she is.

The revolutionary psychedelic-funk singer, affectionately known as the “Queen of Funk” in 1960s and ’70s Greenwich Village, put out three solo albums and radically changed music history. She wooed Miles Davis—marrying him, introducing him to the likes of Jimi Hendrix and Sly Stone, altering his musical direction—then left him within a year. She exploded on the scene . . . and then pretty much disappeared for more than three decades.

In the 2017 documentary Betty: They Say I’m Different, the title of which is named after one of her studio albums, she resurfaces in Pittsburgh 35 years after vanishing from the spotlight. We hear her making a telephone call in the film’s trailer: “After all this time,” she says, “I’m ready to tell my story.”

WTMD will host the Maryland premiere of the film on June 28 at the WTMD studio in Towson. Doors open at 7:30 p.m. for the free event, and the film starts at 8.

“She was an enigma,” says WTMD general manager and program director Scott Mullins, who curates the film series there. A funk and soul DJ who has hosted WTMD’s Dirty Soul Party for nearly 20 years, Mullins found her as a record collector, “just digging through old 45s—crate digging, as we call it.”

Her records were out of print for 40 years, and they became highly coveted as funk and soul DJs discovered them recently, elevating her to cult figure status as a radical pioneer of black women’s music.

“As her reputation grew, I think that sparked the filmmakers,” Mullins says. “Now she’s in the limelight again because of this growing interest in her music. It’s a classic case of an artist ahead of her time. She was too hard-edge, too out-there. Her voice, the music, the production—it’s really hard-hitting, edgy, deep funk.”

From those early recordings, Davis has gone on to influence contemporary artists up through today, Macy Gray and Erykah Badu among them. The documentary has been screened in a handful of places in the U.S., and WTMD staff is psyched to be able to provide a free screening for the film’s Maryland premiere.

“It coincides with our mission,” Mullins says. “These artists deserve to be heard.”

EAT

June 15-17: The Big Softy Pop-Up at R. House

R. House, 301 W. 29th St. Fri. and Sat. 9:30 a.m.-10 p.m., Sun. 9:30 a.m.-9 p.m. Free. 810-531-8022.

Soft-shell crab season is in full swing, and to celebrate, local chef Craig Falk is bringing his crustacean-centric pop-up concept to R. House for a few days of deep-fried deliciousness. This weekend, head to Remington’s popular food hall to get your hands on the Big Softy’s namesake soft crab sandwich, as well as daily specials like wild mushroom crab pasta on Friday, crab-and-corn stuffed squash blossoms on Saturday, and crab cakes for a dad-approved brunch on Father’s Day.

DRINK

June 16: Baltimore Wine Fest

Canton Waterfront Park, 3001 Boston St. 12-7 p.m. $15-89. 410-409-7123.

With temperatures predicted to climb into the mid-80s on Saturday, cool off with a few glasses of vino and a stroll around the picturesque Canton Waterfront Park. A ticket to this fourth annual festival allows you to sip on a selection of more than 160 wines from around the world, and pair your vintages with bites from local favorite like Ekiben and Taharka Brothers Ice Cream to balance out the buzz.

SEE

June 16: 1 West Mount Vernon Place Opening Celebration

The Walters Art Museum, 600 N. Charles St. 11 a.m.-4 p.m. Free. 410-547-9000.

This Saturday marks the grand unveiling of The Walters Art Museum’s magnificent new 1 West Mount Vernon Place. After a four-year revitalization process, this 19th-century mansion has received a stunning facelift, with its Tiffany stained-glass skylight and grand spiral staircase on display in all its restored glory, plus a new ceramics exhibition on the second floor. Celebrate this historic space in the heart of Mt. Vernon with a block party featuring live music, eats from Dizzy Cow Pizzeria and Mr. Souvlaki, and ceramics-themed activities.

HEAR

June 16: Baltimore Band Block Party

WTMD, 1 Olympic Pl., Towson. 2-10 p.m. $20-60.

WTMD’s First Thursdays concerts are the see-and-be-seen shows of the summer, both for the fans in the crowd and the bands onstage. On Saturday, head to WTMD Studios to support local acts like singer-songwriter Shelby Blondell, dream-pop sirens Waterplanet, and epic rockers Lenore LeNoire as they compete for the chance to join the September lineup. During this annual fundraiser for the alternative radio station, each ticket buys a vote for your favorite act to perform a live set that night and to move onto the final round of this high-stakes competition.

DO

June 15-17: Baltimore Pride Weekend

Old Goucher, Charles North, & Station North. Locations & times vary. Free.

