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The film is enormously clever—and a little exhausting.
Maestra Alsop brings a reimagined Beethoven’s Ninth Symphony—with a jazz ensemble and drum troupe!—to the Joseph Meyerhoff Symphony Hall.
The ceremony was derailed by a shocking incident involving Will Smith and Chris Rock.
Can the minor charmer really take home Hollywood’s top prize?
Star power alone almost saves this undercooked 'Romancing the Stone' knockoff.
Erotic thriller is neither erotic nor thrilling.
Peter Dinklage shines in this bizarre but captivating musical.
Birney's film 'Strawberry Mansion', an impossible-to-describe (by design) surrealist sci-fi romance/fantasy, opens at The Charles Theatre this Friday.
Just in time for Valentine's Day, J-Lo is back where she belongs.
The snubs, surprises, and frontrunners.
Antony's first two feature films—'Rat Film' and 'All Light, Everywhere,' both set in Baltimore—have a cult following and have been critically revered.
Thoughts on Joss Whedon and The Last Duel
Almodóvar has done it again with pitch-perfect melodrama about the ties that bind us.
Behind-the-scenes Beatles doc is like a dream come true for fans.
Heavy-handed climate change satire is more exhausting than enlightening.
No matter the size of your screen, the movies were good this year.
Nicole and Javier are great, but the film feels very Sorkin-y.
Fashion world melodrama is deliciously over-the-top.
Crowd-pleasing story about Venus and Serena's dad is anchored by Will Smith's tremendous performance.
In 1960s Ireland, an idyllic childhood is disrupted by violence.
Hell is being a member of the royal family, according to this claustrophobic Princess Diana biopic.
Wes Anderson loves 'The New Yorker' so much he made a (great) movie about it.
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