Golden Globe

Print is not dead at the Maryland Institute College of Art.

Lydia Woolever - June 2017

Golden Globe

Print is not dead at the Maryland Institute College of Art.

Lydia Woolever - June 2017

Left to right: Allison Fisher, Bob Cicero, and Mary Mashburn of Globe. -Christopher Myers

Allison Fisher is fingering through old wooden boxes filled with hand carved words—“LIVE!,” “NEW!,” “DANCE!,” and a handful of “Plus.” As head of the Globe Collection and Press at the Maryland Institute College of Art, she’s been charged with maintaining thousands upon thousands of these pieces of type from the massive collection of the iconic Globe print shop.

“This is just the tip of the iceberg,” says Fisher, as the archives also include famous posters, old business records, and a Rolodex featuring Tina Turner’s phone number. “We had 16 box trucks of stuff.”

Once one of the largest printmakers in the country, Globe was revered for its music and entertainment posters that promoted state fairs, drag races, and most notably, show bills for the top acts in soul and R&B. You’ve undoubtedly seen them: Think big, bold fonts, pops of Day-Glo color, and floating headshots of James Brown, Otis Redding, Marvin Gaye, or B.B. King. In its peak, the press was printing at least 20 jobs a day, at more than 100 posters each.


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But as the digital age took over and demand for print declined, Globe was forced to shut its doors in 2010 after more than 80 years. Fisher, a MICA senior at the time, swooped in to save the press, along with letterpress professor Mary Mashburn, fellow classmates, and second-generation Globe owner Bob Cicero, who wanted to keep the collection local and intact. 

“This is history,” says Cicero, who now teaches printmaking at MICA. “It’s a good feeling, passing it on.”

Today, not only is the collection alive and well in Bolton Hill, but its tools are still in use as students continue to make Globe’s trademark posters with that same energy and spunk. The community can view Globe works on the program’s recently launched website, in their Mount Royal Avenue window, and, by next fall, through a teaching collection of the best archives. 

As they continue to take new orders, “Globe moves forward,” says Fisher. “It keeps the spirit alive, and from that, new work emerges.”





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