Rock your rainbow gear and celebrate Baltimore’s vibrant LGBTQ+ community during this weekend’s 43rd annual Baltimore Pride. With a jam-packed weekend of events, kick off the festivities on Friday night with the Twilight on the Terrace benefit cocktail party at Gertrude’s, a drag show at the First Unitarian Church of Baltimore featuring local queens Dusty Ray Bottoms and Washington Heights, and GayCon, a new Pride dance party created by Abdu Ali and featuring performances by DDm. On Saturday, join thousands at the annual big-bang block party, featuring the high heel race up Cathedral Street, the colorful 11-block parade to Station North, and headline performances by Baltimore Club maven TT the Artist and rising hip-hop artist Taylor Bennett. To wrap up the weekend, head to Druid Hill Park on Sunday for a family-friendly festival with live music, face-painting, and drag performances.

 EAT

May 5: Papi’s Cinco In The City

Central Plaza at Harbor Point, 1310 Point St. 12-7 p.m. $10.50-70.68. 410-299-8480. 

Since this Fells Point taco joint opened its doors in 2014, Papi’s annual Cinco de Mayo event has been a can’t-miss fiesta filled with salt-rimmed margaritas and Mexican street fair-inspired bites. This year, Papi’s is raising the bar with an all-day celebration at Harbor Point, featuring live Latin music from Mambo Combo and Zakke Latin Fusion Band, taco-eating contests, and even a live donkey. Along with Papi’s signature street tacos, nachos, and elote, nosh on Alexander Tavern’s Mexican-inspired tot-chos and baja chicken sliders at this inaugural festival.

 DRINK

May 5: Kentucky Derby Block Party

The Chasseur, 3328 Foster Ave. 12-8 p.m. $10. 410-327-6984. 

The 143rd Preakness Stakes is only two weeks away, but if you can’t wait until then to get your horse-racing fix, head to this Canton corner bar to celebrate “the greatest two minutes in sports.” The Chasseur is pulling out all the boozy stops for its fifth annual derby block party, including brewery tents and trucks from local favorites like Union Craft, Waverly Brewing, and Monument City, as well as a vodka bomb special and a mint julep bar for something a little stronger. Snack on eats from local food stands (featuring sweets from Cream Cruiser and Balti’Marons) and catch live music performances by bluesy band Ricky Wise & The Dirty Unit, as well as DJ AYYYE ONE, AstroSquid, and Victims of Experiences.

 SEE

May 5: Kinetic Sculpture Race

American Visionary Art Museum, 800 Key Hwy. 9 a.m.-7 p.m. Free. 410-244-1900. 

This year marks the 20th anniversary of the American Visionary Art Museum’s weird and wonderful event that challenges contestants to race handmade, human-powered sculptures through 14 miles of land, water, and mud. Watch from the sidewalk (we recommend braving the crowds for a spot at Canton Waterfront Park or Patterson Park) as these motorized works of art, decorated to fit the theme “Mysteries & Tall Tales,” compete for awards like “Worst Honorable Mention” and “Grand Mediocre Champion.”

 HEAR

May 5: Mini Masquerade Ball

Modell Performing Arts Center at The Lyric, 140 Mt. Royal Ave. 10 a.m.-12 p.m. Free-$17. 410-704-8938.

Just when we thought WTMD’s kiddie concert series, Saturday Morning Tunes, couldn’t get any cuter, they throw a masquerade-themed party packed with enough music and entertainment to leave their pint-sized listeners (and their parents) ready for a nap by noon. This Saturday, bring the kiddos to the Lyric to hear a family-friendly set by the Bachelor Boys Band, dance with a hula-hooping stilt walker, and design colorful masks to wear during the party.

 DO

May 4-5: FlowerMart

Mount Vernon Square, 699 Washington Pl. 11 a.m.-8 p.m. Free. 410-274-5353.

Before the clouds roll in this weekend, head to Mt. Vernon Place for this beloved springtime celebration filled with flowers, colorful hats, and classic lemon peppermint sticks. At this 107th annual festival, kick off spring in the city with arts and crafts vendors, live music and entertainment, and plenty of Bawlmer-style eats like Maryland crab cakes and pit beef sandwiches. Stick around on Saturday to see the parade of pets dressed in their best spring outfits and the annual maypole dance.

 EAT

April 20: Taste of the Marketplace

Mt. Vernon Marketplace, 520 Park Ave. 11 a.m.-11 p.m. Free. 443-796-7393.

This communal food hall is one of our favorite places to grab grub in Mt. Vernon, but with a wide range of tasty offerings, it can be hard to choose between options like sandwiches from Cultured and homemade soup from Prescription Chicken. Thankfully, their $5-vendor deal returns this Friday with one-day specials like chicken souvlaki with pita and tzatziki from Mr. Souvlaki, Nutella crepes from Crepes by Mina, shucked oysters from The Local Oyster, and black bean burgers from Big Bean Theory. Even Taps Fill Station, their zero-waste bar, is pouring out glasses of beer and wine for only a fiver each.

 DRINK

April 21: Monument City Brewing Company One Year Anniversary

Monument City Brewing Company, 1 N. Haven St. 12-7 p.m. Free. 443-529-8131.

