Arts District

My Morning Jacket Rocks Merriweather Post Pavilion

The Columbia venue's recent renovations shine at MMJ, Jason Isbell show.

Earlier in the spring, we let you know that Merriweather Post Pavilion was undergoing some major renovations to update its nearly 50-year-old facade. Last night we got to see it first-hand as psychedelic rockers My Morning Jacket and Southern singer-songwriter Jason Isbell took the stage.

What was apparent right away were the more convenient west plaza renovations (to the right of the stage) that included a larger merchandise area and additional concession stands. There were barely any lines for food or drink, which now includes a variety of options like Hoffman’s pulled pork sandwiches, flavored frozen margaritas, and beer from Union Craft Brewing. Having those stands to the right of the stage was ideal proximity for those seated in the pavilion.

In regards to the show itself, Jason Isbell—former guitarist of the Drive-By Truckers who went solo in 2007—was a poignant and emotional opening act. A particular highlight was love song “Cover Me Up” off his critically acclaimed album Southeastern. His poetic songwriting shined through, both in the quiet moments of just him and his acoustic and the more forceful vocals backed by a talented band.

As the sun fell, the lights came on for headliner My Morning Jacket who, believe it or not, has been around for nearly 20 years. The Louisville natives create genre-defying music that dabbles in country, roots, jam, and rock. Frontman Jim James is a thrill to watch live, from his glowstick-lined blazer to all of his dizzying guitar solos. He even made mention that drummer Patrick Hallahan has spent a lot of time in Baltimore and loves the city.

The two-hour set included tracks off MMJ’s latest album The Waterfall and also crowd favorites “Off The Record,” “I’m Amazed,” “Gideon,” and the concluding crescendo of the ever-popular “One Big Holiday.” The tour is taking the band around the world but they’ll return to the East Coast in the fall.