Lydia Woolever is senior editor at Baltimore, where she covers people, food, music, arts, culture, and the Chesapeake Bay. She was born and raised on the Eastern Shore of Maryland and previously worked for Esquire magazine. Good chance you’ll find her at one of the city's beloved dive bars.
Pull out your calendar and pencil in everything from film and music festivals to open studio tours and powerful theater performances in the coming months.
From the city’s top artist to watch to the tastemakers who transformed Baltimore into a fashion destination overnight, we round up the art scene’s best of the year.
For two decades, owner Tony Pence was told the future of music would be online, with the final blow drawn by Gen Z. But those 14-to-29 year-olds are now the ones turning vinyl records into a billion-dollar industry.
On his 100-acre rolling pasture in Reisterstown, owner Shane Hughes makes sure his cattle live a natural life—roaming in the open air, feasting on farm-grown feed, and drinking from flowing streams.
Ahead of the concert on May 28, we caught up with the local indie-rock band about their 20th anniversary and new compilation album. Plus, a behind-the-scenes look at rehearsals.
As the band releases its sixth album, ‘Cold 2 The Touch,’ we chat with frontman Justice Tripp about growing up in Baltimore and hardcore music as an A.I. antidote.
On view Nov. 2 through next April, ‘American Sublime’ is a landmark retrospective featuring the former Baltimore-based artist’s most iconic works—thus far.
With a new album—the euphoric, funk-infused soundtrack to 'Cloud Nebula'—the local art collective’s sci-fi space operas are quintessential Baltimore DIY.
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