It’s officially been a year since brothers Ken and Matt Praay opened the doors to their Highlandtown brewery, and they’re celebrating its first birthday with local bands, food, and even anniversary T-shirts and glassware. On Saturday, swing by the taproom to raise a glass to the beer that started it all—the Maryland-inspired 51 Rye—and drink your way through the more than 20 beers on tap. Stick around to hear live music by local artists Nate McCormick, Bryan Ewald, and Americana darlings Haint Blue, and soak up the suds with snacks from local eateries Snake Hill, Cocina Luchadoras, and The Local Fry.

 SEE

April 22: Odyssey: Jack Whitten Sculpture

The Baltimore Museum of Art, 10 Art Museum Dr. 1-5 p.m. Free. 443-573-1700.

Beginning this Sunday, The Baltimore Museum of Art will display the first exhibition dedicated to sculptures by the late Jack Whitten, a renowned contemporary artist who has become a major influencer of emerging African-American artists. Though he’s largely known for his powerful paintings and mixed-media work, this collection uncovers 40 of his sculptures inspired by African, Minoan, and Cycladic art and carved from materials like wood, marble, copper, and bone. At this opening celebration, enjoy an afternoon of wood assemblages and marble-carving demos, musical performances by saxophonist Sarah Hughes and Sypros Koliavasalis and his trio, as well as discussions led by Odyssey curator Katy Siegel and associate curator of African Art Kevin Tervala.

 HEAR

April 21: WTMD’s 4th Annual Brews & Bands

WTMD, 1 Olympic Pl., Towson. 12-4 p.m. Free-$25. 410-704-8938.

We can hardly wait for the return of WTMD’s First Thursdays concert series in two weeks, but until then, their annual Brews & Bands event will have enough homegrown talent and all-you-can-taste beers to keep us at bay. This Saturday, head to the Towson studio to hear Arty Hill and the Long Gone Daddys’ twangy tunes along with the Hall Williams Band’s uplifting roots-funk-jazz combo. Get a solid day-buzz on this sunny afternoon with unlimited tastings from 16 local brewers including Heavy Seas, The Brewers Art, and Peabody Heights, plus afternoon eats from Cunningham’s and The Local Oyster. 

 DO

April 21: Greener Fest  

Diamondback Brewing Company, 1215 E. Fort Ave. 12-11 p.m. Free. 443-388-9626.

Since taking over the former factory on Fort Avenue two years ago, Diamondback Brewing Company has filled thousands of glasses and growlers with its best-selling Green Machine IPA. This Saturday, during the brewery’s “greenest” event of the year, they’ll release the Greener Machine, an imperial version of the original, and Cold Taxi, a zwickelbier inspired by old-world lagers, while relishing in some spring fest fun. Spend the day in Locust Point noshing on El Gringo’s tacos and Smoke’s BBQ, listening to live music by The High and Wides and Ampersand Stringband, and—if you’re feeling brave—gulping down two tacos, one Choco Taco, and 16 ounces of Cold Taxi beer in an eating competition.

With spring officially upon us, it’s time to start looking ahead to outdoor concert season. Each year, that starts with First Thursdays, presented by Towson’s alternative radio station WTMD.

From May through September on the first Thursday of the month, music lovers from near and far flock to the Canton Waterfront to hear a mix of local and national talents perform against the backdrop of the Baltimore harbor. Last year, the beloved monthly music festival grew from one to two stages, now including six bands and drawing thousands of attendees.

This year, 89.7 FM kicks things off on May 3 with an all-star lineup, featuring alt-rock legends Belly, who will be headlining in celebration of their first new album in 23 years, as well Philly rockers Low Cut Connie, D.C.’s roots band The Nighthawks and blues group Tom Principato Band, as well as Baltimore’s own soulful Ursula Ricks Project.

Throughout the rest of the summer, the series will highlight big-name acts like charismatic indie-soul quartet Lake Street Dive, soul sensation Bettye LaVette, and former Black Crowes bandmate-turned-Southern solo artist Jackie Greene. Local artists like power pop singer Andy Bopp and Cali-by-way-of-Ellicott City native Lauren Ruth Ward will also be in tow, plus indie darlings like Richmond pop singer Natalie Prass, San Francisco folksters The Family Crest, and L.A.’s electric Lo Moon.

The event will now include 15 food vendors, including Asian street-food eats from Ekiben, creative ice cream flavors from Taharka Bros., and farm-to-table fare from Wild Thyme. 

As in past years, the concerts are free and rain or shine. Music starts at 5:30 p.m.

See the full lineup—as of press time—below:

May 3: Belly, Low Cut Connie, Loma, The Nighthawks, Tom Principato Band, Ursula Ricks Project

June 7: Family Of The Year, Typhoon, Jessica Lea Mayfield, Danielia Cotton, Natalie Prass, Lauren Ruth Ward

July 5: Lake Street Dive, Andy Bopp, Van William, The Glorious Sons, etc.

