With this intersection of art and anatomy, medical sculptors are like modern-day Michelangelos, creating facial and body prosthetics so lifelike, it’s hard to discern the difference between what’s man-made and what existed at birth.
With this intersection of art and anatomy, medical sculptors are like modern-day Michelangelos, creating facial and body prosthetics so lifelike, it’s hard to discern the difference between what’s man-made and what existed at birth.
How the volunteer-run nonprofit—which provides outreach to 12,000 foreign seafarers a year—assisted the Dali's 21 seamen as they were stranded in the middle of the Patapsco.
Journalist John W. Miller discusses his new book, 'The Last Manager,' an enlightening examination of one of baseball’s most successful and colorful leaders.
From the annual St. Patrick's Day Parade to a Daft Punk iteration of Music Under the Dome at the Maryland Science Center, here are the happenings to pencil in this month.
In his first full year as the theater's artistic director, Walker-Webb has launched an electrifying lineup of productions and introduced innovative community outreach programs. He’s just getting started.
Residents of this cluster of Northeast Baltimore neighborhoods prize the wooded escape of Herring Run Park, the increasingly lively main commercial strip in neighboring Lauraville, and proximity to several schools.
The Howard Street home furnishings store comes from owners Ellen Odoi and Yvette Pappoe of interior design studio Décorelle—whose ethos is that luxury decor should be within reach.
Tony Foreman's new pub—where chef Kiko Fejarang serves the Pacific Rim cuisine of her heritage—is a true original, fitting right into quirky Hampden with its playful yet polished vibe.
Creative force Rita Collins left Baltimore after graduating high school. Now, after exploring the world and launching a mobile book van in Montana, she’s spreading her love of reading in the city she left behind.
The makeover—"a once-in-a-generation kind of capital investment in Jewish culture in Baltimore City," according to director Sol Davis—places an emphasis on community participation and engagement.
After living with the pieces for 50 years, Koenigsberg is ready to release her father’s paintings.
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