With a signal that stretches from the Eastern Shore to Southern Maryland to Baltimore and Wilmington, WKHS is not just some small, in-house-only school station.
In some ways, the collection is as much about its founder Alberta Hirshheimer Burke, the intrepid Goucher College alumna who pursued Austen with a nearly messianic fervor, as it is about Austen herself.
An inside look at Station North’s community gathering space reimagined by artist duo Wickerham & Lomax, which is meant to be a place of reflection and vulnerability.
Welcome to our annual Give Baltimore guide, a resource for charitable organizations to share their missions and invite the generous support of Baltimore’s readers. Here we profile area nonprofits addressing the pressing needs of social justice, equity, climate change, food insecurity, and many others. We are pleased to again have Maryland Nonprofits, which provides start-up assistance, legal and consulting advice, advocacy, and professional training for the state’s 37,000 nonprofits, as our partner on this guide. There are many meaningful organizations where you can put your charitable dollars to work for the greatest good in the region. We hope this guide gives you both information and inspiration for your philanthropic journey.
The city’s OG film festival runs through Nov. 9 with an exciting program—including features, docs, shorts, and experimental works, many with Baltimore roots.
For the past 15 years, the Timonium club has hosted stand-ups of all ilk, from heavyweights—like Tracy Morgan, Nate Bargatze, and Richard Lewis—to up-and comers and down-and-outers.
On view Nov. 2 through next April, ‘American Sublime’ is a landmark retrospective featuring the former Baltimore-based artist’s most iconic works—thus far.
The Central Library has become a canvas for the NBA icon’s Baltimore story, told through sneakers, soundtracks, and the spirit of the city. Here's what you can't miss.
Filmed before a Judas Priest show at the Capital Centre in Landover in 1986, the 16-minute cult classic has been referred to as both the “seminal anthropological study of beer-swilling teenage metalheads” and “one of the greatest rock documentaries ever.”
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