Aug. 2: Bettye LaVette, Lo Moon, The Family Crest, The Legendary Shackshakers, Dave House & The Mermaid, etc.

Sept. 6: Jackie Greene, Daniel Nicole, etc.

Five things to eat, drink, see, hear, and do with your Charm City weekend.

 EAT

March 24: Grand Opening of Roll Ice Cream & Coffee

Roll Ice Cream & Coffee, 3222 Eastern Ave. 12-5 p.m. Free. 443-595-7655.

Even though Winter Storm Toby ruined the first days of spring, that won’t stop us from celebrating the new season with warm-weather festivities. This Saturday, head to Highlandtown for the grand opening of this brand-new ice cream shop, featuring the trendy frozen treat and Thai street-food eat, rolled ice cream. Enjoy free samples, enter to win free ice cream for a year, and watch a live performance by the Baltimore Symphony Orchestra’s OrchKids. And if you’re feeling brave, participate in their inaugural ice cream eating contest. Just brace yourself for the impending brain freeze.

 DRINK

March 23-25: Maryland Day Celebration

The Brass Tap at The Fitzgerald, 1205 W. Mt. Royal Ave. 11 a.m. Free. 888-901-2337.

It’s been nearly four centuries since a group of European settlers first stepped off their ships and onto Maryland’s western shore. Now, we’re celebrating the anniversary of those settlers discovering our great state with events across the city—from museum exhibits to county-wide festivals. At the Brass Tap, more than 20 breweries will showcase two of their best made-in-Maryland brews in this boozy tribute to the Land of Pleasant Living. Expect local favorites like Union Craft, Monument City, and Peabody Heights, DuClaw Brewing, Heavy Seas, and Maryland’s only woman and minority-owned brewery, Denizens Brewing Co. 

 SEE

March 23-25: School of Rock

Hippodrome at France-Merrick Performing Arts Center, 12 N. Eutaw St. Fri. 8 p.m., Sat. 2 & 8 p.m., Sun. 1 & 6:30 p.m. $49-107. 410-837-7400.   

Get ready to pledge your allegiance to the band. Based on the hit comedy film of the same name, Broadway’s School of Rock musical follows wannabe-musician-turned-substitute teacher Dewey Finn as he transforms his fifth-grade class into a pint-sized rock band. This weekend at The Hippodrome, hear all the original songs from the movie plus 14 new guitar-shredding pieces from composer Andrew Lloyd Webber. Jack Black not included—sadly. 

 HEAR

March 23: Mortified

WTMD, 1 Olympic Pl., Towson. 7:30-10 p.m. $20. 410-704-8938. 

There’s probably nothing more embarrassing than reading your middle school diary in front of a crowd of strangers, and yet Mortified, the largest and longest-running project of its kind, is bringing grown men and women to the Towson radio station to do exactly that. This certifiably cringe-worthy evening of comedy comes to the stage with stories of love letters and home videos, reminding us all of one simple truth—at the end of the day, we’re all awkwardly human. If you can’t make it, tune in to 89.7 FM for a live broadcast.

 DO

March 23: Art After Hours: Moondust & Stargazing

The Baltimore Museum of Art, 10 Art Museum Dr. 8-11 p.m. $10-25. 443-573-1700. 

This Friday, immerse yourself in all things lunar in honor of The Baltimore Museum of Art’s newest installation, Moon Dust. At this cosmic party, dance beneath Spencer Finch’s shimmering installation to music by DJ Trillnatured, sip on moonshine by the Baltimore Whiskey Company, and experience the scents of night-blooming flowers with local body-care company Priya Means Love. From stargazing on the museum’s steps to making a take-home sparkling constellation, revel in the chance to experience the museum, fittingly, at night.

Five things to eat, drink, see, hear, and do with your Charm City weekend.

 EAT

Feb. 16-18: Chinese New Year

The Elephant, 924 N. Charles St. 5 p.m.-12 a.m. 443-447-7878. 

If you’re ready to hit the refresh button after the first 44 days of 2018, start the year over with a Chinese New Year-inspired main course at The Elephant. This weekend at the historic mansion in Mount Vernon, executive chef Orlando Amaro is serving up peking duck, a famously celebratory dish with Beijing roots. Prepared five days in advance with a perfectly crisp crust, this dish guarantees a positive start to the year of the dog.

 DRINK

To Feb. 18: Union Pinewood Derby

Union Craft Brewing, 1700 Union Ave. 12-5 p.m. $5-10. 410-467-0290.

This Sunday, put your cub, boy, and Eagle scout merit badges to the test and head to Union Craft Brewing to compete in an old-fashioned pinewood derby. Yes, we’re talking about the wooden toy race cars that prevailed in the ’50s, so ride this wave of nostalgia and grab a build kit, make a racer, and run it down their 40-foot derby track. Racers can design their cars however they want—shaped like a beer bottle, sporting the Maryland flag, or mirroring the Batman mobile—and compete to win a trophy and a can of every 2018 special release beer. If you’d rather watch the four-wheeled waggery from the sidelines, grab a few Duckpins and soak up the suds with signature wood-fired pies by Well Crafted Pizza.

 SEE

Feb. 17: Baltimore’s Legends & Legacies Jubilee

Frederick Douglass-Isaac Myers Maritime Park and Museum, 1417 Thames St. 12-4 p.m. Free. 410-685-0295.

This week, Governor Larry Hogan officially proclaimed 2018 as the “Year of Frederick Douglass,” a fitting move since the father of the civil rights movement turned 200 this year. His birthday celebration continues this Saturday at Baltimore’s Legends & Legacies Jubilee, where visitors can check out interactive exhibits from local museums, sample eats from Popsations and Connie’s Chicken and Waffles, and get an up-close look at the new Frederick Douglass wax figure. Another local legend, Baltimore’s own Davon Fleming, who stole our hearts during his time on NBC’s The Voice, will host a singing competition for any brave challengers.

 HEAR

Feb. 16: Classical Music for People with Short Attention Spans

WTMD, 1 Olympic Pl., Towson. 8-10:30 p.m. $12-15. 410-704-8938.

If you get antsy and bored during a 2-hour classical music program, don’t worry, you’re not alone. Classical Revolution Baltimore, a collective of musicians that performs classical music in non-traditional spaces, is pairing up with WTMD to present a program that’s perfect for people with short attention spans. In this “Cliffs Notes of Classical Music,” hear the most notable parts of well-known classical pieces (think Mozart’s “Lacrimosa” and Beethoven’s “Symphony No. 7”) featuring performances from local artists Pique Collective, Outcalls, and Dominic Shodekeh Talifero. If you can’t make the performance, tune into the live broadcast on 89.7 to hear this one-of-a-kind mix of classical and contemporary ensembles.

 DO

Feb. 16-17: Frozen Harbor Music Festival

Locations & times vary. $20-120. 443-579-7766.

We might be weeks away from warm weather and music festival season, but we can always count on the Frozen Harbor Music Festival to start the party early. With a forecast of cloudy skies, rain, and snow on Saturday, the harbor will indeed be frozen while this 2-day festival hosts 160 acts across 10 stages downtown. Build an itinerary, map out your weekend, and hop from venue to venue to catch local and national artists, including big names like Keller Williams and George Clinton and Maryland favorites like Jimmie’s Chicken Shack and Sam Grow. 

Legends of Et cetera members Serena Miller, Graham vonBriesen, and Jakob Coburn might only be in high school or college, but their sound is already beyond their years. The band has quickly become one of the city’s indie rock darlings with attention from WTMD and a new record, Cardboard City, to prove it. We talked to frontwoman Miller about maintaining the band while in school, addressing social issues, and Baltimore’s scene of young musicians. Catch their album release show at the Towson radio station on January 12.

Despite your age, you guys have been a band for a fair amount of time. How did Legends get its start?
Do you want the long or short answer? Graham and I are cousins, so we’ve been playing together since we were able to play. We started this band called the Oxi-Morons when I was 11, with our keyboardist, Mack Watson, who I’ve been best friends with for 16 or so years. I met our drummer, Jakob, at the School of Rock in Baltimore. He saw me do a cover of this song “Cough Syrup” by Young the Giant and asked if he could put some drums to it. We officially formed Legends about four years ago, in 2013.

How did you personally get into making music?
When I was 5, my grandpa gave me this little drum set and I started teaching myself how to play. My dad played guitar all his life—he never took formal lessons but he’s as good as they come; he started teaching my mom how to play about 10 years ago and I thought, ‘If mom can learn, I can, too.’ I was exposed to all of my parents’ music, too, so all of that has sort of come together to influence the music in some way. The Police, U2, Peter Gabriel. Pink Floyd is still my favorite band. There is still some David Gilmour stuff that I sometimes try to do.

What was it about music that made you want to not only play but perform?
To be honest, I hate performing. But when I was 10, my parents signed me up—almost against my will—for School of Rock. After I put on one show, I was on board, but I was and still am very afraid to perform. It’s gotten better, to the point where I’m very nervous up until the show then am more comfortable by the time I get out on stage. But it’s taken 10 or so years to get to that point. I hate to think about how long it’s going to take until I’m finally free of that anxiety. I could be playing for five or 500 people and I’d feel the same either way. You’re in the spotlight, and I don’t like to be the person getting noticed. 

The singer is usually the starring role. How did that become part of your repertoire? 
I really don’t know. I would sing in the car—nothing special—and then one day at School of Rock, they asked me to sing. I remember vehemently shaking my head, like, ‘No, I will not.’ I was 10 or 11 at the time and my mom said, ‘How about this? If you sing, I’ll buy you a pint of Ben & Jerry’s.’ And so I sang, and they made me keep singing.

Did you eventually warm up to School of Rock?
I work for them now; I teach guitar at the school in Columbia. It was a very good environment to be exposed to as a kid. It not only exposes you to classic rock but it also gives you a chance to learn how to perform with other people. So many kids who came out of School of Rock are now very successful musicians. I’m glad that I let my mother make me do it. I met some of my band members there. I met a lot of my best friends.

You were there through high school, which can be a really difficult time of life. What was it like being in a band during that period?
It was a support system. It was stressful to try to get school stuff done while dealing with band stuff and scheduling gigs, but it was always something to look forward to. It was a sort of reward. School was annoying, but then every Sunday, you had this rehearsal with these guys that you loved and you’d be playing music that you wrote yourself. It was tough, juggling all of that, but it was always fun. 

Is that why the band has continued, even as some of you have gone off to college, because it’s fun?
Graham is still in high school. I’m a sophomore at Peabody Institute, where I’m studying composition, and Jakob is at Berklee School of Music in Boston. Our keyboardist, Mack, just recently left the band, partially because of school. But yeah, it’s partially because of band chemistry. It’s partially because we thought we had something good to put out into the world. 

With this new record, we were very excited because we got to record at Mobtown Studios, where one of my favorite local bands—Yo No Say—records. One of the days in the studio, Jakob just looked at me and said, ‘We have to keep doing this.’ Being in the studio boosts a band’s need to continue. The sound quality and the professionalism are just top notch. You get in there and listen to how your songs sound and you think, well, I can’t quit now. 

On this new album, Cardboard City, there’s a newfound richness and urgency to your songs compared to your debut, Coyote. Where does this come from?
I wrote most of these songs when I was a senior in high school, which is notoriously difficult for so many people. It was my last attempt at keeping the band together before college. Our song “Sydney” is named after our friend, and it’s kind of like when you’re not really ready, you’re broke, you don’t know what you want to do with your life. But you’re going to school anyway to figure it out. It’s a lot to think about, and to handle, and it brings up a hodgepodge of emotions.

That is a very specific moment that many people can remember or relate to. While you and your bandmates are young adults, do you try to write music for people your own age?
I’ve never had a target demographic in mind. I just write what I am feeling. But I think anyone can draw what they want from these lyrics and our music. I think, and hope, it can be accessible to everyone. “Queretaro” was about leaving for school, but also just about leaving, period. It’s about new things being difficult, and about getting over fears, and also about a struggle with depression and mental illness, which is something that I’ve had to contend with. It’s something that some of my friends, and a lot of people, have had to contend with.

You’ve addressed social issues through your music in the past, like Coyote’s “Aftermath,” touching on gay marriage, and this album’s title track, originally meant to tackle the country’s homelessness epidemic. Is being topical important for you as a songwriter?
Almost every song on the last album had some sort of political meaning, but I don’t think every song has to be that way. It’s good to have songs that are socially aware and that talk about important issues, but I think it’s okay to also have songs that are poetic and meaningful, even just to the writer. As a musician, you write what you know, and that can be a great way to put out all kinds of messages. 

You’ll be celebrating your album release at WTMD on January 12. How does it feel to be a part of that community now?
Baltimore is a really weird music scene, with a juxtaposition of so many different styles. Originally we started out performing blues songs, because I wanted to be Jimi Hendrix, and then we changed when more music became available and we started seeing more local shows. I’ve never really thought about being a part of the scene, but it is really exciting.

As for many of us, 2017 was a year of introspection and growth for the Baltimore music community. Familiar faces returned home, launched new ventures, or released seminal albums. New artists popped out of the woodwork and made their mark on the local scene. Collaboration was prolific, emotions were liberated, and a sort of homegrown catharsis ensued. A sense of change is in the air, and with the amount of talent we saw this year across all genres, we can’t wait to see what the future has in store for 2018. We couldn’t fit them all, but here are a handful of our favorite musical moments from the tumultuous past 12 months.

Abdu Ali launches a podcast.

This fall, Baltimore native/rapper/writer Abdu Ali got to add a new title to his resume: radio show host. In October, the local artist launched his first-ever podcast, DrumBooty Radio, in iTunes via Mask Magazine. Using his background in journalism, Ali talks with fellow creatives of color about the African-American experience. With five bi-monthly, hour-long segments now under his belt, Ali has interviewed the likes of local writer/editor Lawrence Burney of True Laurels, writer/social justice advocate Bilphena Yahwon, and writer/filmmaker Nia Hampton on topics such as the importance of therapy, being black in the DIY scene, and owning your own narrative. Through this new medium, featuring one special song per episode, Ali continues to craft compelling art in the audible form and shine a spotlight on our city.

Brooks Long sings “Blues for Freddie Gray.”

Local jazz legend Lafayette Gilchrist released a new album this spring with a powerful single titled “Blues for Freddie Gray.” Riddled with Gilchrist’s pounding piano keys, a full brass section, and the soulful vocals of old-school virtuoso Brooks Long, the song is post-2015 Baltimore in a bottle. The lively, driving number is full of energy and emotion, with audio samples from actual television footage following the death of Freddie Gray and subsequent officer trials. But despite the opening police sirens and closing whirr of a Foxtrot helicopter that both speak to the lack of closure in Gray’s case, Gilchrist ends on a hopeful note. “I want to know that there’s a day that’s coming soon and fast,” howls the ever-talented Long. “I want a justice and a peace that’s made to last and last. Don’t ya tell me that we can’t all get it done.” 

Dan Deacon celebrates Spiderman of the Rings.

A lot has changed for Dan Deacon since the release of this seminal record some 10 years ago. He’s grown from a quasi-known experimental musician to a nationally acclaimed artist. His music has become a soundtrack for the New York City Ballet; his mad-scientist compositions have scored award-nominated documentary films. And yet, to celebrate the anniversary of this record, Deacon returned home to perform at the kind of DIY space that started it all. At 2640 inside St. John’s United Methodist church, his exuberant melodies led the city’s most die-hard music lovers through a journey back in time. They danced. They sweat. They stood in awe of Deacon’s humble musical mastery, along for the ride and forever thankful that he is and maybe always will be ours.

Future Islands performs four nights at the Ottobar.

When Future Islands announced a series of shows at the Ottobar this spring to commemorate the release of The Far Field, it seemed like the whole world was vying for a golden ticket in the heart-racing online lottery. When it was all said and done, Pitchfork was there, tuning the entire country in to hear the trio’s heartbreaking new record, but Baltimore was all in tow—John Waters and a medley of other notable hometown musicians included—to welcome the boys home. Through new hits (“Ran”) and old favorites (“Little Dreamer”), frontman Sam Herring sashayed across the stage, William Cashion plugged those iconic riffs on bass, and Gerritt Welmers let that swirling synth fill the sold-out room, it felt like our old hearts—full of local love—just might explode.

Good Fridays makes Baltimore dance again. 

Over a year ago, then-Baltimore arts and culture editor Gabriella Souza was on the phone with John Waters when she got an idea. The local auteur noted that his hit film Hairspray! had been inspired by the variety and dance television shows of the mid-20th-century that had sadly gone the way of the buffalo. Wouldn’t it be great, they mused, if people could get together—regardless of age, race, or class—to just dance like that today? With the help of PipeDreamz’s AC Miller-Abdullah and Baltimore contributor Cassandra Miller, Good Fridays Baltimore was born, bringing all walks of city life together for live music by the likes of Al Rogers Jr., Wendel Patrick, and Eze Jackson, local art by Shan Wallace and Aaron Maybin, and a free-for-all dance party featuring local DJs into the wee hours of the night. As the event continues to grow, we can’t wait to see what—and who—comes next.

J Pope and the HearNow release its long-awaited debut.

After years of performing around town, this alt-soul collective released its debut in June. Produced by local beat wizard Wendel Patrick, Soul Searching captures the dynamic sound of this prolific live-performing sextet—a unique fusion of soul and hip-hop with a touch of R&B and blues. The record highlights the honey-coated lyrical flair and fast-paced finesse of frontwoman Jasmine Pope and showcases the masterful improvisations of her dexterous band mates. From the highs of frenzied funk rhythms to the lows of slow burning jazz numbers, the HearNow touches on the ups ands downs of living as a working artist. This album is Exhibit A of the talent, dedication, and hard work it takes. 

Local musicians spin at Idle Hour.

Last fall, Friends Records began a new residency at our favorite vinyl-slinging dive bar, Idle Hour, in Riverside. With the watering hole newly reopened, we weren’t sure if the famed record player would live on, but thanks to the bar owners and Jimmy MacMillan’s roster of local artists, the ones and twos are alive and well curated. Hometown favorites like Blacksage, Natural Velvet, and Surf Harp have spun handpicked selections from their various genres of electronic R&B, post-punk, and indie rock. In 2018, we’d buy the bar a round of pickle backs to hear Bond St. District’s Unkle Lulu, Microkingdom, or Peals.

Micah E. Wood makes dating easier.

Perhaps our favorite album of the year goes to See Me by Micah E. Wood. On this new record, the local songwriter and music photographer tackles the trials of modern love, pulling our heart strings as he rolls through the tribulations of 21st-century romance with honesty, humility, and humor. In the poignant “Match,” Wood candidly delves into the brutal honesties of online dating. In his first single, “Without You,” his anthemic chorus sums up the jubilant feeling of finally getting over a breakup. In the buoyant “Something,” his bubbly beat embodies the beauty of letting your guard down and liking someone again.  We especially love the additions of fellow heart-pullers Joy Postell, :3ion, and the aforementioned Al Rogers Jr. Through tender electronic melodies and charming talk-sing vocals, Wood and company make our stone cold hearts—thanks a lot, Tinder—finally feel human again.

Natural Velvet drops a timely album on feminine rage.

We couldn’t have realized how much Natural Velvet’s new Mirror to Make You would resonate in 2017. But with a strong focus on “feminine rage,” as frontwoman Corynne Ostermann puts it, coinciding with the nation’s “silence breakers” that have shed fresh light on widespread sexual harassment and assault throughout multiple industries, we can’t help but find new meaning. Each song is a rebellious declaration of feeling and fury with unabashedly frank lyrics that dissect femininity and endorse the power of the female. Whatever your gender, listening to these songs is cathartic. You finish with the full weight of three small lyrics to live by from “Kronos.” “I am. I choose. I chose.”  

Opera singers unite to form Outcalls.

We love the ladies of Outcalls. With their glittering get-ups, engaging social media presence, and ambitious attitude, Peabody grads Britt Olsen-Ecker and Melissa Wimbish have catapulted themselves onto the local arts scene and created their very own genre along the way. While the band has been around since 2015, the classically trained singers have carved out a sort of baroque indie-pop music on this debut-like record, combining the classics of shimmering synth and shoegaze guitar with ethereal soprano harmonies and robust electronic rhythms that are as hypnotic as they are awakening. Witchy, somewhat tribal, and even a little bit dusty old Spaghetti Western, “Skip to Sunrise” has become one of our top songs of the year. 

Snail Mail shoots to stardom.

It wasn’t long after the 2016 release of Snail Mail’s debut album that Lindsey Jordan and her two band mates started to get national attention. The band’s lo-fi indie rock music was suddenly in the web pages of Pitchfork and, before long, sprawled across a feature in The New York Times. The trio sold out the Ottobar, recorded a NPR Tiny Desk Concert, went off on tour with indie darlings Beach Fossils, and then signed a deal with Matador Records. (We also awarded them a Best of Baltimore for “Rising Star.”) Fresh out of high school and already well beyond their years, it’s safe to say that they are, officially, the next big thing.

Super City get synchronized in infectious music video.

This year, the Baltimore music scene has really upped the ante when it comes to music videos, with few more shining examples than that of this playful spring take on Super City’s most recent single, “Artificial Sin.” The indie slow jam gets star treatment with fresh outfits and unexpected choreography as the band’s five musicians don white jumpsuits and leather Chelsea boots and use coy dance moves to tap, twirl, and even, in one moment, drop it like its hot in a room full of turtle-necked backup dancers. Special guests include Paul Hutson of Bond St. District and Olsen-Ecker and Wimbish of Outcalls, to name a few. You can’t watch it without wishing you were there, too. 

The Cardinal Sheehan Choir performs “Rise Up.”

In September, Baltimore middle schoolers went viral after a video of their choir rehearsal featuring a powerful performance of Andra Day’s “Rise Up” made its rounds, in the millions, around the Internet. Within a couple of weeks, they were performing live on “Good Morning America,” with Day herself responding with a special message for the students: “Your video was so powerful and moved me so deeply and is moving the entire nation right now…We appreciate you so much.” One of the more heartwarming moments of an otherwise turbulent year, the students later performed for Baltimore in their Loch Raven gymnasium, while choir director Kenyatta Hardison shared the back-story of their shot to fame. This below video went viral for us, too.

The Ottobar turns 20.

Two decades is an eternity in the lifetime of a rock club, let alone one in Baltimore where it seems like every old-school establishment is quickly being replaced with a glitzy sky-rise apartment building. But this September, the Ottobar turned a whopping 20 years old. From the rabblerousing rock years downtown on Davis Street to the wide-ranging lineups on Howard Street in Remington today, our dark, dingy, perfectly-imperfect music venue has remained the go-to spot for artists of all genres, still sticking to its unapologetic, underdog guns as more massive arenas open in D.C. and across the country. To celebrate, legends of the past—J. Roddy Walston, Wye Oak, Roads to Space Travel, Candy Machine—stepped back onstage to relive, and continue, the glory days.

WTMD launches kid-friendly Saturday Morning Tunes concert series. As a young father himself, Sam Sessa saw the conundrum: what happens when music lovers grow up and have kids?  They can’t just go see a show any old night of the week anymore. They have bedtimes—and pajamas to put on. Can they not have fun anymore? Enter Saturday Morning Tunes, Sessa’s brainchild concert for both the young and the young art heart. With a smattering of sold-out shows at both the Towson studio and Senator Theatre, and future plans to include more notable Baltimore bands that are otherwise not associated with the “kindie” genre, these weekend morning shows have quickly become a new favorite family ritual. Best of all, like sifting through an old record collection with your mom or sharing that old cassette tape with your son, it’s even an better opportunity for parents—however cool they used to be—to bond with their (hopefully) music-loving